Underworld – Barking

This article on the recording of the "Barking" album describes the band's then-current studio setup. "Tracking in Underworld’s three studios in Essex, England—the communal Pigshed, and Hyde and Smith’s respective studios—they began writing with guitars, synths, various drum machines, and vocals. Identical setups of Apple Mac Pro 8-Core Intel Xeon computers, Apple Logic Studio (versions 7, 8, and 9), Midas Heritage 1000 consoles, and assorted plug-ins were replicated at each studio."

In this article on the recording of the "Barking" album, Rick Smith states, "The mixes were printed from Logic through RME through the SSL to Pro Tools [7.4 HD2 Accel]."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Underworld relied on both software and hardware synthesizers. Soft-horses included Logic ES2; GForce ImpOSCar, ImpOSCar2, String Machine, and Oddity; Sonic Charge’s Synplant; Synthogy Ivory (piano); Rob Papen BLUE; and Native Instruments’ Battery 3, FM8, Reaktor 5, and Massive."

This article on the recording of the "Barking" album describes the band's then-current studio setup. "Bass-wise,” Rick Smith states, “I used the ES2 in combination with [Spectrasonics] Trilogy."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Smith favors Logic’s default plug-ins ('They’re cheap and not so processor hungry!' he exclaims), and also uses Waves’ Gold Bundle."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Rick Smith explans, "It’s difficult to name a main drum machine... The sounds come in from [iZotope] iDrum, [FXpansion] Guru, Logic’s Ultrabeat and ESX24 sampler, and Drumazon, which is this TR-909 modeled plug-in from D16 Group. I use all of that, really, with some Addictive Drums, a live drum plug-in."

This article on the recording of the "Barking" album describes the band's then-current studio setup. Of processing singer Karl Hyde's vocals, Rick Smith explains, "In terms of compression, Eiosis’ E2Deesser is one of the very few software de-essers that actually does the trick."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Hardware synths Clavia Nord Lead 1 and 2, Moog Minimoog, and Yamaha DX7 MK1 still reign at the Pigshed."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Hardware synths Clavia Nord Lead 1 and 2, Moog Minimoog, and Yamaha DX7 MK1 still reign at the Pigshed."

This article on the recording of the "Barking" album describes the band's then-current studio setup. It states, "Hardware synths Clavia Nord Lead 1 and 2, Moog Minimoog, and Yamaha DX7 MK1 still reign at the Pigshed."