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Start the room spinning with the Neo Instruments mini Vent rotary cabinet emulation pedal. Designed to capture the sound of the iconic 122 Leslie, the mini Vent is perfect for any pedalboard. Dual footswitches let you put the rotary effect into slow, fast, stop, and bypass modes. Stereo outputs let you send your signal to two amplifiers or mixer channels. This pedal delivers big rotary cabinet sound in a small stompbox. Add the Neo Instruments mini Vent to your pedalboard today!

Rotary Speaker Simulator Pedal

Guitar Cable, 1/4" TS-1/4" TS, Straight Connectors, 10' Long

The Little Fuzzy Drive features controls for gain, tone and volume, a switch for alternating between Fuzz Drive and Fat Fuzz modes, and a compact mini design.

Reverb Effects Pedal with 4 Controls and 6 Modes

The EBS OctaBass analog octave divider creates a single note one octave below the pitch of the played note, adding a new dimension to your sound. New edition with improved tracking! The 2008 edition uses true bypass techniques and triggers better and faster than ever! The pedal also recognizes two or three-note chords and trigger the lowest note. Control the level of the original tone and mix in the octave effect. Choose between High, Mid or Low Range. Improvements with the new edition 3 dB higher headroom, better tracking (handle lower notes than before) Increased span between tonal ranges New analog circuitry with higher dynamics and lower noise. Mechanical True Bypass switching

Limited run of 40 Pieces in Green

Germanium Octave Up

1960s 2N3565 trannys

It's a volume pedal, a wah pedal and a pitch bender, all in one. Plug the FP02M into your Zoom guitar or bass effects device to add real-time control over volume, wah or pitch, as well as effects parameters such as modulation rate, distortion gain, and delay or reverb level. Rugged enough for the road, the FP02M sports an all-metal chassis and comes with a ¼" to ¼" connection cable.

Works with your pickups to achieve optimum gain and resonance.

The Pickup Booster allows you to boost your signal without altering the character of your sound while also allowing you to access different pickup tones with the flip of the Resonance Switch. With its class A, low-noise circuit design, the Pickup Booster is exceptional at emphasizing a guitar's natural tone while adding some muscle and fatness. It's extremely transparent, adds clarity and has several new improvements that build even further on the original's success. The Gain control can now be turned down to unity (0dB). There is also a discrete push-pull output stage that gives you increased drive capability. So even with the Gain knob down at 0dB and a long cable length, your signal chain will sound cleaner.

The Resonance Switch makes the pedal interact directly with your pickups, allowing those with single-coils to flip a switch for a vintage humbucker sound that's perfect for classic rock or blues. With another flip of the switch you can get a high-output humbucker tone for rip roaring solos or for blasting gain out of a tube amp. You can use the Pickup Booster for a clean, buffered boost with more headroom or you can fatten up a humbucker for maximum saturation and sustain.

Clean, buffered boost
This setting will give a transparent boost to your signal to drive the rest of your pedal board with greater signal headroom and no loss of high-end, or use at the end of your pedal chain to drive long cable runs back to your amp.

Fattened Strat
Setting the Resonance Switch to the "1" position will shift the resonant peak of a single-coil pickup down, thickening up your tone. Putting the Gain control up to the 12 o'clock position will let you drive the front-end of the amp for more grit. This setting really lets the intensity of your playing come through, staying clean until you dig in and bring out the sweet harmonics of your amp.

Maximum Beef
This setting, with the Resonance Switch on "2" and the Gain control all the way up, gives a single coil the fatness of a high-output humbucker along with the full push of your amp's preamp stage, resulting in a meaty, saturated tone. Great for beefing up your solos.

Fattened Humbucker
This setting, with the Resonance Switch on "0" and the Gain control all the way up, gives maximum saturation and sustain to a humbucker.

Boost and Line Driver Pedal with Gain Control and Resonance Switch

With an impressively tiny footprint, the Malekko Omicron Compressor, part of Malekko's analog Omicron Series. Musician-friendly price points and super intuitive controls using just Level and Sensitivity knobs. The "Comp" features one NOS ca3080 IC that can give you subtle, sweet compression to chunk up your sound and even flesh out low-level feedback, while only demanding a tiny amount of pedalboard space.

With the Hyper Phase stereo phaser, you are not limited to only one mode of operation like you find in most pedals. DigiTech gives you 7 different modes to choose from using the mode control "Type" knob. You can have your choice between a 4, 8, or 12 stage phaser, constant rising or constant falling phaser, triggered phasers, or step phasers.

You have full control of the phaser by using the speed, depth, and regeneration knobs and can run the pedal in mono or stereo. Why settle for a "one trick pony" phaser pedal when you can have one that gives you 7 pedals in one rugged sturdy metal chassis?! No one gives you the power to create like DigiTech does!

Features * 7 different phase types * Triggering and step capability * Stereo outputs with switchable CIT™ Cabinet Modeling

TARARIRA is a small multifunction arpeggiator pedal. Sequenced pitch shifting make new sounds never heard before.

Features: ?8 selectable scales ?Major / Minor toggle by the left switch(in scale #1-5) ?hold the tone to be pitch shifted by the left switch(in scale #6-8) ?selectable steps from 2-8 ?reset the current step to 1 by the reset button ?random step mode ?tap tempo and sync by the external clock signal(5v, rising) ?true bypass(by relay) ?latching footswitch mode

TARARIRA is a small multifunction arpeggiator pedal. Sequenced pitch shifting make new sounds never heard before.

Features: * 8 selectable scales * Major / Minor toggle by the left switch(in scale #1-5) * hold the tone to be pitch shifted by the left switch(in scale #6-8) * selectable steps from 2-8 * reset the current step to 1 by the reset button * random step mode * tap tempo and sync by the external clock signal(5v, rising) * true bypass(by relay) * latching footswitch mode

The Ibanez PH7 from the Tone-Lok Series lets you choose either 4 or 8 stages of phasing, from swirling speaker to that full-on phase you need for heavy rock and roll.

On the outside, Tone-Lok effects are equipped with the Ibanez exclusive "set and forget" Push-Lok rotary pots. Push the knobs down and your tone settings lock securely inside the case”no more lost settings or broken knobs.

On the inside, Tone-Lok pedals feature hi-fidelity components carefully tweaked with the constant input from a new generation of Ibanez players. And all this great stuff comes encased in cool looking, road-tough metal boxes at prices the working player can afford.

Overdrive Pedal with Volume, Tone, Gain, 100Hz, 500Hz, and Classic Controls

The Death By Audio Interstellar Overdriver yields days and days of warm, bluesy overdrive without the downfalls associated with screamer style pedals. The Interstellar Overdriver brings out the best of your guitar and amplifier combination and sounds better the more you turn it up. Watch out Stevie, this overdrive pedal could take over the planet. The Death By Audio Interstellar Overdriver is not transparent but adds a slight bit of midrange in just the right frequencies to add to your guitar tone and not sound muddy or oblique.

Chorus, Flange, and Rotary Effects Pedal

The Montreal Assembly Count to Five Delay is an incredibly creative delay pedal that offers three distinct modes of operation covering a wide variety of effects. Mode one is a straightforward granular delay that offers expression pedal control of the 'tape' direction, buffer length or feedback. Mode two allows the sampling of a clip and control of granular slicing length and randomness, while Mode three allows looping sampled clips with as many as three digital 'tape heads' playing back the sampled sound. The ability to overdub more loops or samples in Mode two and three enables the creation of rolling, complex textures. An amazing sound design tool for indie leaning rock or pop, the Montreal Assembly Count to Five is a truly unique pedal that offers a wealth options to guitarists who value depth and originality in their pedals.

Latching Footswitch Pedal for Remote Amp Channel Switching, etc.