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The Superlux D112/C is a dynamic microphone specifically designed for harmonica players. It fits comfortably in your hand and is easy to hold with a harmonica while performing. A detented volume control is perfectly placed underneath the mic that is easy to access while playing. The tailored frequency response is ideal for reproducing that classic blues sound many harp players are looking for. The D112/C has a built in 20 foot cable and is designed with a high impedance ¼” phone output connector that easily connects to a guitar amplifier or other high impedance input. The Superlux D112/C can also be used plugged in to a low impedance equipment such as a mixer by using the Superlux CP-828 high Z / low Z converter; purchased separately.

Introducing the DirtBox, a distortion effect box for microphone level signals! By putting the DirtMic circuit into its own enclosure you can get analog distortion tones from any mic.

The DirtBox runs off 48v phantom power so no batteries or power supplies are needed. Simply plug the mic into the DirtBox, then plug the output into any mic preamp and turn the phantom power on. The levels are all perfectly matched by two internal transformers and the amount of distortion is controlled by the ‘pre-gain’ volume po. Turn the gain up to 10 to capture big, dirty flavors from any source or try lower gain for more subtle tones.

The DirtBox has been designed for the recording studio but there is potential to use it for live performance. Use a Cardioid or Hyper microphone and keep the gain levels low for the best results. Due to the nature of live distortion and feedback, you'll have a better chance of success if you have a smart sound person and you keep the stage volume low.

Using a balanced Y cable you can get separate clean and distorted splits which are in phase and can be mixed together to your taste. The Y cable also allows condensor mics to be used with the DirtBox. By turning on phantom power for both the clean and distorted preamp inputs, the DirtBox and the condenser mic will both be powered.

The DirtBox comes with a manual and is covered by a 2 year repair or replace guarantee.

Introducing the DirtMic-01, a new approach to overdriving and distorting sounds. It’s the ultimate character microphone, but instead of the usual lo-fi or vintage sound, we’ve created a monster by installing a distortion pedal circuit into the Superlux D112.

The DirtMic circuit has been designed to run off 48v phantom power and it's transformer balanced so it works by plugging the microphone straight into any mixer or interface via the XLR connector. No need for batteries, extra pedals, DI boxes or guitar amps.

The DirtMic-01 proudly distorts and contorts everything you point it at. The amount of gain is controlled by the ‘pre-gain’ volume pot on the mic itself. Turn the gain right up to capture big dirty flavors from any source or try lower settings for a more subtle sound.

This mic has been designed for the studio but there has been interest in using it for live performance too. Live distortion causes feedback so we can't guarantee that it will work but if you have a smart sound person, a quiet stage and you keep the gain low, then it might work.

The DirtMic-01 comes standard with a mic stand clip, a protective mic pouch, a manual and its covered by a 12 month repair or replace guarantee.

Easy to read with automatic muting.

Fender’s FTN-1 Tuner, is an affordable, yet powerful, pedal tuner ready for standalone or pedal board use. The FTN-1’s bright, easy-to-read display shows precise tuning status—with accuracy to +/- one cent—even on a bright stage or in daylight, and is compatible with guitar, bass, and other stringed instruments with an audio output.

The FTN-1 automatically mutes the output when engaged, for silent tuning. True bypass circuitry allows the signal to pass without affecting the natural tone of your instrument. The display can be calibrated from standard tuning to three half steps below, making it ideal for hard rock and metal applications. The small, compact size takes up minimal space on a pedal board and it even comes with a power supply.

The FTN-1 ships pedal board-ready with no rubber feet, but a user installable die cut non-slip self-adhesive rubber pad is included.

Easy to read with automatic muting.

Fender’s FTN-1 Tuner, is an affordable, yet powerful, pedal tuner ready for standalone or pedal board use. The FTN-1’s bright, easy-to-read display shows precise tuning status—with accuracy to +/- one cent—even on a bright stage or in daylight, and is compatible with guitar, bass, and other stringed instruments with an audio output.

The FTN-1 automatically mutes the output when engaged, for silent tuning. True bypass circuitry allows the signal to pass without affecting the natural tone of your instrument. The display can be calibrated from standard tuning to three half steps below, making it ideal for hard rock and metal applications. The small, compact size takes up minimal space on a pedal board and it even comes with a power supply.

The FTN-1 ships pedal board-ready with no rubber feet, but a user installable die cut non-slip self-adhesive rubber pad is included.

Aaron Gilbert Steele is an LA and Nashville-based drummer and percussionist who dabbles in many realms. From playing rootsy Americana with Peter Bradley Adams to bringing people to a different digital dimension with the cinematic sounds of Chrome Sparks, he never misses a beat and is not held down by a genre. He’s worked on hit records for Portugal. The Man, Hayley Willaims, Lennon Stella, as well as with Leon Bridges, Nick Murphy, and more.

Recorded in Steele’s home studio in Nashville as a part of the Splice Originals quarantine series, this pack recreates his sought-after signature indie-pop sound. These rhythms are fun, bouncy, and dynamic—sure to bring life to your next track.