Palace – Part I – When Everything Was Lost

In the video Palace's Matt Hodges - GEAR MASTERS Ep. 464, at 1:35 Matt Hodges talks about his Istanbul Agop 16" Cindy Blackman OM Signature Crash Cymbal:

It's very quick, it's got a quick decay but it sounds awesome. I've got this little chain on here to give it some more resonance it sort of rings out a little bit more. It just sounds pretty cool and kind of complements the sound of the other cymbals cuz it's a little bit different, these [other cymbals] are more washy, this is much quicker...

In this video _ Palace's Matt Hodges - GEAR MASTERS Ep. 464 _, at 2:28 Matt Hodges points out his Zildjian 20" K Ride.

At 4:47 of the video Palace's Matt Hodges - GEAR MASTERS Ep. 464, Matt Hodges talks about how he uses the Behringer Xenyx 1002 mixer:

This is a little Behringer mixing desk that I use for my ears. I don’t have wireless ears - mine are wired and go right here. So I’m plugged in with everything drilled into my brain. I’ve got all the sound of the band, the backing tracks on the SPD, as well as the click track coming into my ears. I can control the click track level right here, so I can change it if it’s feeling a bit intense or whatever. I can control the volume of the click here, and then I’ve got my input for the sound of the rest of the band here and the master volume here.

In the video Palace's Leo Wyndham - GEAR MASTERS Ep. 460, Leo Wyndham and his guitar tech discuss his use of the Fender Deluxe Reverb combo amp (seemingly a temporary replacement for his usual Fender Twin Reverb combo amp):

So here we have my amp, usually I use the Twin Reverb that's my sort of go-to amp because you can get a very nice sort of clean tone like that's bigger - it's physically bigger, literally um it's important, it's an ego thing, I like to have a bigger amp just to make my head inflate a bit more. But we were having some problems with the Twins so I've decided to go with the Deluxe for now, but now we're having problems with the Deluxe. [laughs] It's a good sounding tone for our music, just they both have nice clean-ish tones - the Twin more so - and it's what we've always gone with these amps the Deluxe and the Twin. I haven't tried that many amps to be honest.

Leo and his tech talk about the amp's Treble knob is always rolled back (about 3), Bass is turned up to 7, and how you can "dime" the bass out on the Fender Deluxe Reverb and it still sounds good. The Reverb knob is set to 3, which combines with the reverb coming from Leo's Strymon blueSky pedal. They also talk about the volume, 4 being "pretty maxed out" and how it doesn't get real crunchy, still stays clean.