Fender Twin Reverb Blackface

"I used the amps that I’ve had and used forever: a 1965 Fender Deluxe Reverb, which is my main amp, and a blackface 1960s Fender Twin Reverb that I’ve used on almost every record I’ve done. A lot of guitar sounds on the album came from an old HH Musician transistor amplifier, which all the British new wave bands used in the late 1970s and sounds crazy good. I also used my old tweed Bassman from the ’50s."

this is one of the amps mentioned on his website

2002–present Gibson Everly Brothers Flattop jumbo acoustic, unknown vintage, often with feedback inhibitor insert (“FeedBack Buster”) in soundhole. Taylor, unknown model. Fender Esquire (same as 1982) Spare Fender Eric Clapton Stratocaster. Amp for acoustic is Fishman Loudbox; for electric is Fender Twin Reverb 2x12 combo.

From the EMusician article "Fuzzy Logic-How the Kooks Mangled their Guitar Tones," Todd Burke (engineer) says Hugh Harris used a 60s Fender Twin Reverb for the recording of their album Konk: > Burke says the band also opted to leave their amp stacks at home. Harris’ go-to setup was a ’60s Fender Twin Reverb paired with either a WEM/Watkins Clubman or a Fender Champion 600.

At about 1:35 during this video for Reverb, Krieger discusses his studio rig for recording with The Doors: "Recording wise, it was the SG and a Twin Reverb. That was pretty much it." The recording dates for the first two Doors albums indicate this would have been a Blackface model (the Silverface variant was not manufactured until 1968, at which point "The Doors" and "Strange Days" had already been recorded and released).

In the first seconds of the video Dominic is seen plugged into a Fender Twin reverb (Left).

> With the National, he uses a ’71 Gibson Les Paul Deluxe (“The mini humbuckers on that guitar provide the perfect tone for switching between fingerstyle and lead playing”), a Fender Twin Reverb, a Pro Co Rat, a Klon Centaur, a DigiTech Whammy, a Boss DD-5 Digital Delay, a Boss FV-50H Volume Pedal, and a Line 6 DL4 Delay Modeler.

Used on "Linger", as mentioned by producer Stephen Street in this March 2018 *Sound on Sound* interview. > Guitar-wise, Noel Hogan used Telecasters all the way — either his own or Street's 1967 Tele — in combination with Vox AC30 and Fender Twin Reverb amps. "We used the Vox tremolo most of the time," he says. "I had a DOD Chorus pedal that I still use to this day. It was the very first pedal I bought and it's still in my rig because it has a setting on it that is very much the Cranberries' sound."

“At home I use a 1966 Twin Reverb, I wish I had one over in England. But for this tour I’m using the reissue… it gives a little more top-end to my sound, so I’ll try to use more of it for my solos. It’s another ingredient in the soup. A pinch of Fender, some Marshall, a bit of Hiwatt…”

At 3:48 in the video, Joe Duplantier is shown to have a Fender Twin Reverb combo amp in his Silver Cord Studio.

Mac is seen plugged into a Fender Twin Reverb, which is unusual considering his main amp is a Fender Tweed Bassman 4x10 while with Superchunk.

A Fender Twin Reverb can be seen in this live picture of Pall Jenkins.

at 1:48 in this video, John can be seen adjusting his space echo sitting on top of two blackface twin reverb amps.

Dave Wyndorf is the “noise” guy in the band and prefers a clean, pedal platform to engage his psychedelic haze so he rocks this Fender Twin Reverb.

He use this Fender Twin Reverb and the Roland JC120 simultaneously.

"Then there’s a Boss Blues Driver that’s always on, and then it goes into a blackface Fender Twin. When I record, I can just pan those a little bit side to side and it’s a great big sound."

His amps were a Gibson GA and a Fender Deluxe or Twin—all tube amps. He did not use reverb.

A Fender Twin Reverb Blackface amplifier can be seen in the video in minute 1:00.

En esta foto de instagram se puede ver el Twin Reverb

**What are using for amps these days?** I prefer a Fender Twin for the most part. I was one of the first to use a Twin; I got one in Detroit and liked the extra bite. I like a fat, warm sound, so I set the Treble lower, the Bass medium, and pump up the Middle. I sometimes use a Roland JC-120 Jazz Chorus as a substitute. When I don’t have to play loud, I might use an old Polytone or Heritage Kenny Burrell amp. I am also checking out the new Fender George Benson 1×12 for smaller gigs.

Seen on their 2018 tour.

In the video, recognize two classics of the amplification:** Fender Twin Reverb** and Vox AC30.

"Equipamento para Nuno Mindelis".

Miles may not use this exact amplifier. He does however use a 70's blackface style twin reverb

Ben claims to have played through and owned many handfuls of amps, but his pride and joy is still the first one he got in fourth grade—the Fender Twin Reverb. He got this particular model as a Christmas gift because his dad is a huge Grateful Dead fan and knew that Jerry Garcia played the same combo. He claims he didn’t get the volume know much past 4 before he was in high school.

You can see it in the pic.

https://youtu.be/-H4sciSeQOE?t=14m2s

He states this in the video

After speaking to James he says one of his amps is a "Fender Twin Reverb"

Soph also uses this amp during her set at Radio 1's Big Weekend with Our Girl

Soph uses this amp with her other group Our Girl

Christian can be seen playing through this amp at 0:37.

Amps: Acoustic Image Clarus Head – Into a Mesa Boogie 4×12 – his current amp Roland JC-120 Fender Twin Reverb

Used on the live DVD released in 2016, as detailed In guitarload magazine issue nº 80

In this video, Vladimir is seen using a Fender Twin Reverb Blackface amp with several Boss effect pedals, one of which is noticeable as a DS-1.

su gran Fender twin reverb blackface 2000

John is seen using a Fender Twin Reverb Blackface in this video of The Air Below. Visible at 0:12.

Seen in the foreground of one of the photographs in the URL.

Jessica Boudreaux and Cassi Blum are seen here playing through Fender Twin Reverb Blackfaces.