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Take a trip down the psychedelic path with Rocktron's Vertigo Rotating Vibe pedal.

Famous players like Hendrix and Robin Trower have used "vibes" to produce this awesome, dizzying effect.

There is nothing quite like this pedal for that "uni-vibe kinda voodu" attitude. Psychedelicize your sound and add a third dimension. You'll wonder why you never used a vibe before. A little bit might make you woozy, and a lot might make you dizzy. But this unique effect needs to be in your toolbox.

The "VIBE" mode adds a new level of dynamic that puts the Vertigo in a class all by itself. When the "VIBE" mode is engaged the Vertigo Vibe changes the "character" of the rotation, producing the magical, voodoo Jimi sounds. Experiment here with clean and distorted sounds - you can certainly find your "own" tone!

When not in the "VIBE" mode the Vertigo produces a fast and slow "LESLIE" effect. However, unlike a Leslie cabinet the speed of the sweep is adjustable making the Vertigo Vibe an extremely versatile effect. And no having to hunt down those expensive and heavy Leslie cabinets.

The Active switch turns on or off the effect. Pressing the Rate/Fast switch will automatically change the rate of the sweep from where the Rate control is set to the pre-determined "FAST" rate in the same fashion a Leslie cabinet ramps from slow to fast. The benefit here, as opposed to a Leslie, is YOU get to determine the final slow speed with the Rate control. The Rate control adjusts the overall rate of the Vertigo Vibe. A Rate/Fast LED will flash to show the rate sweep. The Depth control adjusts the overall depth of sweep. Level control adjusts the overall level of the effect. Pressing the Vibe Mode switch activates the Vibe mode. The Vibe LED will light when the Vibe Mode is active.

Housed in Rocktron's road rugged extruded aluminum chassis, the Vertigo is ready to handle the road action.

The Leslie “G” pedal is targeted for Guitar use looking for the classic rotary sound. Based on the Digital Leslie circuitry pioneered on the best-selling Hammond “Sk” Stage Keyboards, the Leslie “G” Pedal has a smaller footprint to facilitate an easier fit into guitarist’s pedal-boards, while retaining many of the features of the popular original pedal, and at a lower price.

The “G” features three classic hot-rodded cabinet styles for the player to choose-Models122, 147, and the 18v (the Leslie model designation of the original vibratone single rotary speaker). A rotary pot allows the simultaneous adjustment of the rise and fall times (or “ramp”) of the virtual upper & lower rotors. Distance of the virtual microphone is optimized for each cabinet’s model, as is the “mix” of upper and lower levels. Overdrive is also optimized for each cabinet selected.

New to the “G” Leslie Pedal, are “Dry” and “Wet” controls. Adjustment of the “Wet” determines the volume of the effected sound sent to the output, while the “Dry” permits the straight or unaffected sound of the guitar or instrument attached and blended with the effected tone, when more clarity is desired. A “Red Line” control, provides precise adjustment of the overall “fast” speed of the virtual rotors. A further new function allows the user to store a preset of their-own design, recalled by the cabinet selector.

Two stomp switches are provided, one toggles the effect on/off, with the other controlling the slow/fast speed of the Leslie effect. When the effect is “off” the input is true bypass. The input jack is ¼” TRS, accepting mono or stereo signal with left and right stereo output jacks.

Rotary speaker cabinets impart a one-of-a-kind type of chorus effect. This pedal faithfully recreates the swirling textures and vintage warmth of those rotary cabinets. Tucked inside Keeley’s laser cut aluminum case is a brand new set of circuit boards delivering the finest tone we’ve ever achieved. The quality is so impressive that it’s knocking industry titans off pedal boards.

The "Clue's Breaker" overdrive from your pals Drew and Aida at Daddy Daughter Pedal Works!

this one is based on the famous Blues Breaker originally from Marshall. We've tweaked a few things and added a couple of our favorite mods to this circuit. The tone control has been tuned to give what we believe to be a very forgiving range for almost any guitar/pickup combination. When rolled all the way down, it doesn't quite have that "wet blanket on the amp" kind of thing going on. And when maxed out it doesn't quite have that "ice pick to the ears" kind of shrill harshness.

We've also added two toggles which allow for a lot of flexibility when shaping the kind of overdrive sound you're after. The "clip" toggle selects between soft clipping in the down position, hard clipping in the up position and no clipping/diode lift in the center position.

The "gain" toggle selects between low and high gain settings. While this is still noticeable with the clipping toggle in the center position, it's a little more pronounced in the soft or hard position. This is because switching to the high gain mode, the clipping diodes will clip a lot sooner and give you a little more crunch.

You can go from an almost clean kind of boost with the the drive set low, no clipping diodes, the low gain setting and the drive control rolled down a bit.

Or you can go with a pretty aggressive sound with soft or hard clipping, high gain mode and the drive control cranked.

And of course, you have all of the options in between!

Built exclusively for Carter Vintage Guitars in beautiful Nashville, TN. The Extra Hot is the spiritual successor to the Hot Chicken* pedal we made a number of years ago with a handful of changes.

The updated Extra Hot has two different circuits than the OG unit. The Left "Dine In" side features our take on the ever popular ODR sound. This side features Cut (Tone) and Size (Bass) controls that let you shape the voice to fit any setup. We have dabbled in the circuit in the past with the Erlking, but we wanted to reduce the high end and make it a bit more approachable.

The "Take Out" side is an updated version of the drive from our Air Lane Drive/ 210 Double Drive pedals. The Flavor control allows you to adjust the Gain with the Sauce being a Volume control. The Take Out side is a simple single transistor, hard clipped overdrive that can be a boost, a low gain drive, to an almost fuzz like dirt pedal. Combining both sides yields a huge variety of sounds in a easy to use dual format.

We found that all the bells and whistles one might expect from a two-in-one were NOT necessary in this box. This dual drive is made to plug in, crank, and play. Both sides work independently, but there is no order switcher on the Extra Hot.

Introducing the Keeley Super AT Mod Andy Timmons Signature Overdrive Pedal, a distinctive blend of overdrive, distortion, and boost. This limited edition pedal, capped at 2,000 pieces, is an exceptional addition to any musician's gear. Developed in collaboration with renowned guitarist Andy Timmons, it encapsulates the magic of the original modded Blues Driver Phat Mod, maintaining clean and tight chord work and harmonies without sacrificing gain.

This pedal brings back the classic Asymmetrical Tube Clipping style, which mirrors the response of a tube amp. It's like having a mini-amp inside your pedal, all thanks to the use of JFET transistors in place of tubes. The Super AT Mod Overdrive Pedal incorporates the filtering of an amp's tone stack, ensuring nothing is left out.

The pedal features a Tone Switch with two distinct modes. The AT-mode is voiced for humbuckers and offers lower mid-bass frequencies for a tighter, more transparent response. Alternatively, the original Keeley PHAT mode amplifies the power behind your favorite single-coil-equipped guitar, ensuring a versatile performance no matter your setup.

Key Features:

• Overdrive, distortion, and boost effects
• Limited edition of 2,000 pieces
• Developed in cooperation with Andy Timmons
• Based on the legendary Blues Driver modified by Keeley
• Two different tone modes: AT mode for humbuckers and original Keeley PHAT mode for single coils
• True bypass feature
• Controls for level, tone, drive
• Toggle switch for switching between AT and PHAT modes
• 6.3 mm mono jack input/output
• Bypass footswitch
• Status LED
• Metal housing
• Power supply via 9V DC power supply unit (not included)
• Power consumption: 12 mA
• Made in USA
• Note: Battery operation not supported.

Introducing the Keeley Super AT Mod Andy Timmons Signature Overdrive Pedal, a distinctive blend of overdrive, distortion, and boost. This limited edition pedal, capped at 2,000 pieces, is an exceptional addition to any musician's gear. Developed in collaboration with renowned guitarist Andy Timmons, it encapsulates the magic of the original modded Blues Driver Phat Mod, maintaining clean and tight chord work and harmonies without sacrificing gain.

This pedal brings back the classic Asymmetrical Tube Clipping style, which mirrors the response of a tube amp. It's like having a mini-amp inside your pedal, all thanks to the use of JFET transistors in place of tubes. The Super AT Mod Overdrive Pedal incorporates the filtering of an amp's tone stack, ensuring nothing is left out.

The pedal features a Tone Switch with two distinct modes. The AT-mode is voiced for humbuckers and offers lower mid-bass frequencies for a tighter, more transparent response. Alternatively, the original Keeley PHAT mode amplifies the power behind your favorite single-coil-equipped guitar, ensuring a versatile performance no matter your setup.

Key Features:

• Overdrive, distortion, and boost effects
• Limited edition of 2,000 pieces
• Developed in cooperation with Andy Timmons
• Based on the legendary Blues Driver modified by Keeley
• Two different tone modes: AT mode for humbuckers and original Keeley PHAT mode for single coils
• True bypass feature
• Controls for level, tone, drive
• Toggle switch for switching between AT and PHAT modes
• 6.3 mm mono jack input/output
• Bypass footswitch
• Status LED
• Metal housing
• Power supply via 9V DC power supply unit (not included)
• Power consumption: 12 mA
• Made in USA
• Note: Battery operation not supported.

Based on TIMMY and VEMURAM JAN RAY circuit

Control : VOLUME,BASS,TREBLE,GAIN

4-MODE SELECTION KNOB :TIM1,TIM2,M,JANRAY

Power Supply : DC9V 100mA -center is negative

Dimension(L*W*H):11.5*6.5*5CM -

Weight:300g

DECIBELICS RIVUS – BB-STYLE OVERDRIVE PERFECTED

Decibelics RIVUS Transparent Overdrive is my take on one of my all-time favorite pedals: The BluesBreaker. A classic Overdrive designed to deliver transparent, warm, and dynamic tones that authentically replicate the natural breakup of vintage tube amplifiers. It provides smooth, bluesy overdrive with a rich midrange and subtle compression, perfect for enhancing your guitar’s natural sound while maintaining clarity and responsiveness.

Handmade from a combination of thru-hole and New Old Stock components like the original. My goal was to give Tone and Mojo in a mini footprint. You are not buying a mass-produced and lifeless pedal here.

The FX Teacher Blues Believer takes its inspiration from a transparent British overdrive and brings it to the next level.

Based on the Boss BD-2 with extensive modifications for a smoother and more full sound, as well as additional EQ options and a toggle to take it from overdrive to full on fuzz!

Discover the transformative power of the Crowther Hot Cake Overdrive, an essential tool for musicians seeking an expansive sound palette. This pedal infuses your music with an uncolored clean boost or a gritty distortion, all depending on your preference. It's built with a non-inverted phase polarity and an internal bass accentuation switch for a noticeable low-end punch. The easy-to-use three-knob interface allows you to control the level, drive, and presence of your sound, making it a versatile companion for any guitarist.

Key Features:

• Non-inverted phase polarity for enhanced sound quality
• Internal bass accentuation switch for added low-end resonance
• User-friendly three-knob interface with controls for level, drive, and presence
• Ability to provide an uncolored clean boost or gritty distortion based on user preference
• Designed for a wide range of sonic options, catering to different musical styles and genres.

Discover the transformative power of the Crowther Hot Cake Overdrive, an essential tool for musicians seeking an expansive sound palette. This pedal infuses your music with an uncolored clean boost or a gritty distortion, all depending on your preference. It's built with a non-inverted phase polarity and an internal bass accentuation switch for a noticeable low-end punch. The easy-to-use three-knob interface allows you to control the level, drive, and presence of your sound, making it a versatile companion for any guitarist.

Key Features:

• Non-inverted phase polarity for enhanced sound quality
• Internal bass accentuation switch for added low-end resonance
• User-friendly three-knob interface with controls for level, drive, and presence
• Ability to provide an uncolored clean boost or gritty distortion based on user preference
• Designed for a wide range of sonic options, catering to different musical styles and genres.

The Diamond Comp Jr pedal is your ticket to studio-grade compression, packed into a portable guitar pedal enclosure. This optical compressor lends a powerful command over your musical dynamics and tone, empowering you with enhanced sustain and smooth attack. It boasts premium components that tactfully craft a sound nothing short of stunning. With its single dial post-compressor EQ, you can effortlessly swing between dark, mellow tones to a melodious jangle. This pedal is not just a tool, but a companion in your musical journey, helping you bring your creative vision to life.

Key Features:

• Optical compressor for powerful control over dynamics and tone
• Enhanced sustain and smooth attack for a rich sound experience
• Premium components ensuring top-notch sound quality
• Single dial post-compressor EQ for easy tonal adjustments
• Ability to swing from dark, mellow tones to a highly musical jangle

The Diamond Comp Jr pedal is your ticket to studio-grade compression, packed into a portable guitar pedal enclosure. This optical compressor lends a powerful command over your musical dynamics and tone, empowering you with enhanced sustain and smooth attack. It boasts premium components that tactfully craft a sound nothing short of stunning. With its single dial post-compressor EQ, you can effortlessly swing between dark, mellow tones to a melodious jangle. This pedal is not just a tool, but a companion in your musical journey, helping you bring your creative vision to life.

Key Features:

• Optical compressor for powerful control over dynamics and tone
• Enhanced sustain and smooth attack for a rich sound experience
• Premium components ensuring top-notch sound quality
• Single dial post-compressor EQ for easy tonal adjustments
• Ability to swing from dark, mellow tones to a highly musical jangle

Unleash your musical creativity and enhance your sonic signature with the Diamond CPR1 Compressor, a leading force in the realm of guitar effects pedals. This versatile pedal is equipped with an onboard EQ that rivals the all-in-one preamps found in professional studios, meticulously tuned to meet the unique demands of guitarists. Its distinct casing designs, featuring both black and white options punctuated with silver knobs, add a touch of elegance to your pedalboard. Compact, robust, and easy to use, the Diamond CPR1 Compressor offers a seamless blend of visual appeal and acoustic excellence.

Key Features:

• Class-leading guitar effects pedal
• Integrated onboard EQ, calibrated for guitar
• Variety of casing designs available, including black and white with large silver knobs
• Robust build quality for lasting durability
• User-friendly design for easy operation.

Unleash your musical creativity and enhance your sonic signature with the Diamond CPR1 Compressor, a leading force in the realm of guitar effects pedals. This versatile pedal is equipped with an onboard EQ that rivals the all-in-one preamps found in professional studios, meticulously tuned to meet the unique demands of guitarists. Its distinct casing designs, featuring both black and white options punctuated with silver knobs, add a touch of elegance to your pedalboard. Compact, robust, and easy to use, the Diamond CPR1 Compressor offers a seamless blend of visual appeal and acoustic excellence.

Key Features:

• Class-leading guitar effects pedal
• Integrated onboard EQ, calibrated for guitar
• Variety of casing designs available, including black and white with large silver knobs
• Robust build quality for lasting durability
• User-friendly design for easy operation.

The Barber Tone Press: Tone and Sustain with “Plug and Play” Performance.

Bringing together the very best of classic guitar compression and time-honored recording techniques. The Barber Tone Press is a revolutionary performance compression pedal that has no rival...

A remarkable Tonal Breakthrough: How We Did It

In research and development, Barber studied the problems associated with classic guitar compressors and their recent clones and found that, while the clone-makers build pedals with improved components (cleaner switching, in particular) and matched transistors, a few of the major drawbacks of those “vintage” designs still exist. The most glaring drawback of popular classic compressors is that they reverse the guitar’s phase and cause a “pop” that squashes the attack at the beginning of every note. Although we now see some compression units that have attack controls, they leave a bit to be desired as they require seemingly endless trial and error tweaking , and still no true solution to gracefully removing the artificial pop when striking the strings.

Parallel compression is the solution. a Barber innovation that is more natural than dealing with attack, ratio and release knobs. Barber developed a unique continuous “blend control” circuit, and combined it with a discrete “Class A” FET mixer circuit to allow you to continuously blend the natural signal of your guitar with a “phase-corrected” classic compression circuit. The result? What guitar players have always wanted, unaltered attack with supernatural sustain and resonance. No studio engineering degree required.

Our blend control can give from 100% dry, to 100% compression mix, so you are not limited to only "50/50" (half blend). Some of the best parallel compression sounds are achieved with very high sustain settings and more than 50% dry-blend. There's little point to a parallel compressor than can only take you half way there!

There are 2 additional toggles one for "speed", which adds a new "fast" mode which is perfect for percussive playing without loss of attack. There is also a "Brilliance" toggle which adds a very subtle and polished sheen to the treble frequencies.

The Barber Tone Press: Tone and Sustain with “Plug and Play” Performance.

Bringing together the very best of classic guitar compression and time-honored recording techniques. The Barber Tone Press is a revolutionary performance compression pedal that has no rival...

A remarkable Tonal Breakthrough: How We Did It

In research and development, Barber studied the problems associated with classic guitar compressors and their recent clones and found that, while the clone-makers build pedals with improved components (cleaner switching, in particular) and matched transistors, a few of the major drawbacks of those “vintage” designs still exist. The most glaring drawback of popular classic compressors is that they reverse the guitar’s phase and cause a “pop” that squashes the attack at the beginning of every note. Although we now see some compression units that have attack controls, they leave a bit to be desired as they require seemingly endless trial and error tweaking , and still no true solution to gracefully removing the pop.

Parallel compression is the solution. a Barber innovation that blows away having to deal with attack, ratio and release knobs of other so-called "studio compressors." Barber developed a one-of-a-kind proprietary continuous “blend control” circuit, and combined it with a discrete “Class A” FET mixer circuit to allow you to continuously blend the natural signal of your carefully selected guitar with a “phase-corrected” classic compression circuit. The result? What guitar players have always wanted, unaltered attack and supernatural sustain and resonance. No studio engineering degree required.

TUBEKLØN is the world's first tube-based mythical beast overdrive pedal interpretation. After deconstructing the classic design, the minimum gain flat bandwidth feature was removed, instead offering up that sweet midrange boost as the new minimum gain tone. Based on my NEOKLØN architecture, the diode/opamp clipping stage was replaced by a triode, as was the summing stage, which now drives a passive tilt style tone control. The entire circuit is recreated using five transistors, two triodes, and zero opamps. Tonality is same as the original, except at high gain, where you get real tube breakup and sag, instead of opamp clipping.

The Archer Select is truly the most versatile K style overdrive yet. Featuring the ability to switch between 7 diodes ranging from lowest to highest output using the clipping knob and left footswitch players can create endless combinations of K style tone from boosts to stacked drives and beyond

Featuring the diodes of the Archer, iKon, Jeff Mod Archer and 4 additional diodes including LED the Archer Select will provide endless tonal combinations

In addition to the overdrive section, a D.I. Speaker Simulator based on a British 4X12 cabinet is built in to monitor the OD sound via direct or have the option for direct recordings. The ground switch is added only for this section for a silent setup.

Unleash a world of vintage delay tones with the Strymon Brigadier dBucket Delay. Designed to emulate the authentic analog delay stages, this effect pedal is powered by Strymon's meticulously crafted dBucket algorithm and its remarkable SHARC DSP base. Whether you're seeking the fading whisper of a dying echo or the rich warmth of an iconic guitar track, the Brigadier offers a perfect blend of classic tone and modern reliability. With its intuitive short, medium, and long delay modes, and a unique Bucket Loss control, this pedal puts the power of commanding delay effects right at your feet.

Key Features:

• dBucket algorithm for authentic analog delay stages emulation
• SHARC DSP base for high precision and reliability
• Short/Medium/Long delay modes for versatile sound shaping
• Unique Bucket Loss control for added tone flexibility
• Modern design with the warmth of classic delay tones

Unleash a world of vintage delay tones with the Strymon Brigadier dBucket Delay. Designed to emulate the authentic analog delay stages, this effect pedal is powered by Strymon's meticulously crafted dBucket algorithm and its remarkable SHARC DSP base. Whether you're seeking the fading whisper of a dying echo or the rich warmth of an iconic guitar track, the Brigadier offers a perfect blend of classic tone and modern reliability. With its intuitive short, medium, and long delay modes, and a unique Bucket Loss control, this pedal puts the power of commanding delay effects right at your feet.

Key Features:

• dBucket algorithm for authentic analog delay stages emulation
• SHARC DSP base for high precision and reliability
• Short/Medium/Long delay modes for versatile sound shaping
• Unique Bucket Loss control for added tone flexibility
• Modern design with the warmth of classic delay tones

StewMac International House of Overdrive (IHOO) Pedal Kit Build your own classic overdrive with modern versatility

Step into the world of classic overdrive tones with the International House of Overdrive (IHOO) pedal kit. Inspired by the iconic Hot Cake pedal from 1976, the IHOO delivers everything you love about the original—warm midrange, smooth overdrive, and timeless character—while adding modern versatility to suit today's players.

This isn't just another clone, though. We’ve modernized the circuit and included a second IC (Integrated Circuit), allowing you to push the tonal boundaries and explore new sounds. Whether you want creamy rhythm tones or aggressive lead saturation, the IHOO is your key to unlocking vintage tone with modern flexibility.

The APE is a unique design and an accurate re-creation of a famous vintage tape delay’s analogue section. This is not just a preamp but rather the entire analogue circuit from input to output including the sonic influence of the tape heads. It runs at 22.5v just like the original. For convenience it uses a DC to DC converter allowing you to power it with a simple standard 2.1/5.5mm 9v power supply just like most of the pedals on the market.

FEATURES: ‣ MIX – When your favorite digital delay is inserted into the loop it controls the wet/dry mix level. ‣ REPEATS – When your favorite digital delay is inserted into the loop it controls the repeats. ‣ REC – When your favorite digital delay is inserted into the loop it controls the gain on the delayed notes and helps with the intensity of the delay. ‣ SEND – Connect your favorite digital delay’s input to the send to start creating your looped delay. ‣ RETURN – Connect your favorite digital delay’s output to the return to complete your looped delay. ‣ ON/OFF – Engages the APE. ‣ LOOP – Engages whatever may be running through the loop. *

Dims – 16”x12”x12”

APE draws 39mA and measures 4.25”x3”.

It’s a Fulltone OCD clone, offered for people who don't want to support Mike Fuller of Fulltone for any of his documented offenses. Everything looks and sounds mostly like the original OCD except in my own "Helltone" style. The design is a hybrid of several versions of the many different iterations of the Fulltone OCD pedal but it most resembles v1.4 and v1.7. The current version includes my own improvements, namely an internally bypassable output buffer with a trim pot to dial back the high end frequencies to deliver a warmer sound, if desired. The original Fulltone OCD's had output impedance issues that caused the tone of the pedal and output volume to change depending on the input impedance of the next activated pedal in the chain. My update eliminates this issue but still enables you to dial in the warmth that buffers can remove. The pedal includes professionally UV printed graphics. I've added an extra layer of gloss on the print to give it a primo raised look and feel.

The Peepee is the preamp section of the Peavey Decade amp with a few tweaks to make it shine in a pedal format. The Decade is part of the lineage of teal stripe Peavey practice amps that so many people have had sitting around in their bedrooms since the 80’s. For years you could find these amps for next to nothing in pawn shops and thrift stores until recently when Josh Homme of Queens Of The Stone Age publicly proclaimed his affinity for them. Prices skyrocketed up to $1,000 for this "secret weapon" tone machine and several pedal builders have since sought this journey to pedalize the thing, often with price tags to match the hype. Similar pedals found their way onto pedalboards from St Vincent to The Strokes.The Peepee is THE ONLY pedal version of the Decade circuit to have a STUPID, JUVENILE name and design, and it is also the CHEAPEST. The Peepee can both do subtle overdrive and high gain with plenty of EQ options for tone shaping and significant boosting available. Unzip and let that golden tone flow.

All pedals assembled by hand in the East Bay by Mr. Resistor Head himself. This pedal is made with high quality PCB's and professionally printed enclosures.

Based on the Peavey* Decade practice amp.

Provides fuzzy, warm and gritty distortion, perfect for grunge, stoner rock and everything in between. With the addition of a Boost switch, even more sounds are available on tap.

The ODR-1 Green “Natural Overdrive” is a real neo-classic. From the eternal insider tip to the people’s overdrive with an unbeatable price-performance ratio. In the 90s it quickly became an insider tip in the Nashville studio scene due to its wide range of sounds and the very natural, warm sound and can be heard on numerous recordings. Overdrive, distortion – whether distorted, dirty blues or full blast – the ODR-1 has it all. Rich distortion is possible even with single coils. The very effective spectrum controller significantly changes the treble and bass. After 12 o’clock the bass and treble are raised. Counter-clockwise, bass and treble are reduced. The mid-frequencies hardly change at all. This makes it possible to make single coils sound fatter, similar to a humbucker.

A diode-clipping distortion similar to the old Electra, but with far better tone and control.

Also sold as Kadent Treble Fuzz, Vivant Treble Fuzz, Goya Panther Fuzz.