Lil Pump – Esskeetit
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2018 single Esskeetit.
Music from Esskeetit
Gear Used On Esskeetit
Explore the instruments, equipment, software, and production tools used in the making of Lil Pump – Esskeetit (2018). Click more on each item to see exactly how it was used.
Software Plugins and VSTs used by Lil Pump on Esskeetit
Waves Renaissance Compressor Plugin
Avg price: $34.33
Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.
So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards.
Avg price: $58.39
Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.
So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards.
Digidesign Dynamics III De-Esser
Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.
So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards.
Avg price: $38.24
Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.
So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards.
Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.
So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards. Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.
So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards.