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Average Price: $64
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$80
$181+
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Based on price data from 5 merchants for "Boss DS-1 Distortion". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
For over three decades, the Boss DS-1 Distortion pedal has been the backbone of countless classic rock and grunge records. With its unmistakable bold, crunchy tone, and robust, tour-ready design, it's the ideal companion for guitarists of all stripes.
This pedal offers a plethora of distorted rock sounds, from subtle to aggressive, all accessible through its three intuitive control knobs - Level, Tone, and Distortion. The level and distortion knobs give you full command over the gain and saturation, while the tone knob lets you shape the overall EQ, allowing you to tweak from a bass-heavy growl to a bright, articulate distortion.
Bold as it is, the DS-1 is far from a one-trick pony. Its versatility has made it a mainstay on pedalboards across the globe, being equally adept in delivering a range of tones, from the searing leads of Steve Vai to the grunge-infused chug of Kurt Cobain's "Nevermind" era.
Constructed with a sturdy metal chassis and a hard-wearing footswitch, this pedal is built to withstand the rigors of the road. Its analog circuitry, largely unchanged since 1978, is a testament to the timeless and enduring design Boss pedals are known for.
Key Features:
- Classic, versatile distortion pedal
- Three intuitive control knobs: Level, Tone, and Distortion
- Delivers a range of distorted rock sounds
- Sturdy metal chassis and hard-wearing footswitch
- Reliable analog circuitry, largely unchanged since 1978
- Ideal for all styles of rock music
- Can be powered by a 9V battery or an AC adapter
Owner's manual
Boss DS-1 Distortion User ManualProduct specs
| Pedal Type | Distortion |
| Analog/Digital | Analog |
| Inputs | 1 x 1/4" |
| Outputs | 1 x 1/4" |
| Bypass Switching | Buffered |
| EQ | Tone Control |
| Power Source | 9V DC power supply (sold separately) |
| Batteries | 1 x 9V |
| Power Usage | 10mA |
| Height | 2.37" |
| Width | 2.87" |
| Depth | 5.12" |
| Weight | 1 lbs. |
FAQs
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What kind of distortion sound does the Boss DS-1 Distortion Pedal produce?
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The Boss DS-1 Distortion Pedal delivers a tight, hard-edged distortion with rich harmonics, ideal for rock and metal genres. It maintains the unique characteristics of different guitars and playing techniques.
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Is the Boss DS-1 suitable for both rhythm and lead guitar playing?
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Yes, the Boss DS-1 is versatile enough to handle both rhythm and lead guitar parts, offering clarity and sustain for solos while providing a powerful edge for rhythm sections.
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Can the Boss DS-1 Distortion Pedal be powered with a battery?
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Yes, the Boss DS-1 can be powered using a 9V battery, making it convenient for portable use. It can also be powered with a 9V DC power supply for extended use.
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Does the Boss DS-1 Distortion Pedal work well with a buffered bypass?
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The Boss DS-1 features buffered bypass switching, which helps maintain signal integrity and tone across long cable runs and complex pedalboards.
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How does the tone control on the Boss DS-1 Distortion Pedal affect sound?
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The tone control on the Boss DS-1 allows you to shape the high-frequency content of your distortion, providing a range from warm, rounded tones to sharp, cutting edges.
Equipboard's Expert Review
Equipboard tested this
The Classic Distortion
The Boss DS-1 Distortion is a pedal that's been around for decades, and for good reason. In our tests, we found it to be a reliable workhorse that can deliver a wide range of tones. The build quality is impressive; it's built like a tank and can withstand heavy use on stage or in the studio.
We appreciated the simple, straightforward controls that make it easy to dial in your desired sound. The pedal is versatile enough to cover genres from rock to punk and even some metal. For us, its versatility came through when it shined when paired with a variety of amps, giving them a much-needed boost in character.
However, the DS-1 isn't without its quirks. We noticed that at higher tone settings, it can produce a fair amount of buzz and noise. The overall sound tends to lean towards the brighter side, which some players might find tinny or thin.
Value-wise, it's hard to beat the DS-1. It's affordable and widely available, making it a great option for beginners.
The Boss DS-1 is best suited for guitarists looking for a reliable, no-frills distortion pedal that can cover a lot of ground. It's particularly good for those playing rock or punk. However, metal players or those seeking a more modern, high-gain sound might want to look elsewhere or consider stacking it with other pedals.
Videos
BOSSchannel
BOSS DS-1 Distortion [BOSS Sound Check]
Reviews
PROS
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Wide range of distortion tones from mellow to harsh
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Versatile for genres like punk, grunge, and classic rock
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Tone control significantly alters sound
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Great value for money
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Durable and well-built
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Simple and easy to use controls
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Works well with both tube and solid-state amps
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Can be modified for customized sounds
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Compact and pedalboard-friendly
CONS
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High tone settings can produce unwanted buzz
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Lacks bass on certain settings
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Some find it too bright or tinny at higher settings
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May not be suitable for metal genres without modifications
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Can sound harsh with certain guitar and amp combinations
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Boss DS-1 Distortion.
Use cases and applications
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The pedal excels when used to enhance an already slightly-distorted sound, particularly in 70s-90s rock and 80s metal genres.
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The DS-1 is praised for cutting through a mix with single coils, providing a harmonically rich, aggressive distortion that helps the guitar stand out.
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The DS-1 is noted for fattening up a Strat's sound, adding thickness and richness often associated with Gibson guitars, especially when the tone knob is nearly off.
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Despite its mixed reputation, the DS-1 is favored by some for its "trashy and grungy" sound when playing big power chords, especially with the tone knob rolled off.
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The DS-1 can produce a grimy, distorted bass sound when used with a dry signal blend, particularly effective for heavier genres of metal.
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User experience
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Some owners report that the DS-1 can sound thin and shrill when used with a clean amp, but it pairs well with amps that are starting to break up.
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A Fender Rumble 40 amp may require EQ adjustments to compensate for the DS-1's low-end cut when used with bass.
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Users report that the DS-1 can work effectively when used to push into a Tube Screamer, particularly for cutting through a mix, with the DS-1 placed before the screamer.
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Comparisons
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The ProCo Rat and Tube Screamer are frequently recommended as alternative pedals for those seeking more versatile or specific distortion tones.
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The Boss ODB-3 Bass Overdrive is suggested as a better alternative for bass, providing distortion without sacrificing low-end frequencies, making it suitable for heavier music styles.
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Value and pricing
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The DS-1 retains its resale value well, with many users noting they can sell a used unit for nearly the purchase price.
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Mods and upgrades
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Saturnworks' loop switcher with dry blend is recommended for maintaining the bass presence alongside the DS-1's distortion.
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Utilizing a Boss LS-2 Line Selector allows bass players to blend the DS-1 with clean tones, mitigating low-end loss and enhancing the overall sound.
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Owners suggest a modded version of the DS-1, such as those by AnalogMan or Keeley, can significantly enhance its sound quality, making it a worthwhile investment.
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Some users recommend the MXR Custom Badass '78 Distortion as a more natural-sounding alternative to the DS-1, offering improved clarity while maintaining tonal fatness.
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Owners mention that clipping out a couple of diodes can transform the DS-1 into an excellent overdrive pedal with strong boosting capabilities.
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Features and functionality
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The DS-1 is noted for its limited control options with just volume, gain, and tone knobs, making fine-tuning challenging but offering simplicity for beginners.
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Implementing an AB-Y pedal setup can maintain clean low-end tones while adding the DS-1's distorted tones, though this requires two separate amps.
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Critic Reviews
4.0 out of 5
Based on 230 Reviews and 1150 Ratings
127
It's a DS-1
My first pedal. Probably most people's as well. It does the DS-1 thing. If you want mindless distortion and bleeding ears, it will do that.
989
Don’t Listen to the Haters
Like many other beginner guitarists, I needed a distortion pedal to rock out with my new, electric guitar and amp. Otherwise, I’d be stuck playing Ventures with only a clean sound! Not knowing anything about signal chains, this was the first-ever pedal I picked up, and when I got home, I immediately plugged my 9-volt adapter into the wall, hooked up this pedal, and thrashed away with this raw tone!
Nowadays, I don’t use it as much anymore, due to the fact that I’ve found some better distortion/fuzz boxes to mess around with (ProCo Rat 2, Behringer Super Fuzz, Op-Amp Big Muff, etc.).
A major complaint people have with this is that this works more in line with other Boss products like the Super Overdrive SD-1 and Blues Driver BD-2, unlike most distortion pedals. But, because of that overdriven quality, I believe it offers more versatility and almost works like an OVER-overdrive.
Being one of the cheapest Boss pedals in the market, you can instantly achieve guitar tones like Kurt Cobain, John Frusciante, and even Prince! In fact, my used DS-1 was manufactured on September 2004, around the time Green Day released their album, American Idiot, which happens to use the same exact pedal!
Even though this pedal receives some backlash from pedalheads, this served as the stepping stone for me to dive into the world of guitar effects!
Preferred Settings + Usage:
As always, the “Level" knob should be dialed in the same volume your clean or slight overdrive’s at.
Depending on your amp’s settings, you may have to play around with the “Tone” knob so it is not too treble-y sounding, but for me, I set it around 11 to 12 o’clock.
If you're into playing with thick overdrive, I would suggest leaving the “Dist” knob around 12 o'clock or to the left a bit more. But for that iconic, grungy sound, CRANK THAT SUCKER TO THE MAX!!
170
A Legend for a Ridiculously Low Price!
When someone says "distortion," the sound of the DS-1 is immediately what comes to my mind! It's the classic transistor-style distortion from the 80s. It's been used by countless artists, from Kurt Cobain and Gary Moore to the Red Hot Chili Peppers 🌶 and many other modern players.
It's suitable for almost any genre, from blues to hard rock, and you can even make it work for some metal. It offers a wide palette of sounds: with low Gain, you get a light bluesy crunch; at medium settings, a dense grunge-style distortion à la Nirvana; and at maximum, a fuzzy, wild, and chaotic sound that can be really interesting for experimental genres.
Preferred Settings + Usage:
I play with a clean or slightly overdriven tone about 80% of the time, but this pedal is a must-have. It should be in every guitarist's arsenal. For me, it perfectly covers that remaining 20% when I need a heavier sound.
209
Amazing
Truly the pedal of all time. My first guitar pedal, and I can apply this pedal to any genre that uses distortion.
106
Learn how to use the controls on your guitar to compensate (1.5 stars).
Brittle and thin dense distortions, has some good settings, not enough to justify it. Just get something like an OD from boss, a Klon, or tubescreamer, you'd get more out of them.
Recommendation: (1) Stack gain stages (play it with other distortion or overdrive pedals), or into a dirty amp.
Good points: (1) Matching the level of your amp, in a low setting of tone, with next to zero distortion pushes your amp just enough to really give a good sound whether the sound is in the breakup, crunchy or distorted on your amp. (2) Built like a tank.
Bad points: (1) 75% of the tone knob is unusable. (2) To get some flexibility you have to use your tone and volume knobs on your guitar.
287
A classic, though very sensitive to what amp you use.
This is a pedal that needs no introduction and one that enjoys the same level of recognition that the Tube Screamer has. If you look hard enough you might find it in your dad’s closet.
It sounds great at any distortion levels, which is by far the most usable knob that you’ll find in this pedal together with the level control, because the tone is a hard beast to tame and one of the reasons why this pedal is often so unfairly rated. At higher levels, the tone can sound extremely thin and shrill so the actual range of it is much smaller than you might think making this a far less versatile pedal compared to something like a Proco RAT. This is also dependent on your amp, because in my solid state amp (Boss Katana MKII) the tone control was usable up to 2-3 o’clock, while in the vibrato channel of my Fender DRRI it wasn’t as soon as you got past 11 o’clock.
Now that the DS-1 Waza craft is out, I see no reason to get this over it except if price is a concern to you, in which case you might want to consider a RAT 2 unless you absolutely want the sound of a DS-1. Overall a great pedal, and a classic for good reason.
Preferred Settings + Usage:
Drive set below 2 o’clock and tone below 11 o’clock.
121
Decent effect
What to say? It is an iconic effect, used by many artits in many songs. There are better distortion pedals, but this one does it well and has a good build quality, feels sturdy to use on stage.
277
A Bit Overrated Pedal
I know this might be a controversial opinion, but I think the Boss DS-1 is a bit overrated. Don’t get me wrong — it’s a very good pedal, used by countless legendary guitarists, and it definitely has its place in music history. However, it just didn’t work as well for me as I had hoped. Maybe my expectations were too high, but the sound simply didn’t click with me. That said, I really like it when used with low gain, where it delivers a more pleasant and versatile tone. It’s still a great pedal, especially for those who enjoy that classic distortion sound.
488
Much maligned and underrated in equal measure
So this is the second DS-1 I've had in my life. First one was when I had my keytar, and had the bright idea of futzing around with guitar pedals with a synthesizer. ...Turns out that 17 to 18 year old me didn't exactly have the best ideas. So I got rid of it.
Flash forward to today - I have been looking for a distortion sound that plays nicely with my chosen overdrive, the Boss SD1. My bassist buddy (and long time collaborator) had one of these things lying around in his office.
So, after "permanently borrowing" it from him, I slotted it into my pedal chain and was amazed that after a fair bit of fettling with the settings, I can get an amazing distorted tone very close to the guitar tone I had in my head when I first thought about becoming a guitar player myself.
As always, it's a Boss stompbox. These things can survive any and all abuse thrown at it.
The only thing that is keeping this thing from the five star rating is the finicky nature of getting it dialed in.
But in the up side, when paired with my Orange Tiny Terror, and giving voice to my SG, it sounds pretty damn good!
Preferred Settings + Usage:
Tone: 9 o'clock
Level: noon
Distortion: 3 o'clock
Artist usage
Add artist
This screenshot from the Julien's Auctions website (slightly altered to make it fit better) shows the auction for Kurt Cobain's Boss DS-1 Distortion pedal. Jeff Toste was the recipient of the pedal after Cobain threw it into the crowd. A letter from Toste accompanying the pedal tells the story:
The third show of Nirvana's iconic Nevermind tour was at Club Babyhead in Providence, RI. It was September 25th, 1991 and The Melvins opened. I was at that show.
During the show Kurt Cobain had technical problems, and at one point he was getting no sound from his gear. He must have thought his distortion pedal (Boss DS-1) had something to do with it. He smashed the pedal on the stage and threw it into the crowd. It landed between the feet of the guy in front of me. I pulled it out from between his feet.
The left hinge on the pedal is broken, but otherwise works. The pedal still has the original duct tape used to secure it to the stage. I've had it ever since.
The winning bid of this particular auction was $8,960 USD. The original source of the auction is here.
According to this rig diagram, John Frusciante uses a Boss DS-1 Distortion pedal.
This pedal was seen in the documentary Heart Like A Hand Grenade at 18:30
In the '360 sessions' video by Constantin Mogoş, a Boss DS-1 Distortion pedal is visible on the shelf behind Calvin Harris, suggesting its use alongside his 'Wine Red' Gibson Les Paul Studio.
In a photograph from Johnny Marr's official book, his Boss DS-1 Distortion pedal is visible among his collection of The Smiths' pedals. Although the original pedalboard, a BCB-6, has since broken, the pedals remain the same.
Steve's setup: "The guitar in line goes into the Wah Wah on the board - either the Dunlop automatic one or the Bad Horsie (he switches between the two). From there it goes to the two distortion boxes, the DS-1 and the Keely modded TS-10, then the EvH flanger and from there it goes back into the front of the amp. "
In an article by Scott Kahn on MusicPlayers.com, a photo of John Petrucci's pedal drawer reveals his use of the Boss DS-1 Distortion pedal.
According to The Gear Page discussion titled "Famous songs that used a Boss DS-1," Billy Corgan did not use the Boss DS-1 Distortion pedal.
According to 1996 rig diagram from Guitar Geek, Smith used the Boss DS-1 distortion pedal.
The DS-1 was a staple of Satriani's lead tone until the development of his signature distortion pedal, the Vox Satchurator. It is clearly visible on his pedalboard at 7:47.
In this video, Gary featured a selection of Boss guitar effects pedals he uses including the DS-1, CE-2, DM-2, OC-2 as well as the BF-2 Flanger.
Album Usage
The Boss DS-1 Distortion has been featured on the following albums:
Kaitlyn
Eric Dangerfield (2024)
Gone to Stay
John Norum (2022)
Fugazi (2021 Stereo Remix)
Marillion (2021)
the first glass beach album
glass beach (2019)
Artificial Selection
Dance Gavin Dance (2018)
Strange
Miles Large (2017)
Leprosy (Deluxe Reissue)
Death & Death (Metal Band) (2014)
Radiation 2013
Marillion (2013)
Jacaranda
Trevor Rabin (2013)
Future This
The Big Pink (2012)
Zug Island
Kyle Hall (2012)
Play Yard Blues
John Norum (2010)
Business Casual
Chromeo (2010)
Carnal Leftovers
Nihilist (2005)
Letters To The President
Hawk Nelson (2004)
Live In Chicago
Ween (2004)
Horrified
Repulsion (2003)
From The Muddy Banks Of The Wishkah (Live)
Nirvana (1996)
Ham Fisted
Local H (1995)
Wolverine Blues
Entombed (1993)
Incesticide
Nirvana (1992)
Pure Guava
Ween (1992)
Bivouac
Jawbreaker (1992)
The Pod
Ween (1991)
Spiderland
Slint (1991)
Clandestine
Entombed (1991)
Nevermind
Nirvana (1991)
Left Hand Path
Entombed (1990)
Bleach
Nirvana (1989)
Scream Bloody Gore
Death & Death (Metal Band) (1987)
Stop Making Sense (Live)
Talking Heads (1984)
Wings Of Tomorrow
Europe (1984)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Boss DS-1 Distortion, it is most commonly used with the following gear.
Community setups
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Based on the DS-1, as noted by JHS Pedals: https://thejhsshow.com/articles/do-these-50-caline-pedals-sound-good
Next up is a distortion pedal, which is clearly a tribute to a very famous late-seventies distortion pedal: The BOSS DS-1 Distortion. It's a simple black design with three knobs: tone, level and dist. Full disclosure: when you dime the tone control, it basically kills you. Like, your skin literally falls off and you can't breathe. But if you turn it up, it stays smooth. It's not harsh or brittle. Just do that, and you’ll be fine.
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