Lil Pump

Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.

So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards.

Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.

So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards.

Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.

So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards.

Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.

So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards.

Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.

So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards. Used for vocals on "ESSKEETIT", as outlined by producer CBMIX in this May 31, 2018 Genius Deconstructed interview at 4:05.

So, the vocals, I actually recorded them through an aux track. The plugin chain for the vocals is the RComp, SSL Channel Strip, and a de-esser [pulls up Dynamics III De-esser]. There's literally, absolutely no EQ on the vocal at all. It was just a proper vocal tone, I had the mic set up right, I had him on the mic right. I'll solo the lead vocal of the hook. That's dry. With the delay and reverb, it kind of makes it a little more spacey, but it's very low and very subtle. Here's my delay setting. It's a H-Delay. Super low feedback, super filtered. My reverb setting is just a D-Verb, 1.7 decay time. I put a one-band EQ to take out some of the mud of the reverb afterwards.

Lil Pump uses the Tube-Tech CL 1B Opto Compressor extensively in his home studio, which I personally recommended to him. The attached photo shows it in his setup.