vincentzauhar's Activity

The Ensoniq Mirage DMS-8 is a velocity sensitive (pressure via MIDI) 2U rack (8 voice), 8 bit sampler, featuring 24dB low pass analog filter, dedicated APDSR filter and amp envelopes, vibrato, single track real-time sequencer, and MIDI. Sample memory (2x64kB) can contain up to 8 upper and 8 lower waveforms, recorded at 10-33kHz. Sample editing includes rotate (additional editing with MASOS disk). Samples can be stored via a 3.5" SSDD disk drive.

The DSP56300 Emulator project provides 1:1 emulation of classic VA synths of the late 90s/2000s that used the Motorola 56300 family DSP. Osirus is The Usual Suspect's first project, aimed at the Access Virus A and B synthesizers.

The DSP56300 Emulator project provides 1:1 emulation of classic VA synths of the late 90s/2000s that used the Motorola 56300 family DSP. Osirus is The Usual Suspect's first project, aimed at the famous Access Virus B and C synthesizers.

The DSP56300 Emulator project provides 1:1 emulation of classic VA synths of the late 90s/2000s that used the Motorola 56300 family DSP. Osirus is The Usual Suspect's first project, aimed at the Access Virus A and B synthesizers.

Augmented STRINGS combines rich sampled strings with state-of-the-art synthesis in an approachable, inspiring software instrument, giving modern producers immediate access to a comprehensive range of authentic, abstract, and evocative string sounds.

The Realistic Concertmate 200 was a Radioshack rebrand of the famous Casio VL-1.

Unfiltered Audio’s SILO is unlike any other reverb out there. Endlessly tweakable and just begging to be automated, it harnesses the power of granular processing for incredibly rich and even otherworldly reverb sounds you have to hear to believe.

The DX100 is a small and portable budget DX synthesizer from Yamaha. Like all DX's it uses (FM) Frequency Modulation synthesis. It's not the easiest form of synthesis to program but can result in some excellent sounds. The DX100 is not as flexible nor powerful as a DX7, but it does have some cool sounds. It is most renowned for its great analog bass sound (Patch #01) that is awesome for techno, house, jungle, and acid music styles; it's very gritty, the bass tone with gristle! However, any other preset sounds that you'll find in the DX100 are pretty bad and require editing for anything else useable.

The DX100 has mini-keys and only 49 of them. No filters, arpeggiators, effects or programmable controllers are available either. Small pitch and mod wheels in the upper left and guitar strap pegs make this synth usable for live use if you're feeling whimsical. If you mess around with the settings on Parameter 13, even if you don't know anything about FM, you can get some seriously twisted sounds out of it. If you're willing to spend a little time with it, it has a lot more potential than just that one bass sound that people will eventually get sick of. And at its currently low street price, it just might be worth getting. It is used by Orbital, Scanner, Jean-Michel Jarre, Autechre, Laurent Garnier, and countless other house and dance artists.

The melding of years of meticulous sound design heritage with a brand new interactive UI. A nuclear power plant of an audio engine made more stable than ever combines with a redesigned, reimagined interface to augment full command of sonic design. Cross-platform and multiple format, ZynAddSubFX 3.0 is ready to create the sounds you need.

The ZynAddSubFX synthesizer project was first released nearly 15 years ago by Paul Nasca Octavia with such an incredible feature set (warm, analog sound, powerful modulation, and a complete set of built-in effects), it quickly became a benchmark for what software is capable of. Add in the fact it was open-source and free and you will understand why Zyn is still relevant a decade and a half later. With years of active maintenance and refactoring completed for the 3.0 release, Zyn-Fusion is an up-to-date, classic, audio-powerhouse.

Thanks to the generosity of Claes Johanson (owner of Vember Audio), Surge has been open sourced and lives on GitHub, and is now supported by a community of volunteer open source developers, designers, testers, musicians, synthesizer enthusiasts, and content creators.

Featuring many synthesis techniques, a great selection of filters, a flexible modulation engine, a smorgasbord of effects, and modern features like MPE and microtuning.

Surge is a wonderful tool. We love it. We think you will, too!

T-RackS Saturator X is a comprehensive tool for adding analog flavor to your recordings. From tape to tube to transformer to transistor, it provides you with options — 10 individual styles of saturation and distortion from the gentle, subtle hint of drive from a slightly overdriven transistor to the full-on wooly nasty in-your-face mayhem of tubes driven to beyond their limit… and everything in between. T-RackS Saturator X delivers.

Studio quality, open-source reverb. Its release is intended to provide a practical demonstration of Dattorro’s figure-of-eight reverb structure and provide the open source community with a high quality reverb.