dailydoze

dailydoze's Reviews

53 reviews Back to dailydoze's Equipboard

dailydoze

Like it's called, it's a factory for fuzz.

One of the nastiest fuzz pedals I've ever used. It's like a Russian Big Muff without all the distortion and more sustain. I highly recommend this for any budding punk guitarist.

dailydoze

Clean Sound: 10/10. Distortion Sound: 1/10

I use it when I need a clean sound that I can't get from the SuperSonic. It has a horrible distortion sound, so I'm surprised Steve Jones managed to use this for a whole record.

jimmarchi1
Moderator

the reissue is not so great turned up for some reason, but originals are much better cranked, although they're speaker dependent like all blackface fenders, if you have an original with a stock Jensen or with the shitty stock Utah or Oxford swapped for a decent celestion you can get a pretty good crunch... you should look at the brownface amps, no reverb, but much better when cranked and to ym ear they have fenders best clean tone.

dailydoze

I think the one I have is a reissue. No wonder it sounds like a wasp in a jar.

M

I returned a few reissues. They all rattled like glass no matter what. This one, the 68 and the new 68 Custom Pro Reverb. Took some to a Fender tech and he sighted the cheap sockets on the 6v6, and rattling chases. It’s best to get an old used one….or in my case I grabbed a Tone King Imperial. I had no intention of going that high with money. But all the reissues were like one person put it..”sounded like a wasp”. Didn’t want to track down used, and spend time into a tech either. Just frustrated after a month of reissue returns, and seeing Fender Techs. At least they were honest!

dailydoze

Awesome!!

I use this for leads and funky sounds. It doesn't really have anything special attached to it, I just use it when I need to.

dailydoze

Really good, enjoy using this.

I started using this because I needed to get that extra sustain that you can't really get from any other pedal. I usually have this on all the time because, even when you're playing rhythms you need as much sustain as you can get.

dailydoze

Obviously I have this, name a guitarist who doesn't use this

I use this for the bridge position in my Fender Kurt Cobain Road Worn Jaguar and the bridge position in the Yamaha Revstar.

dailydoze

Simple, cheap, and good.

I only bought these because I don't have a lot of money so I just tried them out. They're also good for listening to music, not just production.

dailydoze

I'm running out of adjectives to describe this godly specimen.

This is one of those pedals that nobody knows of. I bought it only because the Boss CE-5 (the one I wanted) was too expensive. I use it for solos. It actually works really well on a high gain setting, so you metal guitarists better check this out.

dailydoze

Meh

It gives you a really nice Kurt Cobain-style sound. You can't really use it in solos though, so that's why I have two chorus pedals.

dailydoze

Looks like a wah, sounds like a synth.

Used for jangly, clean sounds. I really like using this simply because it can take a beating.

dailydoze

Don't use 'em anymore

Before switching to Ernie Ball Paradigm strings, I used these. Surprisingly, they're actually very good for clean sounds.

dailydoze

Do they break? No!

Pretty self-explanatory, they don't break. I switched to these after using brands like Ernie Ball, D'Addario, Rotosound, SIT, and Cleartone.

dailydoze

Pretty good, looks better than it sounds

Since I don't like using combos unless I have to, I use this for clean and crunch sound. If you add a compressor to the sound it sounds similar to a Dumble. It can't take much overdrive so that's why I only gave it 4 stars.

branter

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dailydoze

Is it good? Meh.

I mean, no offence to Gibson, but guitar picks just aren't their thing. I usually use these as bass picks but the grip on them is shambolic. Probably a 4/10 if I'm being nice.

dailydoze

Not as good as I expected

After I found out that my favourite acoustic was made by Yamaha, I decided to try out some of their electrics. This guitar is really chunky, and as a result has a chunky sound. This is good, but is nothing compared to my acoustic. Sorry, Yamaha, it has to be said...

dailydoze

I love it

When I'm not abusing my Rocktron Piranha that's run through some Marshall 9200 power amps, I'm using this. It has a fantastic distortion tone as well as a killer clean tone. I love this amp and if you want a good punk sound without using Dual-Rectifiers or Diezels, this is your best option.

dailydoze

Wow.

I never thought that a company like Yamaha could make such a beautiful acoustic. Stays in tune well, plays well, light (even for an acoustic) and no fiddling about with straps and tuning pegs. When I first strummed this, I just thought, "Damn." The overall beauty of this guitar cannot overshadow any other one of my axes. 10/10.

dailydoze

Not what you would expect

I use this in a frowning pattern in order to avoid having no mid-range whilst using some of my fuzz and octave pedals.

metal_messiah

I have this on my pedalboard and use it as a Booster for a lot of my pedals. I heard Tom Morello uses it as a booster on his so I thought why not & it works!!

dailydoze

Nice tone, but hefty price for a company like Dunlop

In order to get the amazing octave-fuzz sound used by the likes of Dan Auerbach, Jimi Hendrix and Slash, this pedal is one of the only options (which also includes the MXR La Machine and Morley Fuzz Wah). Very pricey, but you won't regret spending your money on this.

dailydoze

Dang, this is pretty good!

My main overdrive pedal. When you turn the gain all the way up, it gives you chaotic distortion. No treble knob, but who gives a damn when you have a sick OD at your feet?

dailydoze

Niice

Used to mic bass amps as well as record vocals.