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Based on price data from 1 merchant for "Blackmagic Design URSA Broadcast G2 with Fujinon LA16x8BRM-XB1A Lens". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

Unlock the full potential of your broadcast and cinematic projects with the Blackmagic Design URSA Broadcast G2, coupled with the Fujinon LA16x8BRM-XB1A Lens. This dynamic duo is more than just a camera; it's a versatile powerhouse designed for broadcasters, filmmakers, and content creators who demand uncompromising quality and flexibility. The URSA Broadcast G2 is engineered with a 6K digital film sensor, ensuring each shot you capture is rich in detail and dynamic range, whether you're broadcasting live or crafting a cinematic masterpiece.

The included Fujinon 4K servo lens, with its 16x zoom ratio and electronic back focus adjustment, is perfect for switching between quick ENG shots and precise studio setups. The camera's advanced Blackmagic Generation 5 Color Science ensures breathtakingly accurate colors, making your footage ready for any professional editing suite. With interchangeable lens mounts, ranging from B4 to PL and EF, the URSA Broadcast G2 adapts to your creative needs, offering unparalleled versatility.

The camera supports multiple recording formats, including Blackmagic RAW and ProRes, providing flexibility in post-production workflows. Its dual CFast 2.0 and SD/UHS-II card slots, along with USB-C for direct recording to external drives, ensure you're always ready for extended shoots without missing a beat. Whether you're capturing the vibrancy of a live event or the subtleties of a scripted drama, the URSA Broadcast G2 with Fujinon Lens is your reliable partner in filmmaking.

Key Features:

  • 6K digital film sensor with 13 stops of dynamic range
  • Interchangeable B4, PL, and EF lens mounts
  • Blackmagic Generation 5 Color Science for accurate color reproduction
  • Dual CFast 2.0 and SD/UHS-II card slots for continuous recording
  • USB-C port for direct recording to external media
  • Fujinon LA16x8BRM-XB1A 4K lens with 16x zoom and servo unit
  • Supports Blackmagic RAW, ProRes, and H.265 formats
  • High-quality built-in ND filters and advanced YRGB color correction
  • Rugged magnesium alloy design for durable, lightweight handling
  • Includes DaVinci Resolve Studio for professional post-production editing

Product specs

Type Broadcast Production Camera
Display Size 4" LCD Touchscreen
Lens Type Fujinon LA16x8BRM-XB1A
Lens Mount B4 Mount Installed, Active EF Mount Included
Image Sensor 23.1mm x 12.99mm
Focal Length 8mm-128mm
Aperture f/1.9 to f/2.8
Zoom 16x Optical Zoom
Video Resolution 6K (up to 60fps), 4K (up to 60fps), 1080p (up to 150fps)
Video Format Blackmagic RAW, H.265/H.265, Apple ProRes 422
Audio Resolution 24-bit/48kHz
Video Inputs 1 x BNC (12G SDI)
Video Outputs 1 x BNC (12G SDI), 1 x BNC (3G SDI)
Audio Inputs 2 x XLR (mic/line/AES, phantom power)
Audio Outputs 1 x 1/8" TRRS (headset)
Built-in Mic Yes, Stereo
Bluetooth BLE (app control)
USB 1 x USB-C 3.1 Gen2 (external drive recording, zoom/focus control, firmware update)
Sync 1 x BNC (ref/timecode)
Other I/O 1 x 12-pin Hirose (broadcast lens control)
Storage Format 2 x CFast 2.0 slots, 2 x SD UHS-II slots, External SSD (USB-C)
Remote 1 x 2.5mm (LANC), Control over SDI, Bluetooth
Features Built-in Speaker (mono), URSA Mini Shoulder Pad Included
Software DaVinci Resolve Studio, Blackmagic Camera Setup App
Power Source 2 x 4-pin XLR Power (in, out), External Power Supply (included) V-mount Battery (sold separately)
Mounting Options 5 x 1/4-20 Mount Points
Dimensions 10.95" x 5.9" 9.93" (body only)
Weight 7.83 lbs
1SourceVideo

1SourceVideo

Fujinon's LA16x8BRM-XB1A: A 4K Lens For Broadcast Workflows!

Video thumbnail for Fujinon's LA16x8BRM-XB1A: A 4K Lens For Broadcast Workflows! by 1SourceVideo

Fujinon's LA16x8BRM-XB1A: A 4K Lens For Broadcast Workflows!

1SourceVideo

1SourceVideo

Video thumbnail for How to Build a Blackmagic URSA Broadcast G2 Studio Camera with Fujinon Lens & Fiber Converter by The AV Coach

How to Build a Blackmagic URSA Broadcast G2 Studio Camera with Fujinon Lens & Fiber Converter

The AV Coach

The AV Coach

Reviews

PROS

  • Outstanding picture quality with Buttery Luts, excellent for documentary and live streaming.

  • Dual ISO performance provides flexibility in various lighting conditions.

  • Quick lens mount changes between B4 and EF enhance versatility.

  • Intuitive in-screen menu and button placement streamline operations for news photographers.

  • Allows use of cinema glass on a broadcast camera, enhancing creative possibilities.

  • User-friendly interface with fine control over gain and white balance.

  • Reliable build quality with no reported failures in the current model.

CONS

  • Low light performance limited with B4 broadcast lens, despite 6K sensor capability.

  • Lack of HDMI out and expensive proprietary mic holder are significant oversights.

  • Audio quality and monitoring are problematic, requiring post-shoot adjustments.

  • Battery life is subpar, necessitating investment in larger V-Mount batteries.

  • Rolling shutter issues could affect fast-paced shooting environments.

  • Limited to 2 audio channels, pending future update for expansion.

  • Screen image appears darker than reality, external monitor recommended for accuracy.

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Blackmagic Design URSA Broadcast G2 with Fujinon LA16x8BRM-XB1A Lens.

Comparisons

  • Users recommend avoiding the XA series lenses, suggesting ZA or HA lenses as better alternatives for quality and performance.

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  • The Fujinon XA20sx8.5BERM-K3 lens is contrasted negatively against the LA16x8BRM-XB1A, with the latter being reported as cleaner and more reliable.

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Use cases and applications

  • The G2 supports 60p in 16:9, unlike the 6K Pro which only offers 60p in a 5.7 17:9 crop.

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  • The camera's power chain allows for extended filming with a VMount 200W Battery, necessary for balancing the Fujinon lens.

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Features and functionality

  • The camera's screen is 4 inches, smaller than some previous URSA models, impacting usability.

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  • The camera supports a range of media, including SD, CFast, and SSD via USB-C, with a physical switch for slot selection.

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  • The G2 features a dual ISO sensor, offering high gain before noise appears, enhancing low-light performance.

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  • The B4 mount's internal optics or prism on the URSA Broadcast G2 may contribute to lens performance inconsistencies, such as chromatic aberration, when paired with certain lenses.

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  • The camera supports lens mount changes between B4, Canon, and Fujinon with included mounts, enhancing its versatility in various shooting environments.

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  • The lens lacks a hardware focus, causing delays in focus adjustment if the camera is turned off, which can impact run-and-gun shooting scenarios.

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User experience

  • Owners transitioning from DSLR to URSA appreciate the XLR audio pre-amps, noting superior audio quality.

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  • Users have reported a seamless setup experience, likening the operation to the BMPC6K with additional buttons and built-in ND filters.

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Setup and maintenance

  • Changing from B4 to EF mount takes under 7 minutes, with a specific screw tightening order for secure setup.

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  • Back focus issues with the XA20sx8.5BERM-K3 lens are reported, failing to achieve sharp focus at the wide end, despite success at other focal lengths.

    Source
  • The Fujinon XA20sx8.5BERM-K3 lens exhibits severe chromatic aberration issues, potentially due to misalignment between the lens elements and the URSA Broadcast G2's B4 mount optics.

    Source
  • A defect in the B4 mount caused a black pixel issue, resolved by replacing the mount rather than the entire camera.

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Build quality

  • The shoulder plate has been criticized for discomfort during extended use, suggesting a potential need for alternative rig solutions for comfort.

    Source

Critic Reviews

Reviewing The New Blackmagic Design Broadcast G2 Camera

provideocoalition.com

The Blackmagic Design URSA Broadcast G2 impresses with its versatility and affordability, offering a robust Super35mm sensor in a form factor that caters to various shooting styles. It shares the same sensor as the Pocket Cinema Camera 6K, providing consistency in image quality. Notable features include diverse recording formats, dual native ISO, and essential broadcast capabilities, enhancing its flexibility for live shows. The review highlights the URSA Broadcast G2's ease of use and image quality, though it notes minor annoyances like the shutter settings. Overall, the camera is praised for its feature-rich design and adaptability, making it a solid choice for budget-conscious filmmakers seeking professional-grade performance.

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