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Average Price: $180
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Description
Compression is the one effect that can make the difference between sounding polished and professional or just normal and part of the crowd. Most people discover that “studio” quality sound in their rigs for the first time when they add a good quality compressor. Our Pulp n Peel compressor is the perfect tool for adding dynamics, flavor and sustain no matter what rig you play.
As you may have guessed by our suave design, we based this comp off of a certain vintage design made famous back in the day. Most compressors you see are based off of the Ross/MXR design that yield very squashed high end and a lack of upper end clarity and definition. The Pulp n Peel is not. With the PnP you will find that your guitars natural color and attack stay in place instead of being forced under a hard and un-transparent squash. Another advantage is its low noise floor and super headroom that allows it to be used as a boost in front of or behind your favorite overdrive/distortion or fuzz. The PnP excels in the fields of blues, jazz, funk and classic rock because of its natural transparency and cooperation with single coils as well as humbuckers. The controls are as simple as it gets with compression, volume and a clean blend knob to dial in your original untouched signal. The idea behind our design is that you will never want to turn it off and if your looking for the perfect "leave on" compressor that will make your rig sound like a million bucks than look no further. Once you have experienced what it does to your rig, you will never be the same.
NOTE: Our blend control blends compression in. All the way up is full compression/preamp tone while rolling it backward brings in your original uncompressed tone. One more thing, don't play with the trim pot inside of the pedal as tempting as it is because we set that to a very specific voltage with our fancy electronic tools.
Product specs
| Brand | JHS |
| Model | Pulp 'N Peel V3 |
| Finish | Hand Painted, Orange, Orange Peel Tolex |
| Year | 2009 - 2015 |
| Made In | United States |
| Categories | Compressor Pedals |
| Pedal Format | Standard |
FAQs
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What type of compression does the JHS Pulp 'N Peel V3 provide?
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The JHS Pulp 'N Peel V3 offers a transparent compression that maintains clarity and definition, inspired by classic 1970s compressor designs but without their common drawbacks.
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Does the JHS Pulp 'N Peel V3 work well with both electric and bass guitars?
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Yes, the JHS Pulp 'N Peel V3 is designed to complement both electric and bass guitars, offering a versatile compression suitable for various playing styles.
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What are the standout features of the JHS Pulp 'N Peel V3?
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The JHS Pulp 'N Peel V3 features a blend control for mixing your dry and compressed signals, a built-in DI for direct recording, and a switchable dirt circuit for added grit.
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Does the JHS Pulp 'N Peel V3 require a specific power supply?
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The JHS Pulp 'N Peel V3 requires a standard 9V DC power supply, typical for most guitar pedals, and does not support battery operation.
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How does the JHS Pulp 'N Peel V3's blend control enhance its functionality?
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The blend control on the JHS Pulp 'N Peel V3 allows you to mix your dry and compressed signals, enabling precise control over the amount of compression in your tone.
Reviews
PROS
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Blend control allows precise mix of compressed signal
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Wide range of compression from subtle to intense
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Flat, transparent EQ preserves original tone
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Clean boost feature suitable for driving amps into overdrive
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Internal switch for Little Black Buffer improves signal integrity
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Versatile for different genres, including country and high compression settings
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Quiet operation, minimal noise introduced to signal
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Recreates Dan Armstrong Orange Squeezer with added functionality
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FET-based compression provides smooth, consistent sustain
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Can be always on, enhancing tone without dominating it
CONS
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V4 version may not maintain the same flat EQ as V3
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Some may prefer a more simplified compressor without the need for internal adjustments
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about JHS Pulp ‘N Peel.
Features and functionality
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The EQ knob is flat at noon; turning left boosts bass and cuts treble, while right does the opposite, offering flexibility for tonal adjustments.
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The Pulp ‘N Peel has been observed to add overdrive at higher compression settings, making it more suitable for those seeking a pronounced effect rather than subtle compression.
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Use cases and applications
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The pedal excels as a bass DI box due to its XLR output and effective compression, adding unexpected versatility for bassists.
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The Pulp 'N Peel v4's EQ and dirt features are often unused, yet the pedal remains a favorite on diverse instrument setups like mandolin and banjo.
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V4's tilt EQ is useful for minimizing feedback from piezo pickups during live performances with instruments like mandolins and acoustic guitars.
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Users highlight its effectiveness across various instruments, including electric, acoustic guitars, and bass, due to its versatile boost, sweep EQ, and DI box XLR output.
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User experience
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Owners note the blend knob is crucial for preserving the dry signal, enhancing usability over traditional compressors like the Dyna Comp.
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A noted drawback of the Pulp ‘N Peel v3 for bass use is significant bass loss in the clean blend, rectified in the v4 version.
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Some owners prefer the Pulp ‘N Peel for its ability to blend overdrive with compression, offering a unique sound that appeals to those who enjoy tonal coloration.
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Comparisons
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The pedal provides a dirtier sound than expected, resembling light distortion rather than a subtle sparkle, which may overlap with existing OD/Distortion pedals.
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The Keeley Bassist and MXR Studio or Bass compressors are recommended alternatives for live bass use, providing better performance than the Pulp ‘N Peel v3.
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The Pulp ‘N Peel, described as a variant of the Orange Squeezer, provides noticeable tone coloring at higher settings, distinguishing it from more transparent compressors like the Keeley Comp+.
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Build quality
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Some users find the XLR output placement inconvenient for pedalboard setups, as it would be more practical on the right side of the pedal.
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Value and pricing
Critic Reviews
4.5 out of 5
Based on 6 Reviews and 25 Ratings
3485
Great Compressor with Buffer
People complain that using a compressor takes the life out of playing guitar. The blend knob on the Pulp n Peel really gives you a chance to have the best of both worlds. I rarely turn this pedal off. Its simple and sounds great. A friend of mine was using the Walrus Audio Deep Six but ended up going back to a Dyna Comp because the other pedal was too noisy. Glad to say I barely notice this pedal is on, but I know when its off.
366
Smooth, Natural Compression!
I run this at the start of my chain (before my volume pedal) so I can get compression on the original guitar signal. I set all three knobs at about noon for a moderate amount of sustain and compression (so it's not too squishy). Once in a while I'll turn it off—it's then that I realize how much it helps even out my tone. The v3 also has (currently JHS is up to v4) a LBB (Little Black Buffer) circuit with an internal dip-switch to turn it on or off. So that's pretty awesome!
222
Best Comp I've Owned!
Had to go through a couple of compressors to get to this one. Had a Dyna Comp for the longest time. Tried having the Deep Six replace it, but it was too noisy for me. I decided to try a Pulp 'n' Peel after having a friend talk me into getting one and I don't see this coming off the board in a long time. It gives me the sustain that I need and the blend knob is great to have as well. I can choose how much compression I want at any given moment. I never turn it off.
222
great compressor with a secret weapon
I got this originally because it was on sale at a buddys shop but also because I was looking into a blend style compressor. One of its awesome little secrets is its built in black buffer box which is always active even if the pedal is off. It's put early into my chain so that the buffer can well, buffer the rest of my pedals.
Artist usage
Add artist
In this video, Switchfoot's Drew Shirley tries out a few new JHS pedals, which includes a Pulp 'N' Peel pedal, a close up of which can be seen at 1:09.
In a post on Instagram, James Duke is shown using the JHS Pulp 'N Peel compressor pedal. He later switched back to using the Dyna Comp.
According to Premier Guitar's 2017 Rig Rundown with Young the Giant, Eric's pedalboard included a JHS Pulp 'n Peel Compressor.
Concert from spring of 2016 you can clearly see his pedalboard at the 1:07 mark in the video.
"Diggin into @jhspedals' updated Pulp n Peel & Twin Twelve. Dove deep into PnP tonight. Soundin' good!! Lotta fun along w @catalinbread #Echorec."
In this "pedalboardish mess" photo, which was posted on his Instagram profile, one of the pedals that can be seen is the JHS Pulp 'n Peel.
Photo posted on band's Facebook page during recording of their album, JHS Pulp 'n' Peel seen on board at the feet of Alex Wilson during session. https://www.facebook.com/photo/?fbid=566154121621546&set=pcb.566154248288200
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use JHS Pulp ‘N Peel, it is most commonly used with the following gear.
Community setups
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