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When you get rid of it's frets, you'll get a compact double-bass. Try it!
I bought this just for the ebony fretboard... but stayed for it's solidness. Great instrument, Schecter! And JD is a great player, too...
When you put your drive pedal in front of this and increase it's drive a bit, your blend knob at middle; that's your perfect balance for stoner etc. One star for not built this idea in UK!
That's your one-size-fits-all in overdrive pedals. Absolutely not like green OD but it has some modern, doomy sounds
I've been in love with LA-2A since I tried my first opto-comp pedal. Then I searched for affordable reproductions of LA-2A's rack compressor format. When this beauty came out, that was the end of my seeking. It's small, portable, and has that authentic sound of LA-2A's opto-compressing. Get one if you are a bassist!
It's the multi-instrumentalist's axe in the studio... but just for multi-instrumentalist's. If you're a one that records basses, guitar, vocals etc. buy this. But if you're a just bass or guitar like instrument player, there is new opts in the market, now. Maybe you might wanna check the Audient Sono or something?? It's the "Jack of all trades, master of none." of the market at this situation
But remember that classic means the "real classic". If you are into modern sounds, SM58 isn't your thing. It's the rounded version of the SM57, that means you can use it even for micing?? It captures the vintage dynamics in a good way...
It's a standard for that kind of instrument. But it's always hard to restring with that acoustic bass pins, you know. Don't hurt your new strings
It can simulate how your soul sounds like... Bigger jawharps means more bass, and smaller ones for trebles
I bought it for using on my fretless instruments but it actually sounds brilliant when I use it on my fretted basses, too
I was looking for an instrument that'll allow me to strum chords but I don't wanted it to be a guitar because of losing low-end frequencies that I need to make a meditative music. So, this ultimate reproduction of the underrated legend came to my help with it's 30 inch scale-length without losing any bass freq and guitar-like playability!
Basses 3
When you get rid of it's frets, you'll get a compact double-bass. Try it!
I bought this just for the ebony fretboard... but stayed for it's solidness. Great instrument, Schecter! And JD is a great player, too...
I was looking for an instrument that'll allow me to strum chords but I don't wanted it to be a guitar because of losing low-end frequencies that I need to make a meditative music. So, this ultimate reproduction of the underrated legend came to my help with it's 30 inch scale-length without losing any bass freq and guitar-like playability!
Amps 1
When you put your drive pedal in front of this and increase it's drive a bit, your blend knob at middle; that's your perfect balance for stoner etc. One star for not built this idea in UK!
Pedals 2
That's your one-size-fits-all in overdrive pedals. Absolutely not like green OD but it has some modern, doomy sounds
I've been in love with LA-2A since I tried my first opto-comp pedal. Then I searched for affordable reproductions of LA-2A's rack compressor format. When this beauty came out, that was the end of my seeking. It's small, portable, and has that authentic sound of LA-2A's opto-compressing. Get one if you are a bassist!
Studio 3
It's the multi-instrumentalist's axe in the studio... but just for multi-instrumentalist's. If you're a one that records basses, guitar, vocals etc. buy this. But if you're a just bass or guitar like instrument player, there is new opts in the market, now. Maybe you might wanna check the Audient Sono or something?? It's the "Jack of all trades, master of none." of the market at this situation
But remember that classic means the "real classic". If you are into modern sounds, SM58 isn't your thing. It's the rounded version of the SM57, that means you can use it even for micing?? It captures the vintage dynamics in a good way...
Other 4
It's a standard for that kind of instrument. But it's always hard to restring with that acoustic bass pins, you know. Don't hurt your new strings
It can simulate how your soul sounds like... Bigger jawharps means more bass, and smaller ones for trebles
I bought it for using on my fretless instruments but it actually sounds brilliant when I use it on my fretted basses, too