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The 7 Cordas Profissional by Rozini.

The Rozini 7 Cordas Profissional is often favored by professional musicians in the Brazilian music scene due to its high-quality craftsmanship, rich tonal characteristics, and ability to handle a wide variety of musical genres.
It's especially well-suited for the genres where a wider range of harmonics and deeper bass notes are necessary.

Specs:

• Top: Solid spruce or cedar, providing excellent resonance and tonal clarity.
• Back and Sides: Laminated rosewood or mahogany, offering rich tonal depth and durability.
• Shape: Traditional classical guitar body shape, providing comfortable playability for extended performances.
• Wood: Mahogany or maple, providing strength and stability.
• Fretboard: Typically rosewood or ebony, giving a smooth and fast playing surface.
• Scale Length: Around 650 mm (25.6 inches), similar to classical guitars, making it easy to play both fingerstyle and with a pick.
• 7 strings: A standard configuration with the 7th string being the low B string, offering more bass range.
• Tuning: Typically tuned in standard tuning (EADGBE) with the 7th string tuned to B or C (low).
• Machine Heads: Chrome-plated or gold-plated tuners for smooth tuning adjustments and tuning stability.
• Bridge: Rosewood or ebony bridge for solid string attachment and good tonal transfer.
• Nut: Bone or synthetic material, ensuring proper string spacing and better resonance.
• High-gloss lacquer or satin finish for a sleek, durable surface that enhances the wood's natural beauty.
• Sunburst or natural wood finish options, depending on the model.
• Known for delivering a warm, balanced sound with clear bass notes due to the additional low string.
• Excellent for genres requiring a richer tonal range, such as samba, choro, bossa nova, and jazz.
• Well-suited for both fingerstyle and pick playing techniques, with the 7th string offering more harmonic possibilities.
• Nut Width: Around 52mm (2.05 inches), providing comfortable spacing for fingerstyle playing on the wider neck.
• Some models come with built-in pickups (usually piezo pickups) for amplified performances.

The Madolin by Rozini.

Specs

• Top: Solid spruce or cedar for good resonance and tone.
• Back and Sides: Usually made of laminated woods such as maple or mahogany for durability and balanced sound.
• Neck: Maple neck, often with a rosewood or ebony fretboard for smooth playability.
• Finish: Gloss or satin finish options, depending on the model, to give a sleek or more natural look.
• Scale Length: Typically around 13.875” to 14” (35.2 cm to 35.6 cm) for most mandolins, offering comfortable playability.
• Hardware: Nickel or chrome-plated tuners and tailpieces for better tuning stability.
• Strings: Mandolins usually come with steel strings, though this can be upgraded to something like phosphor bronze or nickel-wound strings.
• Bridge: Adjustable bridge (often rosewood or ebony), allowing for action height adjustments.
• Pickups: Some models may come with built-in piezo pickups for amplified sound, while others are purely acoustic.

The Madolin by Rozini.

Specs:

• Top: Solid spruce or cedar for good resonance and tone.
• Back and Sides: Usually made of laminated woods such as maple or mahogany for durability and balanced sound.
• Neck: Maple neck, often with a rosewood or ebony fretboard for smooth playability.
• Finish: Gloss or satin finish options, depending on the model, to give a sleek or more natural look.
• Scale Length: Typically around 13.875” to 14” (35.2 cm to 35.6 cm) for most mandolins, offering comfortable playability.
• Hardware: Nickel or chrome-plated tuners and tailpieces for better tuning stability.
• Strings: Mandolins usually come with steel strings, though this can be upgraded to something like phosphor bronze or nickel-wound strings.
• Bridge: Adjustable bridge (often rosewood or ebony), allowing for action height adjustments.
• Pickups: Some models may come with built-in piezo pickups for amplified sound, while others are purely acoustic.

The Madolin by Rozini.

Specs

• Top: Solid spruce or cedar for good resonance and tone.
• Back and Sides: Usually made of laminated woods such as maple or mahogany for durability and balanced sound.
• Neck: Maple neck, often with a rosewood or ebony fretboard for smooth playability.
• Finish: Gloss or satin finish options, depending on the model, to give a sleek or more natural look.
• Scale Length: Typically around 13.875” to 14” (35.2 cm to 35.6 cm) for most mandolins, offering comfortable playability.
• Hardware: Nickel or chrome-plated tuners and tailpieces for better tuning stability.
• Strings: Mandolins usually come with steel strings, though this can be upgraded to something like phosphor bronze or nickel-wound strings.
• Bridge: Adjustable bridge (often rosewood or ebony), allowing for action height adjustments.
• Pickups: Some models may come with built-in piezo pickups for amplified sound, while others are purely acoustic.

The TÓXICO-T DS98-T by DS Pickups.

A High-output humbucker driven by an ALNICO 8 core for the clarity typical of ceramic magnets combined with the warmth and sustain of ALNICO.
This model combines aggressive windings with an extra-magnetized core, delivering a unique blend of warm treble response, focused midrange frequencies, and more defined bass with incredible power.
Protected by a thin tape, the copper wire is wound very close to the ferrous cores, offering greater sensitivity and sustain compared to any other humbucker pickup. It comes with 12 adjustable Allen screws and a 4-conductor cable with shielding for multiple wiring configurations.
Proudly made in Florida, BA, this product is hand-assembled in our workshop and vacuum-sealed to prevent unwanted feedback.

Specs:

• OUTPUT: High
• RESISTANCE: 14.9K (neck) and 17.9K (bridge)
• MAGNET: Alnico 8 bar
• RESONANCE PEAK: 2.41KHz (neck) and 2.06KHz (bridge)
• INDUCTANCE: 6.59 Henries (neck) and 9.14 Henries (bridge)
• NOISE CANCELLATION: Yes

• OUTPUT CABLE: 4 conductors + shield
• COVER: Alpaca silver with rustic/vintage handcrafted finish.
• BASE: Shielded CEM1 with quick-connect system.
• INCLUDED COMPONENTS: Mounting screws, springs, and installation manual.

Looking to enhance your guitar’s tonal range and power? The DS Pickups AH3 Bridge Alnico V is precisely engineered to elevate your sound. Designed for the discerning guitarist, this Alnico V magnet pickup provides a balanced blend of warmth and clarity, perfect for delivering punchy mids and sparkling highs. Whether you're strumming complex chords or tearing through solos, the AH3 ensures each note rings with precision. Ideal for rock, blues, jazz, or any genre that demands a dynamic sound profile, this pickup is a versatile choice for both stage and studio performances.

Crafted with meticulous attention to detail, the AH3 pickup features a wax-potted coil to reduce unwanted feedback and microphonics, allowing for clean and articulate performance under high gain. Its robust construction ensures durability, making it a reliable choice for gigging musicians. Easy to install, the AH3 is compatible with a wide range of guitar models, providing an effortless upgrade to your existing setup without any extensive modifications.

Key Features:

• Alnico V magnet for balanced warmth and clarity
• Wax-potted coil to minimize feedback and microphonics
• Versatile range suitable for multiple genres
• Durable construction for long-lasting performance
• Easy installation with compatibility for various guitar models

Looking to enhance your guitar’s tonal range and power? The DS Pickups AH3 Bridge Alnico V is precisely engineered to elevate your sound. Designed for the discerning guitarist, this Alnico V magnet pickup provides a balanced blend of warmth and clarity, perfect for delivering punchy mids and sparkling highs. Whether you're strumming complex chords or tearing through solos, the AH3 ensures each note rings with precision. Ideal for rock, blues, jazz, or any genre that demands a dynamic sound profile, this pickup is a versatile choice for both stage and studio performances.

Crafted with meticulous attention to detail, the AH3 pickup features a wax-potted coil to reduce unwanted feedback and microphonics, allowing for clean and articulate performance under high gain. Its robust construction ensures durability, making it a reliable choice for gigging musicians. Easy to install, the AH3 is compatible with a wide range of guitar models, providing an effortless upgrade to your existing setup without any extensive modifications.

Key Features:

• Alnico V magnet for balanced warmth and clarity
• Wax-potted coil to minimize feedback and microphonics
• Versatile range suitable for multiple genres
• Durable construction for long-lasting performance
• Easy installation with compatibility for various guitar models

The DS Pickups AH2-T (DS-34) Alnico V humbucker is designed for the guitarist who craves versatility and clarity. Crafted with Alnico V magnets, this pickup delivers a balanced mix of warmth and brightness, making it an excellent choice for a wide range of genres—from blues and jazz to rock and metal. The AH2-T provides a robust midrange and articulate high end, ensuring that each note rings clear and true, whether you're strumming chords or executing intricate solos.

This pickup is engineered to fit both neck and bridge positions, offering you the flexibility to customize your guitar's sound to suit your personal style. Its precise construction minimizes unwanted noise and interference, allowing you to focus solely on your performance. Easy to install, the DS Pickups AH2-T (DS-34) Alnico V is compatible with a variety of guitar models, making it a versatile addition to any musician's gear arsenal.

Key Features:

• Utilizes Alnico V magnets for a balanced tone
• Suitable for both neck and bridge positions
• Delivers clear and articulate sound across a wide frequency range
• Ideal for multiple genres, including blues, jazz, rock, and metal
• Designed to minimize noise and interference
• Compatible with a wide range of guitar models
• Easy installation for hassle-free setup

The DS Pickups AH2-T (DS-34) Alnico V humbucker is designed for the guitarist who craves versatility and clarity. Crafted with Alnico V magnets, this pickup delivers a balanced mix of warmth and brightness, making it an excellent choice for a wide range of genres—from blues and jazz to rock and metal. The AH2-T provides a robust midrange and articulate high end, ensuring that each note rings clear and true, whether you're strumming chords or executing intricate solos.

This pickup is engineered to fit both neck and bridge positions, offering you the flexibility to customize your guitar's sound to suit your personal style. Its precise construction minimizes unwanted noise and interference, allowing you to focus solely on your performance. Easy to install, the DS Pickups AH2-T (DS-34) Alnico V is compatible with a variety of guitar models, making it a versatile addition to any musician's gear arsenal.

Key Features:

• Utilizes Alnico V magnets for a balanced tone
• Suitable for both neck and bridge positions
• Delivers clear and articulate sound across a wide frequency range
• Ideal for multiple genres, including blues, jazz, rock, and metal
• Designed to minimize noise and interference
• Compatible with a wide range of guitar models
• Easy installation for hassle-free setup

Unleash the true potential of your guitar with the DS Pickups DS-14 Blues Alnico V. Crafted for musicians who appreciate the subtle nuances of blues music, this pickup set is designed to deliver a warm, rich sound with exceptional clarity and depth. The Alnico V magnets are the heart of these pickups, ensuring a dynamic response that captures every bend and slide with precision. Ideal for both vintage enthusiasts and modern players, the DS-14 Blues Alnico V provides a balanced tonal range that excels in both studio and live settings.

Whether you're looking to enhance your guitar's sound or simply seeking a reliable upgrade, these pickups promise to deliver. The DS-14 is engineered to reduce noise and hum, allowing for a cleaner output that lets your music shine. Easy to install, these pickups are compatible with a wide range of electric guitars, making them a versatile choice for any musician looking to elevate their sound.

Key Features:

• Set of Alnico V magnet pickups
• Warm, rich sound with exceptional clarity
• Designed specifically for blues music
• Reduces noise and hum for a cleaner output
• Compatible with a wide range of electric guitars
• Easy installation process

Unleash the true potential of your guitar with the DS Pickups DS-14 Blues Alnico V. Crafted for musicians who appreciate the subtle nuances of blues music, this pickup set is designed to deliver a warm, rich sound with exceptional clarity and depth. The Alnico V magnets are the heart of these pickups, ensuring a dynamic response that captures every bend and slide with precision. Ideal for both vintage enthusiasts and modern players, the DS-14 Blues Alnico V provides a balanced tonal range that excels in both studio and live settings.

Whether you're looking to enhance your guitar's sound or simply seeking a reliable upgrade, these pickups promise to deliver. The DS-14 is engineered to reduce noise and hum, allowing for a cleaner output that lets your music shine. Easy to install, these pickups are compatible with a wide range of electric guitars, making them a versatile choice for any musician looking to elevate their sound.

Key Features:

• Set of Alnico V magnet pickups
• Warm, rich sound with exceptional clarity
• Designed specifically for blues music
• Reduces noise and hum for a cleaner output
• Compatible with a wide range of electric guitars
• Easy installation process

Unlock new tonal possibilities with the DS Pickups DS-30 Bridge, a meticulously engineered guitar pickup designed to elevate your sound. Perfect for both seasoned musicians and aspiring guitarists, this pickup is crafted to offer unparalleled clarity and dynamic range. Whether you're playing in a bustling live setting or recording in the studio, the DS-30 delivers a rich harmonic response that can cut through any mix with ease. Its precision winding and high-quality materials ensure longevity and consistent performance.

The DS-30 Bridge pickup is compatible with a wide range of electric guitars, making it a versatile addition to your gear collection. With an emphasis on maximized output and minimized noise, this pickup is ideal for rock, blues, and metal genres. Its ceramic magnet design enhances sustain and provides a punchy, articulate tone that will inspire your creativity.

Key Features:

• High-output ceramic magnet design
• Enhanced sustain for powerful sound projection
• Precision winding for clear, dynamic tones
• Versatile compatibility with various electric guitars
• Ideal for rock, blues, and metal music styles

Unlock new tonal possibilities with the DS Pickups DS-30 Bridge, a meticulously engineered guitar pickup designed to elevate your sound. Perfect for both seasoned musicians and aspiring guitarists, this pickup is crafted to offer unparalleled clarity and dynamic range. Whether you're playing in a bustling live setting or recording in the studio, the DS-30 delivers a rich harmonic response that can cut through any mix with ease. Its precision winding and high-quality materials ensure longevity and consistent performance.

The DS-30 Bridge pickup is compatible with a wide range of electric guitars, making it a versatile addition to your gear collection. With an emphasis on maximized output and minimized noise, this pickup is ideal for rock, blues, and metal genres. Its ceramic magnet design enhances sustain and provides a punchy, articulate tone that will inspire your creativity.

Key Features:

• High-output ceramic magnet design
• Enhanced sustain for powerful sound projection
• Precision winding for clear, dynamic tones
• Versatile compatibility with various electric guitars
• Ideal for rock, blues, and metal music styles

Discover the DS Pickups Tele Neck V (DS21), a meticulously crafted pickup designed to elevate your Telecaster’s tonal range. This pickup is engineered for musicians who demand clarity and warmth in their sound. Crafted for the neck position, the DS21 delivers an articulate and well-balanced tone, perfect for genres ranging from blues to rock. Its vintage-inspired design pays homage to the classic Telecaster sound while incorporating modern enhancements for improved performance.

The DS21 features an Alnico V magnet, known for its exceptional magnetic properties and ability to produce a rich, dynamic sound. This ensures that each note rings out with clarity, making it an ideal choice for both rhythm and lead playing. The pickup's wax-potted construction helps reduce unwanted feedback and microphonics, even at higher volumes, giving you the confidence to perform in any setting.

Whether you are upgrading your current setup or building a custom guitar, the DS Pickups Tele Neck V (DS21) offers a perfect blend of tradition and innovation, promising a tone that is as expressive as your playing style.

Key Features:

• Designed for neck position on Telecaster-style guitars
• Alnico V magnet for a rich, dynamic sound
• Vintage-inspired design with modern enhancements
• Wax-potted for reduced feedback and microphonics
• Ideal for a variety of musical genres including blues, rock, and country
• Easy installation for both upgrades and custom builds

Discover the DS Pickups Tele Neck V (DS21), a meticulously crafted pickup designed to elevate your Telecaster’s tonal range. This pickup is engineered for musicians who demand clarity and warmth in their sound. Crafted for the neck position, the DS21 delivers an articulate and well-balanced tone, perfect for genres ranging from blues to rock. Its vintage-inspired design pays homage to the classic Telecaster sound while incorporating modern enhancements for improved performance.

The DS21 features an Alnico V magnet, known for its exceptional magnetic properties and ability to produce a rich, dynamic sound. This ensures that each note rings out with clarity, making it an ideal choice for both rhythm and lead playing. The pickup's wax-potted construction helps reduce unwanted feedback and microphonics, even at higher volumes, giving you the confidence to perform in any setting.

Whether you are upgrading your current setup or building a custom guitar, the DS Pickups Tele Neck V (DS21) offers a perfect blend of tradition and innovation, promising a tone that is as expressive as your playing style.

Key Features:

• Designed for neck position on Telecaster-style guitars
• Alnico V magnet for a rich, dynamic sound
• Vintage-inspired design with modern enhancements
• Wax-potted for reduced feedback and microphonics
• Ideal for a variety of musical genres including blues, rock, and country
• Easy installation for both upgrades and custom builds

The MD-50E is made by the French luthier Maurice Dupont , one of the most respected builders of “Gypsy Jazz” Guitars.

It faithfully follows the classic Selmer/Maccaferri–inspired “gypsy-jazz” tradition, known for producing the bright, projecting, “jump-blues” sound favoured by players of Gypsy Jazz.
Many pros use Dupont guitars for that authentic “manouche” tone — with clarity, volume and responsiveness when played acoustically or plugged in (often with a pickup).
It’s also prized for its craftsmanship: high-quality tonewoods, careful build and a lightweight yet resonant construction that balances projection and tonal warmth.

Specs:

• Body Type / Style “Gypsy jazz” / Selmer-style archtop / oval-hole (or D-hole, depending on version)
• Back & Sides Typically maple (often highly flamed / “bird-eye” maple) for many MD-50E versions
• Top (Soundboard) Solid spruce (sometimes “French spruce” / European spruce)
• Neck Maple neck (on many models) with ebony fingerboard
• Fingerboard Ebony
• Scale Length ~ 670 mm (≈ 26.4–26.75″)
• Nut / Neck Width ~ 44.5 mm at the nut (standard for Selmer-style gypsy guitars)
• Frets / Neck Joint body joins neck around 14th fret (common Selmer-style layout)
• Hardware Brass tailpiece (DM style), quality machine heads (gold / vintage-style in many cases)
• Weight / Feel Relatively light and comfortable , part of what gives its loud, projecting gypsy-jazz tone
• Case Often delivered with a hardshell or hard case
• Sound Loud, clear, punchy , ideal for “Gypsy Jazz” rhythm and lead; Strong Mids and balanced tone with good projection.

The SE Chleo is the Signature of Virtuoso Guitarist Herman Li build together with PRS

It’s a signature-model guitar designed in collaboration with virtuoso guitarist Herman Li , built for speed, precision, and modern metal playing.
The body is very thin and lightweight thanks to a sculpted maple top on mahogany, making it comfortable for long sessions and energetic playing.
It uses premium pickups , Fishman Fluence Signature Series “Omniforce Herman Li” , giving 3 pickup voices per pickup and up to 13 different tone combinations, from heavy rhythms to searing leads or single-coil-like clarity.
The neck and fretboard are optimized for fast, technical playing: a maple neck with carbon-fiber reinforcement for stability and sustain; ebony fingerboard with 20″ radius and 24 frets; upper-fret access improved with a reshaped cutaway and modified “scoop.”
It’s equipped with a locking tremolo (Floyd Rose 1000) and locking nut , great for dive-bombs and heavy tremolo use while keeping tuning stable.

Specs:

• Feature Detail
• Body Mahogany back + Maple top (sculpted carve)
• Neck Maple bolt-on, “Chleo” profile, reinforced with carbon-fiber rods
• Fingerboard Ebony, 20″ radius, 24 frets, “Eclipse Dragon” inlays
• Scale & Nut Width 25.5″ scale, 1.75″ nut width
• Pickups Fishman Fluence Signature Series Omniforce (HSH)
• Electronics Push/pull volume & tone, 5-way selector — 13 tone combinations
• Bridge / Tremolo Floyd Rose 1000 with locking nut & PRS locking tuners
• Hardware Finish Smoked black
• Strings (factory) PRS Classic .009–.046

What makes the Hahn Model 112 special

The Model 112 is the first original body design from Hahn Guitars , developed over two years (in collaboration with Walter Becker) with the goal of creating a “new classic” capable of covering many genres.
It combines familiar ergonomic traits (bolt-on maple neck, alder body, double-cutaway form, S-style bevels) that feel comfortable to players used to classic guitars, but with a very different tonal character thanks to custom pickups and hardware.
The pickup configuration (custom P-90s, and in some builds even a middle “gold-foil” single-coil) gives it a broad tonal palette: bright, clean and chime-like but also capable of growl, dynamics and rich midrange ,somewhere between a Strat, a Tele and a P-90-equipped slab body.
Build quality and finish: handcrafted in small batches, with careful wood selection (alder body, maple neck) and a thin nitro-cellulose lacquer finish to maximize resonance and give a classy, boutique-guitar feel.
Versatility: described by reviewers as a “workhorse” guitar , suitable for clean, jazzy tones, rock, blues, even more aggressive overdriven sounds , making it a great “do-it-all” instrument rather than a one-style niche guitar.
In short: the Model 112 stands out because it merges familiar playability and ergonomics with a unique voice , giving you vintage-leaning P-90 grit, single-coil clarity, and modern build quality all in one instrument.

Specs:

• Body: Alder, double-cutaway solid body.
• Neck: Maple bolt-on neck, .85–.87" deep “C” contour.
• Fingerboard: Rosewood (or maple depending on version), medium-jumbo frets.
• Scale length: 25.5" (standard scale)
• Bridge: Custom “H” bridge (cold-rolled steel) , optionally top-load or through-body stringing; compensated brass saddles.
• Tuners: Gotoh / Kluson-style tuners.
• Pickups: Typically custom P-90s (neck + bridge), sometimes with middle “gold-foil” single-coil option , 5-way switching possible.
• Controls: One volume, one tone; 3- or 5-way selector depending on pickup configuration.
• Finish: Thin nitrocellulose lacquer (≈ 25 coats) , enhances resonance and feels high-end.
• Weight: Typically between ~6 ¾ and ~7 ½ lbs (≈ 3.1–3.4 kg) depending on build.

The GCS-16-1 Hollow-Body Jazz-Box by Comins.

The GCS-16-1 is a true archtop electric guitar built with a classic jazz-box ethos: wide 16" hollow-body construction for lots of air and resonance , giving it the “gir th of tone” that many jazz and fingerstyle players love. Even though the body is large, the guitar remains surprisingly comfortable and responsive: the moderate body depth and careful build make it easy to handle for long sessions, whether seated or standing. Plugged in, the single custom-wound humbucker (by Kent Armstrong) delivers a warm, round, balanced tone , smooth and full, with enough clarity and definition to cut through clean or slightly overdriven settings. Because it’s part of the craftsman-oriented “Guitar Craft Series” by Bill Comins, each instrument receives thorough setup and fine-tuning before shipping , so it’s not only a good constructor but also ready to play straight out of the case. In short: the GCS-16-1 stands out by offering a vintage-style archtop voice with modern build quality and playability , ideal for jazz, fingerstyle, vintage-leaning blues/rock or any context where warmth, resonance and a “classic box” tone matter.

Specs:

• Body: Hollowbody archtop, laminated Spruce top; laminated flame Maple back & sides.
• Body dimensions: 16" lower-bout width, ~2.75" (2 ¾") body depth.
• Neck: Hard Maple (or Eastern Mahogany depending on spec listing), Medium “C” shape, comfortably contoured.
• Fingerboard: Ebony, 12" radius.
• Scale length: 25" (some sources list 25.0").
• Nut width: 1.70" (~43 mm).
• Pickup: Single custom-wound Kent Armstrong humbucker (mounted in the body).
• Controls: Master Volume & Master Tone.
• Hardware finish: Chrome hardware.
• Tuners: Wilkinson tuners with 19:1 Gear Ratio.
• Binding: Multi-ply ivory/black binding around peghead, neck, and body.
• Finish / Variants: Available in colors such as Vintage Blonde, Tangerine Burst, Violin Burst, Autumn Burst, Black.
• Case: Comes with a hard-shell (TKL) case.

The Grand Tour Guitar by Grez Guitars

The Grand Tour is a 15" carved-top archtop guitar with a relatively shallow 2" rim depth yet a resonant, woody tone ,thanks to the unique “Sprung Mass Tuning” body that preserves low-frequency resonance and gives an unusually rich, open acoustic-like voice for a hollow-body electric.
It’s built to a very high-end, luthier-level standard: the body (back and sides) and neck are from one piece of Honduran mahogany, the top is Sitka spruce , a classic combination that balances warmth, clarity, and responsiveness.
Compared to larger-bodied archtops, its compact size and lighter weight (≈ 5.8 lb) make it much more comfortable to play , ideal both seated and standing, and easier to gig with.
The combination of high-quality woods, hand-crafted build, and options for customization (neck profile, finish, pickups, tailpiece etc.) gives each guitar a bespoke character: both visually refined and sonically versatile.
With classic archtop aesthetics inspired by 1950s instruments (e.g. period-style pickguard, nitro finish, vintage-style hardware), yet modern craftsmanship and build quality, it bridges vintage vibe and contemporary playability beautifully.
In short: The Grand Tour stands out because it's a masterfully crafted, lightweight archtop that delivers deep, rich resonance and vintage character , yet remains flexible, comfortable, and modern enough for today’s players and versatile musical styles.

Specs:

• Body: 15″ lower bout carved-top archtop, 2″ rim depth • Top Wood: Sitka Spruce • Back & Sides: 1-piece Honduran Mahogany (flat back, “Sprung Mass” tuned) • Neck: 1-piece Honduran Mahogany, Grez “Med C” profile (.83"–.95") • Fingerboard: Ebony
• Neck Joint: 16th-fret neck attachment
• Scale Length: 25″ (some sources say ~25″; one listing mentions 25")
• Nut Width: ~ 1.66″ (≈ 42.2 mm)
• Frets: 21 Jumbo frets
• Pickups: Typically P-90 style (various options, e.g. Lollar or custom), depending on build / custom order.
• Bridge: TonePros AVR2 bridge (or wood, depending on spec)
• Tailpiece: Grez stainless steel tailpiece (or custom, depending on order)
• Finish: Nitrocellulose lacquer finish (vintage-style)
• Weight: ≈ 5.8 lb (≈ 2.6 kg) — very light for an archtop.

The Grand Tour Guitar by Grez Guitars

The Grand Tour is a 15" carved-top archtop guitar with a relatively shallow 2" rim depth yet a resonant, woody tone ,thanks to the unique “Sprung Mass Tuning” body that preserves low-frequency resonance and gives an unusually rich, open acoustic-like voice for a hollow-body electric.
It’s built to a very high-end, luthier-level standard: the body (back and sides) and neck are from one piece of Honduran mahogany, the top is Sitka spruce , a classic combination that balances warmth, clarity, and responsiveness.
Compared to larger-bodied archtops, its compact size and lighter weight (≈ 5.8 lb) make it much more comfortable to play , ideal both seated and standing, and easier to gig with.
The combination of high-quality woods, hand-crafted build, and options for customization (neck profile, finish, pickups, tailpiece etc.) gives each guitar a bespoke character: both visually refined and sonically versatile.
With classic archtop aesthetics inspired by 1950s instruments (e.g. period-style pickguard, nitro finish, vintage-style hardware), yet modern craftsmanship and build quality, it bridges vintage vibe and contemporary playability beautifully.
In short: The Grand Tour stands out because it's a masterfully crafted, lightweight archtop that delivers deep, rich resonance and vintage character , yet remains flexible, comfortable, and modern enough for today’s players and versatile musical styles.

Specs:

• Body: 15″ lower bout carved-top archtop, 2″ rim depth
• Top Wood: Sitka Spruce
• Back & Sides: 1-piece Honduran Mahogany (flat back, “Sprung Mass” tuned)
• Neck: 1-piece Honduran Mahogany, Grez “Med C” profile (.83"–.95")
• Fingerboard: Ebony
• Neck Joint: 16th-fret neck attachment
• Scale Length: 25″ (some sources say ~25″; one listing mentions 25")
• Nut Width: ~ 1.66″ (≈ 42.2 mm)
• Frets: 21 Jumbo frets
• Pickups: Typically P-90 style (various options, e.g. Lollar or custom), depending on build / custom order.
• Bridge: TonePros AVR2 bridge (or wood, depending on spec)
• Tailpiece: Grez stainless steel tailpiece (or custom, depending on order)
• Finish: Nitrocellulose lacquer finish (vintage-style)
• Weight: ≈ 5.8 lb (≈ 2.6 kg) — very light for an archtop.

The Grand Tour Guitar by Grez Guitars

The Grand Tour is a 15" carved-top archtop guitar with a relatively shallow 2" rim depth yet a resonant, woody tone ,thanks to the unique “Sprung Mass Tuning” body that preserves low-frequency resonance and gives an unusually rich, open acoustic-like voice for a hollow-body electric.
It’s built to a very high-end, luthier-level standard: the body (back and sides) and neck are from one piece of Honduran mahogany, the top is Sitka spruce , a classic combination that balances warmth, clarity, and responsiveness.
Compared to larger-bodied archtops, its compact size and lighter weight (≈ 5.8 lb) make it much more comfortable to play , ideal both seated and standing, and easier to gig with.
The combination of high-quality woods, hand-crafted build, and options for customization (neck profile, finish, pickups, tailpiece etc.) gives each guitar a bespoke character: both visually refined and sonically versatile.
With classic archtop aesthetics inspired by 1950s instruments (e.g. period-style pickguard, nitro finish, vintage-style hardware), yet modern craftsmanship and build quality, it bridges vintage vibe and contemporary playability beautifully.
In short: The Grand Tour stands out because it's a masterfully crafted, lightweight archtop that delivers deep, rich resonance and vintage character , yet remains flexible, comfortable, and modern enough for today’s players and versatile musical styles.

Specs:

• Body: 15″ lower bout carved-top archtop, 2″ rim depth • Top Wood: Sitka Spruce • Back & Sides: 1-piece Honduran Mahogany (flat back, “Sprung Mass” tuned) • Neck: 1-piece Honduran Mahogany, Grez “Med C” profile (.83"–.95") • Fingerboard: Ebony
• Neck Joint: 16th-fret neck attachment
• Scale Length: 25″ (some sources say ~25″; one listing mentions 25")
• Nut Width: ~ 1.66″ (≈ 42.2 mm)
• Frets: 21 Jumbo frets
• Pickups: Typically P-90 style (various options, e.g. Lollar or custom), depending on build / custom order.
• Bridge: TonePros AVR2 bridge (or wood, depending on spec)
• Tailpiece: Grez stainless steel tailpiece (or custom, depending on order)
• Finish: Nitrocellulose lacquer finish (vintage-style)
• Weight: ≈ 5.8 lb (≈ 2.6 kg) — very light for an archtop.

The Aerodyne Special Telecaster Made in Japan (MIJ) by Fender. Color: California Blue

The Aerodyne Special Telecaster is special because it merges the heritage of Fender Tele tone and feel with modern ergonomics, hardware upgrades, and a sleek, updated look , making it a versatile and stylish instrument for many players. It revives the classic Tele design but brings it firmly into modern territory. Its sleek, contoured basswood body with a carved top gives it a slim, ergonomic feel , lighter and more comfortable than many standard Teles. Dual “Aerodyne Special” single-coil Tele pickups offer that timeless Fender clarity and articulation, while updated hardware , including a Babicz® Z-Series FCH bridge and locking tuners , improve sustain, tuning stability, and ease of string changes.
A “Modern C” maple neck with a 12″ fingerboard radius and either maple or rosewood fretboard gives a smooth, fast feel ideal for bends, runs, or expressive playing , a nice balance between vintage Tele vibe and modern performance requirements.
Visually, the bound carved top and matching painted headcap give it a refined, contemporary aesthetic that stands out from traditional Telecaster finishes , subtle but striking.

Specs:

• Body: Slim “Aerodyne” basswood body with bound carved top, gloss-polyester finish.
• Body shape: Telecaster®.
• Neck: Maple, bolt-on, Modern “C” profile, satin finish with gloss headstock face.
• Fingerboard: Maple or Rosewood, 12" (305 mm) radius.
• Frets / Fretboard: 22 medium-jumbo frets.
• Scale length: 25.5" (64.77 cm).
• Basswood body • Fingerboard radius: 12" (305 mm) • 22 medium jumbo frets • White Pearloid Dot Inlays • Synthetic bone nut • Nut width: 1.69" (43 mm) • 2x Aerodyne® Special single-coil Telecaster® pickups • Controls: Master Volume, Master Tone • Babicz® Z-Series FCH-Tele® bridge • Tuners: Deluxe cast/sealed locking • Pickups: Two Aerodyne Special single-coil Telecaster pickups (neck + bridge), configuration SS, 3-way blade switch (bridge / both / neck).
• Controls: Master volume & master tone.
• Bridge: Babicz® Z-Series FCH-Tele bridge (fixed).
• Tuning machines: Deluxe cast/sealed locking tuners (short-post). • Chrome hardware
• Strings: Nickel-plated steel (.009-.042 gauges)
• 3.3 kg

The Aerodyne Special Telecaster Made in Japan (MIJ) by Fender. Color: California Blue

The Aerodyne Special Telecaster is special because it merges the heritage of Fender Tele tone and feel with modern ergonomics, hardware upgrades, and a sleek, updated look , making it a versatile and stylish instrument for many players. It revives the classic Tele design but brings it firmly into modern territory. Its sleek, contoured basswood body with a carved top gives it a slim, ergonomic feel , lighter and more comfortable than many standard Teles. Dual “Aerodyne Special” single-coil Tele pickups offer that timeless Fender clarity and articulation, while updated hardware , including a Babicz® Z-Series FCH bridge and locking tuners , improve sustain, tuning stability, and ease of string changes.
A “Modern C” maple neck with a 12″ fingerboard radius and either maple or rosewood fretboard gives a smooth, fast feel ideal for bends, runs, or expressive playing , a nice balance between vintage Tele vibe and modern performance requirements.
Visually, the bound carved top and matching painted headcap give it a refined, contemporary aesthetic that stands out from traditional Telecaster finishes , subtle but striking.

Specs:

• Body: Slim “Aerodyne” basswood body with bound carved top, gloss-polyester finish.
• Body shape: Telecaster®.
• Neck: Maple, bolt-on, Modern “C” profile, satin finish with gloss headstock face.
• Fingerboard: Maple or Rosewood, 12" (305 mm) radius.
• Frets / Fretboard: 22 medium-jumbo frets.
• Scale length: 25.5" (64.77 cm).
• Basswood body
• Fingerboard radius: 12" (305 mm)
• 22 medium jumbo frets
• White Pearloid Dot Inlays
• Synthetic bone nut
• Nut width: 1.69" (43 mm)
• 2x Aerodyne® Special single-coil Telecaster® pickups
• Controls: Master Volume, Master Tone
• Babicz® Z-Series FCH-Tele® bridge • Tuners: Deluxe cast/sealed locking
• Pickups: Two Aerodyne Special single-coil Telecaster pickups (neck + bridge), configuration SS, 3-way blade switch (bridge / both / neck).
• Controls: Master volume & master tone.
• Bridge: Babicz® Z-Series FCH-Tele bridge (fixed).
• Tuning machines: Deluxe cast/sealed locking tuners (short-post).
• Chrome hardware
• Strings: Nickel-plated steel (.009-.042 gauges)
• 3.3 kg

The Aerodyne Special Telecaster Made in Japan (MIJ) by Fender.

The Aerodyne Special Telecaster is special because it merges the heritage of Fender Tele tone and feel with modern ergonomics, hardware upgrades, and a sleek, updated look , making it a versatile and stylish instrument for many players. It revives the classic Tele design but brings it firmly into modern territory. Its sleek, contoured basswood body with a carved top gives it a slim, ergonomic feel , lighter and more comfortable than many standard Teles. Dual “Aerodyne Special” single-coil Tele pickups offer that timeless Fender clarity and articulation, while updated hardware , including a Babicz® Z-Series FCH bridge and locking tuners , improve sustain, tuning stability, and ease of string changes.
A “Modern C” maple neck with a 12″ fingerboard radius and either maple or rosewood fretboard gives a smooth, fast feel ideal for bends, runs, or expressive playing , a nice balance between vintage Tele vibe and modern performance requirements.
Visually, the bound carved top and matching painted headcap give it a refined, contemporary aesthetic that stands out from traditional Telecaster finishes , subtle but striking.

Specs:

• Body: Slim “Aerodyne” basswood body with bound carved top, gloss-polyester finish.
• Body shape: Telecaster®.
• Neck: Maple, bolt-on, Modern “C” profile, satin finish with gloss headstock face.
• Fingerboard: Maple or rosewood, 12" (305 mm) radius.
• Frets / Fretboard: 22 medium-jumbo frets.
• Scale length: 25.5" (64.77 cm).
• Pickups: Two Aerodyne Special single-coil Telecaster pickups (neck + bridge), configuration SS, 3-way blade switch (bridge / both / neck).
• Controls: Master volume & master tone.
• Bridge: Babicz® Z-Series FCH-Tele bridge (fixed).
• Tuning machines: Deluxe cast/sealed locking tuners (short-post).
• Nut: Synthetic bone, width ~ 1.69" (43 mm).

The Aerodyne Special Telecaster Made in Japan (MIJ) by Fender. Color: California Blue

The Aerodyne Special Telecaster is special because it merges the heritage of Fender Tele tone and feel with modern ergonomics, hardware upgrades, and a sleek, updated look , making it a versatile and stylish instrument for many players. It revives the classic Tele design but brings it firmly into modern territory. Its sleek, contoured basswood body with a carved top gives it a slim, ergonomic feel , lighter and more comfortable than many standard Teles. Dual “Aerodyne Special” single-coil Tele pickups offer that timeless Fender clarity and articulation, while updated hardware , including a Babicz® Z-Series FCH bridge and locking tuners , improve sustain, tuning stability, and ease of string changes.
A “Modern C” maple neck with a 12″ fingerboard radius and either maple or rosewood fretboard gives a smooth, fast feel ideal for bends, runs, or expressive playing , a nice balance between vintage Tele vibe and modern performance requirements.
Visually, the bound carved top and matching painted headcap give it a refined, contemporary aesthetic that stands out from traditional Telecaster finishes , subtle but striking.

Specs:

• Body: Slim “Aerodyne” basswood body with bound carved top, gloss-polyester finish.
• Body shape: Telecaster®.
• Neck: Maple, bolt-on, Modern “C” profile, satin finish with gloss headstock face.
• Fingerboard: Maple or Rosewood, 12" (305 mm) radius.
• Frets / Fretboard: 22 medium-jumbo frets.
• Scale length: 25.5" (64.77 cm).
• Basswood body • Fingerboard radius: 12" (305 mm) • 22 medium jumbo frets • White Pearloid Dot Inlays • Synthetic bone nut • Nut width: 1.69" (43 mm) • 2x Aerodyne® Special single-coil Telecaster® pickups • Controls: Master Volume, Master Tone • Babicz® Z-Series FCH-Tele® bridge • Tuners: Deluxe cast/sealed locking • Pickups: Two Aerodyne Special single-coil Telecaster pickups (neck + bridge), configuration SS, 3-way blade switch (bridge / both / neck).
• Controls: Master volume & master tone.
• Bridge: Babicz® Z-Series FCH-Tele bridge (fixed).
• Tuning machines: Deluxe cast/sealed locking tuners (short-post). • Chrome hardware
• Strings: Nickel-plated steel (.009-.042 gauges)
• 3.3 kg

The Aerodyne Special Telecaster by Fender.

The Aerodyne Special Telecaster is special because it merges the heritage of Fender Tele tone and feel with modern ergonomics, hardware upgrades, and a sleek, updated look , making it a versatile and stylish instrument for many players. It revives the classic Tele design but brings it firmly into modern territory. Its sleek, contoured basswood body with a carved top gives it a slim, ergonomic feel , lighter and more comfortable than many standard Teles. Dual “Aerodyne Special” single-coil Tele pickups offer that timeless Fender clarity and articulation, while updated hardware , including a Babicz® Z-Series FCH bridge and locking tuners , improve sustain, tuning stability, and ease of string changes.
A “Modern C” maple neck with a 12″ fingerboard radius and either maple or rosewood fretboard gives a smooth, fast feel ideal for bends, runs, or expressive playing , a nice balance between vintage Tele vibe and modern performance requirements.
Visually, the bound carved top and matching painted headcap give it a refined, contemporary aesthetic that stands out from traditional Telecaster finishes , subtle but striking.

Specs:

• Body: Slim “Aerodyne” basswood body with bound carved top, gloss-polyester finish.
• Body shape: Telecaster®.
• Neck: Maple, bolt-on, Modern “C” profile, satin finish with gloss headstock face.
• Fingerboard: Maple or rosewood, 12" (305 mm) radius.
• Frets / Fretboard: 22 medium-jumbo frets.
• Scale length: 25.5" (64.77 cm).
• Pickups: Two Aerodyne Special single-coil Telecaster pickups (neck + bridge), configuration SS, 3-way blade switch (bridge / both / neck).
• Controls: Master volume & master tone.
• Bridge: Babicz® Z-Series FCH-Tele bridge (fixed).
• Tuning machines: Deluxe cast/sealed locking tuners (short-post).
• Nut: Synthetic bone, width ~ 1.69" (43 mm).

The Aerodyne Special Telecaster Made in Japan (MIJ) by Fender.

The Aerodyne Special Telecaster is special because it merges the heritage of Fender Tele tone and feel with modern ergonomics, hardware upgrades, and a sleek, updated look , making it a versatile and stylish instrument for many players. It revives the classic Tele design but brings it firmly into modern territory. Its sleek, contoured basswood body with a carved top gives it a slim, ergonomic feel , lighter and more comfortable than many standard Teles. Dual “Aerodyne Special” single-coil Tele pickups offer that timeless Fender clarity and articulation, while updated hardware , including a Babicz® Z-Series FCH bridge and locking tuners , improve sustain, tuning stability, and ease of string changes.
A “Modern C” maple neck with a 12″ fingerboard radius and either maple or rosewood fretboard gives a smooth, fast feel ideal for bends, runs, or expressive playing , a nice balance between vintage Tele vibe and modern performance requirements.
Visually, the bound carved top and matching painted headcap give it a refined, contemporary aesthetic that stands out from traditional Telecaster finishes , subtle but striking.

Specs:

• Body: Slim “Aerodyne” basswood body with bound carved top, gloss-polyester finish.
• Body shape: Telecaster®.
• Neck: Maple, bolt-on, Modern “C” profile, satin finish with gloss headstock face.
• Fingerboard: Maple or rosewood, 12" (305 mm) radius.
• Frets / Fretboard: 22 medium-jumbo frets.
• Scale length: 25.5" (64.77 cm).
• Pickups: Two Aerodyne Special single-coil Telecaster pickups (neck + bridge), configuration SS, 3-way blade switch (bridge / both / neck).
• Controls: Master volume & master tone.
• Bridge: Babicz® Z-Series FCH-Tele bridge (fixed).
• Tuning machines: Deluxe cast/sealed locking tuners (short-post).
• Nut: Synthetic bone, width ~ 1.69" (43 mm).

The Aerodyne Special Telecaster by Fender.

The Aerodyne Special Telecaster is special because it merges the heritage of Fender Tele tone and feel with modern ergonomics, hardware upgrades, and a sleek, updated look , making it a versatile and stylish instrument for many players. It revives the classic Tele design but brings it firmly into modern territory. Its sleek, contoured basswood body with a carved top gives it a slim, ergonomic feel , lighter and more comfortable than many standard Teles. Dual “Aerodyne Special” single-coil Tele pickups offer that timeless Fender clarity and articulation, while updated hardware , including a Babicz® Z-Series FCH bridge and locking tuners , improve sustain, tuning stability, and ease of string changes.
A “Modern C” maple neck with a 12″ fingerboard radius and either maple or rosewood fretboard gives a smooth, fast feel ideal for bends, runs, or expressive playing , a nice balance between vintage Tele vibe and modern performance requirements.
Visually, the bound carved top and matching painted headcap give it a refined, contemporary aesthetic that stands out from traditional Telecaster finishes , subtle but striking.

Specs:

• Body: Slim “Aerodyne” basswood body with bound carved top, gloss-polyester finish.
• Body shape: Telecaster®.
• Neck: Maple, bolt-on, Modern “C” profile, satin finish with gloss headstock face.
• Fingerboard: Maple or rosewood, 12" (305 mm) radius.
• Frets / Fretboard: 22 medium-jumbo frets.
• Scale length: 25.5" (64.77 cm).
• Pickups: Two Aerodyne Special single-coil Telecaster pickups (neck + bridge), configuration SS, 3-way blade switch (bridge / both / neck).
• Controls: Master volume & master tone.
• Bridge: Babicz® Z-Series FCH-Tele bridge (fixed).
• Tuning machines: Deluxe cast/sealed locking tuners (short-post).
• Nut: Synthetic bone, width ~ 1.69" (43 mm).

The TLTX Build by Mike Lull Custom Guitars.

A Semi-hollow in T-style.
Mike Lull instruments gets a PLEK precision fret-leveling and full electrostatic shielding
Built in Bellevue, Washington, USA - Just outside Seattle

The TLTX began as a signature guitar project with our good friend and Jazz/Blues virtuoso, Tim Lerch.
Mike and Tim went back and forth on the idea of creating a more full and resonant version of our TX.
With a slightly thicker mahogany body, hollowed it out (with a solid block down the middle that terminates past the bridge), added a 5A Flamed Maple Top, used a Glendale Half-Plate Tele Bridge and Lollar Low-Wind Imperials with a custom pickup spacing and the final result was the TLTX Signature Guitar.
And a 3/8” roundover and the inherent tonewood combinations.

The TLTX is available as Tim’s Signature Model (with his exact specifications) or in a customizable version depending on your exact needs. Specs:

Features & Specs

• Semi-Hollow Mahogany Body
• 3/8" 5A Flamed Maple Top
• Roasted Flamed Maple Neck
• Roasted Flamed Maple Fretboard
• Contoured Neck Heel
• 22 Frets (Stew-Mac .092 x .048 Nickel Frets)
• 9" Fretboard Radius
• Bone Nut
• Chrome and Black Hardware
• Hipshot Open-Gear Locking Tuners
• 1 11/16" Nut Width
• Glendale Half-Plate Tele Bridge and Compensated Brass Saddles

The TLTX Build by Mike Lull Custom Guitars.

A Semi-hollow in T-style.
Mike Lull instruments gets a PLEK precision fret-leveling and full electrostatic shielding
Built in Bellevue, Washington, USA - Just outside Seattle

The TLTX began as a signature guitar project with our good friend and Jazz/Blues virtuoso, Tim Lerch.
Mike and Tim went back and forth on the idea of creating a more full and resonant version of our TX.
With a slightly thicker mahogany body, hollowed it out (with a solid block down the middle that terminates past the bridge), added a 5A Flamed Maple Top, used a Glendale Half-Plate Tele Bridge and Lollar Low-Wind Imperials with a custom pickup spacing and the final result was the TLTX Signature Guitar.
And a 3/8” roundover and the inherent tonewood combinations.

The TLTX is available as Tim’s Signature Model (with his exact specifications) or in a customizable version depending on your exact needs.

Specs:

• Semi-Hollow Mahogany Body
• 3/8" 5A Flamed Maple Top
• Roasted Flamed Maple Neck
• Roasted Flamed Maple Fretboard
• Contoured Neck Heel
• 22 Frets (Stew-Mac .092 x .048 Nickel Frets)
• 9" Fretboard Radius
• Bone Nut
• Chrome and Black Hardware
• Hipshot Open-Gear Locking Tuners
• 1 11/16" Nut Width
• Glendale Half-Plate Tele Bridge and Compensated Brass Saddles

The TLTX Build by Mike Lull Custom Guitars.

A Semi-hollow in T-style.
Mike Lull instruments gets a PLEK precision fret-leveling and full electrostatic shielding
Built in Bellevue, Washington, USA - Just outside Seattle

The TLTX began as a signature guitar project with our good friend and Jazz/Blues virtuoso, Tim Lerch.
Mike and Tim went back and forth on the idea of creating a more full and resonant version of our TX.
With a slightly thicker mahogany body, hollowed it out (with a solid block down the middle that terminates past the bridge), added a 5A Flamed Maple Top, used a Glendale Half-Plate Tele Bridge and Lollar Low-Wind Imperials with a custom pickup spacing and the final result was the TLTX Signature Guitar.
And a 3/8” roundover and the inherent tonewood combinations.

The TLTX is available as Tim’s Signature Model (with his exact specifications) or in a customizable version depending on your exact needs. Specs:

Features & Specs

• Semi-Hollow Mahogany Body
• 3/8" 5A Flamed Maple Top
• Roasted Flamed Maple Neck
• Roasted Flamed Maple Fretboard
• Contoured Neck Heel
• 22 Frets (Stew-Mac .092 x .048 Nickel Frets)
• 9" Fretboard Radius
• Bone Nut
• Chrome and Black Hardware
• Hipshot Open-Gear Locking Tuners
• 1 11/16" Nut Width
• Glendale Half-Plate Tele Bridge and Compensated Brass Saddles

The L60PA 60-Watts Tube Amplifier Head by Laney.

A Vintage 60-Watts Tube Amplifier from the early 70ties made in the UK.

Specs:

• Type: Tube Guitar Amplifier Head.
• Power Output: 60 W.
• Power Tubes: 2 × EL34.
• Preamp tubes: Typically 3 (or 4 depending on version) × ECC83 / 12AX7‑type.
• Channels: 2 “Treble” and “Bass” Channels
• Outputs / Impedance: Speaker/output impedance typically selectable to match 8 Ω or 16 Ω (some reports mention 8 or 15 Ω depending on cabinet).
• Build / Transformers: Many vintage PA60s used high‑quality “Partridge” output transformers , part of what makes them sought after.
• Era / Rarity: The PA60 / Supergroup models date from the early 1970s; they are vintage and rare these days.
• The amp is reputed to have classic British‑tube sound: rich overdrive when pushed, warm cleans with good headroom, and a more “vintage” voice than many modern Amps , often compared favorably with early 1970s Tube-era Amps.

The AM4 Amp / Cap-Sim and Multi-Effects Pedal by Fractal.

The AM4 is an Amp Modeling, Speaker Simulation, Multi-Effects, .... Pedal.
It combines the Cygnus X-3 Amp _Modeling, visual DynaCab™ Speaker Simulation, UltraRes™ User Cabs, and a suite of impressive effects, with a streamlined workflow designed for players who want pro sound with less complexity.
With a user interface inspired by traditional Amps and Pedals.

Specs:

• Amp modeling + cab simulation + full multi‑effects in one compact pedalboard‑friendly unit.
• Built on the same component‑level physical‑modeling engine as the company’s flagship processors (same base tech as the bigger “Axe‑Fx” units) , so Amp Models aim to behave dynamically, like real tube amps.
• Includes 240+ amp models, 45+ built‑in speaker/cab simulations (DynaCab™), and supports loading your own IRs (cab impulses) for maximum tone flexibility.
• Huge Effects Library , over 325 effects covering drives/OD/distortion, Reverbs, Delays, modulation, EQ, dynamics, Wah, filters, and more.
• Low‑noise instrument input with “Auto‑Z” impedance switching (optimizes loading for different pickups).
• Balanced outputs (TRS main outs) for FRFR speakers, mixer, power amp, etc.
• Stereo analog insert (send/return) — so you can insert external pedals or gear in the signal chain.
• Additional I/O: Headphone output, two expression‑pedal/foot‑controller jacks, S/PDIF I/O, MIDI IN/OUT (3.5 mm TRS with adapter), USB‑C for 4×4 audio + MIDI (for DAW recording, re‑amping, or playback), and ability to load IRs.
• Power: 9 V DC, 1500 mA, center‑negative.
• 104 Presets: each preset can hold 4 blocks and 4 scenes.
• Amp‑block supports 4 channels per preset, with gapless switching , so you can switch between amp & cab settings (e.g. clean → crunch → lead → solo) seamlessly, without dropouts.
• Foot‑control: four footswitches + a tap/boost mode + scenes/effects/preset/tuner modes , friendly for live use or pedalboard integration.
• Dedicated editor software (AM4‑Edit for Mac/PC) for deep editing of amps, cabs, effects, controller assignments, system settings , plus firmware updates.

The Tank Mini Multi-Effect Guitar Pedal by M-Vave.

The Tank Mini is a portable and multifunctional Guitar/Bass Effect Pedal.
lt has 21 editable Presets, the users also can customize effectors chain and save.
It has built-in battery, it can last up to 7 hours on a full charge.
Tank Mini has 6 effects Modules, it contains the Noise Gate, Boost, Compressor, 20 Preamp, 3-band EQ, 7 Modulations, 5 Delays, 6 Reverbs, 20 lR CAB slots.
You can download the computer software or mobile APP from our official channels, use it to edit presets,swap presets, share presets, import/export presets, and import the lR files, import the AMP module timbre data, besides you can restore the factory Settings or firmware upgrade on the computer.
It support BT wireless music, earphone monitoring function, a sensitive Tuner, and computer sound card, etc.
Can be used as an audio interface with a cellphone, use a OTG converter (separately buying) and accessory USB cable to connect the cellphone, then enter any video/audio recording APP for direct recording. It integrates a variety of function, it is easy-carry and it has excellent sound! It could be a good partner of your music instruments.

Specs:

• Effect models: 6
• Effect: Delay / Reverb
• Preset storage slots: 21
• Impulse Response: Guitar CAB SIM 1 – 15 / Bass CAB SIM 16 – 20
• Supported formats: Work in progress
• Sampling rate: 44.1 kHz 24 Bit
• Sampling accuracy: Work in progress
Connector (I/O): Standard 1/4″ Jack Mono/TS Input | Standard 1/4″ Jack Mono/TS Output | 1/8″ Stereo Jack
• Suitable for musical instruments: Electric Guitar, Guitar Bass
• Power: Built In Battery up to 7 hours, USB 5 V
• Dimension : 16.5 x 5.4 x 3.6 cm. (W x L x H)
• Weight: 0.315 kilograms
• Input: Standard 1/4“interface mono/TS
• Output: Standard 1/8“interface mono/TS
• Power Supply: DC5v>-300mA power adapter

The Korn’s Indigo Ranch Tone in a Pedal by KHDK.

The sound that shook the 90s. The riffs that made you pick up a guitar. Built to Munky's Specs.
Only 500 red-and-black Indigo Sludge pedals exist in the world

Specs:

• The Indigo Sludge Preamp + Fuzz isn’t just another distortion box , it’s a faithful recreation of the exact tonal DNA that shaped Korn’s first two records.
• Preamp Section – Modeled on the high-gain preamp stages from the original Indigo Ranch rigs, delivering the tight, saturated crunch that defined Munky & • Head’s 7-string riffing.
• Fuzz Circuit – Inspired by the heavily modded fuzz pedals used during the ’94–’96 sessions. Adds woolly, sustain-drenched chaos for walls of sound or psychedelic breakdowns.
• Octave Switch – Engage an extra low octave for even more gut-rattling depth , perfect for Downtuned Chugs and subterranean riffs.
• Full EQ & Presence – Independent Bass, Mid, Treble, Gain, Volume, and Presence controls give you total command of your tone, whether you want tight low-end punch or a more open, sludgy roar.
• Independent Fuzz Controls – Dedicated Gain, Volume, and Tone dials let you blend just the right amount of fuzz into the preamp drive for layered intensity.
• Stage & Studio Ready – True bypass, 9V power, and a road-ready chassis built to survive the chaos of live shows.
• This isn’t “inspired by” Korn’s tone. It’s built on the same ingredients that forged it.

The ARU-10 Wireless Instrument Audio Transmitter + Receiver by Aroma.

For live performance or stage use , 30–50 m wireless range gives freedom to move.
Works with guitar, bass, keyboards, and other instruments with ¼" or ⅛" outputs thanks to the adapter support.
For studio or rehearsal when you want a cable-free setup.
The multiple channels and ability to run multiple units at once is useful for bands with more than one wireless instrument.
Low latency and wide dynamic & frequency range help preserve tone, so it's usable not just for convenience but for serious playing.

Specs:

• Transmission technology UHF wireless
• Selectable channels 7 UHF channels (so multiple ARU-10 units can be used simultaneously without interference)
• Connection Type / Jacks: Supports 6.35 mm (¼″) and 3.5 mm (⅛″) , many guitars/basses/boards covered.
• Connector Head: is rotatable for easy plugging depending on instrument orientation.
• Transmission distance (line of sight) ~ 30 to 50 meters (≈ 100–165 ft)
• Frequency response 20 Hz – 20 kHz (full audio band)
• Dynamic range > 106 dB
• Signal-to-noise ratio (S/N) > 85 dB (some specs mention this)
• Latency Low latency (reported < 3–5 ms in some descriptions) , suitable for real-time playing.
• Power / Battery Internal rechargeable lithium battery , 3.7 V / 950 mAh
• Battery life ~ 6–7 hours continuous use per full charge
• Charging USB-C (5 V) charging
• Dimensions & Weight About 73.2 × 37.2 × 26.5 mm; weight ~ 93 g