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The Basilisk High‑Gain Distortion by RhPf Electronics

The RhPf Electronics Basilisk is a crushing high‑gain distortion pedal crafted to dominate low‑end‑heavy riffs with massive saturation, earth‑shaking lows, and thick sustain. Designed in collaboration with the band Gentle Beast, Basilisk translates its mythical namesake into a sonic force that rumbles, snarls, and slices through any mix with ferocious intensity. Its multi‑stage circuit blends soft and hard MOSFET clipping with an active 3‑band EQ, giving you control over the distortion’s character from sludgy and scooped to mid‑forward and cutting. Whether you’re chugging slow doom passages or unleashing aggressive leads, it retains clarity and dynamic response without collapsing into mud. Built for both guitar and bass, it preserves low frequencies while providing sculptable aggression and precision. Basilisk is a tone monster equally home in stoner, doom, sludge, and heavy metal rigs.

Specs:

• Category: Distortion / High‑Gain Stoner Doom
• Type: Multi‑Stage MOSFET Distortion with Active 3‑Band EQ
• Controls:
 • Drive: Gain from gritty breakup to full‑blown saturation
 • Level: Overall output volume
 • Low: Shapes low frequencies from tight to deep, earth‑shaking rumble
 • Mid: Boosts/cuts mids for scooped or punchy tones
 • High: Adjusts treble response from dark to sharp
• Tone Character: Crushing lows, thick sustain, sculptable high‑gain distortion
• Bypass: True bypass
• Analog/Digital: Analog
• Power: 9 V DC, center‑negative
• Power Draw: <30 mA
• LED Color: Red (indicator)
• Enclosure: 125B Cream finish
• Dimensions: ~70 × 125 × 60 mm (W×L×H)
• Weight: ~255 g

The Mosrawr multi‑stage MOSFET textured Fuzz by RhPf Electronics

The RhPf Electronics Mosrawr is a visceral, original Swiss‑made fuzz pedal built around a multi‑stage MOSFET circuit that emphasizes low‑mid weight and textured, velcro‑like attack for rich, immersive tones. Its mid‑before‑gain architecture gives the fuzz a pronounced vocal presence that stays defined even in dense mixes, making chords and leads equally bold. From snarling, controlled fuzz to near self‑oscillation chaos, the gain range reacts dynamically to your pick attack and guitar volume. Bass and treble controls shape the texture from sticky, compressed grind to wide, open sludge without removing the pedal’s signature character. Designed to thrive within layered effects chains, it holds sustain and clarity alongside delays, reverbs, and modulation. Whether you’re crafting shoegaze walls of sound or gnarly noise‑rock textures, Mosrawr delivers both sonic mass and articulation.

Specs:

• Category: Fuzz
• Type: Multi‑Stage MOSFET Fuzz with mid‑focused texture
• Controls:
 • Rawr: Gain range from controlled saturation to full fuzz intensity
 • Low: Shapes low‑end and body
 • Bite: Adjusts midrange emphasis and gain behavior
 • Hi: Adjusts high‑frequency content and texture
 • Level: Sets overall output volume
• Tone Character: Dense, velcro‑textured fuzz with focused midrange and strong note definition
• Bypass: True bypass
• Analog/Digital: Analog
• Power: 9 V DC, center‑negative
• Power Draw: <30 mA
• LED Color: Pink
• Enclosure: 125B metallic finish
• Dimensions (approx): 70 × 125 × 60 mm (W × L × H)
• Weight: ~255 g

The Capharnaüm Fuzz and Distortion by RhPf Electronics

The RhPf Electronics Capharnaüm is a raw, unruly fuzz and distortion pedal that thrives on chaos and sonic aggression. Its saturated, serrated fuzz voice delivers thick, visceral low‑end grind and explosive harmonic energy that refuses to be tamed, slicing through the mix like a serrated blade. With controls that command gain, tonal balance, and output level, it lets players shape everything from snarling grind to full‑on fuzz mayhem with primal intensity. Unlike smoother, more polished circuits, Capharnaüm embraces unpredictability , its attack is sharp, sustain is wild, and every note crackles with raw intensity. Designed for punk, garage, stoner, sludge, or any setting where controlled chaos rules, it turns simple riffs into overwhelming walls of sound. This pedal isn’t meant to behave it’s meant to take your tone to places chaos never thought possible.

Specs:

• Category: Fuzz / Distortion
• Type: Raw Serated Fuzz with aggressive bite
• Controls:
 • Wrath (Gain): From snarling grind to chaotic saturation
 • Scorch (Tone): Shapes from dark, guttural to sizzling intensity
 • Pillar (Level): Output volume for mix placement or amp push
• Tone Character: Dense, aggressive, chaotic fuzz with visceral low end and jagged harmonics
• Bypass: True bypass
• Analog/Digital: Analog
• Power: 9 V DC, center‑negative
• Current Draw: ~10 mA
• LED Color: Red (approx)
• Enclosure: Standard compact pedal chassis
• Dimensions (approx): 125 × 70 × 60 mm
• Weight: ~255 g

The Mo(s)ghoul high‑gain MOSFET Distortion by RhPf Electronics

The RhPf Electronics Mo(s)ghoul is a high‑gain MOSFET distortion pedal that transforms your guitar’s tone from articulate, crunch‑forward drive to thick, atmospheric fuzz and crushing walls of saturated sound. Built around cascading MOSFET gain stages, it delivers organic clipping with touch sensitivity and dynamic response, cleaning up beautifully when you roll back your guitar’s volume. Its reactive, layered distortion voice retains clarity and definition even at extreme settings, making it ideal for gritty alt‑rock, doom, shoegaze, and heavy textures. The passive three‑band EQ lets you sculpt booming lows, snarling mids, or shimmering highs without harshness. Whether you want searing leads, dense rhythm walls, or expressive sonic landscapes, Mo(s)ghoul adapts fluidly to your playing and remains musical underfoot. It’s both raw and refined a distortion pedal with ferocity and finesse.

Specs:

• Category: Distortion
• Type: High‑Gain MOSFET Distortion
• Controls:
 • Drive: From crisp crunch to saturated fuzz
 • Level: Output volume
 • Lo: Shapes low‑end punch and thickness
 • Mid: Scooped clarity to growling presence
 • Hi: Presence and cutting edge adjustment
• Tone Character: Dynamic, high‑gain, responsive, fuzz‑capable
• Bypass: True bypass
• Analog/Digital: Analog
• Power: 9 V DC, center‑negative
• Power Draw: <30 mA
• LED Color: Green
• Enclosure: 125B Cream PANTONE finish
• Dimensions (approx): 125 × 70 × 60 mm
• Weight: ~255 g

The Mosphoros Transparent Multi‑stage MOSFET Overdrive by RhPf Electronics

The RhPf Electronics Mosphoros is a handcrafted MOSFET‑based overdrive that treats gain as motion rather than a simple on/off distortion, letting your tone evolve organically from clean lift to rich, harmonically layered drive. Built around multiple interacting MOSFET gain stages, it delivers a seamless progression of saturation that preserves transients and touch dynamics while adding smooth harmonic complexity. The Bass and Treble controls live inside the gain structure, shaping not just EQ but how the drive reacts at different frequency zones for expressive tonal control. At low settings it functions as a transparent enhancer, while at higher gain it unfolds into a detailed, musical overdrive with controlled low end and smooth highs. Designed to be quiet, responsive, and stack‑friendly, it keeps your core guitar voice intact even when pushed hard. Whether as a subtle boost or a dynamic primary drive, Mosphoros delivers motion, texture, and feel with organic musicality.

Specs: • Category: Overdrive
• Type: Multi‑stage MOSFET Overdrive
• Controls:
 • Drive: Gain from clean lift to layered overdrive
 • Bass: Adjusts low content and gain behavior
 • Treble: Adds high‑range presence and gain influence
 • Level: Output volume
• Tone Character: Dynamic, touch‑sensitive, harmonically rich with smooth progression
• Bypass: True bypass
• Analog/Digital: Analog
• Power: 9 V DC, center‑negative
• Power Draw: <30 mA
• LED: Orange
• Enclosure: 125B matte black texture
• Dimensions: ~70 × 125 × 60 mm
• Weight: ~255 g

The Shodhana Overdrive by RhPf Electronics

The RhPf Electronics Shodhana is a balanced overdrive pedal that evolves seamlessly from a transparent, punchy boost to a focused, mid‑forward drive with a single Drive control. Its unique dual‑path architecture blends a full‑range MOSFET‑based clean boost with a harmonically rich overdrive, giving your tone clarity and presence without masking your core sound. At lower settings, Shodhana delivers sparkly, clean lift that enhances dynamics and articulation, while turning up the Drive introduces smooth overdrive with expressive midrange bite. The simple two‑knob layout (Drive and Level) keeps operation intuitive while offering remarkable flexibility across styles. Its fast attack and natural response make it feel alive and interactive with your playing, reacting to guitar volume and picking nuance. Whether used as a subtle enhancer or a crunchy drive, Shodhana stays balanced, musical, and true to your instrument’s voice.

Specs:

• Category: Overdrive / Balanced Drive
• Type: Dual‑Path Balanced Overdrive (transparent boost → mid‑forward drive)
• Controls: Drive (gain and voicing blend), Level (output volume)
• Tone Character: Clear, dynamic, articulate, smooth mid‑focus as gain increases
• Bypass: True bypass
• Analog/Digital: Analog
• Power: 9 V DC, center‑negative
• Current Draw: <30 mA
• LED: Warm white
• Enclosure: 125B aluminum, pastel pink finish
• Dimensions (approx): 125 × 70 × 60 mm
• Weight: ~255 g

The Tri-Hormonic Phalanx by RhPf Electronics

The Tri‑Hormonic Phalanx by RhPf Electronics is a powerful tone‑shaping boost pedal that splits your guitar signal into three parallel bands lows, mids, and highs, each with independent gain and level control for unprecedented tonal flexibility. Its MOSFET‑based stages provide an organic response, allowing you to dial in anything from a transparent clean lift to rich harmonic saturation in specific frequency ranges. Unlike traditional boosts, it actively sculpts and balances your tone before it hits subsequent pedals, bringing clarity, body, and presence to every note. Designed to sit at the front of your signal chain, it gives everything that follows a defined and dynamic foundation. Whether you’re tightening low end, adding mids punch, or crafting shimmering highs, the Phalanx adapts to your style with precision and musicality. It’s both a practical enhancement tool and a creative playground for tone chasers.

Specs:

• Category: Boost / Tone Enhancer
• Architecture: Three‑band parallel design splitting lows (IGF‑1), mids (GH), highs (ACTH)
• Controls: Independent Gain and Level for each frequency band
• Tone Character: Clean to harmonic saturation per band with MOSFET response
• Ideal Use: Front of signal chain to sculpt core tone
• Bypass: True bypass
• Analog/Digital: Analog
• Power: 9 V DC, center‑negative
• Current Draw: ~10 mA
• Dimensions: ~125 × 70 × 60 mm
• Weight: ~255 g

The Mostard Clean Dynamic Boost by RhPf Electronics

The Mostard Clean Dynamic Boost by RhPf Electronics is a fiery, high-headroom pedal designed to elevate your tone with clarity, brightness, and energy. With up to +30 dB of clean gain, it wakes up your amp, cuts through the mix, and adds a treble-forward edge that’s perfect for solos or dynamic playing. Its naturally bright voice can be smooth and warm at lower settings or sharp and glassy when cranked, giving you complete control over your sound. The intuitive EQ shapes your tone without typical boosts, tightening lows, smoothing mids, and adding sparkle or taming highs for musical clarity. Whether left on for overall enhancement or engaged for standout moments, Mostard brings focus, liveliness, and confidence to your playing. Like a dash of Texas hot sauce, a little boost goes a long way, and turned up, it delivers sizzling intensity.

Specs:

• Category: Boost
• Type: Clean Dynamic Boost
• Gain: Up to +30 dB ultra-clean with increasing treble
• EQ Controls:
 • Low: Tightens bottom end without muddiness
 • Mid: Smooths boxiness or adds clarity and bite
 • High: Adds sparkle or tames top-end harshness
• Ideal Use: Always-on enhancement or solo boost
• Tone Character: Bright, articulate, responsive, and lively
• Bypass: True bypass
• Analog/Digital: Analog
• Power: 9V DC

The KT88 Vintage Rare Matamp Bass and Guitar Amplifier Head 200W by Orange

The Orange Matamp 200W KT88 is an exceptionally rare early 5-channel PA mixer/amp, produced in very limited quantities during the formative years of Orange Matamp in the UK. This head features 4x original GEC KT88 tubes and ECC83 preamp tubes, paired with all original Partridge transformers, delivering massive clean headroom, deep lows, and the punchy, raw tone that vintage British amps are known for. Recently recapped by a specialist technician, it now performs reliably and safely while retaining its vintage character. Although it shows minor cosmetic wear, it remains fully playable and sounds fantastic for both guitar and bass. Its combination of rarity, vintage components, and versatility makes it a highly collectible and desirable amplifier.

Specs:

• Type: Valve amplifier head / 5-channel PA mixer
• Power Output: 200 W RMS
• Power Tubes: 4 × GEC KT88
• Preamp Tubes: ECC83
• GEC KT88 valves and Partridge transformers
• Transformers: Original Partridge transformers
• Controls: 5 channels with basic tone shaping (model-dependent)
• Construction: Hand-wired, robust vintage chassis
• Era: Late 1960s – early 1970s
• Status: Discontinued / vintage collectible

The KT88 Vintage Rare Matamp Bass and Guitar Amplifier Head 200W by Orange

The Orange Matamp 200W KT88 is an exceptionally rare early 5-channel PA mixer/amp, produced in very limited quantities during the formative years of Orange Matamp in the UK. This head features 4x original GEC KT88 tubes and ECC83 preamp tubes, paired with all original Partridge transformers, delivering massive clean headroom, deep lows, and the punchy, raw tone that vintage British amps are known for. Recently recapped by a specialist technician, it now performs reliably and safely while retaining its vintage character. Sounds fantastic for both guitar and bass. Its combination of rarity, vintage components, and versatility makes it a highly collectible and desirable amplifier.

Specs:

• Type: Valve amplifier head / 5-channel PA mixer
• Power Output: 200 W RMS
• Power Tubes: 4 × GEC KT88
• Preamp Tubes: ECC83
• GEC KT88 valves and Partridge transformers
• Transformers: Original Partridge transformers
• Controls: 5 channels with basic tone shaping (model-dependent)
• Construction: Hand-wired, robust vintage chassis
• Era: Late 1960s – early 1970s
• Status: Discontinued / vintage collectible

The KT88 Vintage Rare Matamp Bass and Guitar Amplifier Head 200W by Orange

The Orange Matamp 200W KT88 is an exceptionally rare early 5-channel PA mixer/amp, produced in very limited quantities during the formative years of Orange Matamp in the UK. This head features 4x original GEC KT88 tubes and ECC83 preamp tubes, paired with all original Partridge transformers, delivering massive clean headroom, deep lows, and the punchy, raw tone that vintage British amps are known for. Recently recapped by a specialist technician, it now performs reliably and safely while retaining its vintage character. Although it shows minor cosmetic wear, it remains fully playable and sounds fantastic for both guitar and bass. Its combination of rarity, vintage components, and versatility makes it a highly collectible and desirable amplifier.

Specs:

• Type: Valve amplifier head / 5-channel PA mixer
• Power Output: 200 W RMS
• Power Tubes: 4 × GEC KT88
• Preamp Tubes: ECC83
• GEC KT88 valves and Partridge transformers
• Transformers: Original Partridge transformers
• Controls: 5 channels with basic tone shaping (model-dependent)
• Construction: Hand-wired, robust vintage chassis
• Servicing: Recently recapped and fully tested for safe operation
• Era: Late 1960s – early 1970s
• Status: Discontinued / vintage collectible
• Condition: Playable, minor cosmetic scuffs, serviced to a high standard

The KT88 Vintage Rare Matamp Bass and Guitar Amplifier Head 200W by Orange

The Orange Matamp 200W KT88 is an exceptionally rare early 5-channel PA mixer/amp, produced in very limited quantities during the formative years of Orange Matamp in the UK. This head features 4x original GEC KT88 tubes and ECC83 preamp tubes, paired with all original Partridge transformers, delivering massive clean headroom, deep lows, and the punchy, raw tone that vintage British amps are known for. Recently recapped by a specialist technician, it now performs reliably and safely while retaining its vintage character. Although it shows minor cosmetic wear, it remains fully playable and sounds fantastic for both guitar and bass. Its combination of rarity, vintage components, and versatility makes it a highly collectible and desirable amplifier.

Specs:

• Type: Valve amplifier head / 5-channel PA mixer
• Power Output: 200 W RMS
• Power Tubes: 4 × GEC KT88
• Preamp Tubes: ECC83
• GEC KT88 valves and Partridge transformers
• Transformers: Original Partridge transformers
• Controls: 5 channels with basic tone shaping (model-dependent)
• Construction: Hand-wired, robust vintage chassis
• Era: Late 1960s – early 1970s
• Status: Discontinued / vintage collectible

The KT88 Vintage Rare Matamp Bass and Guitar Amplifier Head 200W by Orange

The Orange Matamp 200W KT88 is an exceptionally rare early 5-channel PA mixer/amp, produced in very limited quantities during the formative years of Orange Matamp in the UK. This head features 4x original GEC KT88 tubes and ECC83 preamp tubes, paired with all original Partridge transformers, delivering massive clean headroom, deep lows, and the punchy, raw tone that vintage British amps are known for. Recently recapped by a specialist technician, it now performs reliably and safely while retaining its vintage character. Although it shows minor cosmetic wear, it remains fully playable and sounds fantastic for both guitar and bass. Its combination of rarity, vintage components, and versatility makes it a highly collectible and desirable amplifier.

Specs:

• Type: Valve amplifier head / 5-channel PA mixer
• Power Output: 200 W RMS
• Power Tubes: 4 × GEC KT88
• Preamp Tubes: ECC83
• GEC KT88 valves and Partridge transformers
• Transformers: Original Partridge transformers
• Controls: 5 channels with basic tone shaping (model-dependent)
• Construction: Hand-wired, robust vintage chassis
• Servicing: Recently recapped and fully tested for safe operation
• Era: Late 1960s – early 1970s
• Status: Discontinued / vintage collectible
• Condition: Playable, minor cosmetic scuffs, serviced to a high standard

The J Mascis Coiled Instrument Cable 30' Purple by Fender

The Fender J Mascis Coiled Instrument Cable is a signature model designed in collaboration with J Mascis, reflecting his distinctive tone and aesthetic. It features a pearlescent dark purple coiled design that offers extended reach while reducing tangling on stage. Built with high-quality oxygen-free copper and dense spiral shielding, it ensures a clean, noise-resistant signal. The cable combines durability with flexibility thanks to its thick, kink-resistant PVC jacket. Overall, it’s a reliable and visually unique cable suited for players who want both performance and artist-inspired style.

Specs:

• Cable Type: Instrument cable (6.35 mm jack to jack)
• Length: 30 ft (approx. 9.1 m, coiled)
• Connectors: 1× straight, 1× right-angle, nickel-plated
• Conductor: 22 AWG, 95% oxygen-free copper (OFC)
• Shielding: 95% OFC spiral shielding
• Outer Jacket: 8 mm kink-resistant PVC
• Design: Coiled (reduces tangling, extends when needed)
• Color: Pearlescent dark purple
• Series: Artist Signature (J Mascis Collection)
• Warranty: Limited lifetime warranty (Fender cables)

The Vintage C2M Hexacomp Compressor Pedal made in Japan by Akai

The Akai C2M Hexacomp is a distinctive multi-band compressor pedal that effectively combines six independent compressors into a single unit. Unlike traditional compressors that process the entire signal, it splits the input into six frequency bands, allowing precise control over how each range is compressed. This design helps preserve low-end punch while controlling peaks in mids and highs, maintaining overall dynamics. It is especially useful for bassists and experimental players who want detailed tonal shaping beyond standard compression. With its rugged stompbox construction and true bypass switching, it’s built for both studio and live use.

Specs:

• Type: Multi-band compressor effects pedal (6 independent bands)
• Compression System: 6 separate compressors with individual controls
• Controls: Input, Output, 6× Compression, 6× Mix Level
• Bypass: True bypass switching
• Indicators: 7× LEDs (effect + band activity)
• Input/Output: Standard 6.35 mm (¼") jack connections
• Power Supply: 9V DC (approx. 80 mA) or 9V battery
• Dimensions: 134 × 175 × 77 mm
• Weight: approx. 1.35 kg
• Construction: Heavy-duty metal stompbox design

The J-400 Barytone by Spira

The Spira J-400 Baritone is a modern, budget-friendly electric guitar designed for heavy styles and extended-range playing. With its longer 27″ scale length, it delivers tight low-end response and maintains clarity even in very low tunings like drop A or B. The guitar features an offset body design and a fast “Modern D” neck profile, offering comfortable playability for both rhythm and lead work. Equipped with high-output Villain humbuckers, it is tailored for high-gain tones, making it ideal for metal and hard rock. Overall, it’s a solid entry into baritone guitars, combining aggressive tone, modern aesthetics, and good value.

Specs:

• Body: Roasted poplar (solid body)
• Neck: Canadian roasted maple, bolt-on, Modern D profile
• Fingerboard: Ebony Tech (composite), 14″ radius
• Scale Length: 27″ (686 mm)
• Frets: 24 jumbo
• Nut Width: 43 mm
• Pickups: 2× Spira Villain high-output humbuckers
• Controls: 1× Volume, 1× Tone, 3-way selector
• Bridge: Fixed bridge
• Hardware: Black, die-cast tuners
• Finish: Satin black (MBK)
• Strings: 6-string baritone configuration

The Vintage RS-M63 Cassette Deck by Technics

The Technics RS-M63 is a vintage 3-head stereo cassette deck produced around 1979–1981, designed for high-fidelity recording and playback. It features a three-head system that allows real-time monitoring of recordings, a premium feature for its time. The deck supports multiple tape types including metal tapes and includes Dolby B noise reduction to improve sound clarity. Its electronically controlled DC motor ensures stable tape transport with low wow and flutter. With its solid build, fluorescent level meters, and advanced controls like bias adjustment, it remains a respected choice among vintage hi-fi enthusiasts.

Specs:

• Type: 3-head stereo cassette deck (4-track, 2-channel)
• Tape Speed: 4.8 cm/s
• Tape Types: Type I, FeCr, CrO₂, Metal
• Frequency Response: 20 Hz – 20 kHz (Metal tape)
• Signal-to-Noise Ratio: up to 67 dB (Dolby B)
• Wow & Flutter: approx. 0.05% WRMS
• Noise Reduction: Dolby B
• Motor: Electronically controlled DC motor
• Inputs: Line (60 mV), Microphone (0.25 mV)
• Outputs: Line out (0.65 V), Headphones
• Dimensions: 430 × 142 × 270 mm
• Weight: approx. 6.3 kg
• Power Consumption: ~14 W

The Strummer Pro 13' Pink Leopard Signature Jack Cable 4m by Fender

The Fender Strummer Pro 13' Pink Leopard Signature Jack Cable is a stylish, artist-inspired instrument cable designed in tribute to Joe Strummer. It combines a bold pink PVC jacket with a distinctive leopard print housing, making it visually stand out on stage or in the studio. Built with oxygen-free copper and spiral shielding, it delivers a clean, low-noise signal for guitars and other instruments. The durable construction and nickel-plated connectors ensure reliable performance for regular use. Overall, it’s a functional yet expressive cable suited for musicians who want both quality and personality in their gear.

Specs:

• Cable Type: Instrument cable (TS – TS / 6.35 mm jack)
• Length: 4 m (13 ft)
• Connectors: 2x straight, nickel-plated
• Conductor: 23 AWG, 99.95% oxygen-free copper (OFC)
• Shielding: 90% OFC spiral shielding
• Outer Jacket: Pink PVC with leopard print housing
• Cable Diameter: Approx. 8 mm
• Configuration: Straight to straight
• Series: Artist Signature (Joe Strummer Collection)
• Warranty: Limited lifetime warranty

The Strummer Pro 13' Pink Leopard Signature Joe Strummer Cable 4m by Fender

The Fender Joe Strummer Signature cable is a visually striking instrument cable inspired by Joe Strummer and his iconic punk aesthetic. It features a bright pink PVC jacket with a custom leopard print housing and Strummer’s signature, making it stand out both on stage and in the studio. Beyond its looks, the cable is built with oxygen-free copper and spiral shielding to ensure a clean, low-noise signal. Its durable construction and nickel-plated connectors provide reliable performance for regular use. Overall, it combines expressive design with solid audio quality, ideal for musicians who want personality in their setup.

Specs:

• Cable Type: Instrument cable (6.35 mm TS jack to TS jack)
• Length: 4 m (13 ft)
• Connectors: 2x straight, nickel-plated
• Conductor: 23 AWG oxygen-free copper (OFC)
• Shielding: 90% OFC spiral shielding
• Outer Jacket: Pink PVC with leopard print housing
• Cable Diameter: Approx. 8 mm
• Configuration: Straight to straight
• Series: Artist Signature (Joe Strummer Collection)
• Warranty: Limited lifetime warranty

The Strummer Pro 13' Pink Leopard Signature Jack Cable 4m by Fender

The Fender Strummer Pro 13' Pink Leopard Signature Jack Cable is a stylish, artist-inspired instrument cable designed in tribute to Joe Strummer. It combines a bold pink PVC jacket with a distinctive leopard print housing, making it visually stand out on stage or in the studio. Built with oxygen-free copper and spiral shielding, it delivers a clean, low-noise signal for guitars and other instruments. The durable construction and nickel-plated connectors ensure reliable performance for regular use. Overall, it’s a functional yet expressive cable suited for musicians who want both quality and personality in their gear.

Specs:

• Cable Type: Instrument cable (TS – TS / 6.35 mm jack)
• Length: 4 m (13 ft)
• Connectors: 2x straight, nickel-plated
• Conductor: 23 AWG, 99.95% oxygen-free copper (OFC)
• Shielding: 90% OFC spiral shielding
• Outer Jacket: Pink PVC with leopard print housing
• Cable Diameter: Approx. 8 mm
• Configuration: Straight to straight
• Series: Artist Signature (Joe Strummer Collection)
• Warranty: Limited lifetime warranty

The NL-WALKER-WH Electric Acoustic compact Travel Guitar by Ortega

The Ortega NL-WALKER-WH is a compact, travel-friendly classical guitar designed for musicians who want portability without sacrificing playability. It features a slim, lightweight body and a shorter scale length, making it comfortable for practice on the go or for players with smaller hands. The guitar includes a built-in pickup/preamp system, allowing it to be plugged into an amplifier for live or recording use. Its glossy white finish and Florentine cutaway design give it a modern, stylish appearance while also improving access to higher frets. Overall, it’s a versatile acoustic-electric instrument suited for travel, casual playing, and stage use.

Specs:

• Body Type: Travel / thin-body classical guitar (Florentine cutaway)
• Top / Back / Sides: Agathis (laminated construction)
• Neck: Mahogany, extra slim profile
• Fingerboard & Bridge: Sonokelin / Rosewood-style materials
• Scale Length: 625 mm (short scale)
• Nut Width: 43 mm
• Frets: 19
• Electronics: B-Band A1.2 pickup/preamp system
• Strings: Nylon (e.g., Savarez / D’Addario)
• Hardware: Ortega die-cast tuning machines (black)
• Finish: High-gloss white
• Included Accessories: Deluxe gig bag and strap

The PPSE '79 Hand-Made in Japan by Vin-Antique

The Vin-Antique PPSE’79 is a handmade Japanese overdrive pedal inspired by the classic Tube Screamer circuit from 1979, but heavily modified for greater clarity and responsiveness. Developed by the Kyoto-based brand Vin-Antique, it delivers the familiar mid-focused character of TS-style drives while offering a wider frequency range and more dynamic feel. Its sound is often described as more open and “hi-fi” compared to traditional Tube Screamer designs, with enhanced presence and note separation. The pedal uses asymmetrical silicon diode clipping, producing richer even-order harmonics and a smoother yet more complex overdrive texture. Thanks to its dual power supply design (via charge pump), it achieves improved headroom and articulation. With simple controls and versatile gain range, it works equally well as a main overdrive or as a mid-boost for solos.

Specs:

• Type: Analog overdrive pedal (Tube Screamer–style)
• Circuit Basis: Inspired by 1979 TS808 with major modifications
• Clipping: Asymmetrical silicon diode clipping (rich harmonic content)
• Controls: Volume, Tone, Gain (3-knob layout)
• Tone Voicing: Enhanced treble/presence with wider tone range
• Power Design: Dual power supply via charge pump (increased headroom)
• Bypass: True bypass (Ver.3)
• Input Impedance: Approx. 1 MΩ
• Power Supply: 9V DC (center negative) or 9V battery
• Current Draw: Approx. 10 mA
• Dimensions: ~122 × 67 × 40 mm
• Construction: CNC-machined aluminum enclosure (Ver.3)
• Origin: Japan (Kyoto-based boutique builder)

The Les Paul Standard '60s Mahogany Top Electric Guitar TV Yellow by Gibson

Les Paul design, replacing the traditional maple top with a full mahogany construction for a warmer, more mid-focused tone. Inspired by vintage Gibson models and the brand’s Golden Era, it retains the iconic look and feel while offering a slightly different tonal character that emphasizes smoothness and punch. The SlimTaper ‘60s neck profile makes it fast and comfortable to play, especially for players who prefer a slimmer feel. Equipped with 60s Burstbucker pickups, it delivers classic PAF-style tones ranging from warm cleans to articulate overdrive. High-quality components like Orange Drop capacitors and an ABR-1 bridge ensure authentic vintage performance and reliability. Overall, it’s aimed at players who want traditional Les Paul aesthetics with a subtly darker, more focused tonal response.

Specs:

• Body: Solid mahogany body with mahogany top (no maple cap)
• Neck: Mahogany, 60s SlimTaper profile
• Fingerboard: Rosewood with trapezoid inlays
• Frets: 22 medium jumbo frets
• Scale Length: 24.75" (628 mm) (standard Les Paul spec)
• Pickups: 2 × 60s Burstbucker humbuckers
• Electronics: Hand-wired with audio taper pots & Orange Drop capacitors
• Controls: 2 Volume, 2 Tone, 3-way toggle switch
• Bridge: ABR-1 Tune-O-Matic
• Tailpiece: Aluminum Stop Bar
• Tuners: Grover Rotomatic “Kidney” tuners
• Finish: TV Yellow
• Case: Included hardshell case

The Cry Baby BB535 Multi-Wah Reissue by Dunlop

The Dunlop Cry Baby BB535 Multi-Wah Reissue is a faithful recreation of the original 1990s BB535, widely regarded as one of the first truly versatile “multi-wah” pedals. It was designed to give guitarists greater tonal control than traditional wah pedals, allowing them to shape frequency range and gain to suit different playing styles. The reissue preserves the original’s distinctive, throaty and vocal-like character by using vintage-style circuitry and a custom inductor matched to the original design. At the same time, it adds modern improvements such as LED indicators and a buffered signal path for better usability on contemporary pedalboards. With its built-in boost and selectable voicings, it can cover everything from classic wah sounds to more aggressive, high-gain tones. Overall, it’s aimed at players who want both vintage tone and flexible sound-shaping in a single pedal.

Specs:

• Type: Analog wah pedal (multi-voicing)
• Circuit: Through-hole, vintage-style signal path
• Inductor: Custom 535mH inductor (replicates original tone)
• Frequency Selector: 6-position range selector for different wah voicings
• Boost Circuit: Switchable, based on MXR Micro Amp design
• Boost Gain: Up to approx. +16 dB
• Input: High-impedance buffered input (prevents tone loss)
• Bypass: Buffered bypass design
• Controls: Wah treadle, range selector, boost level control
• Indicators: LED for wah on/off and boost status
• Power: 9V battery or standard 9V DC power supply (typical for Cry Baby pedals)
• Construction: Heavy-duty metal housing

The Analog Delay Hand-Made in Japan by A.S.W

The A.S.W Analog Delay is an extremely rare boutique delay pedal, likely originating from a small Japanese builder with very limited production. It is believed to use a fully analog circuit, giving it the warm, slightly degraded repeats typical of vintage delay units. Like other analog delays, its sound would naturally darken and soften with each repeat, creating a smooth, atmospheric texture rather than pristine echoes. The pedal appears to be designed for musical, ambient applications, complementing clean and driven tones without overpowering the original signal. Due to its scarcity and lack of official documentation, it is considered a “mystery” piece of gear, mostly known through artist usage rather than commercial availability. Its character likely aligns with classic Japanese analog delay design philosophies simple, expressive, and tone-focused.

Specs:

• Type: Analog Delay
• Circuit: Fully analog (likely BBD – bucket brigade design)
• Controls: Likely Delay Time, Repeat/Feedback, Mix/Level
• Delay Time: Estimated short-to-mid range (~300–600 ms typical for analog)
• Switching: Footswitch (true bypass unknown)
• Power: 9V DC (standard pedal format, not confirmed)
• Sound Character: Warm, dark repeats with natural degradation
• Build: Boutique / small-run production
• Origin: Japan
• Availability: Extremely rare / possibly discontinued

The Original Distortion by hand-made in Japan by A.S.W

The A.S.W Original Distortion is a rare, likely Japanese boutique distortion pedal known primarily through its use by yuxuki waga. It appears to deliver a focused, musical distortion suited for melodic and atmospheric playing styles rather than extreme high-gain tones. Given its boutique nature, the pedal likely emphasizes analog warmth and dynamic response, allowing it to react well to picking intensity and guitar volume changes. Its voicing can be assumed to sit between classic rock distortion and a slightly modern, articulate edge. Because of its obscurity and lack of commercial distribution, it is often considered a niche or possibly discontinued unit. The pedal remains largely undocumented, adding to its “mystery gear” status among guitar enthusiasts.

Specs:

• Type: Distortion pedal
• Circuit: Analog (very likely, based on era and boutique style)
• Controls: Likely Gain, Tone, Level (standard 3-knob layout assumed)
• Switching: Footswitch (true bypass unknown)
• Power: 9V DC (standard pedal format, not officially confirmed)
• Build: Boutique / small-run production
• Origin: Likely Japan
• Availability: Rare / possibly discontinued

The Mosferatwo touch-sensitive breakup and heavy textured Dual-Overdrive by RhPf Electronics

The RhPf Electronics Mosferatwo Overdrive is a boutique dual-channel overdrive pedal designed to deliver a wide range of warm, dynamic gain tones. It combines two distinct MOSFET-based drive circuits, allowing players to stack or switch between them for everything from subtle boost to rich, saturated overdrive. The pedal is known for its touch sensitivity, responding naturally to picking dynamics and guitar volume changes. Its tonal character leans toward a smooth, amp-like breakup with enhanced harmonic richness. Built with high-quality components, it targets players seeking versatility and transparency without sacrificing character.

Specs:

• Dual-channel MOSFET overdrive design
• Independent controls for each channel (Gain, Tone, Volume)
• Stackable channels for combined drive textures
• True bypass switching
• High-quality analog circuitry
• Standard 9V DC power supply (center negative)
• Hand-built boutique construction
• Designed for low noise and high dynamic response

The Mosferatwo touch-sensitive breakup and heavy textured Dual-Overdrive by RhPf Electronics

The RhPf Electronics Mosferatwo Overdrive is a boutique dual-channel overdrive pedal designed to deliver a wide range of warm, dynamic gain tones. It combines two distinct MOSFET-based drive circuits, allowing players to stack or switch between them for everything from subtle boost to rich, saturated overdrive. The pedal is known for its touch sensitivity, responding naturally to picking dynamics and guitar volume changes. Its tonal character leans toward a smooth, amp-like breakup with enhanced harmonic richness. Built with high-quality components, it targets players seeking versatility and transparency without sacrificing character.

Specs:

• Dual-channel MOSFET overdrive design
• Independent controls for each channel (Gain, Tone, Volume)
• Stackable channels for combined drive textures
• True bypass switching
• High-quality analog circuitry
• Standard 9V DC power supply (center negative)
• Hand-built boutique construction
• Designed for low noise and high dynamic response
• Made in Swiss

The Mosferatwo touch-sensitive breakup and heavy textured Dual-Overdrive by RhPf Electronics

The RhPf Electronics Mosferatwo Overdrive is a boutique dual-channel overdrive pedal designed to deliver a wide range of warm, dynamic gain tones. It combines two distinct MOSFET-based drive circuits, allowing players to stack or switch between them for everything from subtle boost to rich, saturated overdrive. The pedal is known for its touch sensitivity, responding naturally to picking dynamics and guitar volume changes. Its tonal character leans toward a smooth, amp-like breakup with enhanced harmonic richness. Built with high-quality components, it targets players seeking versatility and transparency without sacrificing character.

Specs:

• Dual-channel MOSFET overdrive design
• Independent controls for each channel (Gain, Tone, Volume)
• Stackable channels for combined drive textures
• True bypass switching
• High-quality analog circuitry
• Standard 9V DC power supply (center negative)
• Hand-built boutique construction
• Designed for low noise and high dynamic response

The Telecaster Style Guitar by Vedo

The Vedo Telecaster Guitar is a modern interpretation of the iconic Telecaster design, combining classic single-cutaway style with contemporary playability and tonal flexibility. It features a solid body with a bolt-on neck for bright, snappy tones and excellent sustain. Equipped with two single-coil pickups, it delivers the characteristic Tele twang while also handling blues, rock, and indie styles with clarity. The simple control layout allows quick adjustments of volume and tone, along with a three-way pickup selector for versatile sounds. Its lightweight design and reliable hardware make it a practical choice for gigging musicians and studio players alike.

Specs:

• Body: Solid, single-cutaway (typically alder or ash)
• Neck: Bolt-on construction, maple
• Fingerboard: Rosewood or maple, 21–22 frets
• Pickups: 2 × single-coil (bridge and neck)
• Controls: 1 × Volume, 1 × Tone, 3-way pickup selector
• Bridge: Fixed Telecaster-style bridge with string-through or top-load option
• Nut Width: ~1.65" (42mm) typical
• Scale Length: 25.5" (648mm)
• Hardware: Chrome-plated tuners and bridge saddles
• Finish: Gloss or satin depending on model
• Additional Features: Classic Telecaster twang, versatile tonal range, comfortable neck profile

The Les Paul Style Guitar by ASW

The ASW Les Paul is a modern take on the classic Les Paul-style electric guitar, blending traditional design elements with contemporary playability and tonal versatility. It features a solid body with a carved top, set neck construction, and comfortable contouring for long playing sessions. Equipped with dual humbucking pickups, it delivers warm, full-bodied tones with clarity and sustain, suitable for rock, blues, jazz, and heavier styles. The guitar offers intuitive controls for volume and tone, along with a three-way pickup selector for a wide range of sonic options. Its hardware and finish options are designed for durability and stage-ready reliability.

Specs:

• Body: Solid, carved top (typically mahogany with maple top)
• Neck: Set-neck construction, usually mahogany
• Fingerboard: Rosewood or similar, 22 frets
• Pickups: 2 × humbuckers (bridge and neck)
• Controls: 2 × Volume, 2 × Tone, 3-way pickup selector
• Bridge: Tune-o-matic style with stop tailpiece
• Nut Width: ~1.68" (43mm) typical
• Scale Length: 24.75" (628mm)
• Hardware: Chrome or nickel-plated, standard Grover-style tuners
• Finish: Gloss or satin depending on model
• Additional Features: Classic Les Paul body shape, versatile tone range, stage-ready build