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Average Price: $600
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$1501+
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Description
Unleash your creativity with the Moog (Realistic) Concertmate MG-1, a compact yet potent synthesizer that's become a cult favorite among musicians. Crafted by Moog for Radio Shack's Realistic line, this cost-effective, dual VCO synth is equipped with a genuine Moog 24dB/oct filter. Once considered a budget instrument, the MG-1 is now highly sought-after for its ability to produce that distinct, iconic Moog bassline. Experience the raw power and unique sound that has propelled this humble synth into the modern musical spotlight and captivated acts like SURVIVE.
Key Features:
- Genuine Moog 24dB/oct filter for manifesting the signature Moog bassline
- Equipped with two voltage-controlled oscillators (VCO)
- Originally part of Radio Shack's Realistic brand
- Compact design for easy portability
- Affordable without compromising the quality Moog is known for
- Highly collectible, with a growing popularity among modern musicians
Product specs
| Brand | Moog |
| Model | Realistic Concertmate MG-1 |
| Finish | Black |
| Year | 1981 |
| Made In | United States |
| Categories | Analog Synths, Keyboard Synths |
| Analog / Digital | Analog |
| Key Size | Full Size |
| Keyboard Action | Synth Action |
| Number of Keys | 32 Keys |
| Polyphony | 1 Voice |
FAQs
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Is the Moog Concertmate MG-1 a monophonic or polyphonic synthesizer?
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The Moog Concertmate MG-1 is a monophonic synthesizer, meaning it can play only one note at a time, which is ideal for bass lines and lead melodies.
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What type of keys does the Moog Concertmate MG-1 have?
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The Moog Concertmate MG-1 features 32 full-size keys with a synth action, providing a responsive and smooth playing experience.
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Does the Moog Concertmate MG-1 use analog or digital technology?
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The Moog Concertmate MG-1 is an analog synthesizer, offering warm, rich sounds characteristic of analog circuitry.
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What are the standout sound features of the Moog Concertmate MG-1?
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The Moog Concertmate MG-1 offers unique features like polyphonic organ sounds and a distinctive bell tone, alongside classic Moog bass and lead sounds.
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Can the Moog Concertmate MG-1 be used for live performances?
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Yes, the Moog Concertmate MG-1 is suitable for live performances, offering a range of classic analog sounds and a straightforward interface for on-the-fly adjustments.
Videos
Thalassa77
Moog Realistic Concertmate MG-1 [HQ]
Reviews
PROS
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Real Moog sound at lower prices
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Lightweight and compact, easy to integrate
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Quick to dial in good sounds, easy to learn
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Offers unique growl and grit not found in similar synths
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Tweakable with external effects for expansive soundscapes
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Features like polyphony and dual oscillators enhance versatility
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Modifiable for added flexibility and sound options
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Distinctive, undervalued Moog sound
CONS
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No pitch wheel, could limit expression for some users
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Susceptible to getting dirty due to fader design
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Slightly noisy output
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Build quality leaves room for improvement
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Tuning can drift, challenging to stay in tune
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Limited waveform options restrict sound variety
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Infamous foam deterioration can cause key sticking
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Moog (Realistic) Concertmate MG-1.
Mods and upgrades
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Owners frequently mod the MG-1 with MIDI and lower octave oscillators; accounts like "synthpro" and "severed_machines" offer guidance on various modifications.
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VCO2 can be modded to transpose an octave up or down, increasing the synth's versatility.
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Adding a Minimoog filter mod and variable pulse width modulation enhances the MG-1's tonal capabilities significantly.
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LED sliders are a visually appealing modification to replace damaged original sliders, offering both aesthetic and functional benefits.
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Some owners replace the stock RCA output with a 1/4 inch jack for improved connectivity and consider MIDI mods for expanded functionality.
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User experience
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Owners find the black foam residue a significant challenge, requiring persistence and creativity in restoration.
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Some users have found MG-1s at exceptionally low prices, such as $15 at a Goodwill, though restoration can cost a few hundred dollars.
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Despite its quirks, the MG-1 is appreciated as a "My First Synth," appealing to beginners and restoration enthusiasts alike.
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Comparisons
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The MG-1 shares design elements with the Moog Grandmother, with cases almost identical, and modding can add Grandmother-like patch points.
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The MG-1 is often considered overpriced on the secondary market, especially if it hasn't been serviced, contrasting with alternatives like the Moog Grandmother or free VSTs.
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Compared to the Moog Rogue, the MG-1 is preferred for its organ section but lacks the Rogue’s mod wheel; it's considered inferior in sound to models like the Prodigy or Multimoog.
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Features and functionality
Use cases and applications
Setup and maintenance
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It's crucial to clean out the deteriorated foam from the sliders, which often turns into a black glop; professional cleaning costs around $200.
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Value and pricing
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The MG-1 is seen as a budget-friendly option, especially for those interested in restoration projects, though not a top choice for long-term keeping.
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Critic Reviews
4.5 out of 5
Based on 7 Reviews and 19 Ratings
172
Deceptively powerful, Moog-powered, and very tempermental
For the basics, check out the Automatic Gainsay video series on the MG-1 (https://www.youtube.com/watch?v=qE7aQpA4XVA). It's very similar to, but superior to, the Rogue. Mostly monophonic, with two oscillators, a strange envelope, and a divide-down organ section for polyphonic play. It's harsh, the tuning drifts, and it can make disturbingly rude sounds. Really good stuff and still, imo, undervalued.
Mine is heavily modded by SwitchedOn in Austin. See the photo of the mods on my gear page. The mods allow me to drop it an octave, route either the LFO or ENV to VCO2, set the modulation amount of VCO2, route VCO2 to the VCF, set the pulse with of both oscillators, add PWM to VCO2, and set the modulation source to either the LFO or the ENV.
I don't have a MIDI mod, but the CV/Gate works great. In short, it's flexible, it's distinctive, and it didn't cost too much. It's a heck of an option for Moog sounds.
530
Awww I miss Radio Shack!
Thank you Bob Moog for selling out in your early stages. This little monster has some sweet spots that just scream "I AM A MOOG!!!!" I need to modify it with a midi upgrade, but for now it's chugging along using CV and is ding just fine. Still sounds great next to it's great great great grandson the Sub37.
268
Great synth with polyphony!
This really is a fantastic synth. It has 2 osc and 1 filter. It's pretty limited as far as waveforms go though, but it has polyphony! It came out in the 80s. I received it as a present from a beautiful girl at university called Helen. That was back in the early 90s. Today it has spent a bit of time in storage under the stairs where it turned out to be a bit damp, and it famously has this weird foam in the synth that dies and turns into goo after a while so 2 of the keys stick down. I should really open it up and see if I can clean it.
163
Radio Shack's Moog
Great little monosynth (After cleaning the infamous foam/tar under the control pannel), 2 Oscillators (1 detunable), 1 Enveloppe, Low Pass Filter, LFO (2 shapes), Noise, ''Bell Tone'' (Digital Ring mod) and.. POLYPHONIC section!! This feature makes it a 5 stars synth in my opinion, can be routed to the filter (And to the pitch with a mod).
Secret Waepon
This little one was relatively unknown to me but proofed to be true genius in the song writing process, so i included it in my live-setup.. ,)
Quirky
A little tough to tune with itself. Very different than the Rogue which is the same size.
41029
oh man, I had one of these before anyone knew what they were, sadly she had so many problems creep up and the PCBs are so difficult to work on I wound up selling her for parts to a enthusiast/restorer:-( these things sound really neat, you're lucky to have a working one.
Artist usage
Add artist
The Reaslistic Concertmate MG-1 can be seen to the left of Kevin Parker at 0:30 in the video.
in this video from Mac Demarco's instragram, he can be seen playing on a Moog Realistic Concertmate MG-1.
On the floor in the bottom left of this photo you can see a Moog Realistic Synth on the floor
It was said in this Pitchfork article that JPD mainly uses this synth on the first Damaged Bug record "Hubba Bubba" and probably on the later ones too.
In this photo from Ruban's studio, a Moog Realistic Concertmate synth can be seen on the ground.
Presented by Legowelt (with his own words and a picture, as well as audio demos) on his official website is the Realistic Concertmate MG-1: "Enter the Realistic Concertmate MG1, build by Moog for Radioshack in 1981. Designed as a cheap consumer synth (a “volkssynth” so to speak) to be sold at the Radioshack chain this is actually a pretty nice advanced little beast, surpassing a few of moogs own more ‘professional’ offerings at that time. This is like a supercharged Moog Rogue and Liberation with a very ‘cardboard’ feel – but adding a lot more features like a ringmodulator and a divide down polyphonic organ-esque synth section."
Used live (and possibly in the studio) during the Down There era. Visible around 3:20 and throughout.
In this photo taken from Aaron's Bandcamp page he can be seen with a Moog Mg1 https://aaronfreeman.bandcamp.com
Album Usage
The Moog (Realistic) Concertmate MG-1 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Moog (Realistic) Concertmate MG-1, it is most commonly used with the following gear.
Community setups
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