Latest Activity on Equipboard

Richard Kruspe is offering an Ampeg B2R for sale on his Reverb website. As the description indicates, the amp is from his private collection. And comes with a certificate of authenticity.

Beepbop uses the Behringer U-PHORIA UMC22 for most of his songs. This is confirmed by a live performance video titled "Beepbop live w/ drum and bass," available on YouTube, where the equipment is visibly utilized for a few seconds.

In this picture of Tobacco’s original live setup area (pre-2012) a Electro Harmonix Memory Man (EH-7850/EC-2000/EC-2002) can clearly be seen (as well as a portable DVD player, presumably for visuals).

A screengrab shows Beepbop holding a surf green Fender California Standard Monterey E Acoustic-electric Guitar during a recording session. The camera is positioned close to the guitar, filling most of the frame with its body and neck. The glossy seafoam/mint finish reflects the room’s light, making the instrument stand out against the darker background. Beepbop is partially visible on the left, wearing headphones and holding the guitar by the neck, as if presenting it to the camera. The fretboard and headstock extend across the right side of the image, clearly displaying the tuning pegs and dot inlays. The setting appears to be a simple home-recording environment, characterized by brown curtains and a light-colored wall in the background.

During a livestream titled "Beepbop live w/ drum and bass" on YouTube, Beepbop's drummer mentioned that they used the Asus Computers Vivobook S 16 OLED Laptop alongside OBS Live software to set up the stream. This information is supported by the drummer's direct participation in the event.

During live shows at The Drum Shack, Beepbop uses the Orange PPC112 guitar cabinet as part of the venue's house equipment, as confirmed by the YouTube video "Beepbop - Magnisium live" by Beepbop.

During live performances, Beepbop is confirmed to use the Boss DS-1 Distortion pedal, as evidenced in a YouTube video titled "Beepbop - Magnisium live" by the artist himself. This bright orange pedal is a staple in his minimal setup and is instrumental in achieving the raw, gritty tone characteristic of his style. By activating the DS-1, Beepbop transforms the sound of his Mustang-style guitars into a harsher, more distorted tone, giving his chords a sharp, fuzzy edge that effectively cuts through the band mix during louder sections and choruses. The quick switches between clean and distorted sounds, facilitated by the DS-1, contribute to the emotional contrasts that define his live performances, aligning seamlessly with the lo-fi, DIY energy of his shows.

A still from a now-deleted video shows Beepbop playing a dark blue/purple Fender Jazz Bass (Mexico) while performing "Back At Me." The image captures him in his bedroom, mid-riff, with warm light filtering through a window, enhancing the lo-fi, DIY musician aesthetic of the scene. This screenshot remains one of the few pieces of evidence from the deleted performance video.

Throughout this video a Suzuki Omnichord can be seen sitting next to Tom Fec, which version is still unknown because of the low quality of the video but it seems like it could be a OM-27 (Likely the same one featured on Tobacco's 'The Allegheny White Fish Tapes' album cover).

In a live performance video of the song "Magnisium"by Beepbop, Beepbop is seen playing a white Squier Sonic Mustang HH on stage. The video, titled "Beepbop - Magnisium live," is set in a small-venue with dim lighting, reflecting an underground atmosphere. As confirmed by the video, the guitar's bright white body is clearly visible under the stage lights as Beepbop performs with emotional intensity, seamlessly transitioning between hard strumming and softer picking. This visual evidence provides confirmation of Beepbop's use of the Squier Sonic Mustang HH. Beepbop doesnt own this instrumennt. its part of the drum shacks home instruments.

The video shows Beepbop performing live on stage with his band Enduring Malice, playing a bright blue Fender Player II Mustang Electric Guitar. The stage lighting is neon but moody, fitting the rough epunk / incelcore-style aesthetic he’s known for. He is said to use THIS exact guitar for every song since he got it in December. He loves that guitar.

In this Image an unknown amplifier (may be a Fender Blues Deluxe? or Blues Junior?) can be seen In front of the Rhodes Electric Piano.

In this image a Rhodes Electric Piano can be seen (below the SXSW banner). I’m unsure on which exact version it is but it does appear to me to be a Rhodes MK I (1975-1979) as there is no Fender logo.

In this image a frontal view of a Yamaha CS-30 can be seen on the table (across from The Seven Fields of Aphelion).

Paco Huidobro is confirmed to use a Gibson SG-3, as evidenced by a well-known photo of him with the guitar. Additionally, he is seen playing this instrument during a performance with Fobia (https://youtu.be/EARCbCFWCbc) . Image credits go to El Porvenir.

In the concert video "Sasha, Benny y Erik - Vivo / Veneno Vil (En Vivo Entre Amigos) ft. Fobia," Paco Huidobro is seen using a Fender American Standard Stratocaster HSS.

At the 0:06 mark in the video titled "Iceage perform 'The Lord's Favorite' - Pitchfork Music Festival 2015," Johan Suurballe Wieth can be seen playing a Gretsch G5422TDC Electromatic, identifiable by its wide headstock and block inlays. This video was published by Pitchfork on YouTube.

Sits under a Blackface Dual Showman, Used during “The Rolling Stones Rock and Roll Circus”.