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The Osmium High Gain Distortion is a beast of a pedal offering a range of high gain tones that’s perfect for rock, metal, thrash, djent and much more. Based on a well-known Distortion pedal, the Caline Osmium will take you from gritty fat chugs to molten hot high gain heaven.

Designed as a homage to one a classic fuzz pedal, built to give you that instantly recognizable violin-like smooth saturated distortion fuzz tone that appears on some of the world’s greatest recordings.

This pedal is not for the faint hearted – it roars. The Caline M-Fuzz gives you huge ‘wall of sound’ chords whilst retaining note definition. For lead it offers rich harmonically complex fuzz distortion that’s equally pleasing to the ear on humbuckers and single coils alike. Pair it with a slightly overdriven tube amp and prepare for a doom laden sonic attack that fills a mix like nothing else.

An ABY box that will fit anywhere and won't mess with your sound.

The True-Path Hard Touch ABY Switching Box has a Hard click in the switch (only for the driver's feel & not evident through the amp). No pops, no ticks, and no electrocutions, thanks to a Nickel core custom-wound 1:1 transformer that doesn't boost the treble frequencies like the "industry standard" Jensen transformer does, so fuzzes played through the True-Path sound round and distortions don't sound strident.

Using the most advanced 4 opto switching system ever, yet also offering the purest signal. Fulltone developed their photocells over the last year with a rather patient optocoupler manufacturer, and the cells only have around only 50 ohms series resistance compared to the Vactecs (which all other optocoupler switchers use) offering a whopping 300-400 ohms of series resistance to your guitar's signal.

Each channel has switchable JFET Buffers to drive long lengths of cables without any tone loss. Want it clean & clear for Fuzztones? Fuzz pedals like to be hit with High impedance signal like your pickups produce. Buffers are Low Impedance, so if you are a Fuzz connoisseur you simply turn off the buffer on the ABY channel that goes to your Fuzzes.

Other ABY's say they're silent... but truth is they have a slight "thump" that becomes a loud "BOOM" when splitting say a Twin Reverb and Vintage Plexi Marshall.

Do not confuse this with a simple metal box and 2 switches that comprise 99% of the ABY's out there. Those sound ok UNTIL your signal chain reaches 20 feet or more... UNTIL you hit "Both" and the signal is loaded down to oblivion, or UNTIL you get electrocuted because of grounding issues due to the absence of an Isolation Transformer that the True-Path has!

And don't think that your tone is going to suck because you see the inside of the True-Path and think that your signal is going through a bunch of circuitry. No Audio signal passes through the switches or ANY of that circuity! Your signal is going through ONE RESISTOR in the True-Path (that's the optocoupler), or if you choose, it will go through a tone-full JFET unity gain buffer that is rich and sweet, and perhaps a custom wound Nickel-core Audio transformer (B channel only).

All that gadgetry in the True-Path is simply to light up those 4 optocoupler in a way that they don't POP when switching between amps...NONE of your guitar signal goes through that.

An ABY box that will fit anywhere and won't mess with your sound.

The True-Path Hard Touch ABY Switching Box has a Hard click in the switch (only for the driver's feel & not evident through the amp). No pops, no ticks, and no electrocutions, thanks to a Nickel core custom-wound 1:1 transformer that doesn't boost the treble frequencies like the "industry standard" Jensen transformer does, so fuzzes played through the True-Path sound round and distortions don't sound strident.

Using the most advanced 4 opto switching system ever, yet also offering the purest signal. Fulltone developed their photocells over the last year with a rather patient optocoupler manufacturer, and the cells only have around only 50 ohms series resistance compared to the Vactecs (which all other optocoupler switchers use) offering a whopping 300-400 ohms of series resistance to your guitar's signal.

Each channel has switchable JFET Buffers to drive long lengths of cables without any tone loss. Want it clean & clear for Fuzztones? Fuzz pedals like to be hit with High impedance signal like your pickups produce. Buffers are Low Impedance, so if you are a Fuzz connoisseur you simply turn off the buffer on the ABY channel that goes to your Fuzzes.

Other ABY's say they're silent... but truth is they have a slight "thump" that becomes a loud "BOOM" when splitting say a Twin Reverb and Vintage Plexi Marshall.

Do not confuse this with a simple metal box and 2 switches that comprise 99% of the ABY's out there. Those sound ok UNTIL your signal chain reaches 20 feet or more... UNTIL you hit "Both" and the signal is loaded down to oblivion, or UNTIL you get electrocuted because of grounding issues due to the absence of an Isolation Transformer that the True-Path has!

And don't think that your tone is going to suck because you see the inside of the True-Path and think that your signal is going through a bunch of circuitry. No Audio signal passes through the switches or ANY of that circuity! Your signal is going through ONE RESISTOR in the True-Path (that's the optocoupler), or if you choose, it will go through a tone-full JFET unity gain buffer that is rich and sweet, and perhaps a custom wound Nickel-core Audio transformer (B channel only).

All that gadgetry in the True-Path is simply to light up those 4 optocoupler in a way that they don't POP when switching between amps...NONE of your guitar signal goes through that.

Originally just a graphical redesign for the V2 Ram's Head, the V3 Big Muff Pi gradually evolved into its own circuit. Later models were the first Big Muffs to include a tone bypass and a power jack.

This fine distortion device is high on sustain and low on distortion. It is designed for the guitarist who wants his axe to sing like a hummingbird with a sweet violin-like sustaining sound. The sustain control allows the player to optimize long sustain with a hint of harmonic distortion. Jimi Hendrix relied on the Big Muff for his smooth, mellow, supple electric-lady sound. Whole chords can be played with minimum distortion. Housed in rugged, brushed-steel chassis with a non-slip rubber matting. Comes with battery.

This finest sustaining device will make your guitar sing like a humming bird. It is designed for the professional lead guitar player who knows how to use his axe.

[1970] This fine distortion device is high on sustain and low on distortion. It is designed for the guitarist who wants his axe to sing like a hummingbird with a sweet violin-like sustaining sound. The sustain control allows the player to optimize long sustain with a hint of harmonic distortion. Jimi Hendrix relied on the Big Muff for his smooth, mellow, supple electric-lady sound. Whole chords can be played with minimum distortion. Housed in rugged, brushed-steel chassis with a non-slip rubber matting. Comes with battery.

[1971] This finest sustaining device will make your guitar sing like a humming bird. It is designed for the professional lead guitar player who knows how to use his axe.