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Average Price: $140
Standard/Professional
$100
$251+
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Price History
Based on price data from 2 merchants for "Boss DD-7 Digital Delay". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Unveiling the latest marvel in the digital delay realm, the Boss DD-7 Digital Delay stands as an epitome of innovation and versatility. The DD-7 brings to the table an extended delay time, a looping function, and a modulated mode. Not stopping there, it also features an emulation of the acclaimed Boss DM-2. Equipped with stereo outputs and an external expression pedal jack, the DD-7 encapsulates an entire mothership-level delay experience in a compact, dependable Boss casing.
Key Features:
- Extended delay time
- Looping ability
- Modulated mode
- Simulation of classic Boss DM-2
- Stereo outputs
- External expression pedal jack
Product specs
| Brand | Boss |
| Model | DD-7 Digital Delay |
| Finish | White |
| Year | 2008 - 2025 |
| Made In | Taiwan |
| Categories | Delay Pedals |
FAQs
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What is the maximum delay time on the Boss DD-7 Digital Delay?
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The Boss DD-7 offers up to 6.4 seconds of delay time, which is significantly more than previous models. It also features a Hold mode that allows up to 40 seconds of input for looping.
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Can the Boss DD-7 Digital Delay be used with an expression pedal?
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Yes, the Boss DD-7 is compatible with an expression pedal, allowing you to control parameters such as delay time and feedback in real-time for more dynamic performances.
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Does the Boss DD-7 Digital Delay have stereo outputs?
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The Boss DD-7 features stereo outputs, enabling you to create wide, immersive delay effects by sending the signal to two separate amplifiers or channels.
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How does the Boss DD-7 Digital Delay compare to the DD-3 model?
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The Boss DD-7 offers extended delay time, additional modes such as Modulation Delay and Analog Delay, and stereo outputs, making it a more versatile option compared to the DD-3.
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Is the Boss DD-7 Digital Delay suitable for use with bass guitar?
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Yes, the Boss DD-7 can be effectively used with bass guitar, providing clean and precise delay effects without losing low-frequency clarity.
Videos
ProGuitarShopDemos
Boss DD-7 Digital Delay
Reviews
PROS
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Richness and clarity in tone enhances guitar sound
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Intuitive controls offer tonal variety
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Durable and reliable build quality
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Versatile delay options from short to long
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Unique features like "hold" for sampling and reverse delay
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Excellent stereo sound output
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Tap tempo function for precise control
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Analog mode emulates classic Boss DM-2 warmth
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Built-in 40-second looper for creativity
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Compatible with external tap tempo controllers
CONS
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Tap tempo can be confusing and less user-friendly
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Analog mode lacks convincing warble of true analog delays
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Some find the reverse setting and modulation underwhelming
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Lacks external tap tempo without additional equipment
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Short memory for longer loops in looper mode
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Some may find it lacks character compared to other brands
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No modulation rate/depth adjustment for analog tone
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Looper function lacks undo feature and doesn't save loops after power cycle
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Boss DD-7 Digital Delay.
Features and functionality
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The DD-7 allows for easy tap tempo subdivision changes with the time knob, a feature missing in the DD-8, which uses a more complex system for global changes.
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The DD-7's long delay mode maintains clarity without muddiness, even at extended settings, which is often compared favorably against cheaper digital delay pedals.
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Using an expression pedal can control multiple settings like Effect Level, Feedback, and Delay Time simultaneously, offering significant flexibility during live performances.
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The DD-7's 'Hold' function allows recording a loop with up to two layers and 60 seconds of playback, enhancing solo practice and improvisation.
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The DD-7 can achieve 6400 ms of delay time by using a specific input/output configuration, doubling the advertised 3200 ms limit.
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User experience
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Owners appreciate the DD-7's clean delay sound, which serves as a versatile palette for various applications and works well in live environments.
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Owners who prefer fuzz pedals find the DD-7 complements fuzz effects, enhancing sustain and creating a massive sound when set to quick repeats.
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Some owners report issues with the time knob, which can inadvertently change delay settings due to dust accumulation, requiring maintenance for optimal performance.
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Build quality
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A potential issue noted by some users is the mode selector knob, which can malfunction over time, leading to reliability concerns.
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The DD-7 is noted for its durability, typical of Boss pedals, making it a reliable choice compared to cheaper models that may have components fail over time.
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Comparisons
Value and pricing
Use cases and applications
Critic Reviews
4.5 out of 5
Based on 57 Reviews and 530 Ratings
2369
Very fun to play with
i am a noise artist, the hold feature on this pedal lets me plan out what i want to do next while still creating noise and it’s fun. i definitely recommend this pedal to anyone wanting digital delay pedals of any kind.
874
Very cool delay!
After messing with this delay pretty much constantly for about 2 weeks, It's safe to say I love this pedal. There's a HUGE amount of variation you can get with the regular delay settings, with both the 'D. Time' knob and the knob allowing you to select a certain millisecond time to base your delay off. These features combined allows you to really get the delay your after. The reverse mode is excellent for experimenting and creating ambient type swells, yet creating unique effects. The analogue mode is probably my favourite, as it encapsulates the classic, sought after, Boss DM-2. I'm a huge fan of that pedal, yet as discontinued, tends to fetch huge prices on websites such as eBay and Reverb. The DD-7 also has a modulate effect, adding a light chorus to the delay. The 'Hold' feature puts a 40 second looper into the mix! I wasn't even aware of this when I bought the pedal, so it was a pleasant surprise. I use it as a song/riff writing tool mainly. It works great.
Overall, I love this pedal, and use it a lot! It does everything I'd want a delay pedal to do, for my needs, and does it well. I'd recommend this to anyone wanting a good solid, delay.
3982
Workmanlike but dependable
This is the most recent BOSS stompbox digital delay, introduced in about 2009 or so. I think BOSS are due an update at some point in the near future, as it will be ten years in the catalogue next year. I expect they'll take some newer features from their flagship DD-500 and shrink them down next time.
Yes...there's not all that much to say about this one. It does what it does well enough. I think my favourite setting is the modulated delay; I'm not all that keen on the reverse setting on this pedal. It will do totally clean digital delays with long report times with ease. The 'analogue' mode is supposed to simulate the warmth of the analogue BOSS DM-2, but it doesn't, really; the 'analogue' repeats just sound like they've been treated with a simple low-pass filter, and they don't 'warble' enough to convince as analogue-style repeats.
It's good enough, but it's just a bit...boring? Sterile? The DD-3 actually sounds more 'musical', in a way. Maybe I've been spoiled with other, more exciting offerings from TC Electronics, EHX and Earthquaker Devices, but it would be nice to see BOSS being a little more adventurous with their stompbox delays in future.
The tap tempo function is admittedly very useful in a band context though!
1871
It's here!
I would always see this pedal on other players boards. Since I worked several years producing live concerts and recording guitars in studio, the DD-7 was an always present figure. I never had one, though. Do not get me wrong. I have a Brazilian handmade Darta effects delay (which I think you should check it out if you like delays) and it served me well for 5 years playing metal. Now, I'm playing some post-rock/new-rock-wave (whatever you wanna called it, to me it's still ROCK) and I was looking to add a new delay, so 2 different setups on the board would give me more freedom to play. I got a second hand DD-7 and it is the DELAY LORD as I could remember from my "roadie/studio guy" days. Reverse delay, Hold function, and Modulation+delay are the features that helps the DD-7 stand out and be the greatest friend on your board. I even tried some tunes from U2 to Periphery, they all worked great.
476
It's so good I have it twice on my board.
If DD-3 is a fantastic delay, DD-7 is quadruplesuperdupermegahyperultrastic and much more. Built to last, easy to use with some fantastic modes to choose. Tap tempo function with subdivisions works great, especially if you have two delays like I do.
117
Excellent
What more can be said about this classic digital delay. The DD-7 has various repetition options; with short repetitions of 50 ms to long repetitions of up to 3200 ms you can do many things. It also has 4 other modes, including an emulation of the classic Boss DM-2, a delay with modulation, a reverse delay, and an option to create loops.
This review has been translated automatically into English. See original984
My first delay pedal
This was my first effects pedal back in 2010, it was super inspiring at the time. I mostly used the analog voicing as I really dislike pristine digital repeats, although it really just sounds like digital delay with a heavy low pass filter, it doesn't have any modulation or Bucket Brigade like noise, but the the time knob responds in a BBD fashion and I was happy with the sound and controllable repeats.
The input A and B have different delay times, and you can use the stereo in's and out's in a lot of different configurations, the expression control/tap tempo is also a great feature.
The hold feature was a major selling point for me, i've composed lots of stuff with the dd7's looper, but sometimes I found the 50 second memory a bit short for longer loops i was doing. Still, its great to have it in this pedal.
Oh, and you can also use it as chorus pedal, wich is awesome! Just turn it full wet and bam, full on chorus sound!
Reasons why I don't give it 5 stars: - I would like to tweak modulation rate/depth or analog tone, not possible. - No undo function on the Looper. - It doesn't recall your loops once you power cycle or switch delay mode.
Although it feels very high quality and super robust it lacks in features compared to something like the EHX Canyon, but some people prefer it this way, and Boss is well known for it's reliability.
150
Powerful and sturdy delay w/reasonable price
This is some workhorse, man. Great for tapping (I am not a fan of built-in tap function so I use external controller - some cheapo Soundking sustain pedal), everything you'd expect from a digital delay plus nice analog emulation and modulated chorusy delay. Found no use for reverse setting though - can't get it to sound right.
This one replaced Way Huge Aquapuss on my board and though I still regret selling it, analogue mode on DD-7 works quite fine in live setting (and no clock noise if you're up to having some fun with repeats knob).
I know that in 2021 there are many more versatile, fun and cool sounding delay pedals out there, but it is still unbeatable for the price imo.
166
The most versatile and compact of the digital delays!
This was my first 'Real' guitar effects pedal that started my unhealthy addiction to well, guitar pedals. Great for short delays, even better for longer delays and anything in between! I'm addicted to the Modulation setting and the reverse and analog setting are good fun to use as well. At the end of live shows, I usually set the Feedback knob on full and twirl around the delay time crazily to get wacked out spacey effects (with all my gain effects full bore). I use the Boss FS-5U for the tap tempo option which makes setting tempos a breeze with it, I recommend using the DD-7 this way because setting the tempo with the DD-7 by holding the pedal down for 2 seconds can kinda' kill the groove, especially turning it back off (you have to hold it for another 2 secs!). Another neat feature is the Hold Mode, which is useful to have for songwriting riffs and rhythms alone in your room, for live application it falls short, especially if your not good at keeping in time with tapping it on and off. Out of all my pedals this is the one pedal that will never leave my board and I never plan to replace it, the DD-7 has my sound and I cannot recommend it enough!
83
Great pedal
Sound great, just am looking for a bit more in a delay pedal. Perfect if you’re looking for a simple, easy to use delay pedal with a lot of great sounds.
Artist usage
Add artist
At 1:20 in this video, Josh Homme is seen using his Boss DD-7 Digital Delay Pedal.
A shot of the BOSS DD7 velcro’d to the Prophet, from during The King of Limbs – From The Basement.
At a Jeff Beck tribute concert, Kirk Hammett used the Boss DD-7 Digital Delay, as seen in a user-uploaded photo.
In this video where Vai talks about perfect pedal order, he uses the DD-7 at 10:36, and explains how he likes to use delay in his amp's FX loop, but if on a pedalboard, actually will put delay in front of distortions, contrary to the common method of end of signal chain placement.
Z.Vex Effects originally posted this image of Kevin's extensive pedalboard, which includes a Boss DD-7 Digital Delay Pedal.
At 10:02 in the video, a shot of Stu's pedalboard can be seen, adorned with a Boss DD-3 Digital Delay pedal, among others
"This digital delay is actually for the siren. He likes the siren to carry on, so he turns the delay on and off. It's not built into anything to do with his guitar. That's for the siren only," says Joe Perry's guitar tech.
In this video Marty Friedman talks about the equipment he uses, including the BOSS DD-7 delay pedal. The pedalboard is clearly visible first at 1:30.
The official artist page for Omar Rodríguez-López on the Roland website confirms that he uses the Boss DD-7 Digital Delay pedal.
On this photo you can see Peter's pedalboard which includes Boss DD-7. Original article here
Album Usage
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Genre Usage
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Used With
Based on how musicians on Equipboard use Boss DD-7 Digital Delay, it is most commonly used with the following gear.
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