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Average Price: $367
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$100
$251+
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Description
Unleash the power of vintage echo to your music with the Boss RE-20 Space Echo pedal. This masterpiece brings back the legendary sound of the iconic Roland RE-201 Space Echo, giving your music a nostalgic yet vibrant feel. With 11 diverse modes, it offers a broad spectrum of delay options to craft your perfect sound. Its separate reverb and echo controls allow for nuanced adjustments, while the press-and-hold function introduces a captivating fluttery warble to your tone. Whether you're a studio musician seeking that classic echo or a live performer wanting to add depth to your sound, the Boss RE-20 Space Echo pedal is your ticket to a richer, more textured musical experience.
Key Features:
- Inspired by the iconic Roland RE-201 Space Echo
- Offers 11 different modes for a wide range of delay options
- Separate reverb and echo controls for detailed sound crafting
- Press-and-hold function for adding a fluttery warble effect
- Ideal for both studio and live performances
Product specs
| Brand | Boss |
| Model | RE-20 Space Echo |
| Finish | Green |
| Year | 2007 - 2025 |
| Made In | Taiwan |
| Categories | Delay Pedals, Reverb Pedals |
FAQs
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What kind of delay effects can the Boss RE-20 Space Echo produce?
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The Boss RE-20 Space Echo emulates the classic multi-head tape echo effects of the original Roland RE-201, offering a range of rich, vintage delay sounds with adjustable delay time and intensity.
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Is the Boss RE-20 Space Echo suitable for live performances?
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Yes, the Boss RE-20 Space Echo is designed for live use, featuring stereo outputs and a footswitch for hands-free control, making it ideal for dynamic sound manipulation during performances.
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How does the Boss RE-20 Space Echo differ from other delay pedals?
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The Boss RE-20 Space Echo stands out with its authentic tape echo emulation, spring reverb integration, and the ability to adjust tape modulation effects like Wow and Flutter, offering a unique vintage sound experience.
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Can the Boss RE-20 Space Echo be powered with a standard pedal power supply?
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Yes, the Boss RE-20 Space Echo requires a 9V power supply with a current draw of 75 mA, which is compatible with most standard pedal power supplies.
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Does the Boss RE-20 Space Echo work well with both guitar and bass?
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The Boss RE-20 Space Echo is versatile and works well with both guitar and bass, providing rich, ambient delay effects suitable for various musical styles.
Videos
Guitar World
Boss RE-20 Roland Space Echo
Reviews
PROS
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Authentic tape delay emulation
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Adds character and vintage vibe to sound
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Durable and reliable build quality
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Easy to use with a one-knob-per-function interface
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Versatile delay and reverb options
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Built-in tap tempo feature
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Unique oscillation and ramp up features
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Can be used with various instruments, including vocals
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Inspires creativity with its sound modulation capabilities
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Does not require the maintenance of an actual tape machine
CONS
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Some find the reverb quality a bit artificial in certain settings
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Learning curve for new users
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Lacks the ability to save presets
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Some may prefer the sound of actual tape machines or other emulators
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Boss RE-20 Space Echo.
Use cases and applications
Features and functionality
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The RE-20 is noted for producing a unique pitch effect when changing modes while delays are feeding back, a feature missing in the RE-202.
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The RE-20's tap tempo allows for easy quarter note tapping across all modes, unlike the RE-202, which requires switching to mode 1 for the same effect.
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The RE-20's maximum delay time is 6 seconds, significantly longer than the RE-202's 2-second maximum in long mode, impacting extended ambient soundscapes.
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The RE-20 includes a preamp that emulates the original effect, always on, unlike the adjustable preamp in newer models.
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The RE-20 allows control over echo level with an expression pedal, affecting delay signal intensity without altering the dry or reverb sections.
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The RE-20, despite being an older model, was one of the first tape delay pedals to incorporate tap tempo functionality.
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The pedal's multi-head selection offers versatility with options for echo, reverb, or both simultaneously.
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Comparisons
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The RE-20 is praised for its ability to create a "modulated delay soup," with a flangey sound that subtly hangs in the background, unlike the punchier presence of the RE-202.
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Some owners prefer the RE-20's oscillation and echo sound over more modern alternatives like the Strymon Timeline due to familiarity and tonal preference.
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The RE-20 is considered a straightforward emulation of the original RE-201, while the newer RE-202 adds features like adjustable tape "age" and additional reverb types.
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User experience
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Some owners report that the RE-20's repeats have a laid-back presence, making it challenging for rhythmic delay but ideal for melding into the background with long feedback times.
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Users note that the RE-20's reverb can be underwhelming alone, but when mixed subtly with delay, it contributes positively to the overall sound.
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Owners highlight the RE-20's unique capability for creating ambient, spacious sounds, often comparing it favorably to newer models.
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Mods and upgrades
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Adding a $30 bypass loop pedal allows users to manage the RE-20's always-on master volume and potential clipping, enhancing compatibility with high-end amps.
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Setup and maintenance
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To avoid tone suck from the always-on preamp, users suggest placing the RE-20 in an effects loop using a bypass pedal.
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4.5 out of 5
Based on 18 Reviews and 192 Ratings
137
the sound in my head
The RE-20 is a very inspiring pedal. Most days I have the reverb set to minimum, the bass turned up to 3 and the treble turned down to 9 with the intensity just up to where it almost wants to self-oscillate and then play. I can turn the mode and play a chord and listen and then just go off on a new idea. Turn the mode again and it's another idea. It is the darkness you can get out of the repeats and the momentary switch gives the all the UFO effects you may want. Go the other way with it and turn the intensity down and the repeat rate up a bit and it gives a great retro slapback sound.
Apologies for the terrible playing, but nothing says what it sounds like better than just listening to it.
With an Orange Kongpressor into the dirt channel on an Orange CR35RT. Gretsch G5230T guitar.
https://soundcloud.com/homeinmyshoes/voice-054-sd?si=01e9f475e3cc4e81981b8c5e4ea49463&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
110
Excellent
Just excellent, no complaints. Mine has had a rough life but keeps on keeping on like a champ. When it dies (will it die?) I will replace it with the re-202.
319
Best tap echo simulator
This Boss pedal is better than any boutique tape echo emulator. It is based on the specific model Roland RE-201. The ramp up feature is unique. Guess what this pedal is even great for vocals. Creepy dark trails it has which I love. Sci-fi soundtrack tool. Try it with a Fender Rhodes, a match made in Heaven.
57
Good sounding reverb/delay
I love the delay effect here and also the reverb is good although it might sound a bit artificial with certain settings. It was a bit confusing to learn how to use this pedal at first, but after looking up the manual (stupid me not doing it in the first place) I got it figured out.
1798
Beautiful digital emulation
I've seen a lot of my favorite artists use this as a portable substitute for their RE-201s on the road and it gets the job done. You can create the spaciest most atmospheric tone with the Roland Space Echo. It's such an amazing pedal even by itself and I highly recommend buying one for yourself if you're a fan of lush, dreamy warbley tape delay than this. Especially a tape delay with tap tempo and tape that never breaks!
342
Definitely a keeper
Bought this pedal over a year ago, still using it for recording, doing gigs or just jamming around, from reverb, slapback to oscillation this pedal can do it, although the only drawback is, it doesn't feature the ability to save preset, however the tap tempo feature in this pedal able to compensate that drawback.
152
Great Digital Tape Delay Pedal
I love this pedal, it has all the features the old RE-20 had in a digital compact stompbox. Bad feature: No presets or memory. Good stuff: great, great sound, tap tempo, built as any boss: like a tank.
125
The one that got away
To be honest, I'm not sure why I got rid of this. I have an El Capistan now and I love it, but I think I got rid of this in the middle of a pedal existential crisis and I regret it now. Has that tasty tape sound.
Almost like the real thing with some advantages too.
There are some settings that this can do that the real thing doesn't, and, of course, the Intensity on this is nowhere near it's analog predecessor. Obviously easier to travel with. Love them both. I also have the UAD plug-in version of the RE-201.
Great pedal
It is not like the original but better than the plugin ... has as its strong point that does not require maintenance and is easy to carry
Artist usage
Add artist
John Mayer uploaded a YouTube video in Jan 2008 called "I Think She Knows Interlude," and in the video description he says the following:
Heard this in the car today, wanted to try it out... Collings I-35 through a Roland Space Echo pedal, Cornish NG-2 Fuzz and Fender '64 Vibroverb... Looped through a Boomerang pedal.
Roland Space Echo pedal refers to the Boss RE?20 Space Echo pedal.
A boss RE-20 Space Echo pedal can be seen in the top left-hand corner of this photo of Kevin's effects board. Kevin used this pedal configuration just after the release of Tame Impala's Lonerism.
This Boss RE-20 Space Echo Delay Pedal is seen in Josh Homme's pedalboard for the Queens of the Stone Age.
in the photo http://31.media.tumblr.com/tumblr_m9s7nfNlQh1qa1wxx.jpg of Jonny Greenwoods pedalboard he has a Boss RE-20 Space Echo pedal. It is used to replace the Roland Space Echo he used to tour with.
The presence of the Boss RE-20 Space Echo on Thom Yorke's pedalboard is confirmed by a visible image in the source, clearly showing the equipment in use.
The pedal can be seen right next to his hand messing around with an EHX Memory Man
On his artist page on the official Roland website, it is confirmed that Omar Rodríguez-López uses a Boss RE-20 Space Echo pedal.
Album Usage
The Boss RE-20 Space Echo has been featured on the following albums:
Frenetic (Remastered)
Miles Large (2025)
Revuelta
Los Tres (2024)
Circadian Cycle
Miles Large (2019)
The Wonderful World of Rei Ayanami
Miles Large (2018)
Leave Fast
Sam Fender (2018)
Strange
Miles Large (2017)
Delta
Mount Kimbie (2017)
Mineral
OKRAA (2016)
Lightning At The Door
All Them Witches & All Them Witches (2016)
Hollow Meadows
Richard Hawley (2015)
Hasta la Raíz (Edición Especial)
Natalia Lafourcade (2015)
Asymmetry
Karnivool (2013)
Invisible / Amenaza
Pional (2013)
Mechanical Bull (Expanded Edition)
Kings of Leon (2013)
Sistrionix
Deap Vally (2013)
Vultures
Kensington (2012)
Octopus
Bloc Party (2012)
Lonerism
Tame Impala & Kevin Parker (2012)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Boss RE-20 Space Echo, it is most commonly used with the following gear.
Community setups
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The nux tapecore deluxe offers a very similar sound with a more compact pedal, easier to navigate through, and much more affordable! Although it features less effects, it still has all that's needed and more for the desired tape echo sound!
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