1965 Fender Super Reverb

"My Super Reverb has been doing that live with The Cribs and Modest Mouse as well"

In this video you can see B.B. King playing trough a fender super reverb.

In this video (around 3:08), Bill says, that he uses Fender Super Reverb.

In an interview with [PremierGuitar](http://www.premierguitar.com/articles/19584-tedeschi-trucks-band-all-in-the-family?page=3), the 1965 Super Reverb is listed as one of Derek's amps.

At 0:40 seconds you can see Nick using the Fender Super Reverb Amp.

2 different Super Reverbs

MGMT used this amp when recording their album Congratulations as stated in this article published by Sound on Sound. "James bought that late in the process,” says VanWyngarden. "We were playing it through a [Fender] Super Reverb amp, and it's a unique sound that people haven't really used that much. We used the 'Clav' sound and it was really thick through a guitar amp. It's pretty responsive. The strings are plastic and pretty loose. It's kind of hard to figure out how to play but it's pretty cool.”

In this article you can see that Johnny states he uses a Fender Super Reverb. Artist quotes "I've got a Fender Super Reverb"

This photograph shows David resting on his favourite Fender Super Reverb Amplifier Blackface in his apartment in New York City.

Used on classic songs such as Holiday in Cambodia

In 0:41 you can see Dan's amp.

In this article from Premier Guitar we can see that he uses a fender super reverb amp.

On the picture, Verlaine can be seen playing with his band Television, in their early days, back when Richard Hell was still in the band. Also, Richard Lloyd said in a quote from his website: "We used to use Fender Super Reverbs. Black face with 4 ten inch Jensens. We both had those for years. Then for some reason we switched to the Music Man equivalent".

In this video, you can see to Alain Johannes talking about his gear and how he has the Fender Super Reverb and the Fender Twin Reverb

If you look in this photo, you will see the amp on the right side. I know it is a super reverb, but not sure if it is a reissue or not. This picture is from KEXP when they were live at the Triple Door in 2013.

FAQ 17 Q. What instrument/amp did you use in the 60s recording sessions and how often would you change strings? A. I used the Fender Precision bass, with the Fender Super Reverb open-back 4-10" speakers amp for a long time. Then about 1966-67 or so, I started using the enclosed cabinet double-amped Versatone amp (3-4 amps carted around by my cartage company, Van Cartage). You always wiped your strings after each date, and I would carry a chamois for this purpose plus would wipe the strings off with jewelry cleaner once in awhile to keep the strings sounding live, being careful not to get any on the instrument.

According to this premier guitar article, Susan Tedeschi uses two 1965 Fender Super reverbs when touring with the Tedeschi Trucks band.

"...An AC 30 and a Fender super reverb..."

In this YT video Tommy plays both a Super Reverb and a Fender Vibro King.

At 17:39, you can see his amp in the corner.

"An Astrobrite fan just sent an old magazine showing the rig rundown for Medicine, lovesliescruehing, Lilys, Half String and more. Prettttty neat!"

Listed on his 2000 setup

On this Instaram post Henri shows two amps that he recieved from Fender, including a Fender Super Reverb.

He uses it among two other amps to get different sound characteristics. He is plugged into the vibrato channel on the amp with no vibrato on just with the reverb dialed in on 3-4. He says the amp is a big part of his sound in the band. He splits his signal at the end of the effect chain and sends a dry signal from digitech whammy directly to this amp as oposed to his vox which gets the wet signal from the whammy.

This is the amplifier Ben used on tour, this example is from San Diego. I'm sure it's used on tour frequently. (It is mentioned by the homer858)

Playing through Super Reverb in pic

I also used a ’65 or ’66 Fender Princeton Reverb loaned to me by a friend. I had a bunch of different amps, and I normally use a Super Reverb live, but Scott Cable, the producer of Sugar Shack, told me to try it. Once we heard it I was like, “Oh man, that’s the one right there.” I used that for the entire album, with the volume typically set at 5, 6, or maybe even 7.

Fender Super Reverb (4th picture)

Nick while explaining the amp said he was going for a more natural classic tube amp tone