Damon Fowler's Gear
“It’s a Telecaster body painted like a goldtop Les Paul, and it has P-90s.”
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I also used a ’65 or ’66 Fender Princeton Reverb loaned to me by a friend. I had a bunch of different amps, and I normally use a Super Reverb live, but Scott Cable, the producer of Sugar Shack, told me to try it. Once we heard it I was like, “Oh man, that’s the one right there.” I used that for the entire album, with the volume typically set at 5, 6, or maybe even 7.
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“I like to create a song skeleton out of riffs and chords on a mid-’60s Epiphone Cortez acoustic, and then flesh it out on an electric instrument,”
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I also used a ’65 or ’66 Fender Princeton Reverb loaned to me by a friend. I had a bunch of different amps, and I normally use a Super Reverb live, but Scott Cable, the producer of Sugar Shack, told me to try it. Once we heard it I was like, “Oh man, that’s the one right there.” I used that for the entire album, with the volume typically set at 5, 6, or maybe even 7.
Find it on:
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Discography
