trailwinder's activity

edited Taylor 412ce-R

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Taylor 412e-R Grand Concert Acoustic-electric Guitar Features:

Classic Grand Concert shape

Sitka spruce top is bright and bold, with impressive projection

V-Class bracing optimizes volume, sustain, and tonal balance

Indian rosewood back and sides exhibit enhanced warmth, depth, and clarity

Tropical mahogany neck plays comfortably

Ebony fingerboard provides phenomenal articulation

Tone works well in an ensemble setting

Taylor nickel tuners are built stage rugged and studio precise

4mm Italian acrylic Renaissance inlays and 3-ring soundhole rosette provide a touch of elegance

Taylor ES2 electronics provide natural tone and dynamics for the stage

Sep 24, 2021

edited Yamaha GL1 Nylon Guitalele - Natural

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The Yamaha GL1 Mini 6-String Nylon Guitalele is half guitar, half ukulele, and 100% fun. A unique mini 6-string nylon guitar that is sized like a baritone ukulele (17" scale) and plays like a standard tuned guitar. The guitalele's tuning is pitched up to A (or up a 4th) at A/D/G/C/E/A.

Features

-Top: Spruce

-Back: Meranti

-Side/Rib: Meranti

-Neck: Nato

-Finger Board: Sonokeling

-Bridge: Sonokeling
After:
The Yamaha GL1 Mini 6-String Nylon Guitalele is half guitar, half ukulele, and 100% fun. A unique mini 6-string nylon guitar that is sized like a baritone ukulele (17" scale) and plays like a standard tuned guitar. The guitalele's tuning is pitched up to A (or up a 4th) at A/D/G/C/E/A.

Features

Top: Spruce

Back: Meranti

Side/Rib: Meranti

Neck: Nato

Finger Board: Sonokeling

Bridge: Sonokeling

Sep 5, 2021

edited Yamaha GL1 Nylon Guitalele - Natural

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Before:
The Yamaha GL1 Mini 6-String Nylon Guitalele is half guitar, half ukulele, and 100% fun. A unique mini 6-string nylon guitar that is sized like a baritone ukulele (17" scale) and plays like a standard tuned guitar. The guitalele's tuning is pitched up to A (or up a 4th) at A/D/G/C/E/A.

Features

Top: Spruce

Back: Meranti

Side/Rib: Meranti

Neck: Nato

Finger Board: Sonokeling

Bridge: Sonokeling
After:
The Yamaha GL1 Mini 6-String Nylon Guitalele is half guitar, half ukulele, and 100% fun. A unique mini 6-string nylon guitar that is sized like a baritone ukulele (17" scale) and plays like a standard tuned guitar. The guitalele's tuning is pitched up to A (or up a 4th) at A/D/G/C/E/A.

Features

-Top: Spruce

-Back: Meranti

-Side/Rib: Meranti

-Neck: Nato

-Finger Board: Sonokeling

-Bridge: Sonokeling

Sep 5, 2021

edited Yamaha GL1 Nylon Guitalele - Natural

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Before:
The Yamaha GL1 Mini 6-String Nylon Guitalele is half guitar, half ukulele, and 100% fun. A unique mini 6-string nylon guitar that is sized like a baritone ukulele (17" scale) and plays like a standard tuned guitar. The guitalele's tuning is pitched up to A (or up a 4th) at A/D/G/C/E/A.

Features - Top: Spruce - Back: Meranti - Side/Rib: Meranti - Neck: Nato - Finger Board: Sonokeling - Bridge: Sonokeling
After:
The Yamaha GL1 Mini 6-String Nylon Guitalele is half guitar, half ukulele, and 100% fun. A unique mini 6-string nylon guitar that is sized like a baritone ukulele (17" scale) and plays like a standard tuned guitar. The guitalele's tuning is pitched up to A (or up a 4th) at A/D/G/C/E/A.

Features

Top: Spruce

Back: Meranti

Side/Rib: Meranti

Neck: Nato

Finger Board: Sonokeling

Bridge: Sonokeling

Sep 5, 2021

edited Yamaha GL1 Nylon Guitalele - Natural

Improved item image. Improved item description. Improved item name.

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Before:
Yamaha Guitalele GL1 - Natural
After:
Yamaha GL1 Nylon Guitalele - Natural
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Before:
Introducing the Yamaha GL1 Guitalele. Half guitar, half ukulele…100% fun. A unique mini 6-string nylon guitar that is sized like a baritone ukulele (17” scale) and plays like a standard tune guitar. The guitalele’s tuning is pitched up to “A” (or up a 4th) at A/D/G/C/E/A. Includes a free soft case gig bag.

After:
The Yamaha GL1 Mini 6-String Nylon Guitalele is half guitar, half ukulele, and 100% fun. A unique mini 6-string nylon guitar that is sized like a baritone ukulele (17" scale) and plays like a standard tuned guitar. The guitalele's tuning is pitched up to A (or up a 4th) at A/D/G/C/E/A.

Features - Top: Spruce - Back: Meranti - Side/Rib: Meranti - Neck: Nato - Finger Board: Sonokeling - Bridge: Sonokeling

Sep 5, 2021

edited Browne Amplification Protein Dual Overdrive V2.2

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Before:
Browne Amplification Protein Ver. 2.2
After:
Browne Amplification Protein v2.2

Sep 3, 2021

edited Browne Amplification Protein Dual Overdrive V2.2

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Before:
Browne Amplification Protein V2
After:
Browne Amplification Protein Ver. 2.2
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Before:
After:
The Protein 2 in 1 Overdrive is a collaboration between David Brown and guitarist/producer Adam Sniegowski. After years on the road and in the studio using backline amps that could be very inconsistent, Adam came to Dave wanting to create a dual overdrive that would sound great with any backline he encountered. They started with two drives they loved, stacked well together, but had a few inherent issues. Dave set out to fix those issues without losing the soul of the originals.

The Blue Side is based on the classic OD used by the likes of John Mayer on the “Continuum” album. Dave addressed issues like the lack of output, tweaked the tone control, and experimented to find what we think is our favorite version of this type of circuit while still being true to its roots.

The Green side was inspired by the classic “Nashville” overdrive. This pedal has been used on the pedals boards of session greats from Tim Pierce to Jerry McPherson. We lowered the amount of gain (distortion) to make it usable through the entire sweep of the pedal, added some of the mids back to make it not quite so scooped, and eliminated some of the woofiness in the low end. This allows it to add some low mid “beef” back into your tone without becoming muddy.

The secret “third” channel of this pedal might be our favorite. When running the green side into the blue of this pedal, you get added gain and fullness without sacrificing note clarity or getting that “mushiness” that can happen while stacking some overdrives.

Sep 3, 2021

edited Mission Engineering VM-PRO - Red

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Mission Engineering VM-PRO
After:
Mission Engineering VM-PRO - Red
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Before:
The VM-PRO resolves many of the common issues with volume pedals that cause tone sucking and mismatching problems. The VM-PRO works with electric, electro-acoustic, baritone or bass guitars. It also works with many other acoustic and electric instruments including electronic keyboards, steel guitars, and instrument microphones such as harmonica and horn mics. VM-PRO includes on board buffers, isolated tuner out, sparkle control, and compatibility switches for use with active and passive pickups and fuzz pedals. The PZ version provides a 10M ohm impedance for use with passive Piezo pickups. VM-PRO now includes Mission Ultrasweep™ for silky-smooth volume swells in any signal chain.

Use of tuner out requires optional VM-PRO tuner adapter.

VM-PRO requires a 9V battery (included) or external power supply (not included) 9V-18V 2.1mm center pin negative.

Current draw nominal: 3mA (27mW) at 9VDC 4mA (72mW) at 18VDC

Input impedance 1V at 1KHz: Standard: 1M Ohm PZ: 10M Ohm

Output Impedance @ 1KHz Normal Mode: 30 Ohm Fuzz Compatibility Mode: 10K Ohm

Pedal dimensions are 10″ x 4″ x 3″ Weight is 3.2lb
After:
The VM-PRO resolves many of the common issues with volume pedals that cause tone sucking and mismatching problems. The VM-PRO works with electric, electro-acoustic, baritone or bass guitars. It also works with many other acoustic and electric instruments including electronic keyboards, steel guitars, and instrument microphones such as harmonica and horn mics.

VM-PRO includes on-board buffers, isolated tuner out, sparkle control, and compatibility switches for use with active and passive pickups and fuzz pedals.

VM-PRO now includes Mission Ultrasweep™ for silky-smooth volume swells in any signal chain.

Use of tuner out requires optional VM-PRO tuner adapter.

VM-PRO requires a 9V battery (included) or external power supply (not included) 9V-18V 2.1mm center pin negative.

Current draw nominal: 3mA (27mW) at 9VDC 4mA (72mW) at 18VDC

Input impedance 1V at 1KHz: Standard: 1M Ohm PZ: 10M Ohm

Output Impedance @ 1KHz Normal Mode: 30 Ohm Fuzz Compatibility Mode: 10K Ohm

Pedal dimensions are 10″ x 4″ x 3″ Weight is 3.2lb

Jul 23, 2021

edited Mission Engineering VM-PRO - Carbon

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Before:
After:
The VM-PRO resolves many of the common issues with volume pedals that cause tone sucking and mismatching problems. The VM-PRO works with electric, electro-acoustic, baritone or bass guitars. It also works with many other acoustic and electric instruments including electronic keyboards, steel guitars, and instrument microphones such as harmonica and horn mics.

VM-PRO includes on-board buffers, isolated tuner out, sparkle control, and compatibility switches for use with active and passive pickups and fuzz pedals.

VM-PRO now includes Mission Ultrasweep™ for silky-smooth volume swells in any signal chain.

Use of tuner out requires optional VM-PRO tuner adapter.

VM-PRO requires a 9V battery (included) or external power supply (not included) 9V-18V 2.1mm center pin negative.

Current draw nominal: 3mA (27mW) at 9VDC 4mA (72mW) at 18VDC

Input impedance 1V at 1KHz: Standard: 1M Ohm PZ: 10M Ohm

Output Impedance @ 1KHz Normal Mode: 30 Ohm Fuzz Compatibility Mode: 10K Ohm

Pedal dimensions are 10″ x 4″ x 3″ Weight is 3.2lb

Jul 23, 2021

edited Analog Man Astro Tone - Rough Black

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After:
Features:

True Bypass switching

Super Bright LED for lower power use, buffed so as not to blind you!

Uses less than 1 mA of power when off, only 3 when on, so an Alkaline bat tery will last a few hundred hours of normal playing time.

Three simple knobs - Volume, Fuzz, and Tone.

High quality, hand wired RE’AN input and output jacks.

In and Out jacks on top for best pedalboard real estate management

Normal Boss style power jack, on the right side, negative ground so no polarity problems

Original 1966 Fairchild Silicon transistors, not affected by heat like a Germanium fuzz.

Sound is not as compressed as a fuzzface, not SUPER thick and saturated, something between a fuzz and distortion but closer to a fuzz.

Jul 23, 2021

edited Analog Man Astro Tone

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Before:
Analogman Astro Tone Fuzz Pedal
After:
Analog Man Astro Tone - White
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Before:
After:
Analog Man
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Before:
After:
Features:

True Bypass switching

Super Bright LED for lower power use, buffed so as not to blind you!

Uses less than 1 mA of power when off, only 3 when on, so an Alkaline bat tery will last a few hundred hours of normal playing time.

Three simple knobs - Volume, Fuzz, and Tone.

High quality, hand wired RE’AN input and output jacks.

In and Out jacks on top for best pedalboard real estate management

Normal Boss style power jack, on the right side, negative ground so no polarity problems

Original 1966 Fairchild Silicon transistors, not affected by heat like a Germanium fuzz.

Sound is not as compressed as a fuzzface, not SUPER thick and saturated, something between a fuzz and distortion but closer to a fuzz.

Jul 23, 2021

edited Ibanez Talman TC420

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Before:
Ibanez Talman TC420 Crimson Metallic
After:
Ibanez Talman TC420 - Crimson Metallic

Jul 23, 2021

edited Keeley ECCOS

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Before:
Keeley ECCOS Tape Delay
After:
Keeley ECCOS

Jul 23, 2021

edited TC Electronic Polytune 2 Noir

The Noir version doesn't actually have "Mini" in the name, despite being a mini pedal.

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Before:
TC Electronic Polytune Noir Mini 2 Pedal Tuner
After:
TC Electronic Polytune 2 Noir

Jul 23, 2021

edited DSM & Humboldt Electronics Simplifier

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Before:
Guitar Amplifier Cabinets
After:
Guitar Preamps

Jul 20, 2021

edited DSM & Humboldt Electronics Simplifier DLX

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Before:
After:
The ultimate simplifier experience!

After two years of extensive research, the simplifier masterminds have pushed the limits of the galaxy, with a new breakthrough in the guitar world. Attending the call of musicians who search endless boutique sound possibilities, flexibility and extreme portability, the simplifier deluxe offers the world's finest all analog zero-watt dual channel amp, with cab simulator, multi- stage reverb, and ultimate connectivity options. All, in an extremely small format.

DSM Noisemaker Deluxe Simplifier Preamp Features:

Ultra connectivity platform:

Use it as a stereo 2-channel amplifier, or 2-parallel amplifiers for full stereo signal chain, or with 2 guitars at the same time, each with its own amp and fx loop.

Mono or stereo mode input

Stereo fx send with preamp bypass option for each channel.

Stereo thru jack for recording unaffected signal, wdw, or monitoring purposes.

Right and left fx return jacks. If the left return is empty, it can be set to be a slave of the right channel (for mono use) or take the signal from channel b (for full stereo use).

Di outputs

¼” inch outputs with option to bypass the power+cab emulation.

Two fully independent preamps:

2 studio grade preamps capable of modeling iconic amplifiers tones. Each channel boasts:

3 preamp types (ms brit, american, ac brit)

3 gain modes ( clean, crunch and lead)

Channel a models a cranked amplifier with phase splitter saturation, producing dynamic range of distortion harmonics, ultra responsive picking, pinching harmonics that fly from fingers. Ideal for aggressive and expressive playing.

Channel b models the same amps, but with a warmer, rounder response, perfect for

Sweet cleans, blues crunch, up to heavy rhythm guitar

Jul 20, 2021

edited a deleted item

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Before:
Manufactured from 1997 to 1998 by Fender, the California Series guitars were a joint effort between the company's factories in Corona (California, USA) and Ensenada (Baja California, Mexico). The body and neck parts were made in the United States while the finishing and painting was done in Mexico before their final assembly and quality control in the US.

General features

Vintage style "C" profile neck with a 9½" radius.

21 medium jumbo frets.

Vintage tremolo, tuners and 4 bolt neck plate.

3 Ply WBW pickguard.

25½" scale length.

The Fender California Series Stratocaster guitars have USA vintage style tremolos and tuners and other hardware.The tremolo bridge spacing is the same as the Fender USA vintage bridge spacing of 2 3/16". The Fender California Series Stratocaster bodies are routed for a single neck/single middle/bridge humbucking pickup configuration and have a polyurathane paint finish. The pickup configuration could also be routed for a single neck/ single middle/single bridge. They do not have the infamous "swimming pool" rout. The single coil pickups used on this Stratocaster model are Fender pickups, in the usual 3-single coil arrangement, or the 2-single coil and 1-humbucker in the bridge position ("Fat Strat") arrangement.

The serial numbers are in an AMXN + 6 digits format while the first digit represents the year of production. AMXN7***** means the guitar was manufactured in 1997.

All Fender California Series have "Made in USA" on the headstock.
After:
Manufactured from 1997 to 1998 by Fender, the California Series guitars were a joint effort between the company's factories in Corona (California, USA) and Ensenada (Baja California, Mexico). The body and neck parts were made in the United States while the finishing and painting was done in Mexico before their final assembly and quality control in the US.

General features

Vintage style "C" profile neck with a 9½" radius.

21 medium jumbo frets.

Vintage tremolo, tuners and 4 bolt neck plate.

3 Ply WBW pickguard.

25½" scale length.

California Series Stratocasters feature all-USA parts: vintage-style tremolo bridge, Kluson vintage-style tuners, and other hardware. The bridge spacing is the same as the Fender USA vintage bridge spacing of 2 3/16". California Series Stratocaster bodies feature a thin polyurethane finish and are all routed for H/S/S pickup configuration, although they could come pickguard-loaded with either H/S/S or S/S/S configurations.

Serial numbers are in the unique AMXN + 6 digits format while the first digit represents the year of production. AMXN7***** means the guitar was manufactured in 1997.

All Fender California Series have "Made in USA" on the headstock, and also read "California Series" in place of the usual "Original Patented Contour Body" script.

Jul 17, 2021

edited Fender California Series Stratocaster

Improved item name. Added item description.

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Before:
Fender California Series Stratocaster
After:
Fender California Series Stratocaster - Candy Apple Red
Revised item description. Show revisions
Before:
After:
Manufactured from 1997 to 1998 by Fender, the California Series guitars were a joint effort between the company's factories in Corona (California, USA) and Ensenada (Baja California, Mexico). The body and neck parts were made in the United States while the finishing and painting was done in Mexico before their final assembly and quality control in the US.

General features

Vintage style "C" profile neck with a 9½" radius.

21 medium jumbo frets.

Vintage tremolo, tuners and 4 bolt neck plate.

3 Ply WBW pickguard.

25½" scale length.

The Fender California Series Stratocaster guitars have USA vintage style tremolos and tuners and other hardware.The tremolo bridge spacing is the same as the Fender USA vintage bridge spacing of 2 3/16". The Fender California Series Stratocaster bodies are routed for a single neck/single middle/bridge humbucking pickup configuration and have a polyurathane paint finish. The pickup configuration could also be routed for a single neck/ single middle/single bridge. They do not have the infamous "swimming pool" rout. The single coil pickups used on this Stratocaster model are Fender pickups, in the usual 3-single coil arrangement, or the 2-single coil and 1-humbucker in the bridge position ("Fat Strat") arrangement.

The serial numbers are in an AMXN + 6 digits format while the first digit represents the year of production. AMXN7***** means the guitar was manufactured in 1997.

All Fender California Series have "Made in USA" on the headstock.

Jun 10, 2021

edited a deleted item

Added item description.

Revised item description. Show revisions
Before:
After:
Manufactured from 1997 to 1998 by Fender, the California Series guitars were a joint effort between the company's factories in Corona (California, USA) and Ensenada (Baja California, Mexico). The body and neck parts were made in the United States while the finishing and painting was done in Mexico before their final assembly and quality control in the US.

General features

Vintage style "C" profile neck with a 9½" radius.

21 medium jumbo frets.

Vintage tremolo, tuners and 4 bolt neck plate.

3 Ply WBW pickguard.

25½" scale length.

The Fender California Series Stratocaster guitars have USA vintage style tremolos and tuners and other hardware.The tremolo bridge spacing is the same as the Fender USA vintage bridge spacing of 2 3/16". The Fender California Series Stratocaster bodies are routed for a single neck/single middle/bridge humbucking pickup configuration and have a polyurathane paint finish. The pickup configuration could also be routed for a single neck/ single middle/single bridge. They do not have the infamous "swimming pool" rout. The single coil pickups used on this Stratocaster model are Fender pickups, in the usual 3-single coil arrangement, or the 2-single coil and 1-humbucker in the bridge position ("Fat Strat") arrangement.

The serial numbers are in an AMXN + 6 digits format while the first digit represents the year of production. AMXN7***** means the guitar was manufactured in 1997.

All Fender California Series have "Made in USA" on the headstock.

Jun 10, 2021

edited Cole Music Company Paradrive

Improved item description.

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Before:
It's all sweet spot. Classic overdrive tones, with innovative parametric EQ.

Featuring:

Parametric EQ

Dual FET Burr Brown/TI OPA2604AP chip (as used in many vintage classics)

Polished casing

Engraved true bypass switch

Perhaps the only overdrive on the market with a parametric EQ (Let us know if you find another.)
After:
It's all sweet spot. Classic overdrive tones, with innovative parametric EQ.

Featuring:

Parametric EQ

Dual FET Burr Brown/TI OPA2604AP chip (as used in many vintage classics)

Polished casing

Engraved true bypass switch

Perhaps the only overdrive on the market with a parametric EQ (Let us know if you find another.)

Jun 8, 2021

edited Cole Music Company Paradrive

Improved item description.

Revised item description. Show revisions
Before:
IT’S ALL SWEET SPOT. CLASSIC OVERDRIVE TONES, WITH INNOVATIVE PARAMETRIC EQ.

Featuring:

Parametric EQ

Dual FET Burr Brown/TI OPA2604AP chip (as used in many vintage classics)

Polished casing

Engraved true bypass switch

Perhaps the only overdrive on the market with a parametric EQ (Let us know if you find another.)

After:
It's all sweet spot. Classic overdrive tones, with innovative parametric EQ.

Featuring:

Parametric EQ

Dual FET Burr Brown/TI OPA2604AP chip (as used in many vintage classics)

Polished casing

Engraved true bypass switch

Perhaps the only overdrive on the market with a parametric EQ (Let us know if you find another.)

Jun 8, 2021

edited Cole Music Company Paradrive

Added item description.

Revised item description. Show revisions
Before:
After:
IT’S ALL SWEET SPOT. CLASSIC OVERDRIVE TONES, WITH INNOVATIVE PARAMETRIC EQ.

Featuring:

Parametric EQ

Dual FET Burr Brown/TI OPA2604AP chip (as used in many vintage classics)

Polished casing

Engraved true bypass switch

Perhaps the only overdrive on the market with a parametric EQ (Let us know if you find another.)

Jun 8, 2021

edited Stone Deaf FX QBoost Standard

Improved item description.

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Before:
Give your guitar or bass rig a boost. The QBoost does it all – from transparent frequency boost to saturated overdrive and ‘dying amp’ fuzz. Studios, stages, and bedrooms. It works wherever you need it to, making good tones great.

After:
Give your guitar or bass rig a boost. The QBoost does it all – from transparent frequency boost to saturated overdrive and ‘dying amp’ fuzz. Studios, stages, and bedrooms. It works wherever you need it to, making good tones great.

The standard version of the QBoost was released due to high demand after the initial limited run of 500 units. This version features new artwork and a plastic voicing switch, but is otherwise identical to the original version.

Jun 6, 2021

edited Stone Deaf FX QBoost Standard

Added item description.

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Before:
After:
Give your guitar or bass rig a boost. The QBoost does it all – from transparent frequency boost to saturated overdrive and ‘dying amp’ fuzz. Studios, stages, and bedrooms. It works wherever you need it to, making good tones great.

Jun 6, 2021

edited Stone Deaf FX QBoost Limited Edition

Improved item name. Added item description.

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Before:
Stone Deaf FX QBoost
After:
Stone Deaf FX QBoost Limited Edition
Revised item description. Show revisions
Before:
After:
Give your guitar or bass rig a boost. The QBoost does it all – from transparent frequency boost to saturated overdrive and ‘dying amp’ fuzz. Studios, stages, and bedrooms. It works wherever you need it to, making good tones great.

This model was limited to 500 units. The limited edition features a unique visual design and came with extra merchandise, including a collectible box and coffee mug.

Jun 6, 2021

edited Keeley ECCOS

Improved item image.

Removed Bypass
Removed Analog/Digital
Removed Mono/Stereo
Removed Power
Removed Effects

May 18, 2021

edited Boss NS-2 Noise Suppressor

Improved item image.

Removed Power

May 17, 2021

edited Ibanez Talman TC420

Improved item description.

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Before:
The TC420 is a Talman series solid body electric guitar model introduced by Ibanez in 1995. The Talman series is a retro-styled guitar often described as reminiscent of an offset Telecaster or Jazzmaster.

The TC420 features a basswood body bolted to a maple neck with a 22-fret rosewood fingerboard with dot position markers. Components include dual covered Ibanez Powersound humbucking pickups and a synchronized tremolo bridge.

The TC420 was discontinued after 1998 along with the entire Talman series of this era.

Model name: TC420 Year(s) produced: 1995–1998 Sold in: USA Made in: Korea

After:
The TC420 is a Talman series solid body electric guitar model introduced by Ibanez in 1995. The Talman series is a retro-styled guitar often described as reminiscent of an offset Telecaster or Jazzmaster.

The TC420 features a basswood body bolted to a maple neck with a 22-fret rosewood fingerboard with dot position markers. Components include dual covered Ibanez Powersound humbucking pickups and a synchronized tremolo bridge.

The TC420 was discontinued after 1998 along with the entire Talman series of this era.

Model name: TC420

Year(s) produced: 1995–1998

Sold in: USA

Made in: Korea

May 17, 2021

edited Ibanez Talman TC420

Improved item name. Improved item description.

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Before:
Ibanez Talman TC420 Metallic Red
After:
Ibanez Talman TC420 Crimson Metallic
Revised item description. Show revisions
Before:
The TC420 is a Talman series solid body electric guitar model introduced by Ibanez in 1995. The Talman series is a retro-styled guitar often described as reminiscent of an offset Telecaster or Jazzmaster.

The TC420 features a basswood body bolted to a maple neck with a 22-fret rosewood fingerboard with dot position markers. Components include dual covered Ibanez Powersound humbucking pickups and a synchronized tremolo bridge.

The TC420 was discontinued after 1998 along with the entire Talman series of this era.

After:
The TC420 is a Talman series solid body electric guitar model introduced by Ibanez in 1995. The Talman series is a retro-styled guitar often described as reminiscent of an offset Telecaster or Jazzmaster.

The TC420 features a basswood body bolted to a maple neck with a 22-fret rosewood fingerboard with dot position markers. Components include dual covered Ibanez Powersound humbucking pickups and a synchronized tremolo bridge.

The TC420 was discontinued after 1998 along with the entire Talman series of this era.

Model name: TC420 Year(s) produced: 1995–1998 Sold in: USA Made in: Korea

May 17, 2021

edited Ibanez Talman TC420

Added item description.

Revised item description. Show revisions
Before:
After:
The TC420 is a Talman series solid body electric guitar model introduced by Ibanez in 1995. The Talman series is a retro-styled guitar often described as reminiscent of an offset Telecaster or Jazzmaster.

The TC420 features a basswood body bolted to a maple neck with a 22-fret rosewood fingerboard with dot position markers. Components include dual covered Ibanez Powersound humbucking pickups and a synchronized tremolo bridge.

The TC420 was discontinued after 1998 along with the entire Talman series of this era.

May 17, 2021

trailwinder's Activity