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The Laney IRT-SLS offers massive IRONHEART tone in a tiny box, with three full channels – clean, rhythm and lead, separate EQs, footswitchable boost and two power modes depending on your requirements.

High power mode delivering 3W–300W RMS and standard power mode, which delivers 1W–60W RMS. The IRT-SLS features a USB Audio I/O and a RE-AMP send jack, which means that you can alter the guitar tone of your original recording — without having to re-track anything! And do it silently. All the tube tone and more power in a small, compact, portable package — the IRT-SLS is the ultimate fly rig. Loaded with great sounding cabinet emulations and an illuminated logo the IRT-SLS is the amp to be seen and heard with.

A versatile 1x12" combo with some high-end features.

The IRT30-112 features the same channel and tube compliment as the bigger Ironheart models and growls with 30W RMS of monster clean, rhythm and lead tones.

It features a fully balanced and selectable (dry guitar/amped) DI. It takes its source after the output section - with cabinet emulation. This means you get your whole tone at the DI, a feature only previously available on super-high-end, custom-built guitar rigs.

Footswitch included.

A versatile 1x12" combo with some high-end features.

The IRT30-112 features the same channel and tube compliment as the bigger Ironheart models and growls with 30W RMS of monster clean, rhythm and lead tones.

It features a fully balanced and selectable (dry guitar/amped) DI. It takes its source after the output section - with cabinet emulation. This means you get your whole tone at the DI, a feature only previously available on super-high-end, custom-built guitar rigs.

Footswitch included.

The VH100R features twin footswitchable channels each with its own footswitchable gain, independent 3 band EQ, independent reverb level and dedicated FX loop, giving you an unprecedented level of flexibility. You can now go from a super clean shimmer, to a warm clean crunch, to a stack style distortion to a full on lead tone as simply as stepping on a switch - which is included with the amp (FS4).

The by word for the VH100R is flexibility - flexibility of tone and flexibility of use. In this day and age the modern guitar player has an arsenal of products available to them - from single stomp box effects to mighty racks. To cater for this level of choice the VH100R is fitted with five effects loops, each giving the player slightly different options when connecting external gear.

There are side chain effects loops for channels A & B as well as one global to the entire pre amp. There is an insert loop, which can be run in three modes - Bypass, Side chain or Insert with a dedicated return level, and finally there is a Pre amp out/Power amp in loop.

The fabled roar of a British Class A tube power amp in a premium-crafted amp.

The Laney Lionheart L5T-112 amp provides the evocative, classic tones of hot tubes pushed hard, but at a volume level your neighbors can live with! Featuring the purest of designs: single-ended Class A output achieved with a single EL84, driven from 3x 12AX7 preamp tubes. The L5T-112 combo amplifier also features gold-plated PCB's and jack sockets. Sealed gold contact relays are used in all signal paths for minimum sound coloration, and the L5T-112 amp comes fitted with the renowned "Type 4" large spring line reverb for classic guitar reverb sound. Each L5T-112 Lionheart features a hand stamped build number in the order they come off the Laney production line, and a custom made Lionheart dust cover.

The Lionheart combo amp represents everything learned through 40 years of Laney tube heritage, distilled into a single amplifier range. Designed to deliver the ultimate tone of a tube being pushed hard - warm and expressive, at an output level that can be used in everyday environments.

The fabled roar of a British Class A tube power amp in a premium-crafted amp.

The Laney Lionheart L5T-112 amp provides the evocative, classic tones of hot tubes pushed hard, but at a volume level your neighbors can live with! Featuring the purest of designs: single-ended Class A output achieved with a single EL84, driven from 3x 12AX7 preamp tubes. The L5T-112 combo amplifier also features gold-plated PCB's and jack sockets. Sealed gold contact relays are used in all signal paths for minimum sound coloration, and the L5T-112 amp comes fitted with the renowned "Type 4" large spring line reverb for classic guitar reverb sound. Each L5T-112 Lionheart features a hand stamped build number in the order they come off the Laney production line, and a custom made Lionheart dust cover.

The Lionheart combo amp represents everything learned through 40 years of Laney tube heritage, distilled into a single amplifier range. Designed to deliver the ultimate tone of a tube being pushed hard - warm and expressive, at an output level that can be used in everyday environments.

The baby of the range – this Combo wails with its 10 watts and 10” speaker. You may well have your own ideas on how loud 10 watts can go, but you may be wrong! Careful… it bites! A single 12AX7 nestles in the pre-amp and the output is provided by an EL84.

5w combo with 10” speaker. Now, you may have your own ideas on how loud 5w can go, but you may well be wrong. Careful; it bites. A single 12AX7 nestles in the preamp, and the output is provided with an EL84

The baby of the range – this Combo wails with its 10 watts and 10” speaker. You may well have your own ideas on how loud 10 watts can go, but you may be wrong! Careful… it bites! A single 12AX7 nestles in the pre-amp and the output is provided by an EL84.

5-watt Tube Guitar Combo Amp

“Tone with soul” is how most players describe the compact-but-mighty Gretsch® Electromatic® G5222 Amp. Designed by guitarists, this low-output, easy-to-record 5-watt amp is perfect for small-room jam sessions and recording projects. It produces tone that spanks, sparkles and growls, and it rocks ’50s-era looks that are undeniably Gretsch.

Single Note Synth Fuzz

Reverse Attack / Swell

Bandpass Filter Control

The PX5D multi effect processor joins Korg's respected PANDORA series, famous for packing high-quality sounds and ease of use into a pocket size unit. Easy to enjoy anywhere and anytime. The PX5D provides a total of 180 realistic and wide-ranging effects created using Korg's world-acclaimed, proprietary "REMS" modeling technology. Included are simulations that recreate classic vintage and modern, high-gain amps, as well as effects ranging from the familiar to the unique. Numerous effects designed specifically for bass are also included, making the PX5D a great choice not only for the guitarist but for the bassist as well. In a first for the PANDORA series, a USB-MIDI/USB audio interface is also provided, allowing you to use the PX5D with your computer to transfer audio data or record into your DAW software. The inclusion of "Ableton Live Lite6 Korg Edition" recording software enables you to start recording as soon as you open the box. There's also dedicated editor/librarian software that lets you edit and manage programs from your computer. All the classic features you have come expect from the PANDORA are also present, to help the guitarist or bassist practice, perform and record.

Connect the 1/4" Stereo Contact of the ICY-30 to one of the Loops (Clean or Drive) on the Billy Sheehan pedals to add external effects, equalizers or on/off switches to either the Clean or the Drive channel of the Billy Sheehan pedal. The cable works for any other item that make use of a y-type insert cable too, of course.

Triple Switch provides 3 momentary and normally-opened switch contacts that you can use to unlock the full potential of controls and features of your pedals that have external control capability.

Space saver : meticulously engineered to achieve the smallest possible footprint without compromising comfort and usability.

Dimension : 12.5 x 4 cm ( 5 x 1.6 inches).

Max footswitch height : 5.3 cm (2 inches).

A fun and affordable tribute to a rare and historic Fender amp

ALL HAIL THE COLOSSUS!!! Unleashed on an unsuspecting public, the Colossus is the be-all-end-all Russian/Civil War Muff-style fuzz. It is ridiculously tweakable, insanely versatile, and packed with 10 tons of colossal mojo. Rich harmonic drenched chords, sweet singing leads, sludgey stoner goodness, filthy bluesy mcnasties, pumpkin-flavored raunch. You name it, it does it. It features a 3-way toggle for different EQ voicings, as well as a full range “Mids” control to help you cut through the mix in a live setting.

Danelectro® owner Steve Ridinger created the FOXX® pedal line in the 1970’s. Steve priced the FOXX® Tone Machine® at $49. Today originals sell for $600+. Now Steve brings back his original circuit with some important tweaks. He made the ­octave way more ­pronounced, the ­octave is foot switchable, the tone is warmer, and there is a “mids boost” toggle that counteracts the mid cut of the ­original pedal. Velvet tone for sure! Play one! WHY CALL IT THE "3699 FUZZ™"? Back in the 1970’s, it was cool to have a phone number that spelled your product name. So about a year after launching the FOXX® pedals, Steve sat down in front of a phone dial and worked out what numbers were needed to spell F-O-X-X. He figured out the ­numbers were 3-6-9-9. To his amazement, this was the phone number FOXX® already had! A year earlier, the phone ­company had randomly assigned him this number: 213-XXX-3699. Creepy!