sprucebringsteen's Activity

KUDU is an overdrive that has a funny little story behind it. Dan Coggins, who you’ll know of Lovetone fame, designs pedals for ThorpyFx, but musical instruments and their associated gear remains to this day as a hobby for Thorpy. Well, knowing this, on Christmas 2024 Dan gifted Thorpy a modified pedal, which as always, sparks an idea for a new product. So, we took inspiration for this modified classic and created a pedal optimised for stacking with other pedals and amps. Why is it called KUDU? Well, there is a variant of the KUDU called the Greater Kudu and as the pedal makes everything sound better… it seemed apt.

While this pedal sounds great as a mid-gain drive, where it really thrives is as a gain stacker. Whether that be your amp, or other pedals. It has a clipping switch with three modes enabling you to get the very best from your sound.

To ensure consistency, reliability, low noise and tonal supremacy the KUDU is made with extremely high quality components. 1% metal film resistors, WIMA and Panasonic capacitors where possible and robust through hole gold plated PCB’S. In short, all of this means you won’t have to worry about your pedal and it should give you many years of inspiring tonal bliss.

The Analoger Series APH-12 is a 100% analog 12-stage phase shifter with deep functionality in a compact footprint. With selectable all-pass stages and our signature control voltage processing, multiple flavors of modulation sit at your fingertips: classic or extreme phase shifting, faux Leslie warble, vibrato and tremolo, envelope filter sweeps, and striking multi-peak EQ curves.

Instead of simply updating a lost 12-stage phaser of the past, we rolled our own from the ground up. We began with 12 stages of voltage-controlled all-pass filtering based on an OTA filter chip by legendary designer Dave Rossum. From there we built out our signature control voltage processing infrastructure, with an LFO spanning from glacially psychedelic to audio rate ring mod and a responsive, funky, envelope follower. A JFET input driver and new saturation circuit provide level matching and colorful harmonic enhancement. And of course, we included an assignable Expression/CV input for even more versatility. With our double-regulated and protected power supply, and low noise emphasis/de-emphasis circuitry, this phaser is ready for any stage or studio environment.

Developing the APH-12 was a fascinating learning experience: with all the excitement of a 12-stage phaser (and of course, there is nothing quite like a 12-stage phaser with a 2 minute sweep) we were surprised to learn how much we loved the under-explored character of the out-of-phase 3 and 5 stage modes, or the utilitarian tremolo-like sounds of 1 and 2 stage modes. Add on top of that the power of envelope followed modulation, and we knew we had something special. Far from a simple phase shifter, this is a versatile modulation toolkit for discerning guitarists and bold sound designers alike. Get that Purple Phaze all in your brain!

Most overdrives are built around one particular character. The Empress Drive gives you the tools to shape your own. Instead of locking you into a single flavour of overdrive, it lets you shape the harmonic structure that determines how a drive sounds and responds.

With pre-overdrive mid shaping, flexible boost routing, clean blend, and post-mix EQ, the Empress Drive can move from subtle edge-of-breakup push to saturated, harmonically rich drive, either enhancing the character of your guitar and amp or taking your sound somewhere entirely new.

Features:

• Tube-like overdrive with advanced tone control
• Sweepable Midrange for precise harmonic shaping
• Mix control to preserve your amp’s natural breakup
• Active Bass and Treble shelving filters
• Up to 30 dB of pre- or post-clipping, footswitchable boost
• Built-in analog clipping meter with selectable LED colour
• Adaptive noise gate

Unleash sonic might as legendary as the King of Monsters himself with the Godzilla Distortion. This powerhouse distortion pedal transforms your amp into a heat-ray–breathing beast, capable of everything from thick rhythmic chugging to soaring lead tones that cut through any mix. Active Treble and Bass controls dial in the right balance of gnarl and bite by boosting or cutting frequencies from the saturation, while the Distortion knob dishes out thick tonal destruction from the deep. Featuring exclusive, one-of-a-kind Godzilla wrap-around artwork, this kaiju adorned pedal is as visually striking as it is sonically powerful.

Features:

• Powerful op amp-based distortion circuit
• Active Treble and Bass controls cut or boost frequencies
• One-of-a-kind Godzilla wrap-around artwork
• Top mounted jacks and road-ready aluminum enclosure
• Powered by 9-Volt Battery or Center Negative AC Adaptor, Not Included

Discover the Boswell 0-14MK/TR-LTD, a steel-string acoustic guitar that combines traditional craftsmanship with modern innovation. This limited edition model is designed for musicians seeking a blend of rich tonal quality and exceptional playability. The Boswell 0-14MK/TR-LTD boasts a solid spruce top, offering remarkable resonance and dynamic response, perfect for both fingerstyle and strumming techniques.

The back and sides are crafted from premium mahogany, providing a warm, balanced sound that complements the bright top. This guitar features a comfortable 14-fret neck, making it an ideal choice for players who prefer a compact, easy-to-handle instrument without sacrificing sound quality. The Boswell 0-14MK/TR-LTD is equipped with a custom-designed bracing pattern that enhances sustain and projection, ensuring your music reaches every corner of the room.

Designed with meticulous attention to detail, this guitar includes a smooth satin finish that not only protects the wood but also enhances its natural beauty. The intricate rosette and elegant binding add a touch of sophistication, making this guitar as visually striking as it is sonically impressive. Whether you're performing on stage or in a cozy setting, the Boswell 0-14MK/TR-LTD delivers a versatile and immersive playing experience.

Key Features:

• Solid spruce top for enhanced resonance
• Mahogany back and sides for balanced tonality
• Custom-designed bracing pattern for improved sustain and projection
• 14-fret neck for comfortable playability
• Satin finish for aesthetic appeal and wood protection
• Intricate rosette and elegant binding for added sophistication

Introducing the ‘0-14MK/TR-Limited Edition’ acoustic guitar – a rare, collaborative release from Boswell Guitars, Mark Knopfler, and Rudy Pensa of Rudy’s Music (NYC).

‘I love my little mahogany Boswell. It went straight on to my record and travels with me everywhere now.’ – MK

The ‘0-14MK/TR-Limited Edition’ will be crafted in Oregon, with superb attention to detail and the highest quality materials; including a salvaged Tunnel redwood top, Honduran mahogany back and sides, Brazilian rosewood fingerboard/bridge/headplate, and an abalone and pearl Tyne-bridge inlay at the 12th fret.

Specifications:

• Model: 0-14MK/TR Limited Edition
• Serial Numbers: MK-1 up to MK-22
• Soundboard (top): Tunnel Redwood
• Back/Sides: Honduran Mahogany
• Neck wood: Honduran Mahogany, (with a dual action adjustable truss rod)
• Fingerboard: Brazilian Rosewood (*), 14 frets to body, 20 frets total, 1-23/32” width at bone nut, 2-3/16” at 12th fret
• Bridge: Brazilian Rosewood (*), rectangular design, drop-in intonated bone saddle, Ivoroid bridge pins, 2-3/16” E to e spacing
• Peg head overlay: Brazilian Rosewood (*) with pearl ‘Boswell’ inlay
• Top Bracing: Adirondack spruce top bracing with forward shifted and scalloped X pattern, single tone bar also scalloped, all top braces 1/4” width
• Back Bracing: Old growth Sitka spruce, ladder style pattern
• Kerfing: Bass wood, triangle pattern
• Tuners: Waverly, polished nickel with Ivoroid buttons
• Binding: Tortoise celluloid body binding, black/white top purfling
• Rosette: Simple black/white/black line work
• Inlay: Tyne bridge in abalone and pearl
• Finish: All nitrocellulose lacquer, satin back/sides/neck barrel, high gloss peg head overlay and soundboard, dark red/brown color work throughout
• Case: Harptone hard shell case with commemorative badge.

Eclipsa™ is a full rotary cabinet recreation of the iconic Yamaha® RA-200, capturing the movement, depth and tonal complexity of its complete multi-speaker system, where rotating and static drivers interact to create the cabinet’s signature sound. Its rotary engine allows finely tuned control over behavior, with smooth transitions between speeds, adjustable mic simulation distance and a variable mix between rotating and static speakers. An expression input adds continuous speed control, while three LEDs visually track rotors motion and depth settings in real time.

Alongside the rotary cabinet section, Eclipsa also features an Alembic® F-2B–style preamp implemented with FET technology, preserving the clarity, warmth and musical response of classic tube design. The preamp’s Volume, Bass, Middle, Treble and Bright controls provide wide tonal flexibility, shaping everything from open, sparkling cleans to more driven, harmonically rich textures. A Peak indicator ensures proper gain staging, making it easy to set the ideal level before feeding the rotary section.

Built for professional rigs, Eclipsa supports both mono and stereo output configurations for live and studio use. A magnetic relay switching system ensures silent and reliable operation, while full MIDI implementation enables comprehensive parameter control across complex rigs. With 127 onboard presets, Eclipsa allows complete performance setups to be stored and recalled with consistency and precision. The custom CNC-machined, anodized aluminum enclosure provides long-term durability and mechanical stability for demanding professional use.

A legendary rotary cabinet and a studio-grade preamp — engineered as a single, uncompromising instrument.

FEATURES:

• Slow Speed
• Controls rotary speed in Slow mode.
• Fast Speed
• Controls rotary speed in Fast mode.
• Distance
• Adjusts the virtual microphone position relative to the rotary cabinet.
• Inertia
• Sets acceleration and deceleration time between speed transitions.
• Blend
• Mixes the rotary cabinet signal with a static 4×12" speaker simulation.
• Volume
• Sets preamp output level and influences saturation. The Peak LED indicates when clipping is approached.
• Bass
• Adjusts low-frequency response with warm, musical character.
• Middle
• Controls midrange presence and note definition.
• Treble
• Sets high-frequency articulation and top-end clarity.
• Bright
• Adds subtle high-frequency emphasis at lower Volume settings.
• Instrument / Line Switch
• Configures the input stage for guitars, high-output pickups, synthesizers, and line-level equipment.
• True / Buffered Bypass
• ON/OFF footswitch with bi-color LED. Hold to switch between True Bypass and buffered Preamp-On modes.

Fast / Slow / Brake - Tap to switch speeds. Hold to engage Brake mode. Three LEDs indicate rotor speed and Distance settings.

EXT IN (Expression Input) - Expression pedal input for continuous rotary speed control.

MIDI In / Thru - Full support for Control Change parameter control and Program Change preset recall (127 presets plus Live Mode), with configurable MIDI channel assignment.

Stereo Outputs - Left/Mono and Right outputs derived from three virtual microphone signals.

TECHNICAL SPECIFICATIONS:

• Power Input Voltage: 9V DC
• Power Input Connector: 5.5 mm / 2.1 mm barrel (center-negative)
• Power Consumption: ~140 mA
• Size: 3.58” × 4.17” × 1.57”
• Weight: 0.99 lb

Eclipsa is a full rotary cabinet recreation of the iconic Yamaha RA-200, capturing the movement, depth and tonal complexity of its complete multi-speaker system, where rotating and static drivers interact to create the cabinet’s signature sound. Its rotary engine allows finely tuned control over behavior, with smooth transitions between speeds, adjustable mic simulation distance and a variable mix between rotating and static speakers. An expression input adds continuous speed control, while three LEDs visually track rotors motion and depth settings in real time.

Alongside the rotary cabinet section, Eclipsa also features an Alembic F-2B–style preamp implemented with FET technology, preserving the clarity, warmth and musical response of classic tube design. The preamp’s Volume, Bass, Middle, Treble and Bright controls provide wide tonal flexibility, shaping everything from open, sparkling cleans to more driven, harmonically rich textures. A Peak indicator ensures proper gain staging, making it easy to set the ideal level before feeding the rotary section.

Built for professional rigs, Eclipsa supports both mono and stereo output configurations for live and studio use. A magnetic relay switching system ensures silent and reliable operation, while full MIDI implementation enables comprehensive parameter control across complex rigs. With 127 onboard presets, Eclipsa allows complete performance setups to be stored and recalled with consistency and precision. The custom CNC-machined, anodized aluminum enclosure provides long-term durability and mechanical stability for demanding professional use.

A legendary rotary cabinet and a studio-grade preamp — engineered as a single, uncompromising instrument.

FEATURES:

• Slow Speed - Controls rotary speed in Slow mode.
• Fast Speed - Controls rotary speed in Fast mode.
• Distance - Adjusts the virtual microphone position relative to the rotary cabinet.
• Inertia - Sets acceleration and deceleration time between speed transitions.
• Blend - Mixes the rotary cabinet signal with a static 4×12" speaker simulation.
• Volume - Sets preamp output level and influences saturation. The Peak LED indicates when clipping is approached.
• Bass - Adjusts low-frequency response with warm, musical character.
• Middle - Controls midrange presence and note definition.
• Treble - Sets high-frequency articulation and top-end clarity.
• Bright - Adds subtle high-frequency emphasis at lower Volume settings.
• Instrument / Line Switch - Configures the input stage for guitars, high-output pickups, synthesizers, and line-level equipment.
• True / Buffered Bypass - ON/OFF footswitch with bi-color LED. Hold to switch between True Bypass and buffered Preamp-On modes.
• Fast / Slow / Brake - Tap to switch speeds. Hold to engage Brake mode. Three LEDs indicate rotor speed and Distance settings.
• EXT IN (Expression Input) - Expression pedal input for continuous rotary speed control.
• MIDI In / Thru - Full support for Control Change parameter control and Program Change preset recall (127 presets plus Live Mode), with configurable MIDI channel assignment.
• Stereo Outputs - Left/Mono and Right outputs derived from three virtual microphone signals.

TECHNICAL SPECIFICATIONS:

• Power Input Voltage: 9V DC
• Power Input Connector: 5.5 mm / 2.1 mm barrel (center-negative)
• Power Consumption: ~140 mA
• Size: 3.58” × 4.17” × 1.57”
• Weight: 0.99 lb

Eclipsa™ is a full rotary cabinet recreation of the iconic Yamaha® RA-200, capturing the movement, depth and tonal complexity of its complete multi-speaker system, where rotating and static drivers interact to create the cabinet’s signature sound. Its rotary engine allows finely tuned control over behavior, with smooth transitions between speeds, adjustable mic simulation distance and a variable mix between rotating and static speakers. An expression input adds continuous speed control, while three LEDs visually track rotors motion and depth settings in real time.

Alongside the rotary cabinet section, Eclipsa also features an Alembic® F-2B–style preamp implemented with FET technology, preserving the clarity, warmth and musical response of classic tube design. The preamp’s Volume, Bass, Middle, Treble and Bright controls provide wide tonal flexibility, shaping everything from open, sparkling cleans to more driven, harmonically rich textures. A Peak indicator ensures proper gain staging, making it easy to set the ideal level before feeding the rotary section.

Built for professional rigs, Eclipsa supports both mono and stereo output configurations for live and studio use. A magnetic relay switching system ensures silent and reliable operation, while full MIDI implementation enables comprehensive parameter control across complex rigs. With 127 onboard presets, Eclipsa allows complete performance setups to be stored and recalled with consistency and precision. The custom CNC-machined, anodized aluminum enclosure provides long-term durability and mechanical stability for demanding professional use.

A legendary rotary cabinet and a studio-grade preamp — engineered as a single, uncompromising instrument.

FEATURES:

• Slow Speed
• Controls rotary speed in Slow mode.
• Fast Speed
• Controls rotary speed in Fast mode.
• Distance
• Adjusts the virtual microphone position relative to the rotary cabinet.
• Inertia
• Sets acceleration and deceleration time between speed transitions.
• Blend
• Mixes the rotary cabinet signal with a static 4×12" speaker simulation.
• Volume
• Sets preamp output level and influences saturation. The Peak LED indicates when clipping is approached.
• Bass
• Adjusts low-frequency response with warm, musical character.
• Middle
• Controls midrange presence and note definition.
• Treble
• Sets high-frequency articulation and top-end clarity.
• Bright
• Adds subtle high-frequency emphasis at lower Volume settings.
• Instrument / Line Switch
• Configures the input stage for guitars, high-output pickups, synthesizers, and line-level equipment.
• True / Buffered Bypass
• ON/OFF footswitch with bi-color LED. Hold to switch between True Bypass and buffered Preamp-On modes.

Fast / Slow / Brake - Tap to switch speeds. Hold to engage Brake mode. Three LEDs indicate rotor speed and Distance settings.

EXT IN (Expression Input) - Expression pedal input for continuous rotary speed control.

MIDI In / Thru - Full support for Control Change parameter control and Program Change preset recall (127 presets plus Live Mode), with configurable MIDI channel assignment.

Stereo Outputs - Left/Mono and Right outputs derived from three virtual microphone signals.

TECHNICAL SPECIFICATIONS:

• Power Input Voltage: 9V DC
• Power Input Connector: 5.5 mm / 2.1 mm barrel (center-negative)
• Power Consumption: ~140 mA
• Size: 3.58” × 4.17” × 1.57”
• Weight: 0.99 lb

Big Time revisits the mixed-up circuitry of rackmount delays from the early 80s, where advanced analog engineering was used to prop up crude digital systems. It includes both a stereo analog preamp at the input stage, and a stereo analog limiter within the delay’s feedback loop. Inside you will find misbiased modulations, dissolving loops, sequenced echoes, and all of the space stuff you could ever want. The anything-is-possible of digital, the everything-sounds-good of analog.

Specs:

• 32 bit, 48kHz
• True Stereo I/O
• Balanced (or Unbalanced) I/O
• Presets (10 Internal, 127 via MIDI)
• MIDI IN (Clock, PC, CC)
• CV Control
• Expression Control
• AUX Switch Compatible
• Analog Dry Thru
• True Bypass
• 9V DC Center Negative ~1A

Triptychon is a sonic artwork built around three independent tone elements, each complete on its own, yet fully realized when combined. Here, those elements become the fundamental building blocks of electric guitar tone: fuzz, harmonic shaping, and amplifier drive. In classic recordings, these were never isolated effects. Fuzzes, octave fuzz pedals and treble boosters were pushed into already driven amplifiers, where the interaction between stages created the compression, sustain, and harmonic richness we now associate with vintage tone. In modern rigs, however, players often use clean platforms and rely on pedals for gain, which changes this interaction significantly. Triptychon is designed to recreate that original signal chain, allowing those classic tones to translate properly into contemporary setups.

Fuzz: The Core Voice (center panel)

At the heart of Triptychon lies an all analog 4-voice fuzz engine inspired by some of the most iconic circuits in guitar history:

ff: inspired by Dallas Arbiter Fuzz Face

vtb: inspired by Vox Tone Bender

3/2: inspired by Sola Sound Tone Bender Mk1.5

2: inspired by Sola Sound Tone Bender MkII

From dynamic and responsive to saturated and aggressive, each voice retains its own identity, allowing you to explore the full spectrum of classic fuzz behavior.

Boost / Upper Octave Fuzz: Harmonic Expansion (right panel)

The right panel expands the harmonic range with a dual-voice architecture for each mode.

In boost mode, it delivers two distinct treble booster voices, from classic cutting presence to a fuller, mid-focused response.

In octave mode, it becomes an upper octave fuzz, offering two distinct voices ranging from articulate and defined to saturated and harmonically rich overtones.

Drive: The Amplifier Foundation (left panel)

The left panel completes the system by recreating the feel of a pushed amplifier.

Rather than acting as a typical overdrive, it provides the compression, response, and harmonic environment where fuzzes and boosters truly come alive. It can subtly enhance sustain and clarity or be pushed further to shape the overall gain structure, just like a real amp.

Silicon Heart. Germanium Soul.

At the triptych core lies a silicon heart, beating through a custom six metal-can silicon transistor design that delivers true germanium tone and feel, with the cleanup and dynamic response players expect but without the instability.

This is not simply a matter of using specific components. It is a carefully engineered circuit approach designed to recreate the behavior, interaction, and touch sensitivity of classic germanium-based designs, while maintaining consistency in any environment.

Designed for Real-World Rigs

Classic fuzz and treble booster circuits are highly dependent on direct interaction with passive guitar pickups. In modern setups, where buffers, active pickups and wireless systems are common, this interaction is often lost. Triptychon integrates dedicated switchable anti-buffer circuits that restore the correct impedance relationship, allowing each stage to respond as intended even in complex pedalboards. Engage the anti-buffer circuits when a buffered pedal or active pickups/circuits are present before Triptychon. When connecting directly from a passive guitar pickup, leave them disengaged.

The drive section can be assigned to either the fuzz or the boost/octave footswitch, allowing it to operate within a compact, intuitive setup without increasing pedalboard complexity. For expanded control, an external, matching artwork XT footswitch (sold separately) can be connected, enabling the drive section to function completely independently. This allows deeper control over the gain structure, seamless switching between configurations, and greater flexibility without increasing pedalboard complexity.