I used that baritone on the title track parts one and two. There was one Dave [Cobb] had hanging up in the control room; a really cool Jerry Jones Longhorn. So it was really bright with the lipstick pickups. Technically a really ugly guitar and it was orange, the pressed board and strange shape… but it was still cool. I think it’s really groovy actually – it’s ugly awesome! I like that you can hear on Part 1 it’s obviously just gobs of fuzz and gain, and then on Hollow Bones Part 2 you can hear that same guitar really cleaned up. A baritone cleaned up really adds more of a Bass VI feel because it’s tuned A to A, so it’s not quite as much a baritone as it is a Bass VI because of the tuning. It’s very almost spaghetti western when it’s very, very clean like that – really cool.

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