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This PRS McCarty 594 Hollowbody II is owned by David Grissom. David Grissom has one of the deepest and most collaborative relationships in PRS history, going back to when the company was barely a year old, and this guitar is a direct product of that bond.

A 2021 McCarty 594 Hollowbody II (#21 0316623), custom built for David with a jaw-dropping Charcoal Cherry Burst finish, Brazilian rosewood board, and moon inlays, signed by Paul Reed Smith. At just 6lbs 3oz, this thing floats. The hollowbody resonates like crazy, giving it the natural warmth and openness that David has always gravitated toward in his tone. Both tone knobs are push/pull.

David Grissom owns a PRS JA-15, which is one of two custom-built guitars created for a Robert Plant gig. This 2011 PRS JA-15 Archtop (#11 181763) was built to Private Stock standards with a spruce top, flamed maple back, sides, and neck, and is signed by Paul Reed Smith. Weighing just 6lbs 1oz, it exemplifies PRS's craftsmanship beyond their usual offerings. This information is supported by a listing on Reverb, titled "PRS JA-15 Owned by David Grissom."

David Grissom is confirmed to own the PRS Private Stock Birds of a Feather (Guitar of the Month #16), as evidenced by a listing on Reverb. This custom-built guitar, signed by Paul Reed Smith, is noted for its intricate fretboard work featuring an ornate take on the classic PRS bird inlay motif, reflecting Private Stock artistry. Serial number 227226, it weighs 7 lbs 9 oz. This instrument is significant due to Grissom's longstanding influence on the design and sound of PRS guitars.

Jermaine can be seen playing a sparkly Corvette in a photo from his later years. It’s known that it’s a Corvette $$ by its dual humbucker pickups

At the 3:52:44 mark in the Gibson TV episode "The Collection: Director’s Cut, Part One," Charlie Starr showcases his 1963 Gibson J-180 Everly Brothers guitar, which was previously owned by Don Everly and then Graham Nash.

At 3:38 in this video about the making of the track Loser, Beck says:

So the only other instrument that Karl had, I saw immediately when I walked into his place, he had a sitar. And I've been fascinated by Indian music, obviously I grew up with Beatles records, had all the psychedelia. I had never seen one in person.

What I realized about Karl very quickly is he was a kinda spiritual guy. He did a lot of meditating, a lot of that kind of thing. And he was working with the Geto Boys, which was a really interesting combination.

So he started to play it, and he basically plays the same melody as the bass line.

At the 3:50:50 mark in the Gibson TV episode “The Collection: Director’s Cut, Part One,” Charlie Starr showcases his 1963 Gibson Country Western guitar, noting that he has added a pickup and uses it for live performances.

At 3:10 in this video, Beck says that Stephenson used an ASR-10 on the track Loser.

I don't think we had a bass, so he [Stephenson] got a bass sound on the ASR-10.

At 3:48:00 Charlie shows his 1941 Gibson L-00.

This Korg MS-20 mini was owned by Nathaniel Rateliff.

In the begging of this video Richard can be seen playing the warlock. Also numerous live videos of him playing it.

This Realistic by Moog Music Concertmate is owned by Nathaniel Rateliff

This ARP Odyssey Rev3 37-Slim Key Duophonic Analog Synthesizer is owned by Nathaniel Rateliff

According to the fan site Hoteimode.net, Tomoyasu Hotei has been using a Gretsch G6136DS White Falcon Electric Guitar, which he acquired in 2011.

According to a dedicated fan site, Hoteimode.net, Tomoyasu Hotei utilized the Gretsch 7595 White Falcon guitar during the recording of "GUITARHYTHM Ⅲ" and the "DESTINY ROSE" single. He also played it throughout the GUITARHYTHM WILD TOUR, GUITARHYTHM SERIOUS? TOUR, and the GUITARHYTHM SERIOUS！CLIMAX ARENA TOUR. The guitar is featured on the cover of "MONSTER DRIVE." Hotei has since sold this White Falcon and now uses a 6136DS.

Nathaniel Rateliff owned and used a Moog Grandmother synthesizer, which he purchased in 2017. This instrument was employed in the creation of his albums And It’s Still Alright and The Future. This information is verified by Reverb, where the Moog Grandmother was listed as previously owned by Rateliff.