gary_wei

I don't use it for any actual playing, hahah; I just use it as a traveling amp or when I'm buying secondhand guitars to make sure they work.

It was pretty awesome and usable, I just don't like modelling and multi-effects processors too much, hahah.

Labeled incorrectly here; it's actually the CFX. I keep this one at work, but it gets the job of a little 15 watt-er done. Not great by any means, but not horrible for what it is.

It wasn't TOO bad, but definitely wasn't good. Distorted channels were just plain unusable.

Nope. Nope nopeeeeee. It was pretty bad.

It was a pretty nice little amp and I do regret selling it, just a little bit, hahah.

It gets the job done well enough to be usable, but nothing praise-worthy,

I had it a while ago but was very disappointed with how lackluster it sounded in my setup.

I had a JH1D wah pedal, and it was decent, just not versatile enough for me. I found the sweep range too fickle and treble-y and sharp.

It's a super fun pedal to have around and to play with, but the effects definitely aren't the greatest and will clip when you go into high input volumes.

I've got a pair of BX8As for my studio and they're just awesome! Have incredible bass response and overall frequency range, not to mention the low-self noise and the lack of fatigue when listening to them for long periods of time.

My AT4040 is my go-to condenser; it's got great range and dynamic response, and picks up the subtleties in my recordings and playing super well!

The B1 was my first condenser mic and was pretty neat. Sounded nice, with great clarity, but the high end was just a tiny bit shriller than I'd have wanted.

They're decent. I have two and they sound pretty identical to SM58s, with only minor tonal differences. The real difference is the build quality; real SM58s are noticeably sturdier and less delicate.

Got a couple of these and they're pretty standard to any studio.

The HT20C does classic crunch tones insanely well! I love it. The only thing it's lacking would be the tight gain in the distorted channel; when you really amp up the gain, the distortion gets loose and a bit floppy.

I had a La Cabronita in black and it was my classiest guitar! The gretsch-style pickups really help the guitar handle driven tones well, better than most Fenders do, making it a super flexible guitar. You could get almost any tone you'd want out of one of these!

Not bad at all, has great response and dynamics and plays really nicely. I especially love the satin finish on the neck. Only thing that could be improved is the bracing on the inside so it would project a bit more.

It's super versatile, with all the delay modes it's got. On top of that, it's even got a loop function! The Hold function, which is basically a loop, is super useful and I find myself using it more than I use my actual looper, hahah.

Well, I started with this as an acoustic and thought it was awesome, but what I really love are Taylor's acoustics. DR100's aren't too bad though.