hermanomad

hermanomad

GearIQ 156 Joined Jan 2017 0 Following

I am an Audio Engineer for mostly live and broadcasting. Also occasional studio stuff. I like to work with sleeper gear nobody knows or looks at but sounds amazing. Tend to lean to sound of Hendrix.

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Gear 16

This is rough. When cracked, play no cords, because hell will break loose. When backed up, it's an absolute killer for blues with gnarl.
I use it as an overdrive, as it has a really smooth fuzz character to it when backed up. Totally matched my Fender setup. Must add that I put in a new OP amp some day or age ago. Cleaned it up some bit, but nothing major.
Don't think twice... you can dial in the different categories of reverb right from the pedal and they sound really very good. If not, you didn't take enough time to set the dials right for you. Still not happy? Go tweaking in the Toneprint editor and you must be looking for a very strange and specific sound if you can't dial it in there. Then, try some of the artists toneprints, man it's just INCREDIBLY versatile AND good sounding. Remember when 35mm film was still 'better' than digital. Well, we got over the romantic stuff and it just works better now, same here with TC.
I tried the Diamond Compressor, but this little gem is SOOOOO much more versatile, and did I say BETTER in every way! It is a good VST plugin (via the Toneprint editor) in a box. And Multiband. And small. And uncoloring. And just mindblowing. If you can't dial in your sound on this one, the pedal is not to blame.
This amp is perfect for playing at home. It looks awesome in the livingroom and it sounds great at low volume. The advantage of the weird foam speakers is that you don't need to get loud to make it sound warm and lush. Actually, this amp is not made to go loud at all. The foam speakers are too fragile for that. And then.... the rotating speaker.... like a lesley. It is beyond amazing.... Like the best chorus you have ever heard. Please do use a seperate EQ to add mids, because the amp it built for keys...
I played tons of expensive amps and speakers and was just never done tweaking the sound... Untill a friend of mine proposed to do "bass porn" meeting. Sounds weird, but it's just putting all our gear together and mixing everything and jamming along. Then I played my amp over his speaker and I immediately felt at home, like I was done tweaking. I was looking for this sound. The thing is, the Tedd has tons of character, it's gritty, it's edgy, and that's what I wanted!!!
Have them for 10+ years now and they remain the timeless option you won't regret.
For around 200 bucks, you can get yourself the steal of the decade with this solid state twin reverb version from Yamaha. It's a killer amp, awesome cleans, musical eq, shit distortion (get a TC Dark Matter of TC Tube Pilot for it). Sounds wicked!
These days, you'd rather have a THR desktop amp for at home. But if you need a good clean amp for small stages and performances, this little gem won't fail you. It sounds better, less harsh, than a Fender of this size. A killer for the blues.
It is a staple pedal for a reason. Very undervalued, it is a great pedal you just have to have, just because it is so cheap to get. I bought mine battered like hell for $15. Works like a charm and you need him when you least expect it in a studio environment.
You probably never heard of it... Plastic fantastic from the 80ies, but I very much like the slight coloration it got. Still on my pedalboard, but actually only for the great Tone Button. It is SO DAMN musical. Always just adds to my sound. The button sucks, so don't even try that on stage, or anywhere for that matter :) Just leave on or control remotely.
This bass is not the holy grain in any sense, but it is a great platform for customization!! This wood is fine, the sound is way better than you would expect, just the hardware is so so but no issue and do immediately replace the 4 pieces of steel wire. For the money, do yourself a favor and try your favourite color and spice, they are so much fun. Basically a proper beginners bass, but way fun for any bassist to show their skills. Yeah, it's your playing, not your bass... ;) 4 stars go to the value-for-money proposition.
This is my first bass, got it some 20 years ago in my teens from a guy who cleaned up on his wall decorations ;) So for 50 bucks I was a happy fresh bass player! The bass itself?? I have tried and owned many different basses after this one, but not one could beat its sound... The pickups and wood (=HEAVY) really seem to make some magic combination of sorts, because it has growl, twang, and plain honest needs to be tamed like a wild animal! After years of trial and error, I ended up with Rotosound Piano strings on it. Makes it sing. I play on a Klockenklang Tedd 15" + 6", which enabled the Diamond to show it's character well. I though about a 4 star rating coz the neck is rather chunky. I mean, I'm used to it. But when I pick up another bass I'm like "ohhh... ". But really, Jazz basses usually have a less smooth neck compared to other models. If it would twist or break or anything, I'd bring it to a proper luthier for a nice new neck. Maybe I'll do that anyway!!! My final addition to the team is a TC SpectraComp, totally deals with the dynamics without killing it, or the tone. I'm happy!

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