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Sakura can reproduce the delicate pluck of a single string, a violins bowing or the sonorous resonance of a grand piano. Most importantly, the curious musician can take control of every aspect of the simulation to create fantastic instruments. Ever wanted to know what a 20 foot guitar sounded like? Or a bowed piano? Now you can find out, Sakura opens up a world of string modelling possibilities, why not download the Sakura demo and try it for yourself. The Sakurazensen is coming, be there to experience it.

Virtual modelling in Sakura follows a 5 stage hanami-process : Contact - An impulse, the mechanical contact with the string, is first generated then shaped to simulate plucks, picks, scrapes, hammers, taps or humble fingers. Vibration - Sakura’s dual string model then gives the operator control over a wide range of parameters such as damping, tension, positioning and string properties. String interaction – The dual strings are then mixed, panned and enveloped to simulate interactions. Resonance - The string/s vibration then interacts with an 8-resonator ‘body simulator’ to create the size, material and shape of the instrument Acoustics - Virtual acoustic space is then simulated with chorus, delay and reverberation effects.

Terms : Sakura: Japanese for Cherry Blossom. Hanami: The custom of enjoying the beauty of Sakura. Sakurazensen: The Sakura-front as it moves across Japan with the developing season.

System requirements PC: Windows XP (SP2), Vista, Win7, Win8, Win8.1, Win10 - (32 & 64 Bit) 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM. 30Mb free disc space. DirectSound or ASIO compatible soundcard.

Mac: OSX v10.7 (Lion) G4 1.5 GHz or Intel Core Duo family. 512Mb RAM. 30Mb free disc space. CoreAudio drivers.

Sakura can reproduce the delicate pluck of a single string, a violins bowing or the sonorous resonance of a grand piano. Most importantly, the curious musician can take control of every aspect of the simulation to create fantastic instruments. Ever wanted to know what a 20 foot guitar sounded like? Or a bowed piano? Now you can find out, Sakura opens up a world of string modelling possibilities, why not download the Sakura demo and try it for yourself. The Sakurazensen is coming, be there to experience it.

Virtual modelling in Sakura follows a 5 stage hanami-process :

• Contact - An impulse, the mechanical contact with the string, is first generated then shaped to simulate plucks, picks, scrapes, hammers, taps or humble fingers.
• Vibration - Sakura’s dual string model then gives the operator control over a wide range of parameters such as damping, tension, positioning and string properties.
• String interaction – The dual strings are then mixed, panned and enveloped to simulate interactions.
• Resonance - The string/s vibration then interacts with an 8-resonator ‘body simulator’ to create the size, material and shape of the instrument
• Acoustics - Virtual acoustic space is then simulated with chorus, delay and reverberation effects.

Terms : Sakura: Japanese for Cherry Blossom. Hanami: The custom of enjoying the beauty of Sakura. Sakurazensen: The Sakura-front as it moves across Japan with the developing season.

The Drumaxx percussion modelling instrument gives you total control over 16 physically modelled drum pads that can be routed to independent outputs for external effects processing.

More than just drum samples.

Great, but why should you care when the internet is awash with drum samples? In two words, expressive control.

Once a drum sound is recorded, the performance and modulation options are limited to filtering, volume, or similar 1-dimensional effects.

When a single drum sample is triggered in a roll, you get the familiar 'machine-gun' effect and it just sounds mechanical. Multi-sampled, multi-layered drums can overcome this limitation but need multi-megabyte or even Gigabyte! drum libraries. Even then, you are still limited to the sounds originally recorded.

Modelling algorithms for better sounds

Drumaxx is not based on samples or even commonly used 'synthesis' techniques, where oscillators are mixed and the result is always 'electronic'.

Drumaxx uses modelling algorithms to create bass drums, hi-hats, snares, realistic and electronic sounds too. But what about the traditional 'Achilles' heel' of synthesis, cymbals? Drumaxx creates cymbals and metallic percussion also.

Good physics stuff included

At the core of Drumaxx is a model where the vibrating membrane is represented as a mesh of interconnected points. Each point is given physical properties including mass, inertia, stiffness, damping, and all that good physics stuff. For the musician, this means

Drumaxx gives you control over multiple parameters such as material, thickness, tension and shape. More importantly, the parameters can be modulated in real-time as a function of velocity or external controls. The drum body is also under user control too, including body material, size, vibration damping, and shape. All this gives you multi-dimensional performance options, a Matrix of variables providing nearly infinite possibilities.

Key features: Cool interface 16 Physically modelled drum pads Multi-output for individual effects processing on each pad Huge range of modelling possibilities covering sounds from cymbals to kettle-drums Velocity modulation matrix for detailed expressiveness Integrated Stepsequencer with trigger-key playback Integrated effects Single-pad version 'Drumpad' available for tight integration with FL Studio

Content 130 drumkits 900 drum patches 200 drum patterns

Drumaxx can generate everything from bass drums to snares and hi-hats. The core of the sound generation process is a "delay matrix." The matrix is excited by a "Mallet" impulse then mixed with a "membrane" response which allows Drumaxx to simulate various resonating materials with user-defined tightness resonance etc. After that the matrix (drum matrix) is processed with low middle and high frequency filters also there are 2 master effects - a distortion and a limiter is applied.

Sawer is a vintage modeling synthesizer that cuts through the mix to deliver precisely articulated and punchy sounds. You will get the FL Studio plugin version for PC the VSTi & standalone version for both PC & Mac OSX and the AudioUnits version for Mac OSX.

Welcome then to Hardcore a collection of 10 classic effects designed with Guitarists in mind:

• Distortion
• Chorus
• Flanger
• Phaser
• Reverb
• Delay
• Noise Gate
• Equalizer
• Compression
• Modulator

Useless knobs were ruthlessly removed so what remains is a UI where every knob counts. Once you have spent some time auditioning the preset patches we are sure you will agree that Poizone packs a lot of punch in what appears to be a simple package, enjoy!

Key Features: 2 oscillators that can produce the two most popular and useful shapes for subtractive synthesis: fat, bright SAW and PULSE shapes, with adjustable pulse width. Noise generator. Ring modulation Sync modulation 16 voice polyphony 4 voice UNISON with user-adjustable stereo panning and 'Octaver'. The Octaver expands the harmonic range and flexibility of the unison sound to support the creation of realistic 'vox-like' effects 2 ADSR envelope generators. One for traditional envelope duties, the other can be user assigned 3 FILTER modes - low pass, band pass and high pass. PoiZone features a warm, super-trooper-extra-analog-moog-like-mega filter with self oscillation. Special attention has been given to precise filter tuning so that when KEYTRK is set to maximum, the PoiZone filter will track keyboard frequency precisely so it can be used as an oscillator. The PoiZone filter has bright and clean sound or it can be 'grungy' and 'angry' when resonance is introduced as it features some light distortion. And even with distortion the filter sounds clean on high frequencies as it has no aliasing Keyboard and Velocity tracking for the filter Multi-mode Arpeggiator Noise Gate with an adjustable 16 step pattern. The gate features smoothness control and the ability to import/export patterns to .fxp files DELAY effect, with tempo-synced click-free stereo delays and delay time modulation. Lo-cut and hi-cut for trancers! CHORUS with a warm sound with great unison emulation MIDI learn feature with the ability to save/load MIDI setups to/from a patch LFO and MOD WHEEL modulation. Can be assigned to a wide range of performance parameters in PoiZone 330 high quality factory sounds. ...

System requirements PC: Windows XP (SP2), Vista, Win7, Win8, Win8.1, Win10 - (32 & 64 Bit) 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM. 30Mb free disc space. DirectSound or ASIO compatible soundcard.

Mac: OSX v10.7 (Lion) G4 1.5 GHz or Intel Core Duo family. 512Mb RAM. 30Mb free disc space. CoreAudio drivers.

Useless knobs were ruthlessly removed so what remains is a UI where every knob counts. Once you have spent some time auditioning the preset patches we are sure you will agree that Poizone packs a lot of punch in what appears to be a simple package, enjoy!

Key Features: - 2 oscillators that can produce the two most popular and useful shapes for subtractive synthesis: fat, bright SAW and PULSE shapes, with adjustable pulse width. - Noise generator. - Ring modulation - Sync modulation - 16 voice polyphony - 4 voice UNISON with user-adjustable stereo panning and 'Octaver'. The Octaver expands the harmonic range and flexibility of the unison sound to support the creation of realistic 'vox-like' effects - 2 ADSR envelope generators. One for traditional envelope duties, the other can be user assigned - 3 FILTER modes - low pass, band pass and high pass. PoiZone features a warm, super-trooper-extra-analog-moog-like-mega filter with self oscillation. Special attention has been given to precise filter tuning so that when KEYTRK is set to maximum, the PoiZone filter will track keyboard frequency precisely so it can be used as an oscillator. The PoiZone filter has bright and clean sound or it can be 'grungy' and 'angry' when resonance is introduced as it features some light distortion. And even with distortion the filter sounds clean on high frequencies as it has no aliasing - Keyboard and Velocity tracking for the filter - Multi-mode Arpeggiator - Noise Gate with an adjustable 16 step pattern. The gate features smoothness control and the ability to import/export patterns to .fxp files - DELAY effect, with tempo-synced click-free stereo delays and delay time modulation. Lo-cut and hi-cut for trancers! - CHORUS with a warm sound with great unison emulation - MIDI learn feature with the ability to save/load MIDI setups to/from a patch - LFO and MOD WHEEL modulation. Can be assigned to a wide range of performance parameters in PoiZone - 330 high quality factory sounds.

System requirements PC: Windows XP (SP2), Vista, Win7, Win8, Win8.1, Win10 - (32 & 64 Bit) 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM. 30Mb free disc space. DirectSound or ASIO compatible soundcard.

Mac: OSX v10.7 (Lion) G4 1.5 GHz or Intel Core Duo family. 512Mb RAM. 30Mb free disc space. CoreAudio drivers.

Get a lethal dose of sounds from this 4th generation software synthesizer.

The team at Image Line is known for making some incredible music production software for computer based studios, and they've improved upon their amazing line of Toxic Software Synthesizers. Toxic Biohazard is the 4th generation in that line, and is loaded with the best, and most incredible features of the previous 3 versions, plus lethal enhancements like an optimized sound engine, "physical" envelopes that have real life modeling of sounds with real world decay and resonance, and a pack of new effects like reverb, phaser and more. Toxic Biohazard features a hybrid synthesis engine, combining the best of FM and Subtractive synthesis. With the addition of a warm, analog-modelled filter and set of built-in effects, the Toxic concept remains one of convenience, simplicity, and superb sound quality.

THE FM TECHNOLOGY
Thanks to high-resolution DSP processing, the Frequency Modulation engine produces sound with an extremely low noise threshold; something that most FM engines cannot offer. The Toxic Biohazard sound was built from the ground up, from unique mathematical calculations and analog-modeling techniques.

THE OSCILLATORS
Completely alias free, and well tuned for all sampling rates, they produce a rich, "fat" sound all across the spectrum. Due to the high quality of the anti-aliasing process, you will not encounter the shredding noise on high frequencies that has plagued FM synthesis in the past. Furthermore, the oscillators are calculated at extremely high speeds, keeping your CPU usage to a minimum. Toxic's low CPU consumption gives you plenty of room for external processing and running multiple instances. The oscillators also come equipped with Maxx Claster's own powerful spectrum analysis technology. This allows you to create your own waveforms, via the simple process of loading a WAV or AIFF format sound file. All of these features make the oscillators very flexible, and allow for use of both synthetic and acoustic waveforms within Toxic. Each oscillator also comes with 32 built in ˜classic' waveforms, each shown to be the most useful in FM synthesis.

THE EFFECTS
Made to assure high quality and flexibility are built into the synthesizer itself, Toxic Biohazard aims to reduce the need for external processing altogether. The effect modules are designed to give the user access to several types of effects, from aggressive, tube-like distortion, to warm stereo delay, reverb, flanger, and phaser effects. With Image Line's own pro-quality tape delay emulation, based on non-fixed delay buffer sizes, instead of the usual methods incorporated within digital delays, this delay line gives you warm sound, with "true" feedback and modulation. Lastly, the signal chain features an analog-modeled, parametric equalizer to further shape your sound. The EQ provides access to crisp, clear high-end definition, creamy mid ranges and earth-shaking low-end frequencies. The Toxic Biohazard effect module expands its palette of sound to include everything from dark, atmospheric textures to razor sharp leads, fit to slice easily through any mix.

THE FILTER
Maxx Claster's own analog-modeled, multimode filter is reminiscent of a certain silver box of old. Garnishing a warm, resonant Low-Pass mode, a smooth Band-Pass setting, and a creamy High-Pass mode, Toxic Biohazard gives a wealth of control over tone. The filter is further enhanced by modulation via a dedicated envelope generator and low frequency oscillator, as well as responding to velocity information and keyboard tracking. These features allow for extreme sound shaping, as well as subtle nuances attributed to dynamic playing.

THE SEQUENCER
Powerful, yet simple, the sequencer offers a total of 64 steps, which can be divided into two independent, 32 step modules to allow double-polyphonic patterns. Using Image Line's "Smart Sequencer" technology, when a chord is played, the module defines that chord, and tunes the pattern accordingly. The sequencer also allows for pure playback of the programmed sequence from single notes. Simply holding one chord can virtually create an arrangement for you.

Get a lethal dose of sounds from this 4th generation software synthesizer.

The team at Image Line is known for making some incredible music production software for computer based studios, and they've improved upon their amazing line of Toxic Software Synthesizers. Toxic Biohazard is the 4th generation in that line, and is loaded with the best, and most incredible features of the previous 3 versions, plus lethal enhancements like an optimized sound engine, "physical" envelopes that have real life modeling of sounds with real world decay and resonance, and a pack of new effects like reverb, phaser and more. Toxic Biohazard features a hybrid synthesis engine, combining the best of FM and Subtractive synthesis. With the addition of a warm, analog-modelled filter and set of built-in effects, the Toxic concept remains one of convenience, simplicity, and superb sound quality.

THE FM TECHNOLOGY

Thanks to high-resolution DSP processing, the Frequency Modulation engine produces sound with an extremely low noise threshold; something that most FM engines cannot offer. The Toxic Biohazard sound was built from the ground up, from unique mathematical calculations and analog-modeling techniques.

THE OSCILLATORS

Completely alias free, and well-tuned for all sampling rates, they produce a rich, "fat" sound all across the spectrum. Due to the high quality of the anti-aliasing process, you will not encounter the shredding noise on high frequencies that has plagued FM synthesis in the past. Furthermore, the oscillators are calculated at extremely high speeds, keeping your CPU usage to a minimum. Toxic's low CPU consumption gives you plenty of room for external processing and running multiple instances. The oscillators also come equipped with Maxx Claster's own powerful spectrum analysis technology. This allows you to create your own waveforms, via the simple process of loading a WAV or AIFF format sound file. All of these features make the oscillators very flexible, and allow for use of both synthetic and acoustic waveforms within Toxic. Each oscillator also comes with 32 built in ˜classic' waveforms, each shown to be the most useful in FM synthesis.

THE EFFECTS

Made to assure high quality and flexibility are built into the synthesizer itself, Toxic Biohazard aims to reduce the need for external processing altogether. The effect modules are designed to give the user access to several types of effects, from aggressive, tube-like distortion, to warm stereo delay, reverb, flanger, and phaser effects. With Image Line's own pro-quality tape delay emulation, based on non-fixed delay buffer sizes, instead of the usual methods incorporated within digital delays, this delay line gives you warm sound, with "true" feedback and modulation. Lastly, the signal chain features an analog-modeled, parametric equalizer to further shape your sound. The EQ provides access to crisp, clear high-end definition, creamy mid ranges and earth-shaking low-end frequencies. The Toxic Biohazard effect module expands its palette of sound to include everything from dark, atmospheric textures to razor sharp leads, fit to slice easily through any mix.

THE FILTER

Maxx Claster's own analog-modeled, multimode filter is reminiscent of a certain silver box of old. Garnishing a warm, resonant Low-Pass mode, a smooth Band-Pass setting, and a creamy High-Pass mode, Toxic Biohazard gives a wealth of control over tone. The filter is further enhanced by modulation via a dedicated envelope generator and low frequency oscillator, as well as responding to velocity information and keyboard tracking. These features allow for extreme sound shaping, as well as subtle nuances attributed to dynamic playing.

THE SEQUENCER

Powerful, yet simple, the sequencer offers a total of 64 steps, which can be divided into two independent, 32 step modules to allow double-polyphonic patterns. Using Image Line's "Smart Sequencer" technology, when a chord is played, the module defines that chord, and tunes the pattern accordingly. The sequencer also allows for pure playback of the programmed sequence from single notes. Simply holding one chord can virtually create an arrangement for you.

Morphine is a powerful Additive Synthesizer with a logical flexible architecture that allows you to create any sound. You can do this directly by adjusting harmonics manually or by taking any input sample and resynthesizing it into one of 4 independent voices. You will get the FL Studio plugin version for PC the VSTi & standalone version for both PC & Mac OSX and the AudioUnits version for Mac OSX.

What you can do with Fruity edition:

• Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula based control of links. o Record & play MIDI input recording from keyboards, drum pads and controllers.
• Sequencing and arranging with pattern and linear workflow possible.
• Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.
• Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favorite plugins and applications.
• Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.
• Step sequencer or Piano roll - Scoring tools include FL Studio`s legendary Step-sequencer, one of the most advanced Piano roll's in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.
• Determine your own project design - In FL20, you decide how your project will be laid out, including multiple Arrangements. Unlike the competition, FL20's Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.
• The mixer - is about precision, control and flexibility. The mixers tracks each hold up to 10 effects (VST or FLs proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that`s flexibility.
  • Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process.

What you can do with Fruity edition:

• Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula based control of links.
• Record & play MIDI input recording from keyboards, drum pads and controllers.
• Sequencing and arranging with pattern and linear workflow possible.
• Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.
• Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favorite plugins and applications.
• Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.
• Step sequencer or Piano roll - Scoring tools include FL Studio`s legendary Step-sequencer, one of the most advanced Piano roll's in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.
• Determine your own project design - In FL20, you decide how your project will be laid out, including multiple Arrangements. Unlike the competition, FL20's Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.
• The mixer - is about precision, control and flexibility. The mixers tracks each hold up to 10 effects (VST or FLs proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that`s flexibility.
  • Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process.

What you can do with Fruity edition:

• Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula based control of links. o Record & play MIDI input recording from keyboards, drum pads and controllers.
• Sequencing and arranging with pattern and linear workflow possible.
• Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.
• Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favorite plugins and applications.
• Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.
• Step sequencer or Piano roll - Scoring tools include FL Studio`s legendary Step-sequencer, one of the most advanced Piano roll's in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.
• Determine your own project design - In FL20, you decide how your project will be laid out, including multiple Arrangements. Unlike the competition, FL20's Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.
• The mixer - is about precision, control and flexibility. The mixers tracks each hold up to 10 effects (VST or FLs proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that`s flexibility.
  • Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process.

Signature Bundle is a bundle including Producer Edition + a limited collection of signature plugins. It's the cost effective way to get your hands on some of Image-Lines best gear.

What you can do with Signature Bundle: - Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc). - Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula based control of links. - Be hosted in other DAWs as a VST or connected through ReWire. - Live music performance including video effect visualization. - Mix and remix audio including apply real-time audio effects including delay, reverb & filtering. - Multi-track audio recording up to the limit of your audio-interface inputs. - Record & play MIDI input recording from keyboards, drum pads and controllers. - Sequencing and arranging with pattern and linear workflow possible. - Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.

Instruments

• Make virtually any sound - FL Studio includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback and beat-slicing (With Rex 1 & 2 support).
• Multi-channel audio inputs - With the ability to simultaneously capture all the inputs on your audio-interface, FL Studio has the flexibility to record a single vocalist, guitar or a full symphony orchestra.
• Arranging audio - Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recordings, time-stretching, pitchshifting, beat-slicing, cropping, editing and the re-arranging of audio with only a few mouse clicks.
• Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.
• Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano roll's in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.
• Determine your own project design - In FL20, you decide how your project will be laid out, including multiple Arrangements. Unlike the competition, FL20's Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.
• The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FLs proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now thats flexibility.
• Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process.

Features

Signature Bundle includes "" All Producer Edition features plus... "" Newtone - Pitch corrector/editor. Correct, slice, edit, stretch vocals, instrumentals and other monophonic recordings. Convert audio to MIDI data and re-pitch any monophonic melody to another "" DirectWave (Update) - Zone's loop types can now be set for all selected Zones at once. New Copy to selected zones option for some Zone parameters. "" Harmless synthesizer - Subtractive synthesis using an additive synthesis engine, but why? The subtractive-additive process can create sounds that are simply not possible or if they are, tediously complicated to program using subtractive synthesis alone. With Harmless, filters and phasers can be assigned unusual shapes and slopes, the slopes can even be defined in Hz resolution instead of octaves. Finally, Harmless gains control of each partial's frequency, opening a world of new possibilities for creating innovative sounds. But all that is just detail, put simply, Harmless is a ground-breaking subtractive-additive synthesizer that sounds amazing, has a huge repertoire and invites experimentation, as you are about to discover.

FL Studio is a complete software music production environment or Digital Audio Workstation (DAW). Representing more than 20 years of innovative development it has everything you need in one package to compose, arrange, record, edit, mix and master professional quality music.

FL Studio is now one of the world’s most popular DAWs and is used by the most creative artists.

Producer Edition provides the highest level of program functionality for FL Studio this includes:

• Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc).
• Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula based control of links. o Be hosted in other DAWs as a VST or connected through ReWire.
• Live music performance including video effect visualization.
• Mix and remix audio including apply real-time audio effects including delay, reverb & filtering.
• Multi-track audio recording up to the limit of your audio-interface inputs.
• Record & play MIDI input recording from keyboards, drum pads and controllers.
• Sequencing and arranging with pattern and linear workflow possible.
• Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.
• Make virtually any sound - FL Studio includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback and beat-slicing (With Rex 1 & 2 support).
• Synthesis techniques - span subtractive, modelling, FM, RM, granular and additive. With the addition of FL SynthMaker you can further create & share your own FL instruments, effects & MIDI control dashboards without the need to write basic code.
• Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favorite plugins and applications.
• Multi-channel audio inputs - With the ability to simultaneously capture all the inputs on your audio-interface, FL Studio has the flexibility to record a single vocalist, guitar or a full symphony orchestra.
• Arranging audio - Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recordings, time-stretching, pitchshifting, beat-slicing, cropping, editing and the re-arranging of audio with only a few mouse clicks.

Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.

• Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano roll's in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.
• Determine your own project design - In FL20, you decide how your project will be laid out, including multiple Arrangements. Unlike the competition, FL20`s Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.
• The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL`s proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

• Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process. Features:

• Time Signatures - FL Studio now supports Time Signatures, including unlimited Time Signature changes, independently, in both the Playlist and Patterns (Piano rolls). FL Studio's unique pattern system enables, simultaneous, multiple Time Signatures at any point in the Playlist.

• In-situ rendering (freezing) - Bounce selected Audio and Pattern Clips to audio. Options include; Consolidate Playlist Clip selections, Consolidate Playlist tracks, Render Clips to Audio, Render Clips to audio and replace source Pattern Clips. Use these features to compile audio-takes into a single Audio Clip, reduce CPU load by converting real-time synthesis and effects processing to audio or convert MIDI data to audio for further processing and resynthesis.

• Playlist Arrangements - The Playlist now supports multiple Arrangements (Playlists). Each Arrangement is the complete layout of Audio, Automation and Pattern Clips. Users can now work with multiple versions of their project saving ideas, sound design and arrangements.

• Plugin Delay Compensation (PDC) - PDC and Automatic PDC have been rebuilt, from the ground up, to support today's complex workflows. Manual and Auto-PDC can now co-exist. Updates include: Mixer send compensation, Wet/Dry mixer FX compensation, Audio input compensation, Metronome compensation, Plugin Wrapper custom values remembered per-plugin and improved PDC controls in the Mixer.

• Graph Editor - Returns, better than ever, with an improved note. Perfect for multi-touch control. The larger the touch display, the bigger users can make the Graph Editor.

• Legacy Precomputed FX - Are back, including; Boost (with or without clipping), EQ, Ring Modulation, Low Pass filter, Reverb, Stereo Delay and Pogo (Pitch bend). FL Studio 20 welcomes back tools that crafted the sound of the 2000`s.

• Channel Sampler - Includes two new Sample Start options. Start Offset - Moves the sample start point and is automatable. Sample Start - trims the sample data to create a new start point, useful for functions that process the entire sample window.

• Punch in/out - Right-click Time Markers and set them to automate the Master record switch. You can then work hands-free with your instrument and be sure the take is precisely located and recorded.

• Grouped takes - When loop-recording, multiple takes are grouped and auto-name after the Mixer track used.

• Consolidate takes - When comping your audio takes, use the new Playlist menu Consolidate playlist selection to merge selections into a new Audio Clip.

• Hide scratch tracks - When you are ready to clean up the Playlist either use the new Arrangements to start a fresh Playlist, or the View Hide collapsed grouped tracks.

FL Studio is a complete software music production environment or Digital Audio Workstation (DAW). Representing more than 20 years of innovative development it has everything you need in one package to compose, arrange, record, edit, mix and master professional quality music.

FL Studio is now one of the world’s most popular DAWs and is used by the most creative artists.

Producer Edition provides the highest level of program functionality for FL Studio this includes:

• Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc).
• Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula based control of links.
• Be hosted in other DAWs as a VST or connected through ReWire.
• Live music performance including video effect visualization.
• Mix and remix audio including apply real-time audio effects including delay, reverb & filtering.
• Multi-track audio recording up to the limit of your audio-interface inputs.
• Record & play MIDI input recording from keyboards, drum pads and controllers.
• Sequencing and arranging with pattern and linear workflow possible.
• Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.
• Make virtually any sound - FL Studio includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback and beat-slicing (With Rex 1 & 2 support).
• Synthesis techniques - span subtractive, modelling, FM, RM, granular and additive. With the addition of FL SynthMaker you can further create & share your own FL instruments, effects & MIDI control dashboards without the need to write basic code.
• Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favorite plugins and applications.
• Multi-channel audio inputs - With the ability to simultaneously capture all the inputs on your audio-interface, FL Studio has the flexibility to record a single vocalist, guitar or a full symphony orchestra.
• Arranging audio - Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recordings, time-stretching, pitchshifting, beat-slicing, cropping, editing and the re-arranging of audio with only a few mouse clicks.
• Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.
• Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano roll's in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.
• Determine your own project design - In FL20, you decide how your project will be laid out, including multiple Arrangements. Unlike the competition, FL20`s Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.
• The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL`s proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process. Features:

• Time Signatures - FL Studio now supports Time Signatures, including unlimited Time Signature changes, independently, in both the Playlist and Patterns (Piano rolls). FL Studio's unique pattern system enables, simultaneous, multiple Time Signatures at any point in the Playlist.
• In-situ rendering (freezing) - Bounce selected Audio and Pattern Clips to audio. Options include; Consolidate Playlist Clip selections, Consolidate Playlist tracks, Render Clips to Audio, Render Clips to audio and replace source Pattern Clips. Use these features to compile audio-takes into a single Audio Clip, reduce CPU load by converting real-time synthesis and effects processing to audio or convert MIDI data to audio for further processing and resynthesis.
• Playlist Arrangements - The Playlist now supports multiple Arrangements (Playlists). Each Arrangement is the complete layout of Audio, Automation and Pattern Clips. Users can now work with multiple versions of their project saving ideas, sound design and arrangements.
• Plugin Delay Compensation (PDC) - PDC and Automatic PDC have been rebuilt, from the ground up, to support today's complex workflows. Manual and Auto-PDC can now co-exist. Updates include: Mixer send compensation, Wet/Dry mixer FX compensation, Audio input compensation, Metronome compensation, Plugin Wrapper custom values remembered per-plugin and improved PDC controls in the Mixer.
• Graph Editor - Returns, better than ever, with an improved note. Perfect for multi-touch control. The larger the touch display, the bigger users can make the Graph Editor.
• Legacy Precomputed FX - Are back, including; Boost (with or without clipping), EQ, Ring Modulation, Low Pass filter, Reverb, Stereo Delay and Pogo (Pitch bend). FL Studio 20 welcomes back tools that crafted the sound of the 2000`s.
• Channel Sampler - Includes two new Sample Start options. Start Offset - Moves the sample start point and is automatable. Sample Start - trims the sample data to create a new start point, useful for functions that process the entire sample window.
• Punch in/out - Right-click Time Markers and set them to automate the Master record switch. You can then work hands-free with your instrument and be sure the take is precisely located and recorded.
• Grouped takes - When loop-recording, multiple takes are grouped and auto-name after the Mixer track used.
• Consolidate takes - When comping your audio takes, use the new Playlist menu Consolidate playlist selection to merge selections into a new Audio Clip.
• Hide scratch tracks - When you are ready to clean up the Playlist either use the new Arrangements to start a fresh Playlist, or the View Hide collapsed grouped tracks.

FL Studio is a complete software music production environment or Digital Audio Workstation (DAW). Representing more than 20 years of innovative development it has everything you need in one package to compose, arrange, record, edit, mix and master professional quality music.

FL Studio is now one of the world’s most popular DAWs and is used by the most creative artists.

Producer Edition provides the highest level of program functionality for FL Studio this includes:

• Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc).
• Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula based control of links. o Be hosted in other DAWs as a VST or connected through ReWire.
• Live music performance including video effect visualization.
• Mix and remix audio including apply real-time audio effects including delay, reverb & filtering.
• Multi-track audio recording up to the limit of your audio-interface inputs.
• Record & play MIDI input recording from keyboards, drum pads and controllers.
• Sequencing and arranging with pattern and linear workflow possible.
• Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.
• Make virtually any sound - FL Studio includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback and beat-slicing (With Rex 1 & 2 support).
• Synthesis techniques - span subtractive, modelling, FM, RM, granular and additive. With the addition of FL SynthMaker you can further create & share your own FL instruments, effects & MIDI control dashboards without the need to write basic code.
• Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favorite plugins and applications.
• Multi-channel audio inputs - With the ability to simultaneously capture all the inputs on your audio-interface, FL Studio has the flexibility to record a single vocalist, guitar or a full symphony orchestra.
• Arranging audio - Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recordings, time-stretching, pitchshifting, beat-slicing, cropping, editing and the re-arranging of audio with only a few mouse clicks.

Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired. o Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano roll's in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers. o Determine your own project design - In FL20, you decide how your project will be laid out, including multiple Arrangements. Unlike the competition, FL20`s Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.

The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL`s proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process. Features: - Time Signatures - FL Studio now supports Time Signatures, including unlimited Time Signature changes, independently, in both the Playlist and Patterns (Piano rolls). FL Studio's unique pattern system enables, simultaneous, multiple Time Signatures at any point in the Playlist. - In-situ rendering (freezing) - Bounce selected Audio and Pattern Clips to audio. Options include; Consolidate Playlist Clip selections, Consolidate Playlist tracks, Render Clips to Audio, Render Clips to audio and replace source Pattern Clips. Use these features to compile audio-takes into a single Audio Clip, reduce CPU load by converting real-time synthesis and effects processing to audio or convert MIDI data to audio for further processing and resynthesis. - Playlist Arrangements - The Playlist now supports multiple Arrangements (Playlists). Each Arrangement is the complete layout of Audio, Automation and Pattern Clips. Users can now work with multiple versions of their project saving ideas, sound design and arrangements. - Plugin Delay Compensation (PDC) - PDC and Automatic PDC have been rebuilt, from the ground up, to support today's complex workflows. Manual and Auto-PDC can now co-exist. Updates include: Mixer send compensation, Wet/Dry mixer FX compensation, Audio input compensation, Metronome compensation, Plugin Wrapper custom values remembered per-plugin and improved PDC controls in the Mixer. - Graph Editor - Returns, better than ever, with an improved note. Perfect for multi-touch control. The larger the touch display, the bigger users can make the Graph Editor. - Legacy Precomputed FX - Are back, including; Boost (with or without clipping), EQ, Ring Modulation, Low Pass filter, Reverb, Stereo Delay and Pogo (Pitch bend). FL Studio 20 welcomes back tools that crafted the sound of the 2000s. - Channel Sampler - Includes two new Sample Start options. Start Offset - Moves the sample start point and is automatable. Sample Start - trims the sample data to create a new start point, useful for functions that process the entire sample window. - Punch in/out - Right-click Time Markers and set them to automate the Master record switch. You can then workhands-freewith your instrument and be sure the take is precisely located and recorded. - Grouped takes - When loop-recording, multiple takes are grouped and auto-name after the Mixer track used. - Consolidate takes - Whencompingyour audio takes, use the new Playlist menuConsolidate playlist selectionto merge selections into a new Audio Clip. - Hide scratch tracks - When you are ready to clean up the Playlist either use the newArrangementsto start a fresh Playlist, or theView Hide collapsed grouped tracks`.

FL Studio is a complete software music production environment or Digital Audio Workstation (DAW). Representing more than 20 years of innovative development it has everything you need in one package to compose, arrange, record, edit, mix and master professional quality music.

FL Studio is now one of the world’s most popular DAWs and is used by the most creative artists.

Producer Edition provides the highest level of program functionality for FL Studio this includes:

• Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc).
• Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula based control of links. o Be hosted in other DAWs as a VST or connected through ReWire.
• Live music performance including video effect visualization.
• Mix and remix audio including apply real-time audio effects including delay, reverb & filtering.
• Multi-track audio recording up to the limit of your audio-interface inputs.
• Record & play MIDI input recording from keyboards, drum pads and controllers.
• Sequencing and arranging with pattern and linear workflow possible.
• Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.
• Make virtually any sound - FL Studio includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback and beat-slicing (With Rex 1 & 2 support).
• Synthesis techniques - span subtractive, modelling, FM, RM, granular and additive. With the addition of FL SynthMaker you can further create & share your own FL instruments, effects & MIDI control dashboards without the need to write basic code.
• Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favorite plugins and applications.
• Multi-channel audio inputs - With the ability to simultaneously capture all the inputs on your audio-interface, FL Studio has the flexibility to record a single vocalist, guitar or a full symphony orchestra.
• Arranging audio - Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recordings, time-stretching, pitchshifting, beat-slicing, cropping, editing and the re-arranging of audio with only a few mouse clicks.

Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.

• Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano roll's in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.
• Determine your own project design - In FL20, you decide how your project will be laid out, including multiple Arrangements. Unlike the competition, FL20`s Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.
• The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL`s proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

• Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process. Features:

• Time Signatures - FL Studio now supports Time Signatures, including unlimited Time Signature changes, independently, in both the Playlist and Patterns (Piano rolls). FL Studio's unique pattern system enables, simultaneous, multiple Time Signatures at any point in the Playlist.

• In-situ rendering (freezing) - Bounce selected Audio and Pattern Clips to audio. Options include; Consolidate Playlist Clip selections, Consolidate Playlist tracks, Render Clips to Audio, Render Clips to audio and replace source Pattern Clips. Use these features to compile audio-takes into a single Audio Clip, reduce CPU load by converting real-time synthesis and effects processing to audio or convert MIDI data to audio for further processing and resynthesis.

• Playlist Arrangements - The Playlist now supports multiple Arrangements (Playlists). Each Arrangement is the complete layout of Audio, Automation and Pattern Clips. Users can now work with multiple versions of their project saving ideas, sound design and arrangements.

• Plugin Delay Compensation (PDC) - PDC and Automatic PDC have been rebuilt, from the ground up, to support today's complex workflows. Manual and Auto-PDC can now co-exist. Updates include: Mixer send compensation, Wet/Dry mixer FX compensation, Audio input compensation, Metronome compensation, Plugin Wrapper custom values remembered per-plugin and improved PDC controls in the Mixer.

• Graph Editor - Returns, better than ever, with an improved note. Perfect for multi-touch control. The larger the touch display, the bigger users can make the Graph Editor.

• Legacy Precomputed FX - Are back, including; Boost (with or without clipping), EQ, Ring Modulation, Low Pass filter, Reverb, Stereo Delay and Pogo (Pitch bend). FL Studio 20 welcomes back tools that crafted the sound of the 2000`s.

• Channel Sampler - Includes two new Sample Start options. Start Offset - Moves the sample start point and is automatable. Sample Start - trims the sample data to create a new start point, useful for functions that process the entire sample window.

• Punch in/out - Right-click Time Markers and set them to automate the Master record switch. You can then work hands-free with your instrument and be sure the take is precisely located and recorded.

• Grouped takes - When loop-recording, multiple takes are grouped and auto-name after the Mixer track used.

• Consolidate takes - When comping your audio takes, use the new Playlist menu Consolidate playlist selection to merge selections into a new Audio Clip.

• Hide scratch tracks - When you are ready to clean up the Playlist either use the new Arrangements to start a fresh Playlist, or the View Hide collapsed grouped tracks.

FL Studio is a complete software music production environment or Digital Audio Workstation (DAW). Representing more than 20 years of innovative development it has everything you need in one package to compose, arrange, record, edit, mix and master professional quality music.

FL Studio is now one of the world’s most popular DAWs and is used by the most creative artists.

FL Studio is a complete software music production environment or Digital Audio Workstation (DAW). Representing more than 20 years of innovative development it has everything you need in one package to compose, arrange, record, edit, mix and master professional quality music.

FL Studio is now one of the world’s most popular DAWs and is used by the most creative artists.

Producer Edition provides the highest level of program functionality for FL Studio this includes:

• Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc).
• Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula based control of links. o Be hosted in other DAWs as a VST or connected through ReWire.
• Live music performance including video effect visualization.
• Mix and remix audio including apply real-time audio effects including delay, reverb & filtering.
• Multi-track audio recording up to the limit of your audio-interface inputs.
• Record & play MIDI input recording from keyboards, drum pads and controllers.
• Sequencing and arranging with pattern and linear workflow possible.
• Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.
• Make virtually any sound - FL Studio includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback and beat-slicing (With Rex 1 & 2 support).
• Synthesis techniques - span subtractive, modelling, FM, RM, granular and additive. With the addition of FL SynthMaker you can further create & share your own FL instruments, effects & MIDI control dashboards without the need to write basic code.
• Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favorite plugins and applications.
• Multi-channel audio inputs - With the ability to simultaneously capture all the inputs on your audio-interface, FL Studio has the flexibility to record a single vocalist, guitar or a full symphony orchestra.
• Arranging audio - Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recordings, time-stretching, pitchshifting, beat-slicing, cropping, editing and the re-arranging of audio with only a few mouse clicks.

Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired. o Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano roll's in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers. o Determine your own project design - In FL20, you decide how your project will be laid out, including multiple Arrangements. Unlike the competition, FL20`s Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.

The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL`s proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process. Features: - Time Signatures - FL Studio now supports Time Signatures, including unlimited Time Signature changes, independently, in both the Playlist and Patterns (Piano rolls). FL Studio's unique pattern system enables, simultaneous, multiple Time Signatures at any point in the Playlist. - In-situ rendering (freezing) - Bounce selected Audio and Pattern Clips to audio. Options include; Consolidate Playlist Clip selections, Consolidate Playlist tracks, Render Clips to Audio, Render Clips to audio and replace source Pattern Clips. Use these features to compile audio-takes into a single Audio Clip, reduce CPU load by converting real-time synthesis and effects processing to audio or convert MIDI data to audio for further processing and resynthesis. - Playlist Arrangements - The Playlist now supports multiple Arrangements (Playlists). Each Arrangement is the complete layout of Audio, Automation and Pattern Clips. Users can now work with multiple versions of their project saving ideas, sound design and arrangements. - Plugin Delay Compensation (PDC) - PDC and Automatic PDC have been rebuilt, from the ground up, to support today's complex workflows. Manual and Auto-PDC can now co-exist. Updates include: Mixer send compensation, Wet/Dry mixer FX compensation, Audio input compensation, Metronome compensation, Plugin Wrapper custom values remembered per-plugin and improved PDC controls in the Mixer. - Graph Editor - Returns, better than ever, with an improved note. Perfect for multi-touch control. The larger the touch display, the bigger users can make the Graph Editor. - Legacy Precomputed FX - Are back, including; Boost (with or without clipping), EQ, Ring Modulation, Low Pass filter, Reverb, Stereo Delay and Pogo (Pitch bend). FL Studio 20 welcomes back tools that crafted the sound of the 2000s. - Channel Sampler - Includes two new Sample Start options. Start Offset - Moves the sample start point and is automatable. Sample Start - trims the sample data to create a new start point, useful for functions that process the entire sample window. - Punch in/out - Right-click Time Markers and set them to automate the Master record switch. You can then workhands-freewith your instrument and be sure the take is precisely located and recorded. - Grouped takes - When loop-recording, multiple takes are grouped and auto-name after the Mixer track used. - Consolidate takes - Whencompingyour audio takes, use the new Playlist menuConsolidate playlist selectionto merge selections into a new Audio Clip. - Hide scratch tracks - When you are ready to clean up the Playlist either use the newArrangementsto start a fresh Playlist, or theView Hide collapsed grouped tracks`.

Order knob A higher order setting will increase the order of the filters used by the phaser, creating a more pronounced effect with more peaks and troughs.

Cutoff knob Sets the cutoff of the filters in the phaser, moving the peaks and troughs in the audio spectrum.

Depth knob Adjusts the depth of modulation of the cutoff.

Rate knob Adjusts the rate of modulation of the cutoff.

Spread knob Adds a phase offset for the cutoff modulation between the left and right channels, for a stereo widening effect.

Mix knob The dry/wet mix of this effect. A lower value will let some of the unmodified signal through.

Settings panel Whenever you have your mouse cursor over a snapin there is a small arrow at the top right corner (not visible in screenshot). It opens a settings panel where you handle presets.

It also has a "randomize" button that can be useful. I guess...

Enabled checkbox The small checkbox to the left of the plugin name is a checkbox that bypasses the effect when disabled.

Resize handle The bottom right corner of all Kilohearts plugins is a resize handle for scaling the UI to any size. This allows you to get a good view of the controls whatever the screen resolution, and also comes in handy if you need big controls, e.g. when using Phaser as a real-time effect on a touchscreen monitor during a live set. (This is not available when the snapin is used inside a snapin host.)

Phase Plant offers four signal generators. You can add as many as you like and route them freely between each other. There are several types of utility modules to allow you even greater freedom in designing your sound such as groups, mixing, and aux options. For each group you can add an output module to send the sound to the effects chain, or you can use a group only as a modulation source for FMing any other generator. That’s right, Phase Plant allows for frequency modulation between all types of signal generation!

(Taken from kiloHearts' official product page)

Phase Plant offers four signal generators. You can add as many as you like and route them freely between each other. There are several types of utility modules to allow you even greater freedom in designing your sound such as groups, mixing, and aux options.

For each group you can add an output module to send the sound to the effects chain, or you can use a group only as a modulation source for FMing any other generator.

That’s right, Phase Plant allows for frequency modulation between all types of signal generation!

Fine Collection of Effect Plug-ins

Hive was made to be fast simple. The streamlined single screen UI lets you dive into sound creation immediately. A fluid workflow invites you to tweak away until your sound is just right ( wrong in just the right way). Hive was engineered to be light on CPU, won't slow you down while you work. But being fastdoesn't mean we've sacrificed sound quality creative control - Hive is packed with features, controls enough flexibility to deliver stunning sounds.

Super Fast Super Synth for Everyone

Sleek, streamlined, and supercharged, with effortless workflow and low CPU usage, Hive 2 can be used to create stunning patches in next to no time at all. Hive 2 is quick and uncomplicated, without sacrificing flexibility or audio quality. Main Features Include:

• Low CPU usage -3 different synth engines
• 2 oscillators with wavetable option, 16x unison and tunable sub-oscillators
  • Drag & drop modulation assignment
  • 12x2 modulation matrix slots with modifiers for curvature, rectification, quantization, sample & hold, slew rate
  • 4 user-definable XY control pads
  • Arpeggiator, step sequencer with realtime recording
  • Unique 8-step shape sequencer with 4 independent outputs
  • 2 function generators can serve as extra envelopes, gate generators, LFOs, slew limiters
  • 7 rearrangeable effects: distortion, chorus, delay, phaser, EQ, reverb, compressor
  • Panel presets for each oscillator, filter, matrix slot, etc., with copy, load and save options
  • Solo buttons allow auditioning individual oscillator or filter signals
  • Scope to view the audio output or any modulation signal, with freeze option and zoom controls
  • Microtuning support (.tun files)
  • 2000+ NKS-ready factory presets by some of our favourite sound designers, many more available online Resizable UI from 70% to 200%

Powerful Dynamics Processor

Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface a rich feature set give you hands-on control over all details of your sound. Presswerk doesn't emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.

Magnatic Tape Emulation Software

We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement on developing an architecture that would be flexible enough for the job, we knew we had nailed it... But we couldn't stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads a global feedback path, which made an uber-tape-delay realistic one-shot tape flanging possible.

Large Digital Modular Synthesis

Bazille is a large modular system combining digital oscillators with analogue-style filters modeled effects, with a flexibility that only modular patching can provide.

Any Cable Everywhere Easy Modular

ACE belongs to a new generation of synthesizers developed with the latest, fastest computers in mind. ACE offers classic modular synthesis more at a fraction of the cost of dedicated hardware. But like its hardware forebears, you can patch any output into any input: the number of different ways to connect modules together is practically infinite. Needless to say, you will never run out of cables!

Twangström: Shake, Rattle, and Roll

A flexible spring reverb box-of-tricks. If you're familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.

Modern Bucket Brigade Delay Device

A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. It is named "Colour Copy" because it can deliver the kind of coloration people still love in classic bbd units, but with a wider variety of colors. "Colour Copy" started life as the little delay unit called "Lyrebird" built into the U-he Repro-1 Synth, but the sound was too good not to be developed further to become its own independent FX plug-in.