Daniel Lanois

Daniel Lanois uses the JAM Pedals WaterFall Chorus & Vibrato Pedal, praised for its ability to emulate the iconic sound of a Roland JC-120. This information is verified by JAM Pedals, known for their handmade analog effects.

"The Delay Llama with it's infinite hold gives you just that, limitless possibilities and when paired with the the expression pedal you can really create some atmospheric sonics."

Daniel plays: WaterFall, Delay Llama+, Fuzz Phrase, Big Chill

In the "Gearbox" section of this interview with Premier Guitar magazine, the Boomerang appears in Lanois' list of gear.

"My first real exposure to the original Kay Fuzz came via Daniel Lanois’ soundtrack to the film Sling Blade."

In this "Rig Rundown" interview with Premier Guitar magazine, a Morley optical volume pedal is shown in Lanois' effects chain.

In this image posted to Lanois' Flickr account, we see Black Dub recording in his Los Angeles studio. There is a Deluxe Memory Man unit on the wall shelf just behind Trixie, sitting next to a microphone.

Daniel plays: WaterFall, Delay Llama+, Fuzz Phrase, Big Chill

This "Rig Rundown" interview with Premier Guitar magazine lists a TU-3 as one of the few pedals in Lanois' effects chain.

In this interview with Guitar World magazine, Lanois is asked, "How do you get that amp-being-driven-to-destruction tone on 'The End'?"

Lanois: "That is as simple as my Vox AC30 cranked up to ten. It is an early ’60s copper top—not a top boost, with the blue speakers. I use the Normal channel. I was using my ’56 gold-top Les Paul with P-90s. It was the same one I used on Bob Dylan’s Time Out of Mind record. I think it is my best sounding Les Paul, the darkest sounding one anyway. For the initial performance, I was using a DigiTech Whammy pedal for some of the octave dive bombs. I was also using a cheap DBX DJ box that gives you an octave below."

In this image posted to Lanois' Flickr account we see a pair of TU-12H tuners perched atop one of his Fender amplifiers.