David Ryan Harris

"His pedalboard signal path is:

Guitar —> T.C. Electronic Polytune Mini —> Vertex Dynamic Distortion —> Electro-harmonix Mel9 —> Strymon El Capistan —> Strymon Bluesky —> T.C. Electronic Ditto Looper —> Vertex Boost (not pictured) —> '68 Fender Princeton Reverb Reissue" - from Vertex Effects, the company which built a new pedalboard for him. Original article here.

In this Instagram post, David Ryan Harris uses the Browne Amplification Protein on his pedalboard. He is currently using it on his live rig and has talked about it in interviews.

"He's using the Dynamic Distortion in place of his old Fuzz Face and to get Marshall tones from a small Fender combo, while still being able to achieve clean up with his volume knob for sparkley clean chime. He also has a Vertex Boost thats sits on top of the amp, and is used to hit the preamp tubes harder."

TMG artist David Ryan Harris presents his signature DRHIVE pedal by Taylor McGrath Guitars

"His pedalboard signal path is:

Guitar —> T.C. Electronic Polytune Mini —> Vertex Dynamic Distortion —> Electro-harmonix Mel9 —> Strymon El Capistan —> Strymon Bluesky —> T.C. Electronic Ditto Looper —> Vertex Boost (not pictured) —> '68 Fender Princeton Reverb Reissue" - from Vertex Effects, the company which built a new pedalboard for him. Original article here.

"His pedalboard signal path is:

Guitar —> T.C. Electronic Polytune Mini —> Vertex Dynamic Distortion —> Electro-harmonix Mel9 —> Strymon El Capistan —> Strymon Bluesky —> T.C. Electronic Ditto Looper —> Vertex Boost (not pictured) —> '68 Fender Princeton Reverb Reissue" - from Vertex Effects, the company which built a new pedalboard for him. Original article here.

"His pedalboard signal path is:

Guitar —> T.C. Electronic Polytune Mini —> Vertex Dynamic Distortion —> Electro-harmonix Mel9 —> Strymon El Capistan —> Strymon Bluesky —> T.C. Electronic Ditto Looper —> Vertex Boost (not pictured) —> '68 Fender Princeton Reverb Reissue" - from Vertex Effects, the company which built a new pedalboard for him. Original article here.

"His pedalboard signal path is:

Guitar —> T.C. Electronic Polytune Mini —> Vertex Dynamic Distortion —> Electro-harmonix Mel9 —> Strymon El Capistan —> Strymon Bluesky —> T.C. Electronic Ditto Looper —> Vertex Boost (not pictured) —> '68 Fender Princeton Reverb Reissue" - from Vertex Effects, the company which built a new pedalboard for him. Original article here.

"His pedalboard signal path is:

Guitar —> T.C. Electronic Polytune Mini —> Vertex Dynamic Distortion —> Electro-harmonix Mel9 —> Strymon El Capistan —> Strymon Bluesky —> T.C. Electronic Ditto Looper —> Vertex Boost (not pictured) —> '68 Fender Princeton Reverb Reissue" - from Vertex Effects, the company which built a new pedalboard for him. Original article here.

Shot of David Ryan Harris pedalboard featuring the 385 Overdrive by Walrus Audio. https://www.instagram.com/p/CMc7Errn-R-/

Shot of David Ryan Harris's new board featuring the Ages Overdrive by Walrus Audio. https://www.instagram.com/p/CKQc2_FHTyl/

David Ryan Harris's pedalboard featuring the Walrus Audio D1 and the Walrus Audio Ages Overdrive. https://www.instagram.com/p/CC0L2EMH1FE/

The 29 Pedals Euna is shown here as part of David's Sob Rock pedalboard.

The Xotic Effects EP Booster is shown here as part of David's Sob Rock pedalboard.

The Cooper FX Outward V2 is shown here as part of David's Sob Rock pedalboard.

The Strymon Flint is shown here as part of David's Sob Rock pedalboard.

The MOD Devices Dwarf is shown here as part of David's Sob Rock pedalboard.

The UA Starlight Echo is shown here as part of David's Sob Rock pedalboard.

The Source Audio Collider is shown here as part of David's Sob Rock pedalboard.

On this YT video (2:02 min) you can see he's using Ernie Ball VPJR.

Can be seen talking about the Prism at around the 5:45 mark.