Moderat & Moderat – II

In this article Sascha Ring states "Logic played a central role for everyone involved, hosting such tools as iZotope’s Iris sample-based synthesizer and many instances of SoundToys Decapitator analog saturation modeler."

“Much of our bass was built in [NI’s additive synthesizer] Razor, and we did a little in the new Monark [a monophonic analog modeling synth based on the Minimoog].”

In this article Sebastian Szary states “Much of our bass was built in [NI’s additive synthesizer] Razor, and we did a little in the new Monark [a monophonic analog modeling synth based on the Minimoog].”

In this article Sascha Ring states “Massive was our favorite for the last record, but we noticed we were using all the same sounds, so it was banned this time so we wouldn’t end up with the similar stuff,”

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.