Pricing and availability
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Price
Average Price: $192
High-end/Boutique
$50
$176+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 5 merchants for "JHS Morning Glory". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
The JHS Morning Glory is the pedal that takes your guitar tone to the next level without altering its fundamental character. Acclaimed and awarded, it stands out as one of the most transparent overdrives in the market. This pedal is your go-to solution for adding mid-to-low level grit to your pristine tone or boosting a crunchy tone into a thick sustain.
The secret behind the Morning Glory's success is its ability to deliver all the tonal and responsive nuances that your amp lacks, without adding what your tone already possesses. It features a gain control that ranges from completely clean to rock 'n' roll, and a side-mounted bright-cut switch to tame high end on brighter rigs.
But the Morning Glory is more than just a simple overdrive pedal. The V4 version introduces an innovative boost circuit that replaces the original's front-mounted bright-cut switch. This powerful feature, accessible mid-song when paired with the JHS Red Remote (sold separately), essentially gives you two Morning Glorys in one compact, pedalboard-friendly package, making it a versatile tool for any guitarist.
Key Features:
- Overdrive pedal with transparent tone
- Gain control sweeping from clean to rock 'n' roll
- Side-mounted bright-cut switch for taming bright rigs
- Powerful boost circuit for on-the-fly versatility
- Compatible with JHS Red Remote for mid-song boost access
- Hand built in the USA
- Operates exclusively on power supply (not included)
Product specs
| Effects | boost, overdrive |
| Power | 9V |
| Bypass | true bypass |
| Analog/Digital | analog |
| Current Draw | 43ma |
Videos
Prymaxe
JHS Pedals Morning Glory Ovedrive
Reviews
PROS
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Transparent tone enhances without coloring original sound
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Versatile, from subtle overdrive to more punchy tones
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Works well stacked with other pedals
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Solid build quality and intuitive controls
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Provides clarity and articulation for each note
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Great for achieving natural tube breakup at lower volumes
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Dual-channel switching allows for varied playing styles
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Effective with a wide range of musical genres and styles
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Bright cut switch for tone shaping
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Adds compression and clarity without losing low end on bass
CONS
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High frequencies can be piercing, even with bright-cut engaged
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Second stage of gain requires an additional purchase (Red Thing)
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Not as effective with humbuckers compared to single coils or P-90s
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Some users find it overrated or not living up to the hype
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High gain settings can produce an unnatural-sounding noise
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about JHS Morning Glory.
Mods and upgrades
Use cases and applications
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Multiple users utilize the Morning Glory as their first stage drive pedal or as the initial drive in stacking setups for added tonal flexibility.
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The Morning Glory is favored for rhythm work in post-hardcore bands, where its low-gain capabilities provide tasteful dirt without excessive crunch.
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The Morning Glory is favored by fingerstyle players for its responsiveness and ability to enhance the natural dynamics of fingerpicking.
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The pedal is well-suited for high headroom, dark amps, providing additional grit at low volumes, and enhancing solid-state amps to sound more tube-like.
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The pedal excels with single-coil pickups, enhancing the amp's clean channel by simulating a cranked tone without altering the original sound drastically.
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User experience
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Users who own both the Morning Glory and Plumes recommend stacking them, with the Morning Glory first, to use the Plumes as a mids boost.
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It's been observed that the pedal provides substantial output volume, with unity gain often achieved at around 9 o'clock on the volume knob.
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Owners report the footswitch is silent, which may require adjustment for those used to a traditional 'click.'
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The Morning Glory V4 tends to open up and sound better when the gain is set above 9 o'clock, despite being known for low-gain settings.
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Comparisons
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Some users prefer the JHS Charlie Brown over the Morning Glory for its warm, distorted tones, suggesting it's an underrated alternative.
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The Morning Glory is preferred with Humbucker pickups, like those in a Les Paul, for a mid-forward tone, contrasting with the Plumes' preference for Strat-style guitars.
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The Morning Glory is said to offer more sparkle and breakup compared to the Greer Lightspeed, making it a preferred choice for those seeking a gnarlier tone.
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The Morning Glory shares tonal qualities with RAT pedals at low gain, offering clarity and sparkle while maintaining a natural clipping sound.
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The Greer Lightspeed is considered a superior low-gain alternative to the Morning Glory, offering more tonal "flavor" according to some users.
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Features and functionality
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Owners note that the Morning Glory excels as an edge-of-breakup pedal for rhythm guitar, offering saturation similar to a cranked amp's crunch channel.
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The Morning Glory V4 is designed to mimic a Marshall's crunch channel, adding more gain and sizzle while remaining transparent.
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The Morning Glory V4 is noted for having a mild bass cut, a slight mid boost, and a clear, jangly top end, making it versatile for different playing styles.
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Critic Reviews
5.0 out of 5
Based on 6 Reviews and 52 Ratings
1200
Best Blues Breaker type Pedal I've owned
So I've owned many a Bluesbreaker style pedals. The faithful Mooer Blues Crab, the NuX Morning Star, the pricey MXR Duke of Tone, and finally the JHS Morning Glory. This thing kicks ass! Has more volume, more gain and this shine that is hard to describe. I sometimes just leave it on the whole time, it just ads more of me in my signal with a bit of rick harmonic highs. It lives up to the hype around the pedal. I know there is a waiting list to get a real "King of Tone" but don't sleep on this pedal. It is in the BB family but different enough to stand out and stand up to the higher end BB style overdrives. It's built like a tank and has the Red Remote option to get higher levels of gain. Such a great pedal, definitely a must if you have the money
125
Essential pedal on my board
This really is one of those great 80% to 100% always on pedals for me. Rather live or in a small room, and you can’t crank to 6 for breakup without going defcon 5. This is the perfect pedal for a player that asks…how do I get that natural tube breakup sound at lower volumes? Well, this is pretty the most straight forward way. Good reason most use them, and I’m sure live FOH sound guys are happy for it!
But it’s such a great first in line transparent OD. I just turn it on with barely any gain at 10oclock to 11oclock. Then the Tone most seem to agree 10oclock or brighter at 3oclock. Pretty universal settings I see and use myself. The optional gain boost is great! With that it makes no sense to push heavy gain into it, outside another transparent low gain boost stack if you want. Or something with a different EQ flavor. Both modes sound great though on this pedal! Easy to go low breakup to medium gain.
I love to run this first followed by a Klon and then a TS808. That usually completes my basic low OD! MG, Klon, TS808 then I use heavy gains after. This allows me too cut low and high frequency of the MG, and use it to push the TS808 for a more focused sound in Choruses or solos. It kind of acts as a bit of a boost for me that way. Since both are set fairly low gain, or all 3 are on for a medium more wild overdrive.
You can use the MG last in the chain. But I’ve found as natural as it sounds, and some will want it to add back those lows and highs to Tubescreamers.. But with heavy distortion, it can squash a bit and can’t take anymore. So whichever order you choose, it’s safe to keep it before heavy distortions like a MIAB or Rat at max. Outside that skys the limit and any order will work! Great first pedal for starting your board, or those who want breakup at lower volumes. Goes great with a Tubscreamer, Klon and play around to see how you like them together. Or just use the MG with boost and go straight to your high gains. It’s just very versatile at the early stages!
231
The Foundation
I own the JHS Morning Glory version 4, and have been using a version 3 for several months now; this pedal stays on almost all of the time. I usually prefer more gritty/crispy drive tones, but I kept this pedal because it really excels at bringing brightness and touch of grit to one's tone like nothing else does. It sounds very natural at low gain, winding it up sounds more like a smoother, much more transparent tube screamer, which isn't really all that exciting.Using the V4's gain switch, it's a little more crisp and sustaining. Don't worry, if you liked the last MG, you'll love the new one. The output volume is more usable, and the gain switch adds flexibility. All the original tones are here along with some dirtier ones. Issues? I like to have access to the bright cut switch, and now that it is on the side of the pedal, it is hard to quickly flick it as before. Also if you have the pedal in high gain mode, and turn the gain past 3 o'clock, you can hear this dirty, almost digital sounding scraping noise in the background, that decays in a very unnatural fashion. I thought this was just my pedal, but after listening to the JHS demo, I heard it there too, and there were careful not to turn up the gain past 2 o'clock. Now for what I use it for, I never have to go up there, but in care you were planning on using the MG for higher gain, you have been warned. On bass Like the V3, the V4 excels on bass adding compression, clarity, and light grit without losing low end. The gain problem isn't really an issue for the bass user, so the only issue that remains for bassists is the price and the bright cut switch location.
79
Best transparent OD on the market
For tone purists. For when you don’t want to alter the tone of your amp at all, but want to drive the front end harder to push the amp further into natural overdrive.
Artist usage
Add artist
Noel Gallagher uses the JHS Morning Glory as the second pedal in his effects chain, as shown in a user-uploaded photo.
At around the 3:00 mark, you can see a JHS Morning Glory overdrive pedal behind him engaged.
In the front row of Aaron’s board you can see a Morning Glory between his Jupiter Fuzz and his DL-4. No indication of which version it might be.
In this post Dustin talked about the JHS Mornig Glory and the Superbolt. However under another post(can be seen here: https://twitter.com/dustinkensrue/status/649637351203860481) he took a picture of some of his pedals. The post is primary about the Walrus Audio Messner, but in the picture the JHS Morning Glory is clearly visible aswell.
Mentioned in the article interview by Guitar World 02/11/2020
From here the signal goes to a JHS Morning Glory (“That’s my second, more-distorted kind of rock ’n’ roll sound. I used to have a Soul Food. I really liked the Soul Food, I have no idea how Carlos ended up having it”) before heading into a ProCo Rat or Electro-Harmonix Op-Amp Big Muff. “I’ve started using fuzz on a few songs. I like how it sits in the mix more than distortion for some tracks.”
Basilio was listed as a user of JHS Morning Glory on her website; the site is now deleted. Mentioned as a part of her rig while recording the album "Your Love", according to November 2022 Guitar World interview.
At 1:46 in this video, in which Switchfoot's Drew Shirley tries out new JHS pedals, a JHS Morning Glory can be seen.
"For boosts/overdrives I’ve been using JHS pedals for a few years now. The Prestige, SuperBolt, and Morning Glory are my favorites."
Album Usage
The JHS Morning Glory has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use JHS Morning Glory, it is most commonly used with the following gear.
Community setups
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