Sara Landry

Both tracks on my Sacrifice EP were made in Ableton Live 10 Suite, relying heavily on the functionalities that Live 10 Suite provides. The creation and mixing of my drums in both "Sacrifice" and "Silicon Hex" centers around Live's group-within-groups functionality, which I absolutely love and allows me to treat my drums in layers.

In their feature for Magnetic Magazine, Sara states:

This is my favorite and most-used piece of studio gear (aside from speakers and Apogee Symphony converters, of course). I LOVE my Push 2.

In Magnetic Magazine, Sara states:

The money I spent on the Soundtoys suite remains the best money I've ever spent on plugins. I absolutely love this entire suite... I use many of these plugins on each element in both of these tracks, particularly the delays, which absolutely shine when used in a parallel processing chain.

Usually, artists only gush about software like this when they've been comped a license... so good on Sound Toys for getting this kind of quote from a paying customer. :)

In Magnetic Magazine, Sara states:

I use Omnisphere for pads mostly, and my pad in Sacrifice is a custom pad from this VST.

In their interview for Magnetic Magazine, Sara states:

I use at least one instance of Serum in every track to create background textures and atmosphere.

Per Attack Magazine, re: studio shopping list:

Apogee Symphony I/O MKII 8×8 (I already have this in the 2×6 and I love it but I will need more I/O once I start filling all my rack space);

In this video Sara Landry mentions recently getting the Digitone.