Andrew Huang

Visible in this November 30, 2020 video at 1:05.

Featured in this August 29, 2020 video. It is among the modules used for the sample pack WMD Percussion, as specified in the video description.

I made 300 samples using Fracture / Crucible / Crater / Chimera that you can get here: http://andrewhuang.com/store

Visible in this November 30, 2020 video at 6:29.

Visible up close at 1:53.

Visible in this November 30, 2020 video at 2:43.

Shown up close in this November 30, 2020 video at 6:03.

First visible in this video at 3:01.

First visible in this video at 5:16.

Visible at 0:37 in this video.

In the video "AKEMIE'S TAIKO — Walkthrough & Space Beats," Andrew Huang showcases the 4ms Dual Looping Delay (DLD) at the beginning, demonstrating its use in his modular synthesizer setup.

Used on "Ganglia", as featured in this March 25, 2020 video at 18:21.

This is Pam, Pamela's NEW Workout, fantastic new module. One of my favorite modules, probably, like, the most functionality for something of its size. It's a rhythm generator and there's a lot of different ways that you can control what kind of rhythyms it generates, but something really is that it has these two CV inputs and you can assign those to modulate the timings of those rhythms. So on my track "Ganglia", I had that happening on some hi-hats and some other little background percussive noises and at the same time I was using another signal to modulate the pitch of those samples randomly

Featured in this July 27, 2017 video. It was used to created the Suture Sound Kastle sample pack.

Visible throughout this January 18, 2018 video.

"So all those samples I showed you I loaded up onto a flash drive and put that into Qu-Bit's Nebulae. This is the newest module in my collection. It uses granular synthesis, though it's manipulating tiny little pieces of audio and it can do this with samples you load in on the flash card or with live audio that you feed into it."

"Anyway, all of these parameters I've been showing you, including the file selection can be controlled with CVs. So I was using the Erica Synts Pico Sequencer and Pico Random to generate basically just a bunch of different random signals."

"...and then the drums were all from this Pico DRUMS module and the Make Noise Tempi. Tempi is an interesting module because you basically just tap tempo regular rythyms for each of its six channels and they will be quanitized to the overall tempo that you can set."

First visible in this video at 5:16.

First visible in this video at 5:16.

First visible in this video at 5:16.

Introduced in this video at 0:29.

"This module is the Tiptop Audio Z-DSP. It's got a bunch of different cards you can input to give different effects and I've got the Halls of Valhalla, amazing reverb card, in there."

Visible at 0:37 in this video.

Visible in this video at 1:35.

Visible up close at 1:53.

Visible at the start of this video.

Visible at the start of this video.

"So let's start by sending Taiko to the Zlob Vnicursal VCA, which I use as a really great little six-channel mixer..."

Used for some of the samples on Space Slime, as specified in the product description.

Many of the sounds were made with his collection of boutique, analog, and modular synths, as well as some iconic vintage pieces he has had access to such as TONTO (used by Stevie Wonder) and the actual ARP 2500 that played the famous alien message in Close Encounters of the Third Kind.

Visible in this November 30, 2020 video at 1:03.

Visible in this November 30, 2020 video at 1:10.