trailwinder's activity

edited MONO Creators Pedalboard Rail Small

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MONO Pedalboard Rail with Stealth Club Case - Small
After:
MONO Creators Pedalboard Rail Small
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After:
The epitome of pedalboard flexibility and portability, the Mono Pedalboard Rail is designed to effortlessly accommodate complex stompbox setups. This pedalboard’s premium hook-and-loop strip system and 2.4-inch rails secure everything from diminutive mini pedals to massive expression pedals and multi-effects units with ease. Meanwhile, the rails are designed to be drilled to hard-mount your power supply of choice. Plus, cable management and organization are a breeze, thanks to the Mono Pedalboard Rail’s open-rail orientation and easy-access rail at the front of the ’board. And no matter how rough the road gets, the Mono Pedalboard Rail’s laser-welded joints, powder coated matte finish, hard rubber feet, and heavy-duty Stealth Club case accessory case ensure your pedalboard (and your pedals!) remain in top shape.

Oct 8, 2023

edited MONO Creators Power Supply Medium

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MONO Cases MONO 7-outlet Isolated Pedalboard Power Supply - Medium
After:
MONO Creators Power Supply Medium

Oct 8, 2023

edited MONO Creators M80 Pedalboard Case - Tour

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MONO M80 Pedalboard Case - Tour
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MONO Creators M80 Pedalboard Case - Tour

Oct 8, 2023

edited MONO Creators M80 Pedalboard Case - Pro

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MONO M80 Pedalboard Case - Pro
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MONO Creators M80 Pedalboard Case - Pro

Oct 8, 2023

edited MONO Creators M80 Pedalboard Lite

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MONO M80 Pedalboard Lite
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MONO Creators M80 Pedalboard Lite

Oct 8, 2023

edited MONO Creators Pedalboard Small (Black)

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Mono Pedalboard Small (Black)
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MONO Creators Pedalboard Small (Black)

Oct 8, 2023

edited Malaise Forever Customs Golden Guillotine

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Before:
The Golden Guillotine is a MASSIVE dual op-amp based distortion slammed with a pre-distortion boost, which brings out a wide range of gain and texture, and an added layer of intensity to your signal. It's high gain and hazy, but remains articulate, and has a surprising amount of tonal range that makes it equally suitable for bass as well as guitar. Features a three-way clipping toggle, top-mounted jacks and accepts a standard Boss-style 2.1mm 9v power supply (center negative). Please note that, as all units are hand-painted, weathered, and stamped, there may be some variation between individual pedals not captured in the pictures available here.

CONTROLS:

LOUD: Controls output volume CUT: Tone control; cuts treble frequencies PRE: Controls the amount of pre-distortion boost P0ST: Controls the level of distortion SWITCH: Clipping selection (asymmetrical/op-amp/symmetrical) SMOOTH: Internal trimmer; controls overall texture of the effect. Turn counter-clockwise to make it sound more grumbly, and clockwise to make it sound more... smooth. Mid-point is the stock setting.

After:
The Golden Guillotine is a MASSIVE dual op-amp based distortion slammed with a pre-distortion boost, which brings out a wide range of gain and texture, and an added layer of intensity to your signal. It's high gain and hazy, but remains articulate, and has a surprising amount of tonal range that makes it equally suitable for bass as well as guitar. Features a three-way clipping toggle, top-mounted jacks and accepts a standard Boss-style 2.1mm 9v power supply (center negative). Please note that, as all units are hand-painted, weathered, and stamped, there may be some variation between individual pedals not captured in the pictures available here.

CONTROLS:

-LOUD: Controls output volume

-CUT: Tone control; cuts treble frequencies

-PRE: Controls the amount of pre-distortion boost

-P0ST: Controls the level of distortion

-SWITCH: Clipping selection (asymmetrical/op-amp/symmetrical)

-SMOOTH: Internal trimmer; controls overall texture of the effect. Turn counter-clockwise to make it sound more grumbly, and clockwise to make it sound more... smooth. Mid-point is the stock setting.

Oct 8, 2023

edited Malaise Forever Customs Golden Guillotine

Added brand. Improved item image. Improved item description.

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Before:
The Golden Guillotine is a MASSIVE dual op-amp based distortion slammed with a pre-distortion boost, which brings out a wide range of gain and texture, and an added layer of intensity to your signal. It's high gain and hazy, but remains articulate, and has a surprising amount of tonal range that makes it equally suitable for bass as well as guitar. Features a three-way clipping toggle, top-mounted jacks and accepts a standard Boss-style 2.1mm 9v power supply (center negative). Please note that, as all units are hand-painted, weathered, and stamped, there may be some variation between individual pedals not captured in the pictures available here.

After:
The Golden Guillotine is a MASSIVE dual op-amp based distortion slammed with a pre-distortion boost, which brings out a wide range of gain and texture, and an added layer of intensity to your signal. It's high gain and hazy, but remains articulate, and has a surprising amount of tonal range that makes it equally suitable for bass as well as guitar. Features a three-way clipping toggle, top-mounted jacks and accepts a standard Boss-style 2.1mm 9v power supply (center negative). Please note that, as all units are hand-painted, weathered, and stamped, there may be some variation between individual pedals not captured in the pictures available here.

CONTROLS:

LOUD: Controls output volume CUT: Tone control; cuts treble frequencies PRE: Controls the amount of pre-distortion boost P0ST: Controls the level of distortion SWITCH: Clipping selection (asymmetrical/op-amp/symmetrical) SMOOTH: Internal trimmer; controls overall texture of the effect. Turn counter-clockwise to make it sound more grumbly, and clockwise to make it sound more... smooth. Mid-point is the stock setting.

Oct 8, 2023

edited Dirge Electronics Slowly Melting

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Before:
The Slowly Melting by Baltimore based Dirge Electronics is an out there pedal that combines several circuits like fuzz, starving circuit and modulation to give adventurous guitarists a heavy handed tool of sonic disintegration – or rather, fusion, hence the name.

The Dirge Slowly Melting is a Lofi Fuzz/Delay/Chorus/Doubletracker that takes a PT2399 Delay Chip and stretches it far beyond its means, creating wild, harsh, unpredictable, and gnarly sounds.

From lo-fi tape warbles, to fuzzy double tracking, to oscillating fuzz, this pedal packs a ton of sounds into one small box.

Controls:

Loud: Volume. EXTREMELY LOUD.

Starve: Power starve. All the way down is full voltage, push the knob up to starve the pedal and unlock new sounds.

Length: This controls the ‘delay’ length, from short double tracking to stretched out noisy delay sounds.

Melt: This knob is tied to the MELT footswitch and controls the amount of output going back into the input of the pedal.

Warble: This control sets the amount of modulation applied to to the delay signal. From subtle to wild.

Blend: This is a pseudo-blend control that blends between delay and fuzz sounds- go from full wet delay with fuzz to fuzz only with this control, you can also take the delay mix with this.
After:
The Slowly Melting by Baltimore based Dirge Electronics is an out there pedal that combines several circuits like fuzz, starving circuit and modulation to give adventurous guitarists a heavy handed tool of sonic disintegration – or rather, fusion, hence the name.

The Dirge Slowly Melting is a Lofi Fuzz/Delay/Chorus/Doubletracker that takes a PT2399 Delay Chip and stretches it far beyond its means, creating wild, harsh, unpredictable, and gnarly sounds.

From lo-fi tape warbles, to fuzzy double tracking, to oscillating fuzz, this pedal packs a ton of sounds into one small box.

Controls:

-Loud: Volume. EXTREMELY LOUD.

-Starve: Power starve. All the way down is full voltage, push the knob up to starve the pedal and unlock new sounds.

-Length: This controls the ‘delay’ length, from short double tracking to stretched out noisy delay sounds.

-Melt: This knob is tied to the MELT footswitch and controls the amount of output going back into the input of the pedal.

-Warble: This control sets the amount of modulation applied to to the delay signal. From subtle to wild.

-Blend: This is a pseudo-blend control that blends between delay and fuzz sounds- go from full wet delay with fuzz to fuzz only with this control, you can also take the delay mix with this.

Jul 1, 2023

edited Dirge Electronics Slowly Melting

Improved item name. Improved item description.

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Before:
The Slowly Melting by Baltimore based Dirge Electronics is an out there pedal that combines several circuits like fuzz, starving circuit and modulation to give adventurous guitarists a heavy handed tool of sonic disintegration – or rather, fusion, hence the name.

Described as “a LoFi Fuzz/Delay/Chorus/Doubletracker that takes a PT2399 Delay Chip and stretches it far beyond its means, creating wild, harsh, unpredictable, and gnarly sounds,” this device cannibalizes itself by feeding its own signal back into its circuit through the Melt knob, which can be triggered through the second footswitch. The results are as uber-gnarly as you expected.
After:
The Slowly Melting by Baltimore based Dirge Electronics is an out there pedal that combines several circuits like fuzz, starving circuit and modulation to give adventurous guitarists a heavy handed tool of sonic disintegration – or rather, fusion, hence the name.

The Dirge Slowly Melting is a Lofi Fuzz/Delay/Chorus/Doubletracker that takes a PT2399 Delay Chip and stretches it far beyond its means, creating wild, harsh, unpredictable, and gnarly sounds.

From lo-fi tape warbles, to fuzzy double tracking, to oscillating fuzz, this pedal packs a ton of sounds into one small box.

Controls:

Loud: Volume. EXTREMELY LOUD.

Starve: Power starve. All the way down is full voltage, push the knob up to starve the pedal and unlock new sounds.

Length: This controls the ‘delay’ length, from short double tracking to stretched out noisy delay sounds.

Melt: This knob is tied to the MELT footswitch and controls the amount of output going back into the input of the pedal.

Warble: This control sets the amount of modulation applied to to the delay signal. From subtle to wild.

Blend: This is a pseudo-blend control that blends between delay and fuzz sounds- go from full wet delay with fuzz to fuzz only with this control, you can also take the delay mix with this.
Revised item category. Show revisions
Before:
Guitar Pedals & Effects
After:
Fuzz Effects Pedals

Jul 1, 2023

edited Cordoba Fusion 12 Rose II

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Before:
Built on the classic combination of a solid Spruce top and Rosewood back and sides, the Fusion 12 Rose II brings a fresh aesthetic to Córdoba's popular Fusion 12 series. Introducing the Córdoba, an innovative pairing that combines the beauty of exotic woods with the tonal character of Spruce. Through applying a thin, real wood veneer to a solid Spruce top, Córdoba's new +Top concept allows players to choose a unique look without sacrificing that quintessential solid Spruce tone. The Fusion 12 Rose II brings a dark, monochromatic visual allure to the traditional aesthetic of the nylon string guitar.

Tech Specs:

-String Type: Nylon

-Number of Strings: 6

-Body Shape: Fusion

-Left-/Right-handed: Right-handed

-Color: Natural

-Finish: Gloss

-Top Wood: Spruce with Rosewood Veneer

-Back & Sides Wood: Rosewood

-Body Bracing: Fan

-Binding: Maple with Black Plastic

-Neck Wood: Mahogany

-Neck Shape: Crossover C Shape

-Fingerboard Material: Pau Ferro

-Number of Frets: 19

-Scale Length: 24.6"

-Tuning Machines: Córdoba

-Bridge Material: Pau Ferro

-Nut/Saddle Material: Bone/Bone

-Nut Width: 1.875"

-Electronics: Fishman Presys Blend with Undersaddle Piezo
After:
Built on the classic combination of a solid Spruce top and Rosewood back and sides, the Fusion 12 Rose II brings a fresh aesthetic to Córdoba's popular Fusion 12 series. Introducing the Córdoba, an innovative pairing that combines the beauty of exotic woods with the tonal character of Spruce. Through applying a thin, real wood veneer to a solid Spruce top, Córdoba's new +Top concept allows players to choose a unique look without sacrificing that quintessential solid Spruce tone. The Fusion 12 Rose II brings a dark, monochromatic visual allure to the traditional aesthetic of the nylon string guitar.

Features:

Thinner, narrower neck and built-in electronics make this an ideal crossover guitar

Rich, balanced tone courtesy of premium tonewoods

Excellent projection and dynamics due to the classic fan bracing construction

Sounds great plugged-in with Fishman Presys electronics built-in

Mar 20, 2023

edited Cordoba Fusion 12 Rose II

Improved item description.

Revised item description. Show revisions
Before:
Built on the classic combination of a solid Spruce top and Rosewood back and sides, the Fusion 12 Rose II brings a fresh aesthetic to Córdoba's popular Fusion 12 series. Introducing the Córdoba, an innovative pairing that combines the beauty of exotic woods with the tonal character of Spruce. Through applying a thin, real wood veneer to a solid Spruce top, Córdoba's new +Top concept allows players to choose a unique look without sacrificing that quintessential solid Spruce tone. The Fusion 12 Rose II brings a dark, monochromatic visual allure to the traditional aesthetic of the nylon string guitar.

Tech Specs:

String Type: Nylon

Number of Strings: 6

Body Shape: Fusion

Left-/Right-handed: Right-handed

Color: Natural

Finish: Gloss

Top Wood: Spruce with Rosewood Veneer

Back & Sides Wood: Rosewood

Body Bracing: Fan

Binding: Maple with Black Plastic

Neck Wood: Mahogany

Neck Shape: Crossover C Shape

Fingerboard Material: Pau Ferro

Number of Frets: 19

Scale Length: 24.6"

Tuning Machines: Córdoba

Bridge Material: Pau Ferro

Nut/Saddle Material: Bone/Bone

Nut Width: 1.875"

Electronics: Fishman Presys Blend with Undersaddle Piezo
After:
Built on the classic combination of a solid Spruce top and Rosewood back and sides, the Fusion 12 Rose II brings a fresh aesthetic to Córdoba's popular Fusion 12 series. Introducing the Córdoba, an innovative pairing that combines the beauty of exotic woods with the tonal character of Spruce. Through applying a thin, real wood veneer to a solid Spruce top, Córdoba's new +Top concept allows players to choose a unique look without sacrificing that quintessential solid Spruce tone. The Fusion 12 Rose II brings a dark, monochromatic visual allure to the traditional aesthetic of the nylon string guitar.

Tech Specs:

-String Type: Nylon

-Number of Strings: 6

-Body Shape: Fusion

-Left-/Right-handed: Right-handed

-Color: Natural

-Finish: Gloss

-Top Wood: Spruce with Rosewood Veneer

-Back & Sides Wood: Rosewood

-Body Bracing: Fan

-Binding: Maple with Black Plastic

-Neck Wood: Mahogany

-Neck Shape: Crossover C Shape

-Fingerboard Material: Pau Ferro

-Number of Frets: 19

-Scale Length: 24.6"

-Tuning Machines: Córdoba

-Bridge Material: Pau Ferro

-Nut/Saddle Material: Bone/Bone

-Nut Width: 1.875"

-Electronics: Fishman Presys Blend with Undersaddle Piezo

Mar 20, 2023

edited Cordoba Fusion 12 Rose II

Improved item description.

Revised item description. Show revisions
Before:
Built on the classic combination of a solid Spruce top and Rosewood back and sides, the Fusion 12 Rose II brings a fresh aesthetic to Córdoba's popular Fusion 12 series. Introducing the Córdoba, an innovative pairing that combines the beauty of exotic woods with the tonal character of Spruce. Through applying a thin, real wood veneer to a solid Spruce top, Córdoba's new +Top concept allows players to choose a unique look without sacrificing that quintessential solid Spruce tone. The Fusion 12 Rose II brings a dark, monochromatic visual allure to the traditional aesthetic of the nylon string guitar.

Tech Specs: - String Type: Nylon - Number of Strings: 6 - Body Shape: Fusion - Left-/Right-handed: Right-handed - Color: Natural - Finish: Gloss - Top Wood: Spruce with Rosewood Veneer - Back & Sides Wood: Rosewood - Body Bracing: Fan - Binding: Maple with Black Plastic - Neck Wood: Mahogany - Neck Shape: Crossover C Shape - Fingerboard Material: Pau Ferro - Number of Frets: 19 - Scale Length: 24.6" - Tuning Machines: Córdoba - Bridge Material: Pau Ferro - Nut/Saddle Material: Bone/Bone - Nut Width: 1.875" - Electronics: Fishman Presys Blend with Undersaddle Piezo
After:
Built on the classic combination of a solid Spruce top and Rosewood back and sides, the Fusion 12 Rose II brings a fresh aesthetic to Córdoba's popular Fusion 12 series. Introducing the Córdoba, an innovative pairing that combines the beauty of exotic woods with the tonal character of Spruce. Through applying a thin, real wood veneer to a solid Spruce top, Córdoba's new +Top concept allows players to choose a unique look without sacrificing that quintessential solid Spruce tone. The Fusion 12 Rose II brings a dark, monochromatic visual allure to the traditional aesthetic of the nylon string guitar.

Tech Specs:

String Type: Nylon

Number of Strings: 6

Body Shape: Fusion

Left-/Right-handed: Right-handed

Color: Natural

Finish: Gloss

Top Wood: Spruce with Rosewood Veneer

Back & Sides Wood: Rosewood

Body Bracing: Fan

Binding: Maple with Black Plastic

Neck Wood: Mahogany

Neck Shape: Crossover C Shape

Fingerboard Material: Pau Ferro

Number of Frets: 19

Scale Length: 24.6"

Tuning Machines: Córdoba

Bridge Material: Pau Ferro

Nut/Saddle Material: Bone/Bone

Nut Width: 1.875"

Electronics: Fishman Presys Blend with Undersaddle Piezo

Mar 20, 2023

edited Cordoba Fusion 12 Rose II

Improved item name. Added item description. Improved item image.

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Before:
Cordoba Fusion 12 Rose II Acoustic Nylon Guitar - Rosewood
After:
Cordoba Fusion 12 Rose II
Revised item description. Show revisions
Before:
After:
Built on the classic combination of a solid Spruce top and Rosewood back and sides, the Fusion 12 Rose II brings a fresh aesthetic to Córdoba's popular Fusion 12 series. Introducing the Córdoba, an innovative pairing that combines the beauty of exotic woods with the tonal character of Spruce. Through applying a thin, real wood veneer to a solid Spruce top, Córdoba's new +Top concept allows players to choose a unique look without sacrificing that quintessential solid Spruce tone. The Fusion 12 Rose II brings a dark, monochromatic visual allure to the traditional aesthetic of the nylon string guitar.

Tech Specs: - String Type: Nylon - Number of Strings: 6 - Body Shape: Fusion - Left-/Right-handed: Right-handed - Color: Natural - Finish: Gloss - Top Wood: Spruce with Rosewood Veneer - Back & Sides Wood: Rosewood - Body Bracing: Fan - Binding: Maple with Black Plastic - Neck Wood: Mahogany - Neck Shape: Crossover C Shape - Fingerboard Material: Pau Ferro - Number of Frets: 19 - Scale Length: 24.6" - Tuning Machines: Córdoba - Bridge Material: Pau Ferro - Nut/Saddle Material: Bone/Bone - Nut Width: 1.875" - Electronics: Fishman Presys Blend with Undersaddle Piezo

Mar 20, 2023

edited Disaster Area Designs SMARTClock Gen3

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Before:
Disaster Area SMARTClock Gen3
After:
Disaster Area Designs SMARTClock Gen3
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Before:
After:
Disaster Area Designs

Sep 21, 2022

edited Disaster Area Designs DPC-8EZ Gen3 Programmable Bypass Switcher with MIDI

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Before:
Disaster Area DPC-8EZ Gen3 Programmable Bypass Switcher with MIDI
After:
Disaster Area Designs DPC-8EZ Gen3 Programmable Bypass Switcher with MIDI
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After:
Disaster Area Designs

Sep 21, 2022

edited Disaster Area Designs DPC-5 Gen3

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Before:
Disaster Area DPC-5 Gen3
After:
Disaster Area Designs DPC-5 Gen3
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Before:
After:
Disaster Area Designs

Sep 21, 2022

edited Kingsley Maiden Valve Preamplifier V2

Improved item name. Added brand. Added item description.

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Before:
Kingsley Maiden Valve Preamp
After:
Kingsley Amplification Maiden V2
Revised item description. Show revisions
Before:
After:
The Maiden is a tube preamplifier in a pedal format. It is suitable for running directly into a power amplifier, running into the effects return of an amplifier’s effects loop, recording direct when combined with a cabinet/power amp simulator or for use as a booster/second clean sound when plugged into the front end of another guitar amplifier.

There are two models available: the Maiden BF, inspired by the classic Fender blackface design and the Maiden D, based on the clean channel of a Dumble ODS type amplifier. These preamplifiers are primarily about clean tones but can also be set for edge of breakup sounds.

The single Tungsol 12AX7 runs at high voltage for a full, rich and dynamic tube sound. The 9VDC power supply (provided) is converted to both 6VDC for the tube heaters and 275VDC for the tube plates.

Measurements: 3 7/8” wide x 4 ¾” deep x 2.56" tall

Power requirements: 9VDC @ 500mA, center negative, 2.1mm jack

Weight: 1.27 lbs (575g)

Jun 17, 2022

edited Kingsley Amplification Squire

Improved item description.

Revised item description. Show revisions
Before:
The Squire preamp pedal is suitable for running directly into a power amplifier, running into the effects return of an amplifier’s effects loop, recording direct when combined with a cabinet simulator or for use as a booster/second clean sound when plugged into the front end of another guitar amplifier.

There are three models to choose from: the original Squire, inspired by the Dumble clean channel; the Squire BF, similar to a black face fender circuit and the Squire TB, modeled after the Vox top boost circuit.

The single Tungsol 12AX7 runs at high voltage for a full, rich and dynamic tube sound. The 9VDC power supply (provided) is converted to both 6.3VDC for the tube heaters and 250VDC for the tube plates.

Measurements: 3 7/8” wide x 4 ¾” deep x 2.56" tall

Power requirements: 9VDC @ 500mA, center negative, 2.1mm jack

Weight: 1.27 lbs (575g)
After:
The Squire preamp pedal is suitable for running directly into a power amplifier, running into the effects return of an amplifier’s effects loop, recording direct when combined with a cabinet simulator or for use as a booster/second clean sound when plugged into the front end of another guitar amplifier.

There are three models to choose from: the original Squire, inspired by the Dumble clean channel; the Squire BF, similar to a black face fender circuit and the Squire TB, modeled after the Vox top boost circuit.

The single Tungsol 12AX7 runs at high voltage for a full, rich and dynamic tube sound. The 9VDC power supply (provided) is converted to both 6.3VDC for the tube heaters and 250VDC for the tube plates.

Measurements: 3 7/8” wide x 4 ¾” deep x 2.56" tall

Power requirements: 9VDC @ 500mA, center negative, 2.1mm jack

Weight: 1.27 lbs (575g)

Jun 17, 2022

edited Kingsley Amplification Squire

Improved item name. Added item description. Improved item image.

Revised item name. Show revisions
Before:
Kingsley Squire
After:
Kingsley Amplification Squire
Revised item description. Show revisions
Before:
After:
The Squire preamp pedal is suitable for running directly into a power amplifier, running into the effects return of an amplifier’s effects loop, recording direct when combined with a cabinet simulator or for use as a booster/second clean sound when plugged into the front end of another guitar amplifier.

There are three models to choose from: the original Squire, inspired by the Dumble clean channel; the Squire BF, similar to a black face fender circuit and the Squire TB, modeled after the Vox top boost circuit.

The single Tungsol 12AX7 runs at high voltage for a full, rich and dynamic tube sound. The 9VDC power supply (provided) is converted to both 6.3VDC for the tube heaters and 250VDC for the tube plates.

Measurements: 3 7/8” wide x 4 ¾” deep x 2.56" tall

Power requirements: 9VDC @ 500mA, center negative, 2.1mm jack

Weight: 1.27 lbs (575g)

Jun 17, 2022

edited Mackie MDB-2P Passive Stereo Direct Box

Improved item description.

Revised item description. Show revisions
Before:
Affordable Mackie MDB direct boxes are acoustically transparent and ruggedly built to ensure that your instruments and audio sources arrive at your listeners clean, uncolored, and as expected. Premium passive analog circuitry gives each channel of the Mackie MDB-2P a musical, linear response. Dual -15dB pads protect inputs from high-level sources such as active pickups, laptops, and mobile devices, while a Ground Lift switch eliminates grounding loop issues you may encounter in the wild. Thanks to its “Built-like-a-Tank” construction, the 2-channel Mackie MDB-2P Passive Direct Box from Sweetwater is likely to earn a permanent spot in your gigging rotation.

Mackie MDB-2P Passive Direct Box Features: - Dual independent channels - For stereo or dual mono applications - Clean, uncolored, and acoustically transparent - Proven “Built-like-a-Tank” construction - Premium passive analog circuitry - Requires no batteries or external power - Thru outputs pass signals along uncolored to an amp or other source - -15dB pads protect inputs from high-level sound sources - Ground Lift switch eliminates grounding loop hum
After:
Affordable Mackie MDB direct boxes are acoustically transparent and ruggedly built to ensure that your instruments and audio sources arrive at your listeners clean, uncolored, and as expected. Premium passive analog circuitry gives each channel of the Mackie MDB-2P a musical, linear response. Dual -15dB pads protect inputs from high-level sources such as active pickups, laptops, and mobile devices, while a Ground Lift switch eliminates grounding loop issues you may encounter in the wild. Thanks to its “Built-like-a-Tank” construction, the 2-channel Mackie MDB-2P Passive Direct Box from Sweetwater is likely to earn a permanent spot in your gigging rotation.

Mackie MDB-2P Passive Direct Box Features:

Dual independent channels

For stereo or dual mono applications

Clean, uncolored, and acoustically transparent

Proven “Built-like-a-Tank” construction

Premium passive analog circuitry

Requires no batteries or external power

Thru outputs pass signals along uncolored to an amp or other source

-15dB pads protect inputs from high-level sound sources

Ground Lift switch eliminates grounding loop hum

May 3, 2022

edited Mackie MDB-2P Passive Stereo Direct Box

Improved item description.

Revised item description. Show revisions
Before:
Affordable Mackie MDB direct boxes are acoustically transparent and ruggedly built to ensure that your instruments and audio sources arrive at your listeners clean, uncolored, and as expected. Premium passive analog circuitry gives each channel of the Mackie MDB-2P a musical, linear response. Dual -15dB pads protect inputs from high-level sources such as active pickups, laptops, and mobile devices, while a Ground Lift switch eliminates grounding loop issues you may encounter in the wild. Thanks to its “Built-like-a-Tank” construction, the 2-channel Mackie MDB-2P Passive Direct Box from Sweetwater is likely to earn a permanent spot in your gigging rotation.

Mackie MDB-2P Passive Direct Box Features: - Dual independent channels - For stereo or dual mono applications - Clean, uncolored, and acoustically transparent - Proven “Built-like-a-Tank” construction - Premium passive analog circuitry - Requires no batteries or external power - Thru outputs pass signals along uncolored to an amp or other source - -15dB pads protect inputs from high-level sound sources - Ground Lift switch eliminates grounding loop hum

After:
Affordable Mackie MDB direct boxes are acoustically transparent and ruggedly built to ensure that your instruments and audio sources arrive at your listeners clean, uncolored, and as expected. Premium passive analog circuitry gives each channel of the Mackie MDB-2P a musical, linear response. Dual -15dB pads protect inputs from high-level sources such as active pickups, laptops, and mobile devices, while a Ground Lift switch eliminates grounding loop issues you may encounter in the wild. Thanks to its “Built-like-a-Tank” construction, the 2-channel Mackie MDB-2P Passive Direct Box from Sweetwater is likely to earn a permanent spot in your gigging rotation.

Mackie MDB-2P Passive Direct Box Features: - Dual independent channels - For stereo or dual mono applications - Clean, uncolored, and acoustically transparent - Proven “Built-like-a-Tank” construction - Premium passive analog circuitry - Requires no batteries or external power - Thru outputs pass signals along uncolored to an amp or other source - -15dB pads protect inputs from high-level sound sources - Ground Lift switch eliminates grounding loop hum

May 3, 2022

edited Mackie MDB-2P Passive Stereo Direct Box

Improved item name. Added brand. Added item description. Improved item category.

Revised item name. Show revisions
Before:
Mackie MDB-2P
After:
Mackie MDB-2P Passive Stereo Direct Box
Revised item Brand. Show revisions
Before:
After:
Mackie
Revised item description. Show revisions
Before:
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Affordable Mackie MDB direct boxes are acoustically transparent and ruggedly built to ensure that your instruments and audio sources arrive at your listeners clean, uncolored, and as expected. Premium passive analog circuitry gives each channel of the Mackie MDB-2P a musical, linear response. Dual -15dB pads protect inputs from high-level sources such as active pickups, laptops, and mobile devices, while a Ground Lift switch eliminates grounding loop issues you may encounter in the wild. Thanks to its “Built-like-a-Tank” construction, the 2-channel Mackie MDB-2P Passive Direct Box from Sweetwater is likely to earn a permanent spot in your gigging rotation.

Mackie MDB-2P Passive Direct Box Features: - Dual independent channels - For stereo or dual mono applications - Clean, uncolored, and acoustically transparent - Proven “Built-like-a-Tank” construction - Premium passive analog circuitry - Requires no batteries or external power - Thru outputs pass signals along uncolored to an amp or other source - -15dB pads protect inputs from high-level sound sources - Ground Lift switch eliminates grounding loop hum
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Stage & Studio Cables
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Direct Boxes

May 3, 2022

edited Boss GT-1000CORE Guitar Effects Processor

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Boss GT-1000 CORE Guitar Effects Processor
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Boss GT-1000CORE Guitar Effects Processor
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Amazingly powerful and ultra-versatile, GT-1000CORE delivers the most complete guitar and bass processing experience available in a single stompbox. The full DSP muscle of the flagship GT-1000 lives inside this mini juggernaut, driving class-leading sound quality, advanced AIRD technology, 24 simultaneous effects blocks, and over 140 unique amp/effect types for unlimited creative expression. GT-1000CORE fits into any pedalboard setup and works equally well as a standalone processor for playing live and in the studio. And with flexible I/O and vast control support, it’s right at home as the core of any rig.
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Amazingly powerful and ultra-versatile, GT-1000CORE delivers the most complete guitar and bass processing experience available in a single stompbox. The full DSP muscle of the flagship GT-1000 lives inside this mini juggernaut, driving class-leading sound quality, advanced AIRD technology, 24 simultaneous effects blocks, and over 140 unique amp/effect types for unlimited creative expression. GT-1000CORE fits into any pedalboard setup and works equally well as a standalone processor for playing live and in the studio. And with flexible I/O and vast control support, it’s right at home as the core of any rig.

The complete internal tone processing of the GT-1000 in a compact and portable stompbox

Unlimited sound creation with 24 simultaneous effects blocks—including two different amps—and numerous series/parallel routing options

Unmatched sound quality with 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate

AIRD (Augmented Impulse Response Dynamics) technology delivers natural feel and optimized integration with all types of external devices

Includes classic BOSS effects, vintage stomps, MDP effects, and algorithms directly ported from the DD-500, MD-500, and RV-500 pedals

Ultra-fast patch switching and delay carryover

Innovative Stompbox feature simplifies using common effects settings in many different patches

Looper for practicing, developing ideas, and enhancing live performances

High-resolution tuner with mono and polyphonic displays

Two send/return loops for external effects, four-cable method, or separate direct outputs

16 slots for onboard user IRs

Supports external control via footswitches, expression pedals, USB, and TRS MIDI

Control out function for switching amp channels

USB audio/MIDI interface for computer-based recording and editing

Dedicated mode for bass guitar applications

May 1, 2022

edited Takamine TSF40C - Natural Gloss

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Takamine TSF40C Legacy Series NEX Cutaway Acoustic/Electric Guitar Natural Gloss
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Takamine TSF40C - Natural Gloss
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This popular NEX model is a favorite of those who prefer a gloss finish with their solid cedar tops and mahogany back and sides. The turquois eagle 12th fret inlay pays homage to Takamine's legendary Sante Fe series. The TSF40C includes Takamine’s proprietary CTP-3 Cool Tube™ preamp system. The dual-channel CTP-3 provides low-voltage tube tone, variable from bright and brilliant to thick and warm, three band EQ with semi-parametric midrange, auxiliary input and volume (for use when a second pickup is added), and an onboard chromatic tuner.

Legacy Series Designed for Optimum Playability

Cutaway Feature for Easy Access to the Highest Frets

Rosewood Fingerboard Produces Complex Overtones

Special Edition 12th Fret Blue Inlay

On Board CTP-3 CoolTube System with Extensive EQ Options

Oct 14, 2021

edited Gruv Gear FretWrap Maple

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Gruv Gear Fret Wrap
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Gruv Gear FretWrap Maple

Oct 3, 2021

edited Gruv Gear FretWrap Maple

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Gruv Gear Fret Wrap Maple
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Gruv Gear Fret Wrap
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Gruv Gear
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Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing.

The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!

Oct 3, 2021

edited Caroline Guitar Company Shigeharu

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Caroline Shigeharu
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Caroline Guitar Company Shigeharu

Oct 3, 2021

edited Caroline Guitar Company Shigeharu

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Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™.

Using a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even after buffers or wireless units. Combine that with the parallel octave-up voiced fuzz available on demand with the Havoc* stomp and you have a whole lot of nasty right here.

Two extra controls reside inside the pedal – a bias/gate control for dialing up broken, spitty sounds, and a slide switch that locks the octave-up “on” and converts the momentary to a kill/mute switch.

Shigeharu™ was designed in collaboration with our friend John Snyder at Electronic Audio Experiments, because this thing was fearsome enough to compel us to seek a second opinion.

Caroline Guitar Company Shigeharu Fuzz Features: - Uses a cascading hybrid of op-amp and BC184 transistor gain stages - Parallel octave-up voiced fuzz available on demand with the Havoc* stomp - Internal switches for bias/gate control and locking the octave-up "on" while converting the momentary to a kill/mute switch - Designed in collaboration with John Snyder at Electronic Audio Experiments
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Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™.

Using a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even after buffers or wireless units. Combine that with the parallel octave-up voiced fuzz available on demand with the Havoc* stomp and you have a whole lot of nasty right here.

Two extra controls reside inside the pedal – a bias/gate control for dialing up broken, spitty sounds, and a slide switch that locks the octave-up “on” and converts the momentary to a kill/mute switch.

Shigeharu™ was designed in collaboration with our friend John Snyder at Electronic Audio Experiments, because this thing was fearsome enough to compel us to seek a second opinion.

Caroline Guitar Company Shigeharu Fuzz Features:

Uses a cascading hybrid of op-amp and BC184 transistor gain stages

Parallel octave-up voiced fuzz available on demand with the Havoc* stomp

Internal switches for bias/gate control and locking the octave-up "on" while converting the momentary to a kill/mute switch

Designed in collaboration with John Snyder at Electronic Audio Experiments

Oct 3, 2021

edited Caroline Guitar Company Shigeharu

Improved item image. Added item description.

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Before:
After:
Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™.

Using a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even after buffers or wireless units. Combine that with the parallel octave-up voiced fuzz available on demand with the Havoc* stomp and you have a whole lot of nasty right here.

Two extra controls reside inside the pedal – a bias/gate control for dialing up broken, spitty sounds, and a slide switch that locks the octave-up “on” and converts the momentary to a kill/mute switch.

Shigeharu™ was designed in collaboration with our friend John Snyder at Electronic Audio Experiments, because this thing was fearsome enough to compel us to seek a second opinion.

Caroline Guitar Company Shigeharu Fuzz Features: - Uses a cascading hybrid of op-amp and BC184 transistor gain stages - Parallel octave-up voiced fuzz available on demand with the Havoc* stomp - Internal switches for bias/gate control and locking the octave-up "on" while converting the momentary to a kill/mute switch - Designed in collaboration with John Snyder at Electronic Audio Experiments

Oct 3, 2021

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