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Average Price: $144
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Description
Dive into the sonic landscape with the JHS Alpine, a reverb pedal that brings a spectrum of ambience to your fingertips. From gentle whispers to grand, echoic chambers, the Alpine shapes your sound with precision and ease. Its onboard effects loop and innovative shift control stand out, offering you the flexibility to switch settings seamlessly during a performance. Whether you're crafting atmospheric layers or accentuating your melodies, the Alpine reverb pedal is an essential tool for exploring new dimensions in your music.
Key Features:
- Wide range of reverb sounds, from subtle nuances to expansive reverberations
- Onboard effects loop for greater versatility in signal chain placement
- Shift control allows for real-time adjustments between two reverb settings
- Ideal for both live performances and studio recordings
- User-friendly interface for easy sound sculpting
Product specs
| Brand | JHS |
| Model | Alpine Dual Reverb |
| Finish | Hand Painted, White |
| Year | 2016 |
| Made In | United States |
| Categories | Reverb Pedals |
| Pedal Format | Standard |
FAQs
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What type of reverb sounds can the JHS Alpine produce?
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The JHS Alpine is capable of producing a wide range of reverb sounds, from subtle ambient effects to expansive, lush reverbs. It includes controls for depth, length, and EQ, allowing for versatile sound shaping.
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Does the JHS Alpine have a built-in boost function?
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Yes, the JHS Alpine features a built-in boost function, which allows you to increase the signal level for solos or when you want your reverb to stand out in the mix.
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Can the JHS Alpine be used with other effects pedals?
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Absolutely, the JHS Alpine is designed to integrate seamlessly with other effects pedals, making it a versatile addition to any pedalboard setup.
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What power supply is required for the JHS Alpine reverb pedal?
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The JHS Alpine requires a standard 9V DC power supply, with a center-negative plug, which is typical for most guitar effects pedals.
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Is the JHS Alpine suitable for both live performance and studio recording?
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Yes, the JHS Alpine is well-suited for both live performance and studio recording, offering high-quality reverb tones that can enhance your sound in any setting.
Videos
Living Room GD
JHS Pedals Alpine (demo)
Reviews
PROS
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Natural spring/room tones offer organic sound enhancement
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User-friendly layout and built quality praised
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Silent operation with no signal noise
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Features a second footswitch for alternative settings
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Versatile, from slight openness to lush sounds easily achieved
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Easy to use without excessive tweaking
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Highly tweakable with controls for depth, length, and tone
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Innovative "Shift" knob allows for on-the-fly adjustments
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Includes an effects loop for additional sound customization
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Quality buffered bypass with "Trails" feature
CONS
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May not accurately replicate spring or ambient reverb for some users
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Can produce unwanted feedback loops at higher settings
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Described by some as having a brittle and mechanical tone
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about JHS Alpine.
Setup and maintenance
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A solder joint on the power input can go cold, causing significant volume loss and a popping sound on attack.
Source
Features and functionality
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The Alpine's FX insert allows for creative combinations, such as using a bit crusher for lo-fi trails or a POG for unique shimmer effects.
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The secondary footswitch on the Alpine controls the "Shift" knob, enabling quick transitions between short and long reverb settings.
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The Alpine cannot achieve a fully wet signal, making it ideal for subtle tone sweetening but limiting for immersive reverb needs.
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Use cases and applications
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The FX insert can be used for post-rock styles by adding modulation or delay, enhancing the ambient capabilities of the Alpine.
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Critic Reviews
4.5 out of 5
Based on 2 Reviews and 6 Ratings
225
Product Description
In a world full of reverb pedals we are proud to offer up a highly tweak-able, versatile, inspiring and cost effective solution for any situation your gig might throw at you. The heart of the Alpine's design is the idea that you can have a reverb pedal that is straight forward, easy to use, but also extremely powerful in its functions all while still very approachable without requiring a degree in computer engineering to dial in a great sound.
Switches & Knobs The Alpine features two footswitches. The left footswitch turns the pedal On/Off and the right footswitch is the "Shift" footswitch (which we will explain a bit later). The knob controls start with the "Reverb" control. The "Reverb" control is essentially a wet/dry mix knob that lets you set the perfect balance and feel to how saturated the effect feels. The "Highs" control functions like a high-pass filter. Highs roll off and let you darken or brighten the overall effect when its engaged. The "Highs" control plays a big part in the actual feel of the reverb, how it decays, and how it reacts in your overall rig. For example a setting that may feel over-the-top or a bit wild can be tamed into a very usable and more subtle texture simply by rolling back the "Highs" control. This also works in the opposite way as a simple room/slap sound can be brightened into a more dramatic sound. The "Depth" control adjusts the size or space of the reverb. Think of the "Depth" control as a knob that lets you change the depth of the canyon you are playing guitar in. The "Length" control adjusts the tails/decay time of the overall reverb. At low "Length" settings you feel like you're in a bathroom, at full tilt you feel like you're in a space cave that transcends human perception.
Shift Knob & Footswitch The "Shift" knob is possibly the most useful of them all as it basically allows two settings on the fly. When you engage the "shift' footswitch on the right you also engage the "Shift" knob that is a second "Reverb" control. This lets you set the standard "Reverb" control to one setting and the "Shift" to another for on the fly adjustment between two preset sounds.
Jacks You will find The Alpine has two top-mounted 1/4" Input/Output jacks like most pedals. On the left side we also include a TRS EFX Loop jack just like what is found in the JHS Panther Cub Analog Delay. The EFX Loop allows you to insert any pedal or effect unit you want within the reverb signal itself for infinitely tweak-able sounds.
EFX Loop Using a TRS Splitter Cable you can insert your favorite octave pedal to create a Shimmer effect. Insert a delay for huge ambient pads or even an EQ for fine control of the frequencies and shape of the reverb effect. On your splitter cable the RING goes to the output/return of the effect you are using in the loop and the TIP goes to the input/send of that same effect. Inside the Alpine you will find a small switch that says (EFX LOOP) and two positions labeled (SHIFT ONLY) and (ALWAYS ON). All units are shipped with this dip-switch in the (SHIFT ONLY) position. When the switch is on "Shift Only" the EFX Loop only engages when you engage the "Shift" footswitch setting. This allows you to have your normal reverb setting and then hit the "Shift Footswitch" to activate your "Shift" knob setting and your EFX Loop at the same time for two very different sounds on the fly. If you want the EFX Loop to apply in both the normal "Reverb" and "Shift" settings, simply flip the dip-swich to the (Always On) position and the EFX loop will always-be-on-all-the-time whenever the Alpine is turned on or the "Shift" is engaged.
Trails & Buffered Bypass The Alpine uses a high quality buffered bypass that restores lost signal in your rig by correcting impedance and driving the load of your signal to your amp. Using buffered bypass also allows for "Trails." Trails is the feature that lets the reverb signal to gradually trail off when (instead of cutting off abruptly) turning the pedal off.
After years of requests JHS Pedals finally caved, and by caved we mean you can now sound like you are now playing your guitar in a cave with JHS Pedals style. The Alpine is what we believe to be the complete package in reverb. It does the simple as well as the complex and is easy to use. If you want a realistic and believable Spring reverb or even washed out ambient layers, the Alpine does all of these tones and more.
Special thanks to Jim Coleman of Sky Pedals for giving us a great foundation to build on. The Cloud 9 lives on in the Alpine. Click HERE to watch a short video about how/why JHS Pedals acquired Sky Pedals and re-designed and improved the Cloud9 to bring you the Alpine Reverb.
This pedal requires standard 9V DC Negative power, consumes about 100mA, and measures 4.7"x3.7"x1.2"
Artist usage
Add artist
Matthew Followill utilizes the JHS Alpine reverb pedal, as evidenced by photographs of his pedalboards designed by XAct Tone Solutions.
Sold on Reverb.com.
From YTG: A sputtery to long delay/reverb. Used on our third record.
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use JHS Alpine, it is most commonly used with the following gear.
Similar
Add recommendation2 alternative and related items for JHS Alpine, curated by the Equipboard community.
$149.95 - $186.84
The compact successor, as stated by Josh Scott in this May 7, 2021 video at 8:19.
Technically, it’s a V2 of the Alpine. People don’t want to come to terms with that, some people say the Alpine sounds better. This is the exact same circuit. It’s just smaller with a different icon and name. Let me say that again. This [the Alpine] does not sound better than this [the Spring Tank]. This and this are the same thing. So this is a version two Alpine and what’s weird is the Alpine is technically a version two of the Cloud 9 that I bought from Jim who made this pedal back in the day. So in a way, the Spring Tank is a version three of a Cloud 9.
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