Crowded House – Woodface

Apart from the Chamberlain and an Emulator 2, other keyboards featured on Woodface include a Mellotron, a Baldwin Electronic harpsichord, an old Cox organ, a Hammond, a Prophet 5, and a Piano Optigan, "a very trashy organ brought out in the '60s which reads a kind of optical disk. It sounds very low-fi but is very atmospheric. There are what you could call 'samples' on them of things like brass bands playing. It's pretty wild."

Apart from the Chamberlain and an Emulator 2, other keyboards featured on Woodface include a Mellotron, a Baldwin Electronic harpsichord, an old Cox organ, a Hammond, a Prophet 5, and a Piano Optigan, "a very trashy organ brought out in the '60s which reads a kind of optical disk. It sounds very low-fi but is very atmospheric. There are what you could call 'samples' on them of things like brass bands playing. It's pretty wild."

Apart from the Chamberlain and an Emulator 2, other keyboards featured on Woodface include a Mellotron, a Baldwin Electronic harpsichord, an old Cox organ, a Hammond, a Prophet 5, and a Piano Optigan, "a very trashy organ brought out in the '60s which reads a kind of optical disk. It sounds very low-fi but is very atmospheric. There are what you could call 'samples' on them of things like brass bands playing. It's pretty wild."

Apart from the Chamberlain and an Emulator 2, other keyboards featured on Woodface include a Mellotron, a Baldwin Electronic harpsichord, an old Cox organ, a Hammond, a Prophet 5, and a Piano Optigan, "a very trashy organ brought out in the '60s which reads a kind of optical disk. It sounds very low-fi but is very atmospheric. There are what you could call 'samples' on them of things like brass bands playing. It's pretty wild."

Apart from the Chamberlain and an Emulator 2, other keyboards featured on Woodface include a Mellotron, a Baldwin Electronic harpsichord, an old Cox organ, a Hammond, a Prophet 5, and a Piano Optigan, "a very trashy organ brought out in the '60s which reads a kind of optical disk. It sounds very low-fi but is very atmospheric. There are what you could call 'samples' on them of things like brass bands playing. It's pretty wild."

It turns out that Neil Finn's collection of guitars is just as eccentric as the keyboard line-up. "I have three main guitars — a 1966 Gibson Les Paul gold top, a mid-60s Strat and a Telecaster — but for Woodface I used a lot of obscure, trashy old guitars. They're real junk guitars which were marketed through department stores and mail order companies in the '60s. They're worth getting, because they don't cost much to buy, but have a lot of character."

Intonation and tuning problems not-withstanding, Finn used the cheapo guitars all over Woodface. "What sounds like a sitar on 'How Will You Go' is actually the Silvertone through its own amp which is built-in in the case. It has amazing distortion."