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Step into the golden era of rock and roll with the Universal Audio Dream '65 Reverb Amplifier Pedal. This innovative pedal employs Universal Audio's groundbreaking Dynamic Room Modeling technology to emulate every nuance of a legendary 1x12" tube combo, from the preamp to the power amp to the spring reverb tank and speaker. The result is a lifelike depiction of one of the most recorded guitar amps of the1960s, delivering everything from sparkling cleans to saturated overdrive with a simple footswitch stomp.

Three distinct amp voicings—Stock, Lead, and D-Tex—provide a wealth of tonal options. Stock voicing recreates the original amp with lush, crystalline cleans; the Lead voicing offers an aggressive midrange punch; and the D-Tex voicing is a Texas-inspired hot-rodded version with increased gain and midrange.

The Dream '65 isn't just about the amp; it's also about the effects. The pedal's reverb and vibrato effects, modeled from an iconic "golden unit" amplifier, deliver a lush, dimensional sound that completes the vintage experience.

Key Features:

• Stereo amp and cabinet emulation pedal with spring reverb and vibrato
• Utilizes Universal Audio's groundbreaking Dynamic Room Modeling technology
• Offers three distinct amp voicings—Stock, Lead, and D-Tex
• Includes models of three speaker and microphone combinations: a Celestion Greenback 25W, an Electro-Voice EVM12L, and an original Oxford 12K5
• Customizable footswitches, save and recall your own presets, and unlock additional features through the Universal Audio UAFX Control app
• Power supply via 9 V DC power supply with min. 400 mA, centre-negative
• Dimensions: 9.2 x 6.5 x 14.1 cm
• Weight: 567 g
• 2 Inputs: 6.3 mm jack
• 2 Outputs: 6.3 mm jack
• USB-C connection

Step into the golden era of rock and roll with the Universal Audio Dream '65 Reverb Amplifier Pedal. This innovative pedal employs Universal Audio's groundbreaking Dynamic Room Modeling technology to emulate every nuance of a legendary 1x12" tube combo, from the preamp to the power amp to the spring reverb tank and speaker. The result is a lifelike depiction of one of the most recorded guitar amps of the1960s, delivering everything from sparkling cleans to saturated overdrive with a simple footswitch stomp.

Three distinct amp voicings—Stock, Lead, and D-Tex—provide a wealth of tonal options. Stock voicing recreates the original amp with lush, crystalline cleans; the Lead voicing offers an aggressive midrange punch; and the D-Tex voicing is a Texas-inspired hot-rodded version with increased gain and midrange.

The Dream '65 isn't just about the amp; it's also about the effects. The pedal's reverb and vibrato effects, modeled from an iconic "golden unit" amplifier, deliver a lush, dimensional sound that completes the vintage experience.

Key Features:

• Stereo amp and cabinet emulation pedal with spring reverb and vibrato
• Utilizes Universal Audio's groundbreaking Dynamic Room Modeling technology
• Offers three distinct amp voicings—Stock, Lead, and D-Tex
• Includes models of three speaker and microphone combinations: a Celestion Greenback 25W, an Electro-Voice EVM12L, and an original Oxford 12K5
• Customizable footswitches, save and recall your own presets, and unlock additional features through the Universal Audio UAFX Control app
• Power supply via 9 V DC power supply with min. 400 mA, centre-negative
• Dimensions: 9.2 x 6.5 x 14.1 cm
• Weight: 567 g
• 2 Inputs: 6.3 mm jack
• 2 Outputs: 6.3 mm jack
• USB-C connection

Introducing the JET Pedals x Chris Rocha Signature overdrive/distortion, MR JAX. Chris Rocha, the first JET Pedals Signature Worship Artist is a two-time Dove award winner, multi-nominated Grammy producer, and a Gretsch Guitar artist. JET and Chris collaborated to achieve his signature high-gain lead tone in the new MR JAX from JET Pedals.

Here’s the backstory. The collaboration began with the Crowther Hot Cake with its aggressive yet smooth sounds. But the Hot Cake just couldn’t deliver the overtones and EQ he was looking for. Chief Engineer, Junior Thomason, worked to figure out exactly the sound Chris was going for, and achieved it in MR JAX.

levels on different guitars. Using MR JAX Mid Boost: The next hidden feature we added is a pre-gain Mid Boost. Fine tuned for each Gain Stage, the Mid Boost adds the right amount of volume and saturation to jump out in the mix while simultaneously adding a nice amount of mid's to your tone. Perfect for lead lines or solos no matter what Gain Stage you are currently in! To engage the Mid Boost, simply double tap the bypass switch while the pedal is engaged. Pressing the bypass switch again will disengage the Mid Boost.

Other MR JAX Features: Soft Click Bypass Switch Store in Global Settings Which Gain Stage is Active When Pedal First Turns On "Cue" Up Any Gain Stage When Pedal is Bypassed Pre-Gain Mid Boost (Double Press Bypass Switch When Pedal is Engaged) Multi-Colored LED Showing the Status of Bypass, Gain Stage, and Mid Boost Easily switch between transparent overdrive and thick saturated lead-tone distortion

High power, heavy-duty, great value! The B-52 LX-18 18" Subwoofer is a powerful, cost-effective subwoofer that can bring the house down and deliver intense, earthshaking bass all the way to the back of the house! It's a technologically advanced, USA-made, folded-horn sub that's ideal for sound reinforcement, music replay, cinema sound, and side-fill monitoring. The folded-horn design provides high-efficiency, low-distortion, increased headroom, and a superior transient response. The LX-18 will outperform any conventional direct radiating sub by 3-6dB at distances of 75-150'.

The LX-18 is built to withstand the abuse of the road and is backed by a LIFETIME cabinet construction warranty. A newly designed internal compression chamber provides intense, clean, and controlled bass. At the heart of the LX-18 is the new B-52 18-200L subwoofer with a cast-aluminum frame, a massive 200-oz. magnet, and an innovative 4" dual-layered, tempered aluminum voice coil. Features Folded-horn design Road-rugged build 750W RMS power handling

LX-18 18" Subwoofer Specifications: Impedance: 8 ohms Frequency response: 30Hz-250Hz RMS power handling: 750 watts Peak power handling: 1,500 watts SPL @ 1w/1m: 104dB Peak SPL: 135dB Dimensions: 24"W x 36"H x 36"D Weight: 160 lbs.

JET Micro is a 3 button midi controller designed specifically for the HX Stomp. With the JET Micro you will be able to completely unlock the HX Stomp with immediate access to bypass blocks, toggle effect parameters up & down, assign multiple blocks & effect parameters to a single button, scroll through presets, activate snapshots, tap tempo, utilize the built-in tuner & looper. It's compact, simple, intuitive, and couldn't be easier to use. Designed for the person that likes to get down to business and "plug & play" rather than trying to understand the complex ins & outs of Midi programming.

Features Now you can access all 8 blocks with the JET Micro and the HX Stomp. Each button in Stomp mode (Red LED) now sends MIDI messages with a single tap and separate messages with a double tap. Immediate access to 6 blocks (or effect parameters) with the Micro, plus 2 more on the Stomp and you can leave fs3 as tap/tempo! The double tap feature can be enabled/disabled via global settings if desired. You've asked and we've listened... now available, tap tempo can be assigned to any of the three buttons in Stomp mode (Red LED). We've still kept tap tempo available in the Tap/Tuner mode (Blue LED) but some folks would prefer to have an "always available" tap tempo readily available without having to switch banks. Line 6 has created a midi message for preset scrolling! Now you can take full advantage of the rear expression port to use both an expression pedal as well as an external footswitch while also using the Micro to scroll presets up/down. If purchasing the Micro after 4.24.21 you must update the software on your HX Stomp to 3.11 or later. (3) soft-touch momentary toggle switches Multi colored LED which shows the status of the pedal and which bank you are in Immediate access for complete control over your Stomp - no programming required Stomp Bank (Red LED) Toggle blocks on/off or parameters up/down (can assign multiple parameter adjustments and/or blocks to one switch). Assign blocks to a single tap and/or different blocks to a double tap Activate Snapshots on the fly (no need to "Page" over to access Snapshots). Simply long press each button (A, B, or C) to activate Snapshots 1, 2, or 3 respectively. Normal & Fast scrolling thru presets (no need to "Page" over to access preset scrolling). 2-Button presses will scroll up/down presets, hold for fast scrolling. Looper Bank (Green LED) Offers simple control over the built in looper block Tap Tempo / Tuner Bank (Blue LED) Easy access to tap tempo and the built in tuner Tap tempo & the tuner is always available no matter which bank you are in Tap Tempo can be sent thru the Stomp and up to 5 other Midi pedals Can activate the built in tuner on the Eventide H9 When activating Snapshots 1 thru 3 the Micro sends Midi PC messages activating the first 3 presets (respectively) on up to 5 other Midi pedals Compact Size - fits on most pedalboards and sized perfectly for a direct replacement to your typical 2-button foot-switch. Dimensions are 3.6" L x 1.50" W x 1.25" H Runs on a standard 9V (negative tip) power supply with less than 100ma current draw. *power supply not included Requires (1) 5-pin MIDI cable to connect to the Stomp (MIDI cable not included)

Introducing the Shure GLXD16+ Digital Wireless Guitar Pedal System, a remarkable combination of technological advancement and user-friendly design. This system is a leap in wireless performance, offering the assurance of Dual Band technology and the convenience of smart rechargeability. It's perfect for musicians and presenters who wish to break free from the constraints of wired systems without resigning to complexity.

The GLXD16+ thrives on Shure’s Dual Band Wireless System. By broadening the available frequency range to include both the 2.4GHz and 5.8GHz bands, the total bandwidth is amplified almost 250%. This ample bandwidth, especially in the less crowded 5.8GHz band, makes finding available channels a breeze. With Shure’s intelligent pairing and smart frequency management, multiple units can run simultaneously with no fuss. The system will even automatically choose backup frequencies and seamlessly switch to them if interference arises during a performance.

The GLXD1+ Body Pack is a potent part of this system. It comes with a premium 1/4" TS to mini-XLR cable for easy connection from your instrument to the body pack. The high-capacity, rechargeable lithium-ion battery offers a runtime of 12–17 hours per charge, depending on the band in use.

The Shure GLXD16+ Guitar Pedal receiver is designed for maximum performance in a compact space. Compatible with standard pedalboard power supplies, it’s easy to incorporate transparent digital wireless into your system. Plus, the built-in tuner adds another layer of convenience.

Key Features:

• Dual Frequency operation (2.4GHz and 5.8GHz)
• Smart frequency management
• High-capacity, rechargeable lithium-ion battery
• Compact Shure GLXD16+ Guitar Pedal receiver
• Built-in tuner
• Comes with a premium 1/4" TS to mini-XLR cable
• Compatible with standard pedalboard power supplies
• 1/4" guitar input allows user to practice and use the tuner without the need of a transmitter turned on and connected
• WA305 Premium Guitar Cable included.

Introducing the Shure GLXD16+ Digital Wireless Guitar Pedal System, a remarkable combination of technological advancement and user-friendly design. This system is a leap in wireless performance, offering the assurance of Dual Band technology and the convenience of smart rechargeability. It's perfect for musicians and presenters who wish to break free from the constraints of wired systems without resigning to complexity.

The GLXD16+ thrives on Shure’s Dual Band Wireless System. By broadening the available frequency range to include both the 2.4GHz and 5.8GHz bands, the total bandwidth is amplified almost 250%. This ample bandwidth, especially in the less crowded 5.8GHz band, makes finding available channels a breeze. With Shure’s intelligent pairing and smart frequency management, multiple units can run simultaneously with no fuss. The system will even automatically choose backup frequencies and seamlessly switch to them if interference arises during a performance.

The GLXD1+ Body Pack is a potent part of this system. It comes with a premium 1/4" TS to mini-XLR cable for easy connection from your instrument to the body pack. The high-capacity, rechargeable lithium-ion battery offers a runtime of 12–17 hours per charge, depending on the band in use.

The Shure GLXD16+ Guitar Pedal receiver is designed for maximum performance in a compact space. Compatible with standard pedalboard power supplies, it’s easy to incorporate transparent digital wireless into your system. Plus, the built-in tuner adds another layer of convenience.

Key Features:

• Dual Frequency operation (2.4GHz and 5.8GHz)
• Smart frequency management
• High-capacity, rechargeable lithium-ion battery
• Compact Shure GLXD16+ Guitar Pedal receiver
• Built-in tuner
• Comes with a premium 1/4" TS to mini-XLR cable
• Compatible with standard pedalboard power supplies
• 1/4" guitar input allows user to practice and use the tuner without the need of a transmitter turned on and connected
• WA305 Premium Guitar Cable included.

Product Description:

The JHS Whitey Tighty is an innovative compressor pedal that helps musicians shape their sound without getting in the way. Inspired by classic FET compressors, it provides studio-quality compression that can be dialed up or down to suit your taste. From subtle smoothing of your tone to a pleasing squash, it provides versatility that's perfect for country, blues, pop, and rock.

In a compact 1"x3" body, the Whitey Tighty is as simple as it gets. It features three straightforward controls: Volume, Compression, and Blend. The Volume control ensures that you can set your volume at unity gain or slightly boosted to compensate for any perceived loss from the compression. The Compression knob gives you control over the amount of compression, enabling you to fine-tune your tone. The Blend knob allows you to mix in the right amount of clean tone with your compressed signal, retaining some of the natural feel of your clean tone while enhancing it with studio-quality compression.

Key Features:

• FET-based circuit for studio-quality compression.
• Volume, Compression, and Blend controls for precise sound shaping.
• Compact size (1"x3") saves pedalboard space.
• Allows parallel operation of dry and compressed signal.
• Delivers subtle smoothing to pleasing squash.
• True bypass preserves your tone when the pedal is off.
• Ruggedly built and handwired for durability.
• Made in USA.

Product Description:

The JHS Whitey Tighty is an innovative compressor pedal that helps musicians shape their sound without getting in the way. Inspired by classic FET compressors, it provides studio-quality compression that can be dialed up or down to suit your taste. From subtle smoothing of your tone to a pleasing squash, it provides versatility that's perfect for country, blues, pop, and rock.

In a compact 1"x3" body, the Whitey Tighty is as simple as it gets. It features three straightforward controls: Volume, Compression, and Blend. The Volume control ensures that you can set your volume at unity gain or slightly boosted to compensate for any perceived loss from the compression. The Compression knob gives you control over the amount of compression, enabling you to fine-tune your tone. The Blend knob allows you to mix in the right amount of clean tone with your compressed signal, retaining some of the natural feel of your clean tone while enhancing it with studio-quality compression.

Key Features:

• FET-based circuit for studio-quality compression.
• Volume, Compression, and Blend controls for precise sound shaping.
• Compact size (1"x3") saves pedalboard space.
• Allows parallel operation of dry and compressed signal.
• Delivers subtle smoothing to pleasing squash.
• True bypass preserves your tone when the pedal is off.
• Ruggedly built and handwired for durability.
• Made in USA.

Precision. Playability. Power.

The Emerald X10 is the acoustic guitar for the electric player. The X10 is the ultimate performance guitar. Its slim neck ensures speed and comfort when playing. The contoured heel and cutaway allow you to effortlessly reach the highest notes. The X10 stands out on stage. It comes with a range of pickup options available to mix acoustic and electric voices in one guitar. It also shines in the studio, with a 13-pin midi connection for limitless tonal possibilities when paired with external guitar synths. The Emerald X10: Precision. Playability. Power.

The slim-bodied Virtuo is ergonomically designed for unparalleled comfort, and sonically crafted for exceptional tone. It’s the acoustic guitar for the electric player. With its slim, fast electric guitar-style neck, and innovative heel-less neck design, the Virtuo gives you full 22-fret access to reach the highest notes with ease.

But it’s the electronics and pickup systems that truly set the Virtuo apart; the variety of tone on offer is what has led to its reputation as a game-changer…

A pair of Fishman Fluence humbuckers give 3 distinct sounds accessible via the push-pull pots on board; classic PAF style humbuckers, modern-sounding ‘hot-rodded’ humbuckers and even single coils. Acoustic tones are provided by the six individual Graph Tech under-saddle acoustic piezos.

We also added a 13-pin midi output system, so you can connect to a guitar synthesizer, such as the Roland GR55, for endless tonal possibilities. All the onboard pickups can be blended together to create a custom range of sounds to suit your taste. All switching and wiring in the Virtuo is fully analogue.

The fully adjustable saddles ensure that any changes to action and intonation are a breeze.

Shure GLXD16 Digital 2.4GHz Wireless Digital Guitar Pedal System.

Revolutionary Shure GLX-D Digital Wireless Systems combine leading edge LINKFREQ Automatic Frequency Management technology with best-in-class intelligent lithium-ion battery rechargeability to define the new standard for seamless operation and digital audio clarity. The first Shure guitar pedal receiver, GLXD6 provides easy mounting on / powering from pedal boards. A built in chromatic instrument tuner has both strobe and needle tuning views. The foot switch enables shifting between wireless display and tuner mode with the option to mute or pass the audio signal while tuning. For use with GLX-D Digital Wireless Systems. GLXD1 features an ergonomic design and reversible belt clip to fit comfortably and snugly in various positions. For use with GLX-D Digital Wireless Systems, GLXD1 offers up to 16 hours of continuous use with Shure lithium-ion rechargeable batteries.

Guitar Pedal Wireless System Includes:

(1) GLXD6 Wireless Guitar Pedal Tuner and Receiver (1) GLXD1 Wireless Body pack Transmitter (1) WA305 Premium Locking thread Guitar Cable (1) SB902 Rechargeable Lithium Ion Battery (1) PS23US Power Supply (1) SBC USB MicroB Wall Battery Charger Application The GLXD16 Bodypack Wireless System is part of the Guitar/Bass wireless systems family.

Connection Features WA305 Instrument Cable.

The Traffic Control is an 8-port 1/4" TRS MIDI hub, used to split your 5-Pin MIDI signal out to 8 different TRS MIDI pedals. Each port can be configured to send MIDI on the Tip, Ring, or MIDI Type A. So no matter who makes a MIDI pedal with ¼" inputs, the Traffic Control can handle it.

Features:

5-Pin MIDI Input and Output/Thru connections (8) - 1/4" TRS Outputs, each port is configurable for MIDI on Tip, Ring, or Type A Power via 9v (negative tip) power supply (pwr supply not included) Current Draw: 100mA Enclosure Dimensions: 4.39" x 2.37" x 1.07"

Introducing the Red Sea, an all analog signal routing matrix designed for countless stereo and mono signal path routing options.

The Red Sea gives you the ability to run a FULL Stereo wet dry wet rig using only 2 amps or just 2 signals to the FOH, while also giving you complete control over your Wet & Dry mix!

The Red Sea also has two independent stereo FX loops. Use each FX loop to run stereo delay's and reverb's in parallel, where each effect does not interact with each other. Huge soundscapes can be achieved with washy reverbs and articulate delay repeats while being able to blend between each FX loops mix level.

The Red Sea can also do the following routing options:

Wet | Dry utilizing a single amp Clean Wet | Dry | Wet (drives DO NOT run into wet effects) Wet | Dry | Wet with dual delays (one in the L channel & other in R channel) Parallel Dual Amps (run dual amp modelers in FULL stereo) Convert a tube amp's serial FX Loop to a parallel FX Loop Stereo and Mono analog dry through (avoid latency in digital pedals) And the list goes on, only limited by your imagination... Features:

Stereo or Mono In's & Out's Studio Grade Analog Buffers on all Inputs & Outputs Large Blend Knob for Blending in a Live Setting Polarity Reverse Switches for Changing the L&R Polarity on One of the FX Loops Cast Aluminum Enclosure for Maximum Durability and Weight Reduction Power via Standard 9v 100ma Power Supply (not included) Dimensions: 4.82” x 2.62” x 1.425”

The Lamb 100% All Analog Signal Path Programmable Overdrive w/ Onboard Presets and Full MIDI Control Introducing the Lamb, a 100% all analog signal path, programmable overdrive pedal with onboard presets and full midi control.

The Lamb is an op amp based overdrive circuit with soft clipping diodes placed inside the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Marshall BluesBreaker, Analog Man King of Tone, and JHS Morning Glory, etc. The Lamb features an internal 18V charge pump converting a standard 9V power supply to 18V for maximum headroom and responsive touch dynamics.

Features:

100% All Analog Signal Path Full MIDI Control Over Every Knob, Switch, Feature, etc. Internal 18V Charge Pump for Maximum Headroom & Responsive Touch Dynamics 3 Selectable Overdrive Circuits 3 Selectable Presets (knobs not active in preset mode) 100 On-Board Presets w/ the Use of a MIDI Controller Any Circuit Can Be Saved to Any Preset Location Live Mode (knobs always active) Preset Mode (knobs inactive) Quick access between Live Mode & Presets Multi-Colored LED's Showing the Status of Each Preset & Algorithm Double Tap the Preset Switch for an Instant Lead Boost Soft Click Bypass Switches Power via 9v (Negative Tip) DC Power Supply (power supply not included) *Requires 200ma or larger power supply (anything less will result in performance issues) Dimensions L x W x H - 4.7 in x 3.7 in. x 1.66 in. (119 mm x 94 mm x 42 mm)

The Lion 100% All Analog Signal Path Programmable Distortion w/ Onboard Presets and Full MIDI Control Introducing the Lion, a 100% all analog signal path, programmable distortion pedal with onboard presets and full midi control.

The Lion is an op amp based distortion with hard clipping diodes placed after the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Boss DS-1, Pro Co Rat, and JHS Angry Charlie, etc. The Lion features an internal 18V charge pump converting a standard 9V power supply to 18V for maximum headroom and responsive touch dynamics.

Features:

100% All Analog Signal Path Full MIDI Control Over Every Knob, Switch, Feature, etc. Internal 18V Charge Pump for Maximum Headroom & Responsive Touch Dynamics 3 Selectable Distortion Circuits 3 Selectable Presets (knobs not active in preset mode) 100 On-Board Presets w/ the Use of a MIDI Controller Any Circuit Can Be Saved to Any Preset Location Live Mode (knobs always active) Preset Mode (knobs inactive) Quick access between Live Mode & Presets Multi-Colored LED's Showing the Status of Each Preset & Algorithm Double Tap the Preset Switch for an Instant Lead Boost Soft Click Bypass Switches Power via 9v (Negative Tip) DC Power Supply (power supply not included) *Requires 200ma or larger power supply (anything less will result in performance issues) Dimensions L x W x H - 4.7 in x 3.7 in. x 1.66 in. (119 mm x 94 mm x 42 mm)

Introducing the Eternity Delay

• our most sophisticated design to date.

The Eternity Delay is engineered with six studio-grade algorithms, six onboard presets (127 with MIDI), full MIDI control over every knob, switch, algorithm, preset, and bpm with MIDI clock. Additionally, it features a live mode, preset mode, and kill-dry mode. It also boasts the world's most advanced tap tempo and stereo analog dry thru.

We've included Junior (JET's) favorite algorithm into the Eternity Delay and named it, JET's Signature Rhythm Delay (JRD). The JRD is a slapback & analog dual delay algorithm. This algorithm is not commonly found in other delay pedals, but Junior has used it extensively to create massive sounding rhythm and lead sounds.

The Eternity Delay features an upgrade to the standard tap tempo. The Eternity tap tempo averages the BPM based on the number of taps received. This results in extreme accuracy when MIDI clock isn't available. The tap tempo rate LED automatically syncs itself to the BPM and flashes on the downbeat of each ¼ note, solving the problem of flashing LEDs that appear to be out of tempo.

Features At A Glance:

6 Studio grade algorithms: Tape Digital Analog Dual Delay ESD (Echo | Slap | Doubler) JET Signature - Slap/Analog Dual 6 Onboard presets: Up to 127 presets via MIDI Rotate the knobs in Preset Mode to see the saved position of each knob Quickly edit and save any preset by adjusting the knobs then holding the Bypass switch for 3 seconds Full MIDI control over every knob, switch, algorithm, preset, bpm (via midi clock), etc. Stereo Analog Dry Thru Live Mode, Preset Mode and Kill Dry Mode Quickly jump between two different delays Any preset can be queued up while in Live Mode without affecting your sound The world’s most advanced dedicated tap tempo switch: Tap tempo range is from approx. 60 to 160 BPM Tap tempo will average the BPM’s based on the number of taps received, resulting in extreme accuracy when MIDI clock isn’t available Tap tempo rate LED will automatically sync itself to BPM and flashes on the down beat of each ¼ note. No more annoying flashing LED’s that appear to be out of tempo with the song. Selectable subdivision rate switch, select between quarter, dotted eight, and eight note subdivisions. Use the Eternity in any rig Mono in / Mono out Mono in / Stereo out Stereo in / Stereo out Stereo in / Mono out (sums to Mono) Kill Dry Mode User adjustable Global Settings Don’t want to cycle through all 6 preset locations? Easy, define the number of onboard presets available within the Global Settings. Define which preset and algorithm loads at startup Assign the Eternity to any MIDI channel 1 thru 16 Enable/Disable Kill Dry Mode Power via 9v (Negative Tip) power supply (pwr supply not included) Current Draw: 250mA Enclosure Dimensions: 4.82" x 2.62" x 1.425"

The Fender DELUXE 112 PLUS amplifier is a straight-ahead combination of radical new distortion sounds and time-tested Classic Fender Sounds packaged together in a Solid-State configuration, which is both easy to use and inherently reliable. The DELUXE 112 PLUS NORMAL Channel feature the standard compliment of VOLUME, TREBLE, MID, and BASS controls. The DRIVE Channel features GAIN, VOLUME, and a separate EQ consisting of CONTOUR, TREBLE, and BASS controls. The almost unlimited combinations of the GAIN and CONTOUR controls will vary your sound from smooth and bluesy to a honky bite or all the way to ten for the crunchiest sounds around. You get searing smooth highs backed by deep punch. The TREBLE and BASS controls gives you continuous adjustment of the highs and lows, allowing the DELUXE 112 PLUS to be the perfect compliment to your individual playing style. In addition to convenient features like All Front Panel Mounted Controls, the DELUXE 112 PLUS features a detachable footswitch for selecting the DRIVE Channel and REVERB. Standard 1/4- inch phone jacks are used for ease of connection or extension of the footswitch to remote pedal boards. The PREAMP OUT & POWER AMP IN jacks can be used as an effects loop or as Send and Return points while slaving multiple amps together or for direct connection to recording and sound reinforcement mixers. The possibilities are endless (eg: by inserting a Chorus pedal between the PREAMP OUT of one amp and the POWER AMP IN of another, a true stereo image effect can be achieved). Last but definitely not least, the Fender DELUXE 112 PLUS packs a new power amp that is based on a radically underdamped design that interacts with the speaker in much the same way as a tube amplifier does, producing sparkle and punch with an increase in apparent loudness and power that defies comparison to other similarly rated units Also included is a sophisticated, transparent protection scheme designed to completely prevent amplifier failure due to bad speaker cords or incorrectly connected speaker jacks. This amp is LOUD and can reliably put it out, night after night. The selection of a Fender amplifier will reward you with years of quality music in a wide range of controlled sounds. This manual is designed to familiarize you with the equipment and to acquaint you with its many fine features. Read it carefully so that you will benefit from all the features as soon as you start using the amplifier. The built-in quality of a Fender amplifier is the result of over three and a half decades of dedication in the combined skills of research and development by our engineers and musicians. That is why we proudly say... FENDER, The Sound That Creates Legends.