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Due to the popularity of our Pulp N Peel guitar compressor and a demand for a truly transparent and useful bass compressor, we bring you the “Lime Aid”. Dynamics, punch and clarity are a few of the things that this unit will bring to your tone. One of the main advantages to the compressor is the low end response and the ability to keep untouched clean signal along side your compressed tone. Many players will see this as an enhancement more than a typical compressor. Others will see it as a boost that can drive your amp with a soft touch. However you use it, you will most likely never want to turn it off.

Bass Players have some basic needs and face a few issues when setting up a rig or board, the Green Tea approaches these things and more!

The right footswitch is to our Lime Aid Compressor / Enhancer. You will never wanna turn this one off!

The middle footswitch is our Bass Bomb Boost for rising above the mix or fattening up your tone on a smaller rig.

The left footwitch is our Blender so that you can place your drives or fuzzes within the loop and blend the perfect original signal back in. This can also be used as a tuner out or simple effects loop to activate a string of multiple pedals for a preset tone.

The Green Tea is our fix for every bass player and only gets better when adding our Low Drive, Pandamonium or a 4 Wheeler!

One pedal that you can use in every gig for the rest of your life... Seriously. We ran this pedal through the mill with touring bands all over the country in every genre and venue possible and it came out a winner.

The right side is our “4 Wheeler Fuzz” that can dish out almost any fuzz tone your bass desires. The left side is a special preamp/overdrive that is based on the famous SVT tone that has held it’s ground on millions of stages and albums for decades. With Volume, Drive, Bass and Treble, you can set this side for an always-on preamp/enhancement all the way to a tube flavored distortion with all the ranges in-between. Lot’s of players have found this pre-amp side as an answer to their dull or lifeless rig while others can’t believe how it awakened new tones and sensitivity from what they thought couldn’t get any better. With these two totally independent channels that can be used alone or stacked on top of each other, this is like a bass swiss army knife that will never leave you lacking the tone you need.

On V3 we have added our order toggle switch so you can choose what circuit comes first in the chain when they are ran together as well as shrinking the pedal down to our standard Double Barrel / Sweet Tea size 2 in 1 casing!

In the footsteps of the classic Marshall Gov’ner this monster was born. Just like its big brother Charlie Brown, the Angry Charlie is versatile, well rounded and full of tone but one thing sets them apart. This ones a little more Angry… If you want high gain Marshall tones reminiscent of a JCM-800, than this is the pedal for you.

The gain knob has an unbelievable range of overdrive to head-on heavy grind and the tone knob actually has a solid range unlike many distortions on the market. The additional presence knob adds a versatility and tweaking ability that transforms any amp into a fire breathing monster! Big classic distortion tones are what this box is all about. If you need a high gain but "realistic" sounding pedal than look no further!

Featuring a streamlined control interface and presence knob for adding a warm high to the effect, the Charlie Brown emulates the overdriven tone of a vintage Marshall JTM head. Compact in size and big on sound, this effect brings searing tone straight to your pedalboard.

If you’ve ever heard an original Marshall JTM45 than you know why it’s the voice of classic Rock & Roll. The classic JTM45’s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. Our Charlie Brown is voiced to transform any good amp into a living, breathing replica of the tone that built an era. After playing this pedal most people say, “Where has this been my whole life?”

With the gain below 50% it is a low grit overdrive that even Hendrix would be proud of. When you get into the upper half of the gain knob you will find a new world of natural, crunchy bite that just can’t be found anywhere else. Max it out and you will be in high gain, overdrive heaven. The Presence knob lets you roll of the perfect amount of shimmer for an unprecedented compatibility with almost any amp. This unit can cover a lot of ground and we can almost guarantee that you won’t be adding this one to your “unusable dirt box list” that you’ve accumulated over the years.

There’s a lot of hype out there these days with overdrive pedals and the last thing we want to do is to add to the noise.

As you may already know, almost every boutique overdrive on the market is a modified Tubescreamer of some sort, we have decided to take a different approach.

The Morning Glory is a very transparent tone-shaping tool that is the result of several years of building, gigging, tweaking and improving on the original Marshal Bluesbreaker design. We improved vastly on the BB while maintaining what made it a great pedal in the first place. It now has around 4X more headroom, 2X the available gain and a more useful tone control. The “Bright Cut” toggle allows the perfect level of EQ for your rig.

You will notice immediately how touch sensitive and dynamic the feel of this pedal is. The frequencies are perfectly balanced and the tone knob reacts as a high frequency roll off. The drive allows you a huge range of tones from “little wing-ish” chime to classic rock era bite. If you’re a Strat player, this pedal will bring you sounds that you may have thought impossible and if you like the Les Paul, get ready to discover a new pallet of sounds that you won’t be able to live without.

With enough clean headroom to be used as a boost as well as a hefty amount of drive, this may be your go-to pedal, for good.

True Bucket Brigade delay that has the tone and options to cover any style, any use and any player. The Panther Delay is our most anticipated pedal to date with it’s groundbreaker feature set including “tap tempo control” that lives within one “full second of delay time”. The foot-switchable “effects loop” allows you to place any effect or effects that you want on the repeats only. Another option is the four section “ratio control” to give you quarter, dotter eighth, eighth and triplet divisions. The built in “modulation” gives you shimmery Deluxe Memory Man type vibe and can work with tap enabled. The Panther is the first to do this! Our “chirp switch” gives you two flavors of analog: one is bright and chirpy like the vintage Boss DM-2 or Way Huge AP-1 while the other is darker and more in the background. As the user you have the ability to program an “expression control” to your favorite knob to use on the fly with no bending down required! The “Tap IN/OUT” jack lets you remotely tap in a tempo or slave another tap device for amazing live flexibility. All this and more is powered by a standard 9v supply, not a crazy hard to power voltage. Watch the brief VIDEO MANUAL / OVERVIEW movie below for an in depth explanation of all the Panthers features!

DISCONTINUED.... unless you find a Pink Panther and cut off a piece of its fur and send it to us. Nah, just kidding. Otherwise, if you would like to hear you sound repeated back to you bathed in analog-goodness, check out our current delay: The Panther Analog Delay

We made less than one hundred of these and then stopped due to the chipset becoming obsolete. We would still make it but... we literally can't and that makes finding one on the used market about as awesome as striking oil in your front yard. They sell from $300 - $425 when we see them and we wish you the best of luck finding one.

It runs at the standard 9v power like our other pedals and it loves long walks in the park.

Vintage-style Fuzz Distortion Guitar Effect with Hand-matched Germanium AC128 Transistors and External Bias Control

Since the early days of Rock & Roll no other pedal has made its way onto more recordings, stages and rigs than the classic Fuzz Face. The Pollinator is our take on a classic design but with some huge improvements.

The original Fuzz Face as well as most other companies takes on the design have very low output volume, so we tripled the available headroom! You can achieve a wider range of tones now because even at lower gain settings the volume you need is there. Another addition is our external bias knob. This allows you to fine-tune just the right amount of power to the perfectly hand matched germanium AC128 transistors inside. The bass is tight and focused but still classic and the highs are as crisp as anything we’ve ever heard in a vintage design. This Fuzz cleans up better with your guitars volume than any of our others if your into that!

Germanium fuzz with more mojo than a velvet painting of Hendrix!

Compression is the one effect that can make the difference between sounding polished and professional or just normal and part of the crowd.

Compression is the one effect that can make the difference between sounding polished and professional or just normal and part of the crowd. Most people discover that “studio” quality sound in their rigs for the first time when they add a good quality compressor. Our Pulp n Peel compressor is the perfect tool for adding dynamics, flavor and sustain no matter what rig you play.

As you may have guessed by our suave design, we based this comp off of a certain vintage design made famous back in the day. Most compressors you see are based off of the Ross/MXR design that yield very squashed high end and a lack of upper end clarity and definition. The Pulp n Peel is not. With the PnP you will find that your guitars natural color and attack stay in place instead of being forced under a hard and un-transparent squash. Another advantage is its low noise floor and super headroom that allows it to be used as a boost in front of or behind your favorite overdrive/distortion or fuzz. The PnP excels in the fields of blues, jazz, funk and classic rock because of its natural transparency and cooperation with single coils as well as humbuckers. The controls are as simple as it gets with compression, volume and a clean blend knob to dial in your original untouched signal. The idea behind our design is that you will never want to turn it off and if your looking for the perfect "leave on" compressor that will make your rig sound like a million bucks than look no further. Once you have experienced what it does to your rig, you will never be the same.

NOTE: Our blend control blends compression in. All the way up is full compression/preamp tone while rolling it backward brings in your original uncompressed tone. One more thing, don't play with the trim pot inside of the pedal as tempting as it is because we set that to a very specific voltage with our fancy electronic tools.

From the 60’s came an effect that had a serious impact on the way guitarist expressed themselves. It was an effect that when used right had that “wow” factor and it was a tool that helped make the “Star Spangled” banner relative to a new generation in the hands of a man named Jimi. Some of the most influential guitarist ever have consistently found a way to express their voice with this circuit and we feel you will too.

With a large speed control that is easily controlled with your foot, live performance changes are ease. The Speed LED blinks in time with the speed even when the unit is off so you always know what is going on inside. Controls for Mix (blend of clean and effect), Volume (raise or lower the overall volume) and vibrato/chorus toggle (gives you the classic chorus or vibrato settings with the flick of a switch). The Warble-Tron is internally turning your standard 9v into 15v so there is no need to have a funky adapter.

From the outer limits of space comes a fuzz that has gone where no fuzz has gone before..... Well... Maybe not from the outer limits of space but you get the picture.

The Astro Mess is a Silicon Fuzz design that has a taste of both vintage and modern fuzz. The birth child of Switchfoot’s Drew Shirley’s request and Josh Scott’s knowledge of fuzz, the Astro is a very unique and useful fuzz in the land of a thousand fuzz’s. Mr Astro tips his hat to the classic circuits like the Ampeg Scrambler, Kay Fuzztone and the Octavia due to it's massive amount of gain and volume!

It comes equipped with a volume and fuzz knob as well as a gate toggle than when activated makes every note seem to crush underneath your picking technique. Listen to Switchfoot’s “Mess of Me” or “The Sound” and hear how rich but yet violent this fuzz can be.

Out of this world fuzz with down to earth controls.

From meek to mild all the way to downright dirty, the Low Drive is your go to pedal for classic bass overdrive tones. Most bass overdrives out there leave you lacking in TRUE low end response and definition but none of that nonsense here. The Low Drive gives you response like no other while also giving you clear and clean mid/high end definition. You will most likely find the tone knob to be the most useful overdrive tone knob you have ever used and the gain knob very flexible with an amazingly wide range of dirt. Another characteristic is that the clarity or your rig will be held in tact no matter how much drive you have going. The Low Drive will also run it at 18 volts for more headroom and punch... It makes a pretty slamming guitar overdrive as well!

V2 has a 3 Way gain toggle that allows you to go from V1 clipping to open boost or LED crunch. Way more tones under the same hood!

An icon of alternative rock, J Mascis’ penchant for running Fender® guitars into stacks of amps to create massive fuzzy riffs, incendiary leads and huge hooks have made his work in Dinosaur Jr. and on solo records an indispensable part of rock history, influencing countless artists to follow.

The J Mascis Telecaster® recreates J’s favorite guitar, an original 1958 top-loader Tele®, with which he recorded most of his lead work throughout his career. Features include a Dazzling Bottle Rocket Blue Flake finish, mirrored chrome pickguard, custom J Mascis Telecaster pickups, top-loader bridge and Road Worn® maple neck and hardware.