Brozilla

A very solid contender for string libraries, though strongly recommend buying the "East West Hollywood Orchestra" which includes the brass, woodwinds, and percussion. While yes there are better string libraries out there it is great for the price. Particularly if you own platinum, 5 mic positions allow you to get a very dry sound if desired or layer the mics to generate your own sound space. The downsides of this string library is its "out of box Hollywood sound." The strings are lush and fairly big but if you need smaller ensemble sizes or sounds it'll be difficult to work around that need. It also does not have true Divisi, that is the sound is programmed to be divisi-like but it is not the same authenticity from a library such as Kirk Hunter's various string libraries. To conclude you get a nice, big, lush sound. With Platinum you get mic positions for even better sound shaping. However you may run into issues doing chamber music due to its large sound. Thus if you need something more petite then there are other libraries to look out for. On sale, if you get the bundle, it's a sweet deal and unless you're on a budget (or using this as a stepping stone) you should go for Platinum.

Had purchased it after the Hollywood Bundle. Ordinarily I recommend getting Hollywood over this because of the drier samples and, in my opinion, improved engineering. The instruments, even on close mic position, seem a bit wet. However the quality is consistent across each instrument. So if we consider Hollywood the successor then one of its competitors would be Miroslav Philharmonik 2. Choosing this library you get access to mic positions (if you chose platinum) and a very consistent quality across all your instruments. One thing Miroslav seems to beat Symphonic Orchestra is in its expressive and colorful sounds, particularly solo instruments. Overall, as an entire package, Symphonic still holds well to this day and is a nice, complete collection for your orchestral needs. Yes, there are better and more realistic instruments. However you can get a fast, good, symphonic sound very quickly and easily with this. Like I mentioned previously, the Hollywood series are the successor to this. While it can be debated (Hollywood vs. Symphonic) there is no doubt the samples are more life-like in Hollywood. If you need something good and on a budget then you can't go wrong with East West Symphonic Orchestra.

When you purchase Miroslav Philharmonik 2 you also receive the original Miroslav Philharmonik Library (some recycled for Sample Tank 3.) As far as solo strings go I find them more expressive and less cliched than East West's offerings, the built-in reverb has a nice sound. Solo brasses are fair in sound, I think the woodwinds are good but the solo strings takes the cake. One of the few issues I have with the library is consistency. Different articulation on the same instrument may have different pitch ranges and may even sound as though they're recorded in a different space/position. There are some inconsistencies in volume and I've even found a solo string run (was it violin?) where the player had messed up on the recording. So let's check what these amount to is competition.... For the same price you can get EW Hollywood Orchestra Gold (or Platinum on Sale.) or EW Symphonic Orchestra (Gold being cheaper.) Hollywood generally has the better edge on ensemble sounds (though it can be "too big") it's definitely more consistent in its sound. It's fluid across its instruments and fairly dry on default mics (more dry with platinum mics.) To sum it up. Lively solo instruments (particularly strings) and overall it has a very expressive character. It comes with the original Philharmonik 1 to give you more sounds to play with. Unfortunately it seems to be a quantity over quality approach. For a "big orchestra" sound it doesn't seem as strong as some of East West's offerings. The instruments are not particularly consistent in volume/soundscape so you may need to dig through its many sounds. Compared to other similarly priced libraries its in a rough spot and if you want to purchase it then I recommend doing it on sale or cross grade. Update: After playing with the library more I removed a comment about the Miroslav II vs I instruments (oboe ensemble/solo english horn). Fact of the matter is you sometimes have to dig through the patches but unless you need a certain distinct sound you can safely use only Miroslav Philharmonik II sounds.

The original Miroslav Philharmonik comes with Miroslav Philharmonik 2. Considering the original was released in the late 90's and the sounds are as good as they are today color me impressed. That being said it's a bit disappointing the successor didn't obsolete many of sounds here. As a result earning an extra star versus my review on MP2.

Sample Tank 2XL samples are included as part of Sample Tank 3. The best comparison for Sample Tank would be similar to owning a Keyboard Synthesizer. It comes with a great variety of sounds that are also very usable. In fact some modern synths are still lacking compared to some sounds presented from this old library.

While Sample Tank is more than instruments; it's a workstation, editor, and more I'll only focus on the samples because that's what I use it for. Sample Tank 4 comes with the Library from Sample Tank 3 which may have also included Sample Tank 2XL's instruments. Sample Tank 4 MAX comes with additional plugins/instrument libraries such as Neil Peart Drums, Electronika, Orchestral Percussion, and more. With the MAX version at least you got a very wealthy set of sounds. That being said it appears to be somewhat lacking in acoustic instruments, by that I mean incomplete. Sample Tank 4 is missing some woodwinds, recycles ensemble strings (maybe solo too?) from Miroslav Philharmonik 2, missing Celeste, by itself Sample Tank 4 does not provide a complete set. There is a saying don't fix what ain't broke, you still have access to some Sample Tank 3 and 2XL instruments. As someone with MAX I'd say it's not bad. Admittedly I hoped for more ST4 instruments but in the grand scheme of things it probably has more samples you'll ever use which is a good thing. Whether it be from obsoletion or the fact it's not an instrument for your style of music. UPDATE: After owning a hardware keyboard synthesizer it looks like I was a bit critical of the sounds on Sample Tank 4. However it is still a 4 star if it's not for the fact it's somewhat and buggy crashes.

Because I do not own the original hardware I cannot make a good comparison. However the plugins themselves are fairly intuitive and easy to use. Supposedly the emulation is very impressive and, although the sounds can be dated, they still can be given purpose.

Unfortunately haven't been able to test it much. Like the standard thoroughfare of Kirk Hunter Strings this offers you Divisi live, vibrato control, and much in the way you'd expect from Kirk Hunter's products. Which is what makes them so great, the amount of customizable options. That being said, however, they are only fair sounding out of the box. Though designed for ease of use for you to pick up and play (live via keyboard) you will have to tinker the options to get a more appropriate sound. In fact Miroslav Philharmonik 2's solo strings seem to sound more natural out-of-the-box. Kirk has done it again with another solid product. Various customization options, add solo players, remove solo players, remove ensemble, vibrato control, divisi-live. It's got about everything you could want and with these you can bet it'll fit with any other library if you spend time going through the options. However for the best mileage you WILL need to fiddle around with the parameters. Update: After playing with the library more it became apparent why owning multiple libraries are important. Spotlight Strings 4D came in clutch in providing the "right" tone I needed for a staccato passage (divisi.) BBC Symphonic Orchestra was too messy, at default round robins it sounds like the string players can't keep up (240bpm) and they almost sound out of sync. Playing with the round robins tightened the sound but wasn't quite there, apparently these performed "too realistic", not Don't have the iLok to use East West Products and Miroslav Philharmonik was overall a bust (actually usable but read more...) and tied with Siedlaczek's Advanced Orchestra. What made it work is the tight staccato. Though from what I can tell the chamber ensemble/backups doesn't actually seem to support divisi (it's the soloists) and the result wasn't particularly realistic, however it didn't matter since it produced the best results on the track compared to other string libraries on hand. The versatility of Kirk Hunter's Strings are why they're good to keep on hand.

This library contains many iconic orchestral sounds from the late 90s, early and mid 2000s (prior 2010.) The sounds here are unfortunately rather old and the brass sounds are a bit weak. However with enough EQ and plugin effects it is possible to come close or match the quality of East West's Symphonic Orchestra. I would only recommend this if you have a weak budget and need orchestra sounds (first you should look at free options), you're a collector, or need a "distinct" sound. You can hear Siedlaczek's Oboe and English Horn from a mile away. Even the solo string may be caught. People still use 1990's hardware/synths and these were originally recorded in the late 90's. It's as useful as you need it to be. Update: The sounds on this are actually lower quality than more authentic sources such as the CD releases. Gigasamples(?) for example.