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Average Price: $118
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$500
$1501+
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Description
The DX100 is a small and portable budget DX synthesizer from Yamaha. Like all DX's it uses (FM) Frequency Modulation synthesis. It's not the easiest form of synthesis to program but can result in some excellent sounds. The DX100 is not as flexible nor powerful as a DX7, but it does have some cool sounds. It is most renowned for its great analog bass sound (Patch #01) that is awesome for techno, house, jungle, and acid music styles; it's very gritty, the bass tone with gristle! However, any other preset sounds that you'll find in the DX100 are pretty bad and require editing for anything else useable.
The DX100 has mini-keys and only 49 of them. No filters, arpeggiators, effects or programmable controllers are available either. Small pitch and mod wheels in the upper left and guitar strap pegs make this synth usable for live use if you're feeling whimsical. If you mess around with the settings on Parameter 13, even if you don't know anything about FM, you can get some seriously twisted sounds out of it. If you're willing to spend a little time with it, it has a lot more potential than just that one bass sound that people will eventually get sick of. And at its currently low street price, it just might be worth getting. It is used by Orbital, Scanner, Jean-Michel Jarre, Autechre, Laurent Garnier, and countless other house and dance artists.
Product specs
| Brand | Yamaha |
| Model | DX100 Programmable Algorithm Synthesizer |
| Finish | Black |
| Year | 1985 |
| Categories | Digital Synthesizers, Keyboard Synths |
| Analog / Digital | Digital |
| Key Size | Mini |
| Keyboard Action | Synth Action |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Number of Keys | 49 Keys |
| Polyphony | 8 Voices |
FAQs
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What type of synthesis does the Yamaha DX100 use?
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The Yamaha DX100 utilizes FM (Frequency Modulation) synthesis, which allows for a wide range of complex and evolving sounds, making it a versatile choice for various musical styles.
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How many voices of polyphony does the Yamaha DX100 have?
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The Yamaha DX100 features 8-voice polyphony, allowing you to play up to eight notes simultaneously, which is suitable for creating layered and intricate musical textures.
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Is the Yamaha DX100 compatible with MIDI devices?
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Yes, the Yamaha DX100 is equipped with MIDI input, output, and through ports, enabling seamless integration with other MIDI-compatible devices for expanded control and performance options.
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What is the key size and action type on the Yamaha DX100?
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The Yamaha DX100 features a 49-key mini keyboard with synth action, providing a compact and responsive playing experience that's ideal for both studio and live settings.
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Can the Yamaha DX100 be used for live performances?
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The Yamaha DX100 is well-suited for live performances, thanks to its compact size, lightweight design, and MIDI capabilities, allowing it to be easily integrated into a live setup.
Videos
8-Bit Keys
Yamaha DX100 Repair and Review
Reviews
PROS
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Unique gritty 80s FM sound, perfect for electronica and Chicago House
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Portable design with battery compartment and strap buttons for keytar use
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49 mini keys allow for extended one-hand stretches
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Responds to MIDI velocity for expressive play
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Thousands of downloadable patches available
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Can store and load user patches via MIDI System Exclusive
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Features pitch and modulation wheels for expressive control
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Up to 192 presets and 24 programmable ram sounds
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Noted for its excellent bass patch #1
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Durable build quality, with keys and buttons that last
CONS
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Mini keys and limited polyphony might not suit all players
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Programming can be fiddly and time-consuming
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No onboard effects or filters
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Monophonic output limits sound layering
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Lacks General MIDI support
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Absence of knobs for hands-on control; relies on buttons and a data slider
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Yamaha DX100.
User experience
Software and compatibility
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Sysex Librarian on Mac can be used effectively for saving and loading patches on the DX100.
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Comparisons
Setup and maintenance
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Adding a backlit LCD is a considered upgrade for better usability, enhancing the playing experience.
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Features and functionality
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The four-operator design is enhanced by using effects like Chorus, Reverb, Delay, and Phaser to enrich the sound.
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The "Wood Piano" preset on the DX100 is highly regarded and difficult to replicate on the more advanced DX7, despite having fewer operators.
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The DX100's internals are velocity-sensitive via MIDI, but the keybed lacks this feature, impacting the expressiveness of FM sounds.
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The DX100 can mimic the Sega Genesis sound, appealing to those interested in retro gaming or chiptune music.
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The Yamaha DX100 has a port for a Yamaha Breath Controller, enhancing its expressive capabilities, though controllers can be hard to find.
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The DX100 includes guitar strap pegs, allowing it to be used as a keytar, enhancing its versatility for live performances.
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Use cases and applications
Value and pricing
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The DX100 is valued between $250 and $450 on the resale market, making a $50 purchase a significant bargain.
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Build quality
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Sticky keys can be a common issue, but the straightforward keyboard mechanism allows for easy cleaning and maintenance.
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Critic Reviews
4.0 out of 5
Based on 6 Reviews and 29 Ratings
363
The balance between complexity and musicality.
I owned a DX-7 for a period of time. I found the six operators to be somewhat unwieldy, because the way the algorithms are set up makes it difficult to keep tabs on each operator at all times. I found that performing certain parameter edits to one operator to achieve a certain sound would often result in some unintended side effect, because I was not taking into account the relationships between all of the operators. This would cause unwanted high-pitched screeches or sub-frequency rumbles that would then have to be filtered out with EQ or by running the DX-7 though an analog filter. I felt that the DX-7 was too complex for me. I wanted to focus more on making music, and less on scrutinizing the settings of the operators and the interactions between them. I sold the DX-7 and bought a Yamaha PSS-480, which has, instead of the six operators in the DX-7, only two operators. This meant that I no longer had access to the complex modulation algorithms available on the DX-7. I now was forced to make do with simply one modulator and one carrier. This allowed me to focus purely on making music, but I found the sound to be rather limited, almost like a basic analog subtractive synth. I then turned my eye to the DX-100. It balanced complexity with musicality, and I craved it. The DX-100 indeed does strike a very desirable balance. It has four operators, which, in my mind, is not so complex that I struggle to wrap my brain around the relationships between them, but not so simple that I run dry of new, uncharted territory in a matter of days. The DX-100 is, therefore, a perfect learning tool for anyone interested in FM synthesis, as it is much easier to program than one of the more fully-featured models like the DX-7, but it isn't by any means boring. And yeah, you get that gritty 80s FM sound. That's a winner in my book.
81
Not Just for Hackneyed 80s Sounds...
It is one thing to know what FM synthesis is about, to know ratios and values of operators, but it is another to actually connect it to the music - that is what this synth has done for me. It has showed me how vast the world of FM synthesis is, even in the limited format this synth offers. I never feel creatively limited however, even with just 4 operators and simple amplitude modulation this synth's palette is far more complex than anything a subtractive synth could offer, besides, its limitations are what keep me interested in the process. There really is a whole universe of bells, mallets, organs, voices, reeds and textures in here that are very usable, and this machine that I have randomly stumbled upon is now one of my favorites for sitting and exploring.
Everything you need to make high-quality music, including Yamaha Education Suite learn-to-play functions, in an affordable package.
This Keyboard is an all-round keyboard that is ideal as a starter instrument but also a robust alternative for experienced players who seek advanced features for their live performance and/or for their composing. Its powerful sound system boasts two 6W amplifiers and its wide range of features, controls, and connectivity make the PSR-E453 a long-lasting musical companion as you grow and hone your skills.
1963
Yamaha DX-100
Apparently one of Massive Attacks favorite synths for bass.
Artist usage
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"I got a Prophet 5, we got Juno 60, JX-3P, DX7, DX100, whatever you want," says Mac DeMarco in this interview with Stingray Music.
In this Youtube video shot by DJ Mag in France in 2020, David Guetta makes a demo in his house of how he makes a track within with In Ableton Live and he records his voice in a DX100. He explains as a kid he was a huge fan of Zapp, the funk band from Dayton in Ohio, and he has taken a DX-100 because this talk-box was used by Roger Troutman of Zapp.
On the Syro gear list, the Yamaha DX100 is mentioned. It is important to note that it is not a regular DX100, but a modded one.
Everyone thought the [Yamaha] DX100 was amazing to do bass lines, but we didn't do that for ages. It seemed like there was so much more to them to explore, like they're good for brassy, reedy sounds. You could be working for five years with a crappy drum machine and delay unit and still find new things in there.
At the back of the album cover of the Rendez-vous album by Jean-Michel Jarre is a list of used instruments. In short:
Seiko DS 250, Synthex, Moog, Roland JX 8P, ARP 2600, Fairlight, Emulator II, Eminent, AKS, Lynn 9000, Memory Moog, Drumulator, Laser Harp, RMI, Seiko DS 320, OBX, DX 100, Matrisequencer, TR 808, Prophet, Casio CZ 5000, Baby Korg personal keyboard.
Asked about what sound source is used with the talkbox, P-Thugg says, "An old Yamaha DX100, which is what Roger from Zapp used. I became friends with one of the guys from his band, and he sent me the patches by email as MIDI Sys Ex files. I just dumped ’em in, and there were all his sounds. I couldn’t believe it. The whole first row of buttons is one sound that’s transposed - since he had to concentrate on singing with the talkbox, he played in a comfortable key and selected the different patches for the different songs."
In the photo, Jack Antonoff's Yamaha DX100 is seen on his desk alongside a Moog synthesizer.
In the YouTube video titled "How To Make A - Legowelt - Track" by 180 Fact, Legowelt is shown using the Yamaha DX100 synthesizer.
Seen throughout the performance, Mark uses the DX100 for various lead sounds, one example is at 30:07, during Going Under, where he uses the DX100 as a keytar.
Although he uses software synths, Laurent Garnier favours the hardware variety, particularly where lots of knobs and sliders are available. Vintage keyboards in his The Kub studio include Roland Juno 106 and Jupiter 8 and Korg MS20 analogues, plus the under-rated Yamaha DX100 FM synth (bottom right), while Garnier also uses the Kurzweil K2000 workstation (top right).
Album Usage
The Yamaha DX100 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Yamaha DX100, it is most commonly used with the following gear.
Community setups
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Add recommendation2 alternative and related items for Yamaha DX100, curated by the Equipboard community.
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FM8 is one of the few modern soft synths that can import and play back original patch files from a DX100. The translation isn't always perfect, but your options for playing back ancient DX100 patch files are pretty limited.
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