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Description

The Vermona DRM1 MKIII is an analog drum machine that seamlessly marries vintage charm with modern functionality, making it a favorite among DJs and electronic music producers. Known for its distinctive analog sound, this unit offers an expansive array of sonic possibilities, perfect for creating everything from classic beats to experimental rhythms. Each of the eight drum channels is individually controllable, providing you with flexibility and precision in crafting your unique sound palette.

The DRM1 MKIII is equipped with a wide range of parameters for extensive sound shaping. Whether you're tweaking the pitch, decay, or filter controls, this machine offers an intuitive interface that invites creativity. The analog circuits are designed for robustness and deliver warm, punchy sounds that stand out in any mix.

For musicians who value hands-on control, the DRM1 MKIII's knobs and sliders are responsive and satisfyingly tactile. Its integration with other equipment is seamless, thanks to MIDI connectivity, allowing it to fit comfortably into any studio setup or live performance rig. This drum machine is not just a tool but an instrument that responds dynamically to your touch, making it an essential piece for any serious beat creator.

Key Features:

  • Analog sound engine for rich, warm tones
  • Eight fully controllable drum channels
  • Intuitive interface with tactile controls
  • Extensive parameter control for sound shaping
  • MIDI connectivity for seamless integration with other gear
  • Robust build for reliable performance in studio and live settings

Product specs

Brand Vermona
Model DRM1 MKIII Analog Drum Machine
Finish Silver
Year 2000s
Made In Germany
Categories Drum Machines
Analog / Digital Analog
MIDI I/O MIDI Input, MIDI Through, USB MIDI
Polyphony 8 Voices

FAQs

What are the standout features of the Vermona DRM1 MKIII's sound engine?

The Vermona DRM1 MKIII features an entirely analog sound engine with eight distinct drum voices, each offering extensive control over parameters like pitch, decay, and attack, allowing for a wide range of drum sounds.

Does the Vermona DRM1 MKIII integrate well with modern DAWs?

Yes, the DRM1 MKIII offers MIDI input and USB MIDI connectivity, making it compatible with most modern DAWs for seamless integration into your studio setup.

Is the Vermona DRM1 MKIII suitable for live performances?

The DRM1 MKIII is well-suited for live performances due to its robust build and hands-on control, allowing for real-time manipulation of drum sounds during a set.

How many voices of polyphony does the Vermona DRM1 MKIII offer?

The Vermona DRM1 MKIII provides 8-voice polyphony, enabling you to layer multiple drum sounds simultaneously for complex rhythms.

Can the Vermona DRM1 MKIII be used with other MIDI equipment?

Yes, the DRM1 MKIII features MIDI input and MIDI through, allowing it to be easily integrated with other MIDI equipment in your setup.

Gaz Williams

Gaz Williams

Exploring the Vermona DRM1 MKIII

Video thumbnail for Exploring the Vermona DRM1 MKIII by Gaz Williams

Exploring the Vermona DRM1 MKIII

Gaz Williams

Gaz Williams

Video thumbnail for Vermona DRM-1 mkIII FX Insert Demo #TTNM by THE TUESDAY NIGHT MACHINES

Vermona DRM-1 mkIII FX Insert Demo #TTNM

THE TUESDAY NIGHT MACHINES

THE TUESDAY NIGHT MACHINES

Video thumbnail for Vermona DRM1 MKIII Walkthrough by Analogue Zone Showroom / Synths and Studio

Vermona DRM1 MKIII Walkthrough

Analogue Zone Showroom / Synths and Studio

Analogue Zone Showroom / Synths and Studio

Video thumbnail for DRM1 MKIII paper cut intro by vermonagear

DRM1 MKIII paper cut intro

vermonagear

vermonagear

Video thumbnail for VERMONA DRM1 MKIII first contact by P.S. Morris

VERMONA DRM1 MKIII first contact

P.S. Morris

P.S. Morris

Reviews

PROS

  • Unique, non-808 drum sounds offer a refreshing alternative

  • Fully analog with 8 drum synthesis channels for deep sound crafting

  • Individual outputs/inserts for each channel enable complex processing and recording setups

  • MIDI or CV compatibility for easy integration into various setups

  • Each channel features dedicated controls for nuanced sound shaping

  • Rack-mountable with a compact form factor for efficient space use

  • Can be paired with external sequencers like Elektron Digitakt or Arturia Beatstep Pro

  • Excellent build quality with sturdy knobs and solid metal construction

  • Capable of producing a wide range of sounds, from vintage drum machine emulations to unique bleeps

CONS

  • Lacks built-in presets, sequencer, and USB-MIDI for a modern workflow

  • No ability to save settings or recall, which may frustrate some users

  • Finding desired sounds can be challenging due to the multitude of parameters

  • Some users may wish for shorter/snappier sound options

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Vermona DRM1 MKIII.

Features and functionality

  • The Vermona DRM1 MKIII allows for effect send/return on every sound, enhancing its sound design capabilities with pedals and outboard gear.

    Source
  • The Vermona DRM1 MKIII requires external triggers, making it essential to pair it with a sequencer for full performance capabilities.

    Source

Comparisons

  • The MFB Tanzbär is compared as having extra abilities and a steeper price, but some users prefer the Vermona's unique sound over the Tanzbär's.

    Source
  • Vermona DRM1 MKIII is praised for its punchy and focused analog drum sounds, often preferred over the Tempest, which some find less suitable for straightforward drum programming.

    Source
  • The MFB Tanzbär, despite its unorthodox workflow and thin metal housing, is recognized for its exceptional sound quality, which can invigorate musical sessions.

    Source

Use cases and applications

  • The DRM1 MKIII is noted for its suitability in both studio and live settings, offering intuitive, hands-on control without menu diving.

    Source
  • Owners find the Vermona DRM1 MKIII shines when paired with external gear like the Analog Rytm, which can output triggers, enhancing versatility.

    Source

User experience

  • Owners find the analog sounds clean, preferring to add character through external effects, highlighting its versatility with reverb and overdrive.

    Source
  • The DRM1 MKIII is noted for its immediate programming experience with a knob-per-function interface, appealing to users who prioritize hands-on control.

    Source
  • Some users express regret for selling their Tempest, citing its interactive design and the creative potential as a 6-voice polysynth, but still prefer the Vermona's drum focus.

    Source

Mods and upgrades

  • Users recommend layering the bass drum across multiple channels to compensate for its perceived lack of punch.

    Source

Software and compatibility

  • Successfully integrates with Ableton and hardware like the 1010music Blackbox, making it adaptable for both DAW-based and dawless setups.

    Source

Critic Reviews

Vermona DRM1 MKIII Video & Review - Gearspace

gearspace.com

The Vermona DRM1 MKIII receives high praise for its distinctive, powerful analog sound, with critics lauding its fast attack times and smooth hi-hats. The built-in spring reverb adds a nostalgic 1980s vibe. However, the lack of memory for saving presets and the need for real-time knob manipulation might deter users seeking convenience. Despite some mixed opinions, particularly about its limitations compared to Roland classics, its unique tone and robust build quality make it a coveted choice for analog drum enthusiasts. Overall, it's a niche piece that excels in delivering an authentic analog experience.

positive
Add

4.5 out of 5

Based on 5 Reviews and 23 Ratings

5 star
4 star
3 star
2 star
1 star
groovizm

Great drum synthesizer for in the studio

-- update -- I have not used the DRM1 for a long time and I am selling it. I found my self spending too much time trying to create sounds that the DRM1 just seems not capable of making. I've bought the Elektron Syntakt. I find it much more rewarding. -- end update --

The Vermona DRM1 is different from the average drummachine or groovebox in that it has no presets or sequencer, but it does have 8 fully analog channels of drum synthesis. Each channel has 7 synthesis parameters plus panning and volume. It is comparable to something like the vintage Simmons Drumsynths like the SDS8.

Modern analog drums synths all have a sequencer AND less parameters, as far as I know. (Soma Pulsar, Erica Synths Perkons, Arturia Drumbrute, MFB TanzBär, various TR - clones.)

I use it with the Elektron Digitakt, but it would also work great with the Arturia Beatstep Pro. Ofcourse you could also sequence it from your DAW, but be aware that the MKIII does not have USB-midi. So you'll need a midi-interface, or get the new MKIV instead.

It has some great features:

  • Many parameters, each with it's own dedicated control

  • Individual Outs/Inserts for every channel allows you to record or process each channel individualy. Using a normal cable will remove the channel from the stereo outputs. Using a stereo splitter for send/return will patch the signal back in to the stereo outputs.

  • Check the manual for the midi-learn function. You can assign custom note numbers and midi channels to the channels if you want to.

  • Built in powersupply

  • A great form-factor: it is rack-mountable, with recessed outputs, so it does not take any extra space for making connections. It has feet on the backside so you can use it as a desktop module, but it will also stand quite stable up straight, taking up minimal desk-space.

  • It can do many different sounds, but the kicks are especially nice, I think. I also like the DRUM1 and DRUM2 channels. They are great for all kind of bleeps.

  • There's a good manual on the Vermona site. Please check it out before assuming anything. I've read a lot of nonsense about the DRM on various forums. : https://www.vermona.com/fileadmin/user_upload/products/drm1mk3/downloads/drm1mk3_manual_en.pdf

On the downside:

  • There is a trade-off between flexibillity and ease of use. It's not always easy to find the sounds you want with so many parameters. So If you just want 808-sounds, than your probably better off with a 808 clone.

  • I really love the overall sound, but sometimes I wish sounds could be shorter/snappier.

Preferred Settings + Usage:

If you feed the stereo outputs of the DRM1 into the inputs of the Digitakt you can pan both inputs of the Digitakt in the middle and have one dry at the other with max reverb, and/or delay. That way you can use the pan controls on the DRM1 to control the amount of effect per channel. Ofcourse it will put all instruments in the middle, but the effects are still stereo.

alexforta

Hands on drum computing monster for studio use

This one's not for the faint of heart. You can't save settings. There is no recall. Neither is there USB connectivity. It's all analog baby.

I pair it with an Octatrack to sample parts when magic moments unfold.

About getting creative when using the DRM as a standalone: You can use the Master out on the back, or plug in TRS cables for each output on the front to separate tracks. When using a Y-style stereo plug you can route the L channel into a send effect and use the R signal, from that effect, back into the DRM. The machine will feed the processed signal back into the Master mix. This basically means you can have 8 effect pedals next to the DRM, one for each track and go nuts.

For me this is an ideal instrument. It's build like a solid piece of metal ( or tank if you prefer ). The knobs feel great. The sound quality is up to par.

I love to get lost when jamming on the DRM. Realising that I will never return to this exact spot in time and space.

william_henley

Great Drum Synthesizer

The Vermona DRM1 is a great drum synth, capable of TR-808, CR-78 and other vintage drum machine sounds as well as many other interesting bleeps and bloops. Probably the best feature is that each channel can have an independent output, allowing for independent processing of each channel.

yoshiaki_takahashi

Play like DJing

with MPC3000 sequencer, DRM1 get groove.

erxo
erxo

403

My rating: 10/10 (5 stars)

best mix

jimmarchi1

you don't see a lot of these in the USA, cool find

Artist usage

Add artist
See how Deadmau5 uses Vermona DRM1 MKIII

Deadmau5

Music Producer

BSOD

...
Verified via Synthtopia

The DRM1 MKIII analog drum synthesizer can be seen on a modular rack in Deadmau5's studio.

See how Trent Reznor uses Vermona DRM1 MKIII

Trent Reznor

Singer, Guitarist

Nine Inch Nails

...
Verified via Imgur

Trent Reznor's Vermona DRM1 in his "Nothing Studios" is seen on a Doepfer rack to the center of the image.

See how Justice uses Vermona DRM1 MKIII

Justice

Music Producer

Justice vs. Simian

...
Verified via YouTube

From the live Mix with the Masters masterclass : Answering the question "What drum machine do you prefer ?", Xavier says : "We don't really like drum machines, but sometimes we use the Vermona for the hats"

See how St. Vincent uses Vermona DRM1 MKIII

St. Vincent

Singer, Guitarist

The Polyphonic Spree

...
Verified via YouTube

In a YouTube video by Reverb titled "Coming Soon - St. Vincent: The Process | Studio Tour," the Vermona DRM1 MKIII drum machine can be briefly seen in St. Vincent's studio.

See how Jean Michel Jarre uses Vermona DRM1 MKIII

Jean Michel Jarre

Keyboardist, Music Producer

The Dustbins

...
Verified via YouTube

can be first seen at 4:42 in this video

See how Nils Frahm uses Vermona DRM1 MKIII

Nils Frahm

Composer, Music Producer

...
Verified via YouTube

Seen in the video. There are two of them.

See how Moderat uses Vermona DRM1 MKIII

Moderat

Music Producer

...
Verified via Emusician

Feeding this desire to stray from the grid, II made use of a variety of sample and filter sources to achieve a sound that’s “sh*tty in a good way,” according to Ring. The eclectic list includes Roland Space Echo, Korg Stage Echo, Roland MC-202 MicroComposer, TR-77, and TR-808, Vermona DRM-1, Yamaha PSS-570 and VSS-30, CasioTone MT-70, Electro-Harmonix Big Muff pedal, various Boss pitch-shift pedals, Electro- Harmonix Memoryman, Simmons SDS 8 drum synthesizer, Sakae snare drum, Korg Monotribe, Roland Juno-60, Crumar Multiman-S, Waldorf Rocket, Korg MS-10 and Korg MS-50.

See how Air uses Vermona DRM1 MKIII

Air

Music Producer

...
Verified via Soundonsound

"On this record, we play every instrument we ever used in our career, and new ones too,” adds Dunckel. "Vibraphone, for example, or Mellotron, heavily filtered most of the time. We had bought some new instruments that we had never used in our records until then: a Moog Source, a PPG Wave 2.2, a Prophet 5, a Vermona DRM1, an Elektron Monomachine SFX60. We even bought a Vox guitar amplifier, for its warm sound and its tremolo, and a vintage Neumann microphone too, to record our voices.

See how Stephen Morris uses Vermona DRM1 MKIII

Stephen Morris

Drummer, Keyboardist

Joy Division

...
Verified via Twitter

This tweet from Morris depicts his DRM1 MKIII, sitting below his SY-1.

See how Dominik Eulberg uses Vermona DRM1 MKIII

Dominik Eulberg

Music Producer, DJ

Dominik Eulberg & Gabriel Ananda

...
Verified via Facebook

In a Facebook photo, Dominik Eulberg showcases the Vermona DRM1 MKIII drum machine, which is mounted in one of his many racks.

See how Mathew Jonson uses Vermona DRM1 MKIII

Mathew Jonson

Music Producer

Cobblestone Jazz

...
Verified via YouTube

In his Studio Tour Feature for FACT Magazine, Mathew Jonson's DRM-1 can be seen at 0:07.

See how Kebu uses Vermona DRM1 MKIII

Kebu

Keyboardist, Composer

...
Verified via YouTube

At 1:07 there is a close up of a DRM-1.

Album Usage

The Vermona DRM1 MKIII has been featured on the following albums:

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Vermona DRM1 MKIII, it is most commonly used with the following gear.

1 alternative for Vermona DRM1 MKIII, curated by the Equipboard community.

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