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According to the official Sonata Arctica website, Pasi Kauppinen uses the Two Notes Torpedo Captor X.

According to the official Sonata Arctica website, Pasi Kauppinen uses the Two Notes Opus Amp Simulator and DynIR Engine Pedal.

According to the official Sonata Arctica website, Pasi Kauppinen uses the Mesa/Boogie Grid Slammer Overdrive.

According to the official Sonata Arctica website, Pasi Kauppinen uses the Mesa/Boogie Subway Series TT-800.

According to the official Sonata Arctica website, Pasi Kauppinen uses the Mesa Boogie Subway DI-Preamp.

According to the official Sonata Arctica website, Pasi Kauppinen uses the Warwick Alien 5.

According to the official Sonata Arctica website, Pasi Kauppinen uses the Warwick RockBass StarBass 5-string Hollowbody.

On his band's website, it is confirmed that Pasi Kauppinen uses the Warwick Streamer LX5 Bass Guitar.

According to his artist page on the official MESA/Boogie® website, guitarist Trevor Young uses the Mesa/Boogie Mini Rectifier 25W Twenty Five.

In the official music video for "Little That We're Livin' On," Cameran Nelson is seen using the Marshall JCM800 2203 amplifier, as evidenced in the video produced by Bling Johnson's LGF Digital and available on Cameran Nelson's YouTube channel.

A photo from Keith Urban's rig rundown confirms his use of the Dunlop Cry Baby DCR-2SR Rack wah.

https://www.premierguitar.com/artists/keith-urban-aspiring-outlaw

Keith’s Rig Rundown shows a Butler Tube Driver in his second drawer.

https://www.premierguitar.com/artists/keith-urban-aspiring-outlaw

Keith’s Rig Rundown shows a T-Rex Alberta in his second drawer.

Keith Urban uses two Boss GE-7 Graphic Equalizers during his live performances, as evidenced by an image on Equipboard.

Keith Urban uses the Wampler The Paisley Drive Signature Overdrive during live performances, as confirmed by the source image on Equipboard.

Keith Urban uses a purple 100-watt 1969 Marshall Super Bass head on the road, as reported by Thomas Scott McKenzie in Premier Guitar. Urban prefers amplifiers with extensive headroom that maintain warmth, and his setup includes routing the amps through two vintage Marshall 4x12 speaker cabinets with Electro-Voice speakers and two Alessandro open-backed 2x12s, allowing each head to drive six speakers, "as loud as I can get them without them breaking up."

One of Urban’s favorite acquisitions is the iconic black-and-white, leather-wrapped Fender that outlaw legend Waylon Jennings made famous. Added to his arsenal in late 2009, the 1950 Broadcaster is particularly special not simply because of its historical significance. There’s a very personal tie-in to Urban’s life and career.

“I grew up listening to Waylon and, ultimately, I probably have a career today because he had the courage to come to a town like Nashville and do it his way,” Urban says. “He wanted to use his own band, he wanted to choose the studio, he wanted to choose the songs, choose the producer—and that was not the way things were done. So many of us have that freedom today in Nashville, and we really have Waylon to thank for that. So that guitar represents so much to me about just following your path. Even if you come up against the system, you can stay true to yourself. When I plugged it in and played it, it was just amazing. It’s so full of mojo.”