Grace Slick played a Baldwin Electric Harpsichord at the Monterey International Pop Festival in 1967 during Jefferson Airplane's song "Today." The stage was very dark during the song, making the harpsichord is difficult to see; however, its distinct sound can be heard in videos of the performance.

An electric harpsichord sound can also be heard on the Jefferson Airplane song "Two Heads" from the 1967 album After Bathing at Baxter's. This was likely a Baldwin Electric Harpsichord as well.

In this photo, Jones can be seen playing a Baldwin Electric Harpsichord on the set of the Monkees television show. The Monkees modified the harpsichord and affixed it to a bicycle (see Peter Tork’s page for more).

A Baldwin Electric Harpsichord can be seen in this December 1967 photo of The United States of America recording their eponymous album in the Columbia Records studios in New York. The harpsichord is to the right in the picture. Byrd also references the electric harpsichord in this interview.

We ended up with a bank of Acoustic amp/speakers. I had an electric harpsichord (great with fuzz and distortion) and a Farfisa organ (useless except as a pad). We had a synthesizer like the one I’d commissioned from Tom Oberheim (the beginning of his business career), made by Richard Durrette, and similarly pretty random in terms of controls. What made it work was an Echo-Plex, which gave tape delay. We also bought two eight-track decks, on which I recorded the electronics from the recording session. So we were able to replicate everything live. We played with other stuff, contact mics, etc., but the state of technology meant that the more stuff you had, the more opportunities for broken cables and performance disasters.

In this photo, a Baldwin Electric Harpsichord can be seen in the studio to Underwood’s right.

According to the Wikipedia article on Vince Guaraldi's "Oh Good Grief!" album, the Baldwin Electric Harpsichord is credited with providing the defining sound of the album, contributing to its distinctive modern texture.

Hank Jones played a Baldwin Harpsichord throughout his 1967 album Happenings. He can also be seen playing it on the album cover.

"Oh, and Baldwin Electric Harpsichord playing spooky low notes."

Mark Ayres confirmed Dudley Synths he used in Dr Who, since he knew him and talk to him personally in the past.

Art Resnick played a Baldwin Electric Harpsichord with The New Salvation Army Banned (soon shortened to “Salvation”) at the KFRC Fantasy Fair & Magic Mountain Music Festival on Mt. Tamalpais in June 1967. The harpsichord’s front two legs were removed so it could be placed on top of a Vox Continental organ, while the lone back leg remained.

This unique set up can be partially seen in the photo above. Resnick is out of view to the right. A home movie clip filmed at the event (in color, without sound) can also be viewed here.

This is one of only a handful of known instances where a Baldwin Electric Harpsichord was played live in concert, as the instrument was much more commonly used by bands in the studio.

According to this Beach Boys recording archive, De Lory played a Baldwin Electric Harpsichord on the Beach Boys’ song “Sherry She Needs Me.”

Don Randi mentions the Baldwin Electric Harpsichord in this 2013 WSJ article about the harpsichord revival of the 1960s.

"On many pop recordings in the '60s we used a Baldwin electric harpsichord," said pianist Don Randi, who played a two-keyboard harpsichord on "Different Drum." "The ear couldn't tell, especially when it was added to a larger arrangement."

Paul Mauriat playing a Baldwin Electric Harpsichord during the Paul Mauriat Orchestra concert at Shibuya Kokaido on November 11, 1969 in Tokyo, Japan.

Sound on Sound mentions Dhomnail's use of the Baldwin Electric Harpsichord.

The jazz, funk and disco pedigree of the Clavinet is very well documented elsewhere; the earliest Stevie Wonder recordings are from 1968, notably ‘Shoo Be Doo Be Doo Da Day’, preceding the classic multitracked Clavinet milestone ‘Superstition’ by four years. The Clavinet was also used in folk music to good effect by Triona Ni Dhomnail, keyboard player of Irish group the Bothy Band, who used a Clavinet L extensively in the 1970s, as well as a Baldwin Electric Harpsichord.