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Rediscover the retro allure of the Binson Echorec 2, a truly iconic piece of studio recording gear. Originating from the renowned Italian manufacturer Binson, this effects processor stands out for its unique use of a magnetic disk for creating echo sounds, deviating from the conventional tape-driven systems. This groundbreaking feature helped the Echorec 2 carve its niche in the music industry during its production years from 1960 to 1979. Now considered a rare gem, the Binson Echorec 2 remains a highly sought-after piece of equipment, providing a distinctive touch to any studio setup.

Key Features:

• Italian-made, vintage effects processor
• Utilizes a unique magnetic disk for creating echo sounds
• Produced between 1960 and 1979
• Highly sought-after due to its rarity and distinctive sound features.

Rediscover the retro allure of the Binson Echorec 2, a truly iconic piece of studio recording gear. Originating from the renowned Italian manufacturer Binson, this effects processor stands out for its unique use of a magnetic disk for creating echo sounds, deviating from the conventional tape-driven systems. This groundbreaking feature helped the Echorec 2 carve its niche in the music industry during its production years from 1960 to 1979. Now considered a rare gem, the Binson Echorec 2 remains a highly sought-after piece of equipment, providing a distinctive touch to any studio setup.

Key Features:

• Italian-made, vintage effects processor
• Utilizes a unique magnetic disk for creating echo sounds
• Produced between 1960 and 1979
• Highly sought-after due to its rarity and distinctive sound features.

Introducing the Universal Audio Galaxy '74 Tape Echo & Reverb Effects Pedal, a must-have for every musician who wants to capture that warm, vintage '70s sound. This pedal is an exceptional emulation of the classic Japanese tape echo unit, bringing back the rich, analog echo and reverb that defined the era. But it's not just about nostalgia, the Galaxy '74 includes a host of upgrades that outshine its inspiration.

Every aspect of the original's wow, flutter, and gritty preamp have been faithfully reproduced, offering a full modeling of the multi-head tape delay mechanism. It also features twice the repeat time, creating rhythmic possibilities that were simply impossible on the original. The UAFX Control App opens up a new realm of sound sculpting, allowing for real-time adjustments and customization of your effects.

Galaxy '74 isn't just a reverb and delay pedal; it's a time machine that takes your sound back to the golden era of rock and roll, while still providing the modern features that today's musicians need.

Key Features:

• Authentic emulation of a classic '70s Japanese tape echo unit
• Doubled delay times for enhanced rhythmic possibilities
• UAFX dual-engine processing for the highest level of sonic authenticity
• Compatibility with the UAFX Control App for enhanced adjustability
• Versatile tone-shaping options with secondary functions available
• Classic spring-style reverb for that splashy '70s sound
• Silent switching, buffered bypass, analog dry through, switchable trails mode, and stereo/dual mono operation
• Robust control section for precise tonal shaping
• Stereo reverb and delay pedal for maximum depth and atmosphere.

Introducing the Universal Audio Galaxy '74 Tape Echo & Reverb Effects Pedal, a must-have for every musician who wants to capture that warm, vintage '70s sound. This pedal is an exceptional emulation of the classic Japanese tape echo unit, bringing back the rich, analog echo and reverb that defined the era. But it's not just about nostalgia, the Galaxy '74 includes a host of upgrades that outshine its inspiration.

Every aspect of the original's wow, flutter, and gritty preamp have been faithfully reproduced, offering a full modeling of the multi-head tape delay mechanism. It also features twice the repeat time, creating rhythmic possibilities that were simply impossible on the original. The UAFX Control App opens up a new realm of sound sculpting, allowing for real-time adjustments and customization of your effects.

Galaxy '74 isn't just a reverb and delay pedal; it's a time machine that takes your sound back to the golden era of rock and roll, while still providing the modern features that today's musicians need.

Key Features:

• Authentic emulation of a classic '70s Japanese tape echo unit
• Doubled delay times for enhanced rhythmic possibilities
• UAFX dual-engine processing for the highest level of sonic authenticity
• Compatibility with the UAFX Control App for enhanced adjustability
• Versatile tone-shaping options with secondary functions available
• Classic spring-style reverb for that splashy '70s sound
• Silent switching, buffered bypass, analog dry through, switchable trails mode, and stereo/dual mono operation
• Robust control section for precise tonal shaping
• Stereo reverb and delay pedal for maximum depth and atmosphere.

Unleash the power of vintage echo to your music with the Boss RE-20 Space Echo pedal. This masterpiece brings back the legendary sound of the iconic Roland RE-201 Space Echo, giving your music a nostalgic yet vibrant feel. With 11 diverse modes, it offers a broad spectrum of delay options to craft your perfect sound. Its separate reverb and echo controls allow for nuanced adjustments, while the press-and-hold function introduces a captivating fluttery warble to your tone. Whether you're a studio musician seeking that classic echo or a live performer wanting to add depth to your sound, the Boss RE-20 Space Echo pedal is your ticket to a richer, more textured musical experience.

Key Features:

• Inspired by the iconic Roland RE-201 Space Echo
• Offers 11 different modes for a wide range of delay options
• Separate reverb and echo controls for detailed sound crafting
• Press-and-hold function for adding a fluttery warble effect
• Ideal for both studio and live performances

Unleash the power of vintage echo to your music with the Boss RE-20 Space Echo pedal. This masterpiece brings back the legendary sound of the iconic Roland RE-201 Space Echo, giving your music a nostalgic yet vibrant feel. With 11 diverse modes, it offers a broad spectrum of delay options to craft your perfect sound. Its separate reverb and echo controls allow for nuanced adjustments, while the press-and-hold function introduces a captivating fluttery warble to your tone. Whether you're a studio musician seeking that classic echo or a live performer wanting to add depth to your sound, the Boss RE-20 Space Echo pedal is your ticket to a richer, more textured musical experience.

Key Features:

• Inspired by the iconic Roland RE-201 Space Echo
• Offers 11 different modes for a wide range of delay options
• Separate reverb and echo controls for detailed sound crafting
• Press-and-hold function for adding a fluttery warble effect
• Ideal for both studio and live performances

A collaboration pedal with Michael Landau.

The “Butter Machine” was developed in collaboration with Michael Landau to create his ideal distortion pedal. We have made countless prototypes, which took more than 2 years in R&D. Having Michael use the prototypes at his sessions and on tour, we were able to hear his direct feedback and aim straight for his ideal driven tone. In addition, new ideas were implemented, and various improvements were made by testing the prototypes at his recording sessions and at his home studio in Los Angeles as well. As a result, we were able to create a “new type" of distortion pedal that is user-friendly and wide in range. It allows you to control your picking nuance and dynamics, and the drive goes from overdrive to full-on distortion effortlessly. Please enjoy the "Butter Machine”.

【The story behind the Butter Machine by Michael Landau】 "I’ve been using Vemuram pedals for over 10 years starting with the Jan Ray Overdrive. And over the years, Daiya and Shingo have become good friends during my many tours in Japan. The Vemuram pedals have always been in a class of their own in my opinion. All of their pedals have that big, bold Vemuram sound. And the company has the highest level of integrity regarding the way the pedals are designed and built.

In the past I’ve used an Ibanez SD9 as my high gain pedal, it was my main distortion pedal for many years, but I’ve always had a bit of a love-hate relationship with the pedal. It can be shrill and overly compressed if it’s not dialed in just right… So a couple of years ago I asked Daiya if he could design a distortion pedal that had the positive sonic qualities of the SD9, but without the overly compressed, high-end harshness. Daiya and I have spent many months listening to several prototypes that he designed, experimenting with them and making improvements.

We used the SD9 as a starting point but of course this new Vemuram distortion pedal is a higher grade unit with many improvements. Besides the Gain, Volume and Tone knobs, there are two trim pots that let you fine tune this pedal in a unique way. The “Sparkle” trim pot is a ‘Peaking’ type of boost centered around 6K that allows you to dial in the ‘Crunch’ of the high end. The “Low-Mid” trim pot allows you to add the perfect amount of bottom end. I used one of the prototypes on tour in 2022 and 2023, and also in the studio many times over the last year. In other words, this pedal has definitely been real time tested.

The final version of this new Vemuram distortion pedal has a perfectly open, natural feeling overdrive. It has gain and sustain for days… yet it stays clear, punchy and solid when you roll the volume back on your guitar. It’s very easy to dial in the perfect amount of overdrive with this pedal while keeping all of the musicality intact.

Vemuram has designed the best distortion pedal that I have ever played through. We named it the “Butter Machine”, and if you play through one you’ll know why. It’s a very satisfying sonic experience.

Cheers to Vemuram, and to all of the guitar rulers of the universe!" - Michael

Our new SD9/Super mod takes the fine sounding SD9 and makes it smoother, warmer, and clearer, while retaining all the gain and cool tones of the sonic distortion. It does not make it sound like a tube screamer. The SILVER mod is not really needed on the SD9, as it's not meant to be a transparent pedal like an overdrive. So we recommend the SUPER mod instead for the best tone without spending money on the expensive silver parts which make little difference on a distortion pedal. This mod will totally change the stock sound as you turn the tone knob up, making the whole range usable. Also our mod kills any remnants of high frequency noise or oscillation if you crank the knobs.

SH9™ - Scott Henderson signature distortion

"The SH9 is the best distortion pedal I’ve heard for live playing, and sounds equally great on the bridge and neck pickups. It has all the compression and punchiness needed for legato playing, plus a versatile tone knob, a low, clear bass frequency, and an overall fat and musical tone. This pedal rocks!" -Scott Henderson

Signature distortion pedal inspired by classic SD-9 circuit

Thick, compressed, amp-like tone

Improved Bass and lower Midrange response

Increased “girth” on high-register notes

Allows notes to “speak” properly

Increased output level

JRC4558 OpAmp

Optional 18vdc operation for increased headroom, less compression and alternate drive signature

True Bypass switching

Die cast zinc enclosure with custom powder coat

Made in USA

For the past 20 years, Jazz Fusion guitar great Scott Henderson has had a Maxon SD-9 Sonic Distortion parked on his pedalboard. He’s even gone so far as to call it “…the best distortion pedal ever made.”

Yet for all his praises, there were several shortcomings to the SD-9 that many players –Scott included– had discovered. Chief among these were a loss of low-end on high notes and a Tone control that was basically unusable past the 9 o’clock setting.

Over the years, many boutique pedal builders have modified the SD-9 in hopes of improving its performance, but they have all missed the mark—Until now.

TWA is very excited to announce our first signature model, as well as our first collaboration with Tube Screamer creator Susumu Tamura – the Scott Henderson SH9 Signature Distortion.

With the SH9, Mr. Tamura has taken the basic SD-9 circuit architecture that he invented in 1981 and re-worked it to meet Scott Henderson’s exacting performance standards.

Mr. Tamura has shifted the center frequency of the SH9’s Tone control and focused it in the lows and lower-mids. Even as the Tone control is turned up, there is no loss of the bass frequencies that Scott considers essential for allowing notes to speak properly in the higher registers on the guitar.

This increased note girth combined with the SH9’s inherently compressed sound allows Scott to effortlessly articulate the fluid, horn-like lead tones that he is known for.

Another useful improvement to the SH9 circuit is an increased output level that helps the pedal to be heard clearly in a full band context.

Mr. Tamura also designed the SH9 to operate with 9-or 18-volt power. Although Scott only uses the pedal with 9-volts, powering it with 18 VDC will allow for increased headroom with less compression and a slightly different character to the distortion.

The SH9 is housed in a die-cast zinc chassis and coated with a beautiful and durable metallic purple powder coating that was chosen by Scott (we love it too!).

Only the highest quality components such as ALPS potentiometers, Marushin Jacks, KOA/Speer resistors and WIMA, Nichicon & Kemet capacitors are used in the SH9 circuit in order to maintain the highest standards of tonal reproduction.

The SH9 is available with two different faceplate screens: The first version highlights the SH9 logo in the same trademark lime-green color as the original SD-9, while the second, all-white screen features a replication of Scott’s signature.

We would like to offer our heartfelt thanks to both Scott Henderson and Susumu Tamura for their involvement in this project and their willingness to go above and beyond the norm. We have learned many invaluable lessons during our interactions with these two Masters of their crafts.

We are deeply honored to have been a part of the SH9 development. We had been knocking this one about for the better part of three years, and there were several times that we didn’t think it would get off the ground – we’re very pleased that the SH9 has finally taken flight.

The Mister Box is a limited prototype run hard clipping diode distortion prototype designed with input from a famous LA session player.

Each Pedal was built personally by Jeorge Tripps in Burbank, California. Limited to ten pieces only worldwide.

Available exclusively from guitarguitar for £299.

Elevate your tone to new heights with the Benson Amps Germanium Boost, a testament to the fusion of vintage soul and modern precision. This pedal stands out in the realm of boost effects, offering a crystal-clear, high-headroom boost that faithfully amplifies your guitar's natural voice without introducing unwanted coloration. Designed with the discerning guitarist in mind, the Germanium Boost marries the classic allure of germanium transistor technology with a cutting-edge voltage-controlled error-correction circuit. This innovative feature ensures a stable, consistent boost free from the pitfalls of temperature fluctuations and component variability. Whether you're pushing your amp to sing or adding a touch of warmth to your tone, the Germanium Boost delivers with unmatched purity and reliability.

Key Features:

• Full-range boost pedal with high headroom for a clean, uncolored boost
• Utilizes a voltage-controlled error-correction circuit for stability and consistency
• Designed to counteract component drift, leakage, and temperature-related issues
• Perfect for enhancing your guitar's natural tone without additional coloration

Elevate your tone to new heights with the Benson Amps Germanium Boost, a testament to the fusion of vintage soul and modern precision. This pedal stands out in the realm of boost effects, offering a crystal-clear, high-headroom boost that faithfully amplifies your guitar's natural voice without introducing unwanted coloration. Designed with the discerning guitarist in mind, the Germanium Boost marries the classic allure of germanium transistor technology with a cutting-edge voltage-controlled error-correction circuit. This innovative feature ensures a stable, consistent boost free from the pitfalls of temperature fluctuations and component variability. Whether you're pushing your amp to sing or adding a touch of warmth to your tone, the Germanium Boost delivers with unmatched purity and reliability.

Key Features:

• Full-range boost pedal with high headroom for a clean, uncolored boost
• Utilizes a voltage-controlled error-correction circuit for stability and consistency
• Designed to counteract component drift, leakage, and temperature-related issues
• Perfect for enhancing your guitar's natural tone without additional coloration

The Westminster Effects Zwingli SDD-3K Preamp is a high-quality, transparent preamp designed to enhance your guitar tone with exceptional clarity and dynamic range. Drawing inspiration from the iconic preamps of the 1980s, the Zwingli SDD-3K offers a straightforward, no-frills design that lets your instrument's natural sound shine through. With its low-noise circuitry and smooth response, this preamp is perfect for adding definition to your clean tones or pushing your amp into overdrive with clarity. Whether you're performing live or recording in the studio, the Zwingli SDD-3K Preamp provides a reliable, professional-grade foundation for your tone.

Dive into the sonic landscape of the '80s and beyond with the Korg SDD-3000, a powerhouse pedal that revives its rackmounted ancestor's iconic sound. This compact marvel doesn't just mimic the past; it propels it into the present with advanced programming capabilities and a user-friendly interface. From lush delays to rich, textural layers, the SDD-3000 offers unparalleled control and versatility, making it a must-have for studio and live settings alike. Whether you're crafting atmospheric soundscapes or sharp rhythmic patterns, this pedal places a universe of sound at your feet, all while maintaining the character that made its predecessor legendary.

Key Features:

• Programmable pedal with triple delay function, mirroring its renowned '80s rackmounted version.
• Integrated pre-amp and filter circuit for enhanced tone shaping.
• Wide array of delay options with up to 4000 ms delay time.
• Selection of 8 distinct delay types for versatile sound production.
• MIDI compatibility for seamless integration into modern setups.

Dive into the sonic landscape of the '80s and beyond with the Korg SDD-3000, a powerhouse pedal that revives its rackmounted ancestor's iconic sound. This compact marvel doesn't just mimic the past; it propels it into the present with advanced programming capabilities and a user-friendly interface. From lush delays to rich, textural layers, the SDD-3000 offers unparalleled control and versatility, making it a must-have for studio and live settings alike. Whether you're crafting atmospheric soundscapes or sharp rhythmic patterns, this pedal places a universe of sound at your feet, all while maintaining the character that made its predecessor legendary.

Key Features:

• Programmable pedal with triple delay function, mirroring its renowned '80s rackmounted version.
• Integrated pre-amp and filter circuit for enhanced tone shaping.
• Wide array of delay options with up to 4000 ms delay time.
• Selection of 8 distinct delay types for versatile sound production.
• MIDI compatibility for seamless integration into modern setups.

Faithful floor-based reproduction of the legendary Roland SDE-3000 rackmount digital delay from the 1980s Classic warm digital delay sound with extended features for modern rigs Distinctive retro display and panel controls based on the original SDE-3000 Includes two full-featured delays, each with independent parameters, mono/stereo modulation, and panning Widely adjustable delay time with two range settings: 0–1500 ms and 0–3000 ms Characterful modulation inspired by the original circuit design Phase switches for the primary delay and delay feedback loop Adjustable low-cut and high-cut filters for shaping delay feedback sounds Two inputs and two outputs for dual mono, wet/dry, or stereo setups Selectable series or parallel operation for the two delays Save and recall sounds with 100 memories Assignable onboard footswitch control for tap tempo, hold, and more Jacks for extended operation with up to four footswitches, two expression pedals, or the GA-FC/GA-FC EX foot controller MIDI I/O on space-saving mini TRS jacks

For optimal performance, stay up to date with the current SDE-3000D system software.

The JHS SuperBolt V2 is a versatile and dynamic overdrive pedal, designed to recreate the iconic tones of '60s-era Supro amps. This pedal offers more than just vintage rock tones, it’s a versatile tool that allows you to explore a wide range of sounds. By simply tweaking the Drive and Tone controls, you can easily transition from the gritty, cutting edge of classic rock to the smooth, mellow tones of Chicago blues.

The SuperBolt V2 goes beyond being a simple overdrive pedal. It also functions as an amplifier with its volume control acting similarly to that of old amplifiers, providing a tube rectifier-like sag as the Drive control is turned up. The pedal also internally converts 9V to 18V, offering a high level of headroom and a punchy output.

The JHS SuperBolt V2 also offers two footswitchable gain levels. By pairing it with the JHS Red Remote, you gain access to the pedal's higher-gain settings on the fly. This feature is like having two SuperBolts in a compact, pedalboard-friendly package. The LED changes from blue to red, indicating the status of the boost circuit.

Key Features:

• Replicates the clear and gritty tones of '60s Supro tube amps
• Drive knob functions like the volume controls on vintage amps
• Increases tube rectifier-like sag as Drive control is turned up
• Tone control ranges from warm and mellow to cutting and aggressive
• Internally converts 9V to 18V for increased headroom and punchy output
• Gain knob sweeps from near-clean to full-meltdown mode
• Two footswitchable gain levels accessible with JHS Red Remote
• LED changes from blue to red indicating the boost circuit status
• True Bypass
• Made in the USA
• Note: No battery operation possible. Power supply via 9V power supply unit (not included in delivery)

The JHS SuperBolt V2 is a versatile and dynamic overdrive pedal, designed to recreate the iconic tones of '60s-era Supro amps. This pedal offers more than just vintage rock tones, it’s a versatile tool that allows you to explore a wide range of sounds. By simply tweaking the Drive and Tone controls, you can easily transition from the gritty, cutting edge of classic rock to the smooth, mellow tones of Chicago blues.

The SuperBolt V2 goes beyond being a simple overdrive pedal. It also functions as an amplifier with its volume control acting similarly to that of old amplifiers, providing a tube rectifier-like sag as the Drive control is turned up. The pedal also internally converts 9V to 18V, offering a high level of headroom and a punchy output.

The JHS SuperBolt V2 also offers two footswitchable gain levels. By pairing it with the JHS Red Remote, you gain access to the pedal's higher-gain settings on the fly. This feature is like having two SuperBolts in a compact, pedalboard-friendly package. The LED changes from blue to red, indicating the status of the boost circuit.

Key Features:

• Replicates the clear and gritty tones of '60s Supro tube amps
• Drive knob functions like the volume controls on vintage amps
• Increases tube rectifier-like sag as Drive control is turned up
• Tone control ranges from warm and mellow to cutting and aggressive
• Internally converts 9V to 18V for increased headroom and punchy output
• Gain knob sweeps from near-clean to full-meltdown mode
• Two footswitchable gain levels accessible with JHS Red Remote
• LED changes from blue to red indicating the boost circuit status
• True Bypass
• Made in the USA
• Note: No battery operation possible. Power supply via 9V power supply unit (not included in delivery)

The Ethos Overdrive was inspired by one of the most sought after boutique guitar amplifiers ever made. Extensive time and attention to detail were required to emulate the tone and responsiveness of this amplifier. The key to Ethos tone, is its ability to transition from clean to overdriven tones just by the articulation of the guitar pick or guitar volume control. The Ethos not only offers great tone and touch sensitivity, but also provides a high degree of flexibility in one compact package. The Ethos provides two independent channels with an integral boost function resulting in 3 different footswitch selectable sounds. The Ethos can operate in many working situations as well. It can be used as a guitar amp pedal, a DI interface for broad band systems (e.g. PA, studio, or PC ) and a preamp that can feed a power amp/speaker combination.

Key Features: • Dual Independent Channels with EQ – Overdrive – Clean • Preamp Boost (OD Channel) • Speaker Simulation Output • Guitar Amp Compensation Circuit with Hi-Cut • Tone Stack Toggles including: – Brite – Modern / Classic – Jazz/Rock • Operates on a +9V battery or +12VDC Wall Adapter • Buffered Inactive Mode Mitigates Loading Effects • Compact Size packaged in a rugged die-cast aluminum chassis

The Module 4 is a dual-voice compressor pedal capable of fulfilling a wide range of compression needs – designed to meet and exceed your expectations. It brings analog studio-grade compression power directly to your pedalboard. Perfectly tone-tuned and ingeniously engineered, it allows you to quickly and easily dial in your desired compression, tone and feel, without any hassle.

Experience:

Two Distinct FET Compression Voices Explore the iconic Orange Squeezer's warmth and character OR the pure transparency of a modern True FET compressor. Enjoy a diverse pallete of compression flavors.

Precise yet Easy to Use Controls Easily dial in your ideal compression effect with the dedicated Preamp, Attack & Release, Blend, Tone & Boost controls, plus a Low End cut option for added versatility. Discover the joy of effortless tone shaping in any musical situation – whether on guitar, bass, or beyond.

Orange Squeezer, Evolved! Experience the iconic ‘70s Orange Squeezer style compression like never before. Expanded control and adaptability now allow this legendary compression and its character to shine through on any guitar or pickup output.

Ultra-Quiet Studio Versatility Ultra-low-noise operation, a built-in expander for noise reduction, and three bypass options for unique signal chain flexibility. High headroom circuitry and a 3‑color gain reduction meter.

The Module 4 is a marvel of compressor design. Experience awe‑inspiring compression with any instrument. It is a compressor equipped to handle all your compression needs, delivering professional results with a few simple twists of a knob. Whether you’re a seasoned pro or just starting your musical journey, this dual‑voice compressor will inspire you to create music that truly reflects your artistic vision.

Unleash the raw power of tube-like overdrive with the Hermida Audio Zendrive2. This pedal is a masterpiece, offering the nuanced dynamics and organic warmth that discerning guitarists crave. Whether you're dialing in a subtle, bluesy edge or pushing towards a thick, saturated roar, the Zendrive2's responsive controls and high-voltage FET technology ensure your tone remains rich and full of character. Perfect for players looking to elevate their sound with a versatile, easy-to-use pedal, the Zendrive2 promises to be an indispensable addition to your rig.

Key Features:

• High-voltage FET technology for authentic tube amp characteristics
• Wide gain range for everything from light overdrive to heavy saturation
• Responsive controls for precise tone shaping
• Ideal for various music genres, from blues to rock
• Compact design fits easily on any pedalboard

The ZENDRIVE 2 is a variation of the original ZENDRIVE with the addition of a dual triode pre-amp tube. The tube is socketed and can be replaced with other preamp tubes. Different tubes can change the voicing and gain of the pedal. The ZENDRIVE 2 comes with a modern Tung Sol 12AX7 tube, but can also use a 12AT7, 7025, 5751 or similar pre-amp tubes. You must use a 9V 200 mA adapter with these pedals as it does not operate with a battery.

Between April of 2016 and May of 2016 Alfonso Hermida built a small batch of these incredible units. They are ready to ship and very rare! We only have this one small batch of units Alfonso built available. We have a NO return, NO cancel policy on these particular units because of the time involved to produce them.

The NEW Zendrive 2 features high voltage FET technology that incredibly clones the Tung-Sol 12AX7 response. Now less space is required and a longer life span is gained by using Alfonso’s new setup. We have 50 units on hand in GOLD ready to ship.

FEATURES Low-to-medium gain TUBE overdrive TUNG-SOL 12AX7 TONE!

Slight overdrive to mild distortion

Great dynamic response and open sound

Connectors: Input, Output, DC adapter

Power Supply: 9VDC center neg. adapter or 9 VOLT BATTERY

Current Draw 25 mA

The first official Dumble product, built as early as 1966, variations of the Dumbleland and Winterland bass amplifier ranged from 150 to 300 watts.

The listed tube complement is two 7025 high-mu twin triodes, a 5751 high-mu twin triode, a 12AU7, a 12BH7, and a 6550A, however these are amp specific specs, and often varied depending on the player the amp was built for.

The first official Dumble product, built as early as 1966, variations of the Dumbleland and Winterland bass amplifier ranged from 150 to 300 watts.

The listed tube complement is two 7025 high-mu twin triodes, a 5751 high-mu twin triode, a 12AU7, a 12BH7, and a 6550A, however these are amp specific specs, and often varied depending on the player the amp was built for.

According to some sources, the Dumbleland Special was effectively replaced by the Steel String Singer, which is an evolution of the same circuit.

A 150 watt amp head, featuring 6550 power tubes. The Dumbleland is the earliest original Dumble design, and was effectively replaced by the Steel String Singer.

The first official Dumble product, built as early as 1966, variations of the Dumbleland and Winterland bass amplifier ranged from 150 to 300 watts.

The listed tube complement is two 7025 high-mu twin triodes, a 5751 high-mu twin triode, a 12AU7, a 12BH7, and a 6550A, however these are amp specific specs, and often varied depending on the player the amp was built for.

A 150 watt amp head, featuring 6550 power tubes. The Dumbleland is the earliest original Dumble design, and was effectively replaced by the Steel String Singer.