Ronit Kirchman

In this Eventide interview with Ronit Kirchman, she is quoted as:

I have always been excited by things that push the boundaries of structure: avant-garde, experimental jazz, and contemporary classical. And I’ve always been active in a whole range of musical languages, from pop songs to sounds that border on chaos and noise. All of it is part of an expanding universe of sonic possibilities.

Currently, she is using MangledVerb for both subtle and gritty reverb textures.

There is a moderate area of mangling, which can be subtle, a little bit under the radar, but it is definitely impacting how you perceive the sound.

In an interview with Eventide, Ronit Kirchman says:

One my favorite things about all the Eventide plug-ins is that their stated mission might be ‘x’ – but all of these plug-ins do a lot more, depending on how you are using the different parameters. Undulator is a great example of this—its functionality is modulated tremolo, which I appreciate, but it can do so much more. A lot of the plug-ins lend themselves to secondary ways of conceptualizing the processing function itself.