Stan Ridgway

“I use Cubase audio-the VST full-blown 24 program. I even used that sequencer back when it was called Pro 24. I hard disk record on a Macintosh. I also have two ADATs and a Tascam DA-98, which I use for films, but most of the time if I’m making my own stuff I do it in the computer, and I spit it out either directly as a CD master, or I go through a Lightpipe to a DAT player. I do all my mixing and panning and EQ’ing within the domain of the panels of Cubase.” Ridgway currently uses a Mackie 24o8 console but says he’s seriously considering buying a digital board in the near future. “I recently purchased a Kurzweil K2500 and maxed that out with all the memory and sound blocks and the sampler. I like that a lot, especially for soundtracks and orchestral textures. I also have two Roland 770s that I use for sampling. I’m pretty lean and mean here.”

“I use Cubase audio-the VST full-blown 24 program. I even used that sequencer back when it was called Pro 24. I hard disk record on a Macintosh. I also have two ADATs and a Tascam DA-98, which I use for films, but most of the time if I’m making my own stuff I do it in the computer, and I spit it out either directly as a CD master, or I go through a Lightpipe to a DAT player. I do all my mixing and panning and EQ’ing within the domain of the panels of Cubase.” Ridgway currently uses a Mackie 24o8 console but says he’s seriously considering buying a digital board in the near future. “I recently purchased a Kurzweil K2500 and maxed that out with all the memory and sound blocks and the sampler. I like that a lot, especially for soundtracks and orchestral textures. I also have two Roland 770s that I use for sampling. I’m pretty lean and mean here.”